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1 Structure  



1.1  Cinema  





1.2  Television  







2 See also  





3 References  














Ensemble cast: Difference between revisions






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Changing short description from "cast of principal actors who are assigned roughly equal amounts of screen time" to "Cast with many actors given similar standing"
 
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{{Short description|Cast with many actors given similar standing}}

An '''ensemble cast''' is a cast in which the principal performers are assigned roughly equal amounts of importance in a dramatic production. This kind of casting became more popular in [[television series]] because it allows for flexibility for writers to focus on different characters in different episodes. In addition, the departure of players is less disruptive to the premise than it would be if the star of a production with a regularly structured cast leaves the series.

In a dramatic production, an '''ensemble cast''' is one that comprises many principal actors and [[performing arts|performers]] who are typically assigned roughly equal amounts of screen time.<ref name=":0">Random House: ensemble acting Linked 2013-07-17</ref> The term is also used interchangeably to refer to a production (typically film) with a large cast or a cast with several prominent performers.<ref>{{Cite book|url=https://books.google.com/books?id=Ik9sleNg10kC&pg=PA112|title=Character design for graphic novels|author=Steven Withrow|author2=Alexander Danner|year=2007|publisher=[[Focal Press]]/Rotovision|page=112|access-date=2009-09-05|isbn=9780240809021|archive-date=2023-04-21|archive-url=https://web.archive.org/web/20230421104220/https://books.google.com/books?id=Ik9sleNg10kC&pg=PA112|url-status=live}}</ref>



==Structure==

Some films have ensemble casts, usually ones that revolve around one large theme, such as ''[[The Lord of the Rings film trilogy|The Lord of the Rings]]'' or ''[[Star Wars]]'' movies, or ones that revolve around interrelated themes persistent throughout individual subplots of the characters such as ''[[The High and the Mighty (film)|The High and the Mighty]],'' ''[[Love Actually]],'' or ''[[Crash (2004 film)|Crash]]''.

In contrast to the popular model, which gives precedence to a sole [[protagonist]], an ensemble cast leans more towards a sense of "collectivity and community".<ref name=math>{{Cite journal|url=https://academic.oup.com/screen/article/52/1/89/1668892|title=Referential acting and the ensemble cast|first=Ernest|last=Mathijs|date=March 1, 2011|journal=Screen|volume=52|issue=1|pages=89–96|via=academic.oup.com|doi=10.1093/screen/hjq063|access-date=June 15, 2020|archive-date=March 8, 2021|archive-url=https://web.archive.org/web/20210308070844/https://academic.oup.com/screen/article/52/1/89/1668892|url-status=live}}</ref>



===Cinema===

The only known major film awards regarding ensemble casts are the [[National Board of Review Award for Best Cast|Best Cast]] from the [[National Board of Review]] and the [[Screen Actors Guild]]'s award for [[Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture|Outstanding Performance by a Cast in a Motion Picture]].

{{Further|List of films with an ensemble cast}}

Ensemble casts in film were introduced as early as September 1916, with [[D. W. Griffith]]'s silent [[epic film]] ''[[Intolerance (film)|Intolerance]]'', featuring four separate though parallel plots.<ref name="smith">{{Cite web|url=http://www.screeningthepast.com/2012/12/ensemble-film-postmodernity-and-moral-mapping/|title=Ensemble Film, Postmodernity and Moral Mapping|website=www.screeningthepast.com|access-date=2020-06-15|archive-date=2018-08-13|archive-url=https://web.archive.org/web/20180813111714/http://www.screeningthepast.com/2012/12/ensemble-film-postmodernity-and-moral-mapping/|url-status=live}}</ref> The film follows the lives of several characters over hundreds of years, across different cultures and time periods.<ref>{{Cite web|url=https://www.filmsite.org/into.html|title=Intolerance (1916)|website=Filmsite |access-date=2020-06-15|archive-date=2019-10-29|archive-url=https://web.archive.org/web/20191029174158/https://www.filmsite.org/into.html|url-status=live}}</ref> The unification of different plot lines and character arcs is a key characteristic of ensemble casting in film; whether it is a location, event, or an overarching theme that ties the film and characters together.<ref name="smith" />



Films that feature ensembles tend to emphasize the interconnectivity of the characters, even when the characters are strangers to one another.<ref name="silvey">{{Cite journal|url=http://www.forumjournal.org/article/view/621|title=Not Just Ensemble Films: Six Degrees, Webs, Multiplexity and the Rise of Network Narratives|first=Vivien|last=Silvey|date=June 5, 2009|journal=FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts|issue=8|doi=10.2218/forum.08.621 |s2cid=129196139 |via=www.forumjournal.org|access-date=June 25, 2014|archive-date=April 24, 2021|archive-url=https://web.archive.org/web/20210424225721/http://www.forumjournal.org/article/view/621|url-status=live|doi-access=free}}</ref> The interconnectivity is often shown to the audience through examples of the "[[six degrees of separation]]" theory, and allows them to navigate through plot lines using [[cognitive mapping]].<ref name="silvey" /> Examples of this method, where the six degrees of separation is evident in films with an ensemble cast, are in productions such as ''[[Love Actually]],'' ''[[Crash (2004 film)|Crash]]'', and ''[[Babel (film)|Babel]]'', which all have strong underlying themes interwoven within the plots that unify each film.<ref name="smith" />

==Examples of plays with ensemble casts==

<!-- Please do not add more examples, if you think that a better example should replace a current one, go on the talk page and explain why, then do your edit, but keep each category limited to three examples, thanks -->

*''[[Cats (musical)|Cats]]'' [[1981|(1981)]]

*''[[Glengarry Glen Ross]]'' [[1983|(1983)]]

*''[[You're a Good Man, Charlie Brown]]'' [[1967|(1967)]]



''[[The Avengers (2012 film)|The Avengers]]'', ''[[X-Men (2000 film)|X-Men]]'', and ''[[Justice League (film)|Justice League]]'' are three examples of ensemble casts in the [[superhero film|superhero]] genre.<ref>{{Cite news|url=https://www.theguardian.com/film/filmblog/2012/apr/23/avengers-assemble-disarms-critics-joss-whedon|title=Avengers Assemble disarms the critics|first=Ben|last=Child|newspaper=The Guardian |date=April 23, 2012|via=www.theguardian.com|access-date=December 19, 2016|archive-date=November 11, 2018|archive-url=https://web.archive.org/web/20181111003021/https://www.theguardian.com/film/filmblog/2012/apr/23/avengers-assemble-disarms-critics-joss-whedon|url-status=live}}</ref><ref>{{cite web |url=http://www.hypable.com/2011/11/19/joss-whedon-talks-in-depth-about-the-ensemble-cast-of-the-avengers |title=Joss Whedon talks in depth about the ensemble cast of 'The Avengers' |date=November 19, 2011 |website=www.hypable.com |access-date=2020-06-15 |archive-date=2017-05-28 |archive-url=https://web.archive.org/web/20170528162613/http://www.hypable.com/joss-whedon-talks-in-depth-about-the-ensemble-cast-of-the-avengers/ |url-status=live }}</ref> Those three films all focus on teams of five or more protagonists, instead of the standard one or two central protagonists. Referential acting is a key factor in executing this balance, as ensemble cast members "play off each other rather than off reality".<ref name="math" />

==Examples of television series with ensemble casts==

<!-- Please do not add more examples, if you think that a better example should replace a current one, go on the talk page and explain why, then do your edit, but keep each category limited to three examples, thanks -->

*''[[Cheers]]'' (1982–93)

*''[[Arrested Development (TV series)|Arrested Development]]'' (2003-06)

*''[[Lost (TV series)|Lost]]'' (2004-present)

*''[[Friends (TV series)|Friends]]'' (1994-2004)



Hollywood movies with ensemble casts tend to use numerous actors of high renown and/or prestige, instead of one or two "big stars" and a lesser-known supporting cast.{{cn|date=September 2021}} Filmmakers known for their use of ensemble casts include [[Quentin Tarantino]], [[Wes Anderson]], and [[Paul Thomas Anderson]] among others.

==Examples of movies with ensemble casts==

<!-- Please do not add more examples, if you think that a better example should replace a current one, go on the talk page and explain why, then do your edit, but keep each category limited to three examples, thanks -->

*''[[The High and the Mighty (film)|The High and the Mighty]]'' [[1954|(1954)]]

*''[[Reservoir Dogs]]'' [[1992|(1992)]]

*''[[The Lord of the Rings: The Fellowship of the Ring (film)|The Lord of the Rings: The Fellowship of the Ring]]'' [[2001|(2001)]]



===Television ===

==Examples of operas with ensemble casts==

Ensemble casting also became more popular in [[television program|television series]] because it allows flexibility for writers to focus on different characters in different episodes. In addition, the departure of players is less disruptive than would be the case with a regularly structured cast. The television series ''[[The Golden Girls]]'' and ''[[Friends]]'' are archetypal examples of ensemble casts in American sitcoms. The science-fiction mystery drama ''[[Lost (2004 TV series)|Lost]]'' features an ensemble cast. Ensemble casts of 20 or more actors are common in [[soap opera]]s, a genre that relies heavily on the character development of the ensemble.<ref>{{Cite journal|url=https://journal.transformativeworks.org/index.php/twc/article/view/42/50|title=View of Soap operas and the history of fan discussion &#124; Transformative Works and Cultures|journal=Transformative Works and Cultures|date=15 September 2008|volume=1|doi=10.3983/twc.2008.042|last1=Ford|first1=Sam|doi-access=free|access-date=15 June 2020|archive-date=9 February 2022|archive-url=https://web.archive.org/web/20220209032422/https://journal.transformativeworks.org/index.php/twc/article/view/42/50|url-status=live}}</ref> The genre also requires continuous expansion of the cast as the series progresses, with soap operas such as ''[[General Hospital]]'', ''[[Days of Our Lives]]'', ''[[The Young and The Restless]]'', and ''[[The Bold and the Beautiful]]'' staying on air for decades.<ref>{{Cite web|url=http://henryjenkins.org/blog/2010/12/the_survival_of_soap_opera_par_1.html|title=The Survival of Soap Opera (Part Two):The History and Legacy of Serialized Television|website=Henry Jenkins|date=7 December 2010 |access-date=2020-06-15|archive-date=2021-08-30|archive-url=https://web.archive.org/web/20210830193955/http://henryjenkins.org/blog/2010/12/the_survival_of_soap_opera_par_1.html|url-status=live}}</ref>

<!-- Please do not add more examples, if you think that a better example should replace a current one, go on the talk page and explain why, then do your edit, but keep each category limited to three examples, thanks -->


*''[[Le Nozze di Figaro]]'' [[1786|(1786)]]

An example of a success for television in ensemble casting is the [[Primetime Emmy Award|Emmy Award]]-winning [[HBO]] series ''[[Game of Thrones]]''. The fantasy series features one of the largest ensemble casts on the small screen.<ref>{{Cite web|url=https://www.telegraph.co.uk/culture/tvandradio/game-of-thrones/10888519/David-Cameron-Im-a-Game-of-Thrones-fan.html|title=David Cameron: 'I'm a Game of Thrones fan'|first=Scott|last=Campbell|date=June 10, 2014|via=www.telegraph.co.uk|access-date=April 5, 2018|archive-date=May 7, 2019|archive-url=https://web.archive.org/web/20190507083112/https://www.telegraph.co.uk/culture/tvandradio/game-of-thrones/10888519/David-Cameron-Im-a-Game-of-Thrones-fan.html|url-status=live}}</ref> The series is notorious for major character deaths, resulting in constant changes within the ensemble.<ref>{{Cite web|url=https://www.abc.net.au/religion/the-game-of-thrones-nobody-wins-everybody-dies/10099808|title=The Game of Thrones: Nobody wins, everybody dies|first=Adam|last=Brereton|date=June 12, 2013|website=ABC Religion & Ethics|access-date=June 15, 2020|archive-date=January 11, 2019|archive-url=https://web.archive.org/web/20190111231932/https://www.abc.net.au/religion/the-game-of-thrones-nobody-wins-everybody-dies/10099808|url-status=live}}</ref>

*''[[Cosi Fan Tutte]]'' [[1790|(1790)]]


*''[[The Barber of Seville|The Barber of Seville (Il Barbiere di Siviglia)]]'' [[1816|(1816)]]

Ensemble casts are also very common in children's television. Unlike in other television genres, children's shows make heavy use of non-human characters, such as animals, dragons, aliens (usually Martians), space cadets, monsters, fish and other marine creatures, fairies, superheroes (many of which are non-human), ancient and martial arts warriors, imaginary friends, ninjas, land, air and aquatic vehicles, vampires, witches, mummies, zombies, franken-people, pirates, cowboys, secret agents, insects, robots, dinosaurs, furry creatures, puppets, androids, humanoids, detectives, mutants and even human-animal hybrids, among other non-human creatures. The casting process is only involved when there is an occasion of humans interacting with non-human characters; for the non-human characters, creation is usually from scratch by a team of writers, then their sketches are sent to the creators for approval; in animated series, the characters are '''''entirely''''' created by writers (except for comic book and story book-based shows, as there is (usually) no need for creating new characters, though some '''''are''''' adapted to television audiences), and, not counting voice actors, there was no need for any casting processes; the ''Muppets'' that were intended for ''[[Sesame Street]]'', and the title-character from ''[[Blue's Clues]]'', were respectively created by [[Joan Ganz Cooney]] and [[Jim Henson]], and [[Angela C. Santomero]], [[Todd Kessler]] and [[Traci Paige Johnson]], for edutainment purposes; Cartoon Network's ''[[Foster's Home for Imaginary Friends]]'' consists of a large cast of many different imaginary friends, including protagonists Bloo, Cheese, Coco, Wilt and Eduardo, many of which were created by [[Craig McCracken]]; Nickelodeon's ''[[Rugrats]]'' features a variety of characters, mainly the eight leading protagonists: Tommy, Dil, Chuckie, Phil, Lil, Kimi, Angelica and Susie; Tommy, Chuckie, Phil, Lil and Angelica were featured since the show's inception in 1991, while Dil, Kimi and Susie were introduced in the second season of the series and the first two installments of [[Rugrats (film series)|the show's film trilogy]], respectively; two fellow Nickelodeon shows, ''[[SpongeBob SquarePants]]'' and ''[[The Fairly OddParents]]'', consist of large casts of marine life and magical creatures, respectively, including respective leading protagonists, SpongeBob, Patrick and Squidward, and Cosmo, Wanda and Poof; the first three seasons of Canadian cartoon series ''[[Total Drama]]'' consist of a large cast of characters, namely the show's hosts Chris McLean and Chef Hatchet, as well as a diversity of competitors commonly known as "Generation One": Beth, DJ, Gwen, Geoff, Lindsay, Heather, Alejandro, Duncan, Tyler, Harold, Trent, Bridgette, Noah, Leshawna, Katie, Sadie, Ezekiel, Cody, Sierra, Eva, Owen, Courtney, Justin, Izzy and Blaineley. Chris and Chef continued to appear as the hosts of every season, while many of the original characters only returned in a spin-off series, ''[[Total Dramarama]]'' (despite having yet to return to the game, they became the most well-known cast of the show); one other example of a children's show that involves human casting process and non-human character creation is ''[[Barney and Friends]]''; Other examples of shows that exclusively involve casting processes include ''[[Drake & Josh]]'', ''[[iCarly]]'' and ''[[True Jackson, VP]]''; Other shows that exclusively involve non-human character creation include [[Tom Ruegger]] and [[Steven Spielberg]]'s ''[[Animaniacs]]'', ''[[Tiny Toon Adventures]]'', and ''[[Freakazoid!]]'', as well as ''[[Cow and Chicken]]'', ''[[Hey Arnold!]]'', ''[[The Proud Family]]'' and ''[[The Replacements (TV series)|The Replacements]].



==See also==

==See also==

* [[All star|All Star Cast]]

* [[All-star]]

* [[Polyphony (literature)]]

* [[Polyphony (literature)]]

* [[Supergroup (music)]]



==Notes==

==References==

{{reflist|1}}

{{Reflist}}



{{Film crew}}

[[Category:Stage terminology]]

{{Portal bar|Film}}

[[Category:Film and video terminology]]

{{Authority control}}



[[Category:Film and video terminology]]

[[de:Ensemblefilm]]

[[Category:Stage terminology]]

[[es:Reparto coral]]

[[fr:Distribution d'ensemble]]

[[ko:앙상블 캐스트]]

[[nl:Mozaïekfilm]]

[[ja:グランドホテル方式]]


Latest revision as of 11:50, 30 June 2024

In a dramatic production, an ensemble cast is one that comprises many principal actors and performers who are typically assigned roughly equal amounts of screen time.[1] The term is also used interchangeably to refer to a production (typically film) with a large cast or a cast with several prominent performers.[2]

Structure[edit]

In contrast to the popular model, which gives precedence to a sole protagonist, an ensemble cast leans more towards a sense of "collectivity and community".[3]

Cinema[edit]

Ensemble casts in film were introduced as early as September 1916, with D. W. Griffith's silent epic film Intolerance, featuring four separate though parallel plots.[4] The film follows the lives of several characters over hundreds of years, across different cultures and time periods.[5] The unification of different plot lines and character arcs is a key characteristic of ensemble casting in film; whether it is a location, event, or an overarching theme that ties the film and characters together.[4]

Films that feature ensembles tend to emphasize the interconnectivity of the characters, even when the characters are strangers to one another.[6] The interconnectivity is often shown to the audience through examples of the "six degrees of separation" theory, and allows them to navigate through plot lines using cognitive mapping.[6] Examples of this method, where the six degrees of separation is evident in films with an ensemble cast, are in productions such as Love Actually, Crash, and Babel, which all have strong underlying themes interwoven within the plots that unify each film.[4]

The Avengers, X-Men, and Justice League are three examples of ensemble casts in the superhero genre.[7][8] Those three films all focus on teams of five or more protagonists, instead of the standard one or two central protagonists. Referential acting is a key factor in executing this balance, as ensemble cast members "play off each other rather than off reality".[3]

Hollywood movies with ensemble casts tend to use numerous actors of high renown and/or prestige, instead of one or two "big stars" and a lesser-known supporting cast.[citation needed] Filmmakers known for their use of ensemble casts include Quentin Tarantino, Wes Anderson, and Paul Thomas Anderson among others.

Television[edit]

Ensemble casting also became more popular in television series because it allows flexibility for writers to focus on different characters in different episodes. In addition, the departure of players is less disruptive than would be the case with a regularly structured cast. The television series The Golden Girls and Friends are archetypal examples of ensemble casts in American sitcoms. The science-fiction mystery drama Lost features an ensemble cast. Ensemble casts of 20 or more actors are common in soap operas, a genre that relies heavily on the character development of the ensemble.[9] The genre also requires continuous expansion of the cast as the series progresses, with soap operas such as General Hospital, Days of Our Lives, The Young and The Restless, and The Bold and the Beautiful staying on air for decades.[10]

An example of a success for television in ensemble casting is the Emmy Award-winning HBO series Game of Thrones. The fantasy series features one of the largest ensemble casts on the small screen.[11] The series is notorious for major character deaths, resulting in constant changes within the ensemble.[12]

Ensemble casts are also very common in children's television. Unlike in other television genres, children's shows make heavy use of non-human characters, such as animals, dragons, aliens (usually Martians), space cadets, monsters, fish and other marine creatures, fairies, superheroes (many of which are non-human), ancient and martial arts warriors, imaginary friends, ninjas, land, air and aquatic vehicles, vampires, witches, mummies, zombies, franken-people, pirates, cowboys, secret agents, insects, robots, dinosaurs, furry creatures, puppets, androids, humanoids, detectives, mutants and even human-animal hybrids, among other non-human creatures. The casting process is only involved when there is an occasion of humans interacting with non-human characters; for the non-human characters, creation is usually from scratch by a team of writers, then their sketches are sent to the creators for approval; in animated series, the characters are entirely created by writers (except for comic book and story book-based shows, as there is (usually) no need for creating new characters, though some are adapted to television audiences), and, not counting voice actors, there was no need for any casting processes; the Muppets that were intended for Sesame Street, and the title-character from Blue's Clues, were respectively created by Joan Ganz Cooney and Jim Henson, and Angela C. Santomero, Todd Kessler and Traci Paige Johnson, for edutainment purposes; Cartoon Network's Foster's Home for Imaginary Friends consists of a large cast of many different imaginary friends, including protagonists Bloo, Cheese, Coco, Wilt and Eduardo, many of which were created by Craig McCracken; Nickelodeon's Rugrats features a variety of characters, mainly the eight leading protagonists: Tommy, Dil, Chuckie, Phil, Lil, Kimi, Angelica and Susie; Tommy, Chuckie, Phil, Lil and Angelica were featured since the show's inception in 1991, while Dil, Kimi and Susie were introduced in the second season of the series and the first two installments of the show's film trilogy, respectively; two fellow Nickelodeon shows, SpongeBob SquarePants and The Fairly OddParents, consist of large casts of marine life and magical creatures, respectively, including respective leading protagonists, SpongeBob, Patrick and Squidward, and Cosmo, Wanda and Poof; the first three seasons of Canadian cartoon series Total Drama consist of a large cast of characters, namely the show's hosts Chris McLean and Chef Hatchet, as well as a diversity of competitors commonly known as "Generation One": Beth, DJ, Gwen, Geoff, Lindsay, Heather, Alejandro, Duncan, Tyler, Harold, Trent, Bridgette, Noah, Leshawna, Katie, Sadie, Ezekiel, Cody, Sierra, Eva, Owen, Courtney, Justin, Izzy and Blaineley. Chris and Chef continued to appear as the hosts of every season, while many of the original characters only returned in a spin-off series, Total Dramarama (despite having yet to return to the game, they became the most well-known cast of the show); one other example of a children's show that involves human casting process and non-human character creation is Barney and Friends; Other examples of shows that exclusively involve casting processes include Drake & Josh, iCarly and True Jackson, VP; Other shows that exclusively involve non-human character creation include Tom Ruegger and Steven Spielberg's Animaniacs, Tiny Toon Adventures, and Freakazoid!, as well as Cow and Chicken, Hey Arnold!, The Proud Family and The Replacements.

See also[edit]

References[edit]

  1. ^ Random House: ensemble acting Linked 2013-07-17
  • ^ Steven Withrow; Alexander Danner (2007). Character design for graphic novels. Focal Press/Rotovision. p. 112. ISBN 9780240809021. Archived from the original on 2023-04-21. Retrieved 2009-09-05.
  • ^ a b Mathijs, Ernest (March 1, 2011). "Referential acting and the ensemble cast". Screen. 52 (1): 89–96. doi:10.1093/screen/hjq063. Archived from the original on March 8, 2021. Retrieved June 15, 2020 – via academic.oup.com.
  • ^ a b c "Ensemble Film, Postmodernity and Moral Mapping". www.screeningthepast.com. Archived from the original on 2018-08-13. Retrieved 2020-06-15.
  • ^ "Intolerance (1916)". Filmsite. Archived from the original on 2019-10-29. Retrieved 2020-06-15.
  • ^ a b Silvey, Vivien (June 5, 2009). "Not Just Ensemble Films: Six Degrees, Webs, Multiplexity and the Rise of Network Narratives". FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts (8). doi:10.2218/forum.08.621. S2CID 129196139. Archived from the original on April 24, 2021. Retrieved June 25, 2014 – via www.forumjournal.org.
  • ^ Child, Ben (April 23, 2012). "Avengers Assemble disarms the critics". The Guardian. Archived from the original on November 11, 2018. Retrieved December 19, 2016 – via www.theguardian.com.
  • ^ "Joss Whedon talks in depth about the ensemble cast of 'The Avengers'". www.hypable.com. November 19, 2011. Archived from the original on 2017-05-28. Retrieved 2020-06-15.
  • ^ Ford, Sam (15 September 2008). "View of Soap operas and the history of fan discussion | Transformative Works and Cultures". Transformative Works and Cultures. 1. doi:10.3983/twc.2008.042. Archived from the original on 9 February 2022. Retrieved 15 June 2020.
  • ^ "The Survival of Soap Opera (Part Two):The History and Legacy of Serialized Television". Henry Jenkins. 7 December 2010. Archived from the original on 2021-08-30. Retrieved 2020-06-15.
  • ^ Campbell, Scott (June 10, 2014). "David Cameron: 'I'm a Game of Thrones fan'". Archived from the original on May 7, 2019. Retrieved April 5, 2018 – via www.telegraph.co.uk.
  • ^ Brereton, Adam (June 12, 2013). "The Game of Thrones: Nobody wins, everybody dies". ABC Religion & Ethics. Archived from the original on January 11, 2019. Retrieved June 15, 2020.

  • Retrieved from "https://en.wikipedia.org/w/index.php?title=Ensemble_cast&oldid=1231812914"

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