Henri Gabriel Mulet (17 October 1878 – 20 September 1967) was a French composer, pipe and reed organist, and cellist.
Henri Mulet
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Mulet (1936)
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| Background information | |
| Born | (1878-10-17)17 October 1878 Paris, France |
| Died | 20 September 1967(1967-09-20) (aged 88) Draguignan, France |
| Genres | Classical |
| Occupation(s) | Composer, organist, cellist |
| Instrument(s) | Pipe organ, reed organ, cello |
| Spouse(s) | Isabelle-Emilie-Marie Rochereau |
Mulet was born on 17 October 1878 in Paris. His father Gabriel Léon Mulet was choirmaster of the Basilica of Sacré-Cœur, where his mother Blanche Victoire Augustine Gatin would also play the harmonium; as a boy he sometimes deputised for her. He studied at the Paris Conservatoire from 1890, where his teachers included Jules Delsart, Raoul Pugno, Xavier Leroux, Alexandre Guilmant and Charles-Marie Widor. He originally intended to be a cellist, but later served as an organist at Saint-Pierre-de-Montrouge and also taught at the École Niedermeyer and the Schola Cantorum, where he worked with his friend Vincent d'Indy. From 1922 to 1937 he was organist at the Église Saint-Philippe-du-Roule.[1][2]
Mulet's most notable works are for organ: the Esquisses byzantines (1914-1919) and the Carillon-Sortie (1911/12). The former, a set of ten pieces, was a recollection of the Romano-Byzantine architectural style of Sacré-Cœur and five of the pieces are named after some of its features, including "Campanile" (bell-tower) and "Chapelle des Morts" (chapel of the dead). The Carillon has been called "one of the great showpieces of French Romantic organ music".[2] Mulet's complete organ works were recorded in a set of two CDs in 1989, played by Paul Derett.[3]
In 1922 Mulet published "Les tendances et antireligieuses néfastes de l'orgue moderne", an attack on modern schools of organ building; this was followed by similar essays. He deplored the trend to create organs which he felt were more appropriate for the cinema than for church: the organ was "a stained-glass window. Its tones of imposing and embracing calm flood the air of our cathedrals, in the same way that ...stained-glass windows bring down meditation upon the congregation."[2]
In 1937, Mulet, following a financial crisis, destroyed his manuscripts and many of his possessions and left Paris for Draguignan (Var). There he continued as a church organist until 1958, often in poverty (his wife opened a toy-shop in the hope of increasing their income). Ill-health led Mulet and his wife, Isabelle-Emilie-Marie (née Rochereau) to retire to a convent in Draguignan, where he died in 1967.[1][2][4]
Mulet's compositions include:[5]
Organ
Harmonium
Orchestral
Vocal
Chamber and instrumental
Essays
France
