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In 1986 his work "Symmetry and Inertia" was presented at the First National Guzheng Academic Conference along with the performance of the Guzheng piece ''dahu shangshan'' (Fighting the tiger in the mountain) by his disciple Wang Zhongshan using the fast fingering he developed which led to the recognition of his technique.<ref name=":6">{{Cite web |title=王中山《中国古筝艺术的传承与发展》_古筝视频-古筝入门教学视频-古筝电视频道-中国古筝网 |url=https://m.guzheng.cn/jiemu/171.html |access-date=2024-05-09 |website=m.guzheng.cn}}</ref><ref name=":7">{{Cite web |date=2018 |title=The Development of Guzheng Playing Technique and Its Application in Teaching |url=https://www.atlantis-press.com/article/25892658.pdf |access-date=2024-05-09 |website=atlantis-press.com}}</ref><ref>{{Cite web |title=王中山 (WANG Zhong-shan) – 中國民族音樂資料館 Chinese Music Archive |url=https://chinesemusicdb.com/zh_cn/2023/08/31/%e7%8e%8b%e4%b8%ad%e5%b1%b1/ |access-date=2024-05-09 |language=zh-CN}}</ref>
Many of his students and master class students hold leading positions in various music performance groups and music institutions, including, Wang Zhongshan (Professor at China Conservatory of Music),<ref>{{Cite web |title=王中山-王中山古筝曲-王中山古筝谱-中国古筝网 |url=https://www.guzheng.cn/zhengren/show/96.html |access-date=2024-05-09 |website=www.guzheng.cn}}</ref> Li Meng (Professor at the Central Conservatory of Music),<ref>{{Cite web |title=国乐名家 |url=https://www.dunhuangguoyue.com/index.php?m=content&c=index&a=show&catid=131&id=148 |access-date=2024-05-09 |website=dunhuangguoyue.com}}</ref> Fan Yifeng (Professor at Xi'an Conservatory of Music),<ref>{{Cite web |title=著名古筝演奏家-樊艺凤-华音网 |url=https://www.huain.com/musician/fanyifeng/76.html |access-date=2024-05-09 |website=www.huain.com}}</ref> Wang Wei (Professor at Shanghai Conservatory of Music),<ref>{{Cite web |title=王蔚 // 中国古筝艺术家、上海音乐学院教授、博士生导师 |url=https://www.artassociation.asia/master/wangwei/ |access-date=2024-05-09 |website=新加坡亚洲艺术协会 |language=zh-CN}}</ref> Luo Xiaoci (Director of Shanghai National Orchestra), Gao Liang (Professor at Shenyang Conservatory of Music),<ref>{{Cite web |title=沈阳音乐学院 |url=http://www.sycm.edu.cn/dis_Persons.aspx?Vid=-1&Nid=234 |access-date=2024-05-09 |website=www.sycm.edu.cn}}</ref> Chen Weimin (Associate professor at Xinghai Conservatory of Music),<ref>{{Cite web |title=陈蔚旻 |url=https://www.concerthall.com.cn/newpage.php?id=9498 |access-date=2024-05-09 |website=concerthall.com.cn}}</ref> Zhang Tong (Professor at Harbin Normal University),<ref>{{Cite web |title=张 彤 - 古筝名家 - 敦煌国乐网 |url=https://www.dunhuangguoyue.com/index.php?m=content&c=index&a=show&catid=131&id=163 |access-date=2024-05-09 |website=www.dunhuangguoyue.com}}</ref> Sun Zhuo (Professor at Shaanxi Normal University),<ref>{{Cite web |title=Introduction to Sun Zhuo（guzheng）Master performer - zgmzyq.cn |url=https://www.zgmzyq.cn/en/artist/sun-zhuo.html |access-date=2024-05-09 |website=民族乐器网 |language=en-us}}</ref> and Mao Ya (Lecturer at the University of Tokyo in Japan),<ref>{{Cite web |title=对话古筝演奏家毛丫：筝艺与日本 - 大龢论坛 - 中乐图鉴 |url=http://www.zhongyuetujian.com/bbs/viewthread.php?tid=5217 |access-date=2024-05-09 |website=www.zhongyuetujian.com}}</ref> and others.<ref>{{Cite web |title=上海文化Talk｜上海市政协委员、上海民族乐团团长罗小慈：江南文化焕发新生靠的是打破惯性和世界格局 |url=http://www.why.com.cn/wx/article/2020/01/17/15792265881387226987.html |access-date=2024-05-09 |website=www.why.com.cn}}</ref><ref name=":2" /><ref>{{Cite web |title=“似是故人来”·四季诗词引 {{!}} 刘颖古筝音乐会暨2023古筝邀请赛开启-演出_古筝新闻-古筝精品阅读-中国古筝网 |url=https://m.guzheng.cn/news/291440.html |access-date=2024-05-09 |website=m.guzheng.cn}}</ref>
== Guzheng performance techniques ==
In 1972, he developed the ''kuaisu zhixu'' (Fast Finger Sequence Technique System) which drew on the playing techniques of piano, violin, and pipa. This system is widely used by the Guzheng industry in China.<ref name=":4" /> This system solved the limitation of Guzheng in playing fast passages of heptatonic scale and facilitated the inclusion of the Guzheng to perform with the rest of the traditional instruments in an orchestra setting. This system changed three finger wearing plectra playing in octave symmetry to all eight fingers wearing [[Plectrum|plectra]] plucking approach. This change expanded the potential Guzheng fingering sequences, allowing playing fast passages of [[pentatonic scale]], [[heptatonic scale]], and [[chromatic scale]].<ref>{{Cite book |last=中国民族管弦乐学会编 |url=https://books.google.com/books?id=u7f_DwAAQBAJ&newbks=1&newbks_redir=0&dq=%22%E8%B5%B5%E6%9B%BC%E7%90%B4%22&hl=uk&source=gbs_navlinks_s |title=乐谭.第七集，“新绎杯”杰出民乐演奏家（弹拨乐、打击乐）论评 |date=2019-05-01 |publisher=Beijing Book Co. Inc. |isbn=978-7-103-05637-0 |language=zh}}</ref><ref>{{Cite book |url=https://books.google.com/books?id=ThkxAAAAMAAJ&q=%22%E8%B5%B5%E6%9B%BC%E7%90%B4%22&dq=%22%E8%B5%B5%E6%9B%BC%E7%90%B4%22&hl=uk&newbks=1&newbks_redir=0&sa=X&ved=2ahUKEwjnhuuJrLqFAxV_PhAIHW8_B0A4ChDoAXoECAkQAg |title=音乐, 舞蹈硏究 |date=1995 |publisher=中国人民大学书报资料社 |language=zh}}</ref><ref>{{Cite web |title=古筝演奏技法的三次革命 |url=http://www.guzhengw.cn/upload_files/other/tp/zp/234_057.pdf |access-date=2024-05-09 |website=guzhengw.cn}}</ref>
In 1978, his fast-fingering composition, "The Sun is Shining Red on Jinggang Mountain", was included in the curriculum of the Central Conservatory of Music.<ref name=":5" />
After the 1986 presentation of his work "Symmetry and Inertia" at the First National Guzheng Academic Conference, along with the performance of the Guzheng piece ''dahu shangshan'' (Fighting the tiger in the mountain) by his follower Wang Zhongshan using the fast fingering he developed, his technique gained recognition.<ref name=":6" /><ref name=":7" /> This performance contributed to the nationwide spread of Zhao Manqin's fast finger sequence compositions such as "The Sun is Shining Red on Jinggang Mountain", "Climbing the Mountain to Beat the Tiger", "Ode of Shan Dan Flower", "Evening Party", and "Hora Dance". It also led to the nationwide implementation of the fast-fingering system into Guzheng practice and performance. Composers subsequently started to compose contemporary repertoires using the fast-fingering sequence techniques, including "Dance of Yi Tribe", "Spring in Xiangjiang River", "Eternal Lament of Li'an", "The Fantasia", "The Caprice of the Western Regions", "Ming Mountain" and "Forest Spring". Most of these pieces have been chosen as part of the grade 9 and grade 10 repertoire for the National Examination Board.<ref>{{Cite book |last=馮志遠 |url=https://books.google.com/books?id=tLz9DwAAQBAJ&newbks=1&newbks_redir=0&dq=%E5%BD%9D%E6%97%8F%E8%88%9E%E8%B9%88+%22%E8%B5%B5%E6%9B%BC%E7%90%B4%22&hl=uk&source=gbs_navlinks_s |title=學生音樂學習手冊 |date=2011-01-01 |publisher=遼海出版社 |language=zh}}</ref><ref>{{Cite book |last=林玲 |url=https://books.google.com/books?id=nUg4AAAACAAJ&dq=%E5%BD%9D%E6%97%8F%E8%88%9E%E8%B9%88+%22%E8%B5%B5%E6%9B%BC%E7%90%B4%22&hl=uk&newbks=1&newbks_redir=0&sa=X&ved=2ahUKEwjl0I2XtrqFAxU2FxAIHTYGBUoQ6AF6BAgKEAE |title=古筝入门教材: 简谱版 |date=2000 |publisher=华乐出版社 |isbn=978-7-80129-039-7 |language=zh}}</ref>
== References ==
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