Africa Risen: A New Era of Speculative Fiction is a speculative fiction anthology edited by Sheree Renée Thomas, Zelda Knight, and Oghenechovwe Donald Ekpeki featuring 32 original works of fiction. It was published in 2022 by Tor Publishing.[1]
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| Editor |
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|---|---|
| Cover artist | Manzi Jackson |
| Language | English |
| Subject | Anthology series |
| Genre | Science fiction anthology, Speculative fiction, essays, postmodern lit, literary fiction |
| Publisher | Tordotcom |
Publication date | 15 November 2022 |
| Publication place | United States of America |
| Media type |
|
| Pages | 528 (hardcover) |
| ISBN | 9781250833006 hardcover |
| Preceded by | A Century of Speculative Fiction from the African Diaspora |
The anthology serves as a third volume to the Dark Matter anthology series edited by Thomas from 1998 to 2004.[2] The first book published in this Dark Matter anthology was produced at the turn of the new millennium, the award winning A Century of Speculative Fiction from the African Diaspora (2000). The second book in the Dark Matter series was the equally lauded World Fantasy Award for Best Anthology winner, Reading the Bones (2004).
According to Thomas, Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora re-kindled the desire to edit an anthology of Africans and Africans in the Diaspora when Ekpeki reached out to her.[2] The name of the anthology was supposed to be Africa Rising, but was changed because according to Thomas "Africa has risen".[2]
Source:[3]
The themes in the anthology are Afrofuturism, Africanfuturism, climate, gender, LGBT and religion.[4]
It is nominated for the 2023 NAACP Image Awards for Outstanding Literary Work – Fiction.[5] NPR named it amongst their Best of the Year pick.[6] It earned a starred review from Publishers Weekly and Booklist.[7][8] In the Publishers Weekly review, it was called "a magnificent and wide-ranging anthology..." noting that it is "a must-read for all genre fans."[7]
Booklist called it "a significant addition to the canon of modern speculative fiction."[8] while Library Journal considered it "a welcome introduction to speculative writers from the African continent and the African diaspora."[9] Isiah Lavender III in a review for Locus praised the work for an outstanding collection.[4]
