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[[Image:Auguste Leloir - Homère.jpg|thumb|300px|''Homer
'''Ancient accounts of Homer''' include
==
==The
[[Image:Lafond Sappho and Homer.jpg|thumb|upright=1.2|250px|left|[[Sappho]] sings for Homer, Charles Nicolas Rafael Lafond, 1824]]
There are
The
In the Homeric epigrams, the
==
[[File:Homer_-02.jpg|thumb|Coin of [[Smyrna]], 2nd/1st century BC; Apollo at left, seated Homer at right.]]
The same line of argument may be extended to the [[Homeric Hymns|Hymns]]
#The hymn to the Delian [[Apollo]] ends with an address of the poet to his audience. When any stranger comes and asks who
#The ''[[Margites]]'', a humorous poem
#The poem called the ''[[Cypria]]'' was said to have been given by Homer to his son-in-law [[Stasinus of Cyprus]] as dowry. The connection with [[Cyprus]] appears further in the predominance given in the poem to [[Aphrodite]].
#The ''[[Little Iliad]]'' and the ''[[Phocais]]'', according to the [[Life of Homer (Pseudo-Herodotus)|pseudo-Herodotean life]], were composed by Homer when he lived at [[Phocaea]] with a certain [[Thestorides of Phocaea|Thestorides]], who carried them off to Chios and there gained fame by reciting them as his own. The name Thestorides occurs in Epigram 5.
#A similar story was told about the poem called the ''[[Capture of Oechalia]]'', the subject of which was one of the exploits of [[Heracles]]. It passed under the name of [[Kreophylos of Samos|Creophylus of Samos]], a friend or (as some said) a son-in-law of Homer, and was sometimes said to have been given to Creophylus by Homer in return for hospitality.
#
These indications render it probable that the stories connecting Homer with different cities and islands grew up after his poems had become known and famous, especially in the new and flourishing colonies of Aeolis and Ionia. The contention for Homer
==Arctinus of Miletus==
▲An interesting confirmation of this view from the negative side is furnished by the city which ranked as chief among the Asiatic colonies of Greece, [[Miletus]]. No legend claims for Miletus even a visit from Homer, or a share in the authorship of any Homeric poem. Yet [[Arctinus of Miletus]] was said to have been a disciple of Homer, and was certainly one of the earliest and most considerable of the Cyclic poets. His ''[[Aethiopis]]'' was composed as a sequel to the ''Iliad''; and the structure and general character of his poems show that he took the ''Iliad'' as his model. Yet in his case we find no trace of the disputed authorship which is so common with other Cyclic poems. How has this come about? Why have the works of Arctinus escaped the attraction which drew to the name of Homer such epics as the ''Cypria,'' the ''Little Iliad,'' the ''[[Thebaid (Greek poem)|Thebaid]],'' the ''Epigoni,'' the ''[[Capture of Oechalia]]'' and the ''[[Phocais]]''? The most obvious account of the matter is that Arctinus was never so far forgotten that his poems became the subject of dispute. This may provide a glimpse of an early post-Homeric age in Ionia, when the immediate disciples and successors of Homer were distinct figures in a trustworthy tradition when they had not yet merged their individuality in the legendary Homer of the [[Epic Cycle]].
==See also==
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Ancient accounts of Homer include numerous passages in which archaic and classical Greek poets and prose authors mention or allude to Homer. In addition, they include the ten biographies of Homer, often referred to as the Lives.
There are no known records directly dating Homer other than his writings of the Odyssey and the Iliad. All accounts are based on tradition. The periodization hinted in written records comes from Herodotus, who maintained that Hesiod and Homer lived no more than 400 years before his own time, therefore around 850 BC.[1] Artemon of Clazomenae, an annalist, gave Arctinus of Miletus, a pupil of Homer, a birth date of 744 BC. It is assumed he lived between 750-700 BC.[clarification needed][2]
There are ten extant Lives of Homer. Eight of these are edited in Georg Westermann's Vitarum Scriptores Graeci minores,[3] including a narrative entitled the Contest of Homer and Hesiod.[4] The longest, Life of Homer, is written in the Ionic dialect and claims to be the work of Herodotus, but this is spurious (see Pseudo-Herodotus).[5] It most likely belongs to the 2nd century AD, although the other Lives are of more recent origin.
The Lives preserve short poems and fragments of verse attributed to Homer, the Epigrams, which were once printed at the end of editions of Homer. They are numbered as they appear in Pseudo-Herodotus. These are easily recognized as popular rhymes, a form of folklore, and in most countries, treasured by the people as a kind of proverb.
In the Homeric epigrams, the subject matter often covers the characteristics of particular localities, for example, Smyrna and Cyme,[6] Erythrae,[7] and Mount Ida;[8] others relate to certain trades or occupations: potters,[9] sailors, fishermen, goat herds, etc., suggesting that they are not the work of any one poet. That they were all ascribed to Homer suggests that they belong to a period in the history of the Ionian and Aeolian colonies when Homer was a name that drew to itself much ancient and popular verse.
The epigrams were the chief source from which the Lives of Homer were derived. Epigram 4 mentions a blind poet, a native of Aeolian Smyrna, through which flows the water of the sacred Meles. Here may be the source of the chief incident of the Herodotean Life, the birth of Homer, named Son of the Meles to conceal a scandalous affair between his mother and an older man who had been appointed her guardian. The epithet Aeolian implies high antiquity, inasmuch as according to Herodotus, Smyrna became Ionian not long before 688 BC. The Ionians had their own version of the story, which may have made Homer come out with the first Athenian colonists. [original research?]
The same line of argument may be extended to the Hymns and works of the so-called Cyclic poets, the lost early epics, some of which formed the Epic Cycle and Theban Cycle. Thus:
These indications render it probable that the stories connecting Homer with different cities and islands grew up after his poems had become known and famous, especially in the new and flourishing colonies of Aeolis and Ionia. The contention for Homer may have begun at a time when his real history was lost, and he had become a sort of mythical figure, an anonymous hero, or a personification of a great school of poetry.
A confirmation of this view from the negative side is furnished by the chief city among the Asiatic colonies of Greece, Miletus. There has so far been no legend that claims about a visit from HomertoMiletus. Yet, Arctinus of Miletus was said to have been a disciple of Homer and was certainly one of the earliest and most considerable of the Cyclic poets. His Aethiopis was composed as a sequel to the Iliad and the structure and general character of his poems show that he took the Iliad as his model. Yet, in his case, there is no indication of disputed authorship which is the case with other Cyclic poems. Possibly, Arctinus was never so far forgotten that his poems became the subject of dispute.