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'''Bidaram Krishnappa''' (1866–1931) was a musician and composer in Indian music |
'''Bidaram Krishnappa''' (1866–1931) was a musician and composer in [[Carnatic]] Indian music in the court of King [[Chamaraja Wodeyar]] IX (1862–1894) and King [[Krishna Raja Wadiyar IV]] (1884–1940) of the Kingdom of Mysore. |
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Bidaram Krishnappa was a [[Konkani people|Konkani]]-speaking Gowda Saraswath Brahmin and a native of Nandalike in modern [[Udupi district]], Karnataka. When he was a boy he had a chance encounter with a rich businessman who loved music. This happened when hungry Krishnappa, who came from a poor family, was singing a devotional song (''devaranama'') in a local temple. Impressed with his voice, the merchant sponsored Krishnappa to train under the guidance of a musician called Ramaswamy. He later came under the influence of Tammayya and Veena Sheshanna.<ref name="tamm">Pranesh (2003), p149</ref> Bidaram Krishnappa is credited with having popularised the singing of Kannada ''devaranama'' on stage. He adapted certain concepts of [[Hindustani music]] into his Carnatic compositions. For his scholarship in music, he earned the titles "Shudda Swaracharya", "Pallavi Krishnappa" and "Gana Visharada". One of his disciples, [[T. Chowdiah]], went on to become a music legend. Krishnappa was most famous for writing and rendering ''devaranama'' and ''[[kirtan]]s''.<ref name="deva">Pranesh (2003), p151</ref> |
Bidaram Krishnappa was a [[Konkani people|Konkani]]-speaking Gowda Saraswath Brahmin and a native of Nandalike in modern [[Udupi district]], Karnataka. When he was a boy he had a chance encounter with a rich businessman who loved music. This happened when hungry Krishnappa, who came from a poor family, was singing a devotional song (''devaranama'') in a local temple. Impressed with his voice, the merchant sponsored Krishnappa to train under the guidance of a musician called Ramaswamy. He later came under the influence of Tammayya and Veena Sheshanna.<ref name="tamm">Pranesh (2003), p149</ref> Bidaram Krishnappa is credited with having popularised the singing of Kannada ''devaranama'' on stage. He adapted certain concepts of [[Hindustani music]] into his Carnatic compositions. For his scholarship in music, he earned the titles "Shudda Swaracharya", "Pallavi Krishnappa" and "Gana Visharada". One of his disciples, [[T. Chowdiah]], went on to become a music legend. Krishnappa was most famous for writing and rendering ''devaranama'' and ''[[kirtan]]s''.<ref name="deva">Pranesh (2003), p151</ref> |
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Bidaram Krishnappa
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Bidaram Krishnappa (1866–1931) was a musician and composer in Carnatic Indian music in the court of King Chamaraja Wodeyar IX (1862–1894) and King Krishna Raja Wadiyar IV (1884–1940) of the Kingdom of Mysore.
Bidaram Krishnappa was a Konkani-speaking Gowda Saraswath Brahmin and a native of Nandalike in modern Udupi district, Karnataka. When he was a boy he had a chance encounter with a rich businessman who loved music. This happened when hungry Krishnappa, who came from a poor family, was singing a devotional song (devaranama) in a local temple. Impressed with his voice, the merchant sponsored Krishnappa to train under the guidance of a musician called Ramaswamy. He later came under the influence of Tammayya and Veena Sheshanna.[1] Bidaram Krishnappa is credited with having popularised the singing of Kannada devaranama on stage. He adapted certain concepts of Hindustani music into his Carnatic compositions. For his scholarship in music, he earned the titles "Shudda Swaracharya", "Pallavi Krishnappa" and "Gana Visharada". One of his disciples, T. Chowdiah, went on to become a music legend. Krishnappa was most famous for writing and rendering devaranama and kirtans.[2]
