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'''Glenn Schellenberg''' is a [[Canadians|Canadian]] [[composer]] and a professor of psychology at the [[University of Toronto Mississauga]].<ref>[https://scholar.google.ca/citations?user=ix6CbfwAAAAJ&hl=en "E Glenn Schellenberg"]. Google Scholar report.</ref> |
'''Glenn Schellenberg''' is a [[Canadians|Canadian]] [[composer]] and a professor of psychology at the [[University of Toronto Mississauga]].<ref>[https://scholar.google.ca/citations?user=ix6CbfwAAAAJ&hl=en "E Glenn Schellenberg"] {{Webarchive|url=https://web.archive.org/web/20200705214322/https://scholar.google.ca/citations?user=ix6CbfwAAAAJ&hl=en |date=2020-07-05 }}. Google Scholar report.</ref> |
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==Early life and education== |
==Early life and education== |
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Schellenberg studied psychology at [[ |
Schellenberg studied psychology at [[University of Toronto]], where he received a B.Sc.. He went on to obtain a PhD in 1994 in psychology in [[Cornell University]]. |
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==Career== |
==Career== |
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In the 1980s, Schellenberg played keyboards and was the principal songwriter for the [[synth-pop]] band TBA,<ref name=bodypolitic>"TBA: No-Strings Band". ''[[The Body Politic (magazine)|The Body Politic]]'', February 1981.</ref> along with Paul Hackney, Steven Bock and [[Andrew Zealley]].<ref name=bodypolitic/> After the departure of Hackney and Bock, Glen Binmore, Dianne Bos, and Brian Skol joined the band. Schellenberg also played in the bands The Dishes and The Everglades,<ref>[https://nowtoronto.com/news/bygone-beverley/ "Bygone Beverley"]. ''NOW Toronto'', Steven Davey, December 18, 2003</ref> and performed live with Martha and the Muffins. Side-projects included The Beds (with Tony Malone) and Anti-Normal (with Tim Guest, Massimo Agostinelli, and Billy Sutherland). |
In the 1980s, Schellenberg played keyboards and was the principal songwriter for the [[synth-pop]] band TBA,<ref name=bodypolitic>"TBA: No-Strings Band". ''[[The Body Politic (magazine)|The Body Politic]]'', February 1981.</ref> along with Paul Hackney, Steven Bock and [[Andrew Zealley]].<ref name=bodypolitic/> After the departure of Hackney and Bock, Glen Binmore, Dianne Bos, and Brian Skol joined the band. Schellenberg also played in the bands The Dishes and The Everglades,<ref>[https://nowtoronto.com/news/bygone-beverley/ "Bygone Beverley"] {{Webarchive|url=https://web.archive.org/web/20190209134520/https://nowtoronto.com/news/bygone-beverley/ |date=2019-02-09 }}. ''NOW Toronto'', Steven Davey, December 18, 2003</ref> and performed live with Martha and the Muffins. Side-projects included The Beds (with Tony Malone) and Anti-Normal (with Tim Guest, Massimo Agostinelli, and Billy Sutherland). |
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Schellenberg composed music for three films directed by [[John Greyson]].<ref name="Waugh2006">Thomas Waugh. ''[https://books.google.com/books?id=pbhsPYZvY58C&pg=PA292 Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas]''. McGill-Queen's Press - MQUP; 2006. {{ISBN|978-0-7735-7680-3}}. p. 292.</ref> For one of these films, ''[[Zero Patience]]'', Schellenberg was nominated, along with Greyson, for a [[Genie Award]] for [[Academy of Canadian Cinema and Television Award for Best Achievement in Music – Original Song|Best Original Song]] for the song "Just Like Scheherazade".<ref>{{cite web|url=http://www.academy.ca/hist/history.cfm?categid=17&shownum=15&winonly=0&awards=1&rtype=5&curstep=4|title=Award Category and Show: 15th Genies: Best Original Song|work=Canada's Awards Database|publisher=Academy of Canadian Cinema & Television|accessdate=2009-01-08|archiveurl=https://web.archive.org/web/20070808110300/http://www.academy.ca/hist/history.cfm?categid=17&shownum=15&winonly=0&awards=1&rtype=5&curstep=4|archivedate=2007-08-08|url-status=dead}}</ref> He also composed the theme song (and approximately 50 other songs) for a children's television show called The Adventures of Dudley the Dragon. His songs on the show were sung by Jackie Richardson, Jackie Burroughs, Eric Peterson, Graham Greene, and Clark Johnson. |
Schellenberg composed music for three films directed by [[John Greyson]].<ref name="Waugh2006">Thomas Waugh. ''[https://books.google.com/books?id=pbhsPYZvY58C&pg=PA292 Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas]''. McGill-Queen's Press - MQUP; 2006. {{ISBN|978-0-7735-7680-3}}. p. 292.</ref> For one of these films, ''[[Zero Patience]]'', Schellenberg was nominated, along with Greyson, for a [[Genie Award]] for [[Academy of Canadian Cinema and Television Award for Best Achievement in Music – Original Song|Best Original Song]] for the song "Just Like Scheherazade".<ref>{{cite web|url=http://www.academy.ca/hist/history.cfm?categid=17&shownum=15&winonly=0&awards=1&rtype=5&curstep=4|title=Award Category and Show: 15th Genies: Best Original Song|work=Canada's Awards Database|publisher=Academy of Canadian Cinema & Television|accessdate=2009-01-08|archiveurl=https://web.archive.org/web/20070808110300/http://www.academy.ca/hist/history.cfm?categid=17&shownum=15&winonly=0&awards=1&rtype=5&curstep=4|archivedate=2007-08-08|url-status=dead}}</ref> He also composed the theme song (and approximately 50 other songs) for a children's television show called The Adventures of Dudley the Dragon. His songs on the show were sung by Jackie Richardson, Jackie Burroughs, Eric Peterson, Graham Greene, and Clark Johnson. |
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Schellenberg joined the faculty of the University of Windsor as an assistant professor in 1993, conducting research into the psychology of music.<ref name="Fink1997">Robert Fink. ''[https://books.google.com/books?id=Em-VJoURT9sC&pg=PA45 Neanderthal Flute: Oldest Musical Instrument : Matches Notes of Do, Re, Mi Scale : Musicological Analysis]''. Robert Martin Fink; 1997. {{ISBN|978-0-912424-12-5}}. p. 45.</ref> He worked next as an associate professor at Dalhousie University for a single academic year, 1997-1998.<ref name="Huron2006">David Brian Huron. ''[https://books.google.com/books?id=uyI_Cb8olkMC&pg=PA94 Sweet Anticipation: Music and the Psychology of Expectation]''. MIT Press; 2006. {{ISBN|978-0-262-08345-4}}. p. 94.</ref><ref name="Bencivelli2011">Silvia Bencivelli. ''[https://books.google.com/books?id=F95gU39CbLYC&pg=PA167 Why We Like Music: Ear, Emotion, Evolution]''. Music Word Media Group; 2011. {{ISBN|978-1-937330-01-9}}. p. 86, 167.</ref><ref>[https://issuu.com/furstmedia/docs/beat1336 "Pop Getting More Depressing?"]. ''Beat Magazine'', #1336, Sep 3, 2012</ref> |
Schellenberg joined the faculty of the University of Windsor as an assistant professor in 1993, conducting research into the psychology of music.<ref name="Fink1997">Robert Fink. ''[https://books.google.com/books?id=Em-VJoURT9sC&pg=PA45 Neanderthal Flute: Oldest Musical Instrument : Matches Notes of Do, Re, Mi Scale : Musicological Analysis]''. Robert Martin Fink; 1997. {{ISBN|978-0-912424-12-5}}. p. 45.</ref> He worked next as an associate professor at Dalhousie University for a single academic year, 1997-1998.<ref name="Huron2006">David Brian Huron. ''[https://books.google.com/books?id=uyI_Cb8olkMC&pg=PA94 Sweet Anticipation: Music and the Psychology of Expectation]''. MIT Press; 2006. {{ISBN|978-0-262-08345-4}}. p. 94.</ref><ref name="Bencivelli2011">Silvia Bencivelli. ''[https://books.google.com/books?id=F95gU39CbLYC&pg=PA167 Why We Like Music: Ear, Emotion, Evolution]''. Music Word Media Group; 2011. {{ISBN|978-1-937330-01-9}}. p. 86, 167.</ref><ref>[https://issuu.com/furstmedia/docs/beat1336 "Pop Getting More Depressing?"] {{Webarchive|url=https://web.archive.org/web/20230227021509/https://issuu.com/furstmedia/docs/beat1336 |date=2023-02-27 }}. ''Beat Magazine'', #1336, Sep 3, 2012</ref> |
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Schellenberg then moved to the University of Toronto Mississauga, where he became a full professor in 2004. He has published a number of research papers, including one about the evolution of pop music. His finding that pop songs have become increasingly melancholy over time was covered widely by the media.<ref>[https://www.theguardian.com/music/shortcuts/2012/jun/04/longer-slower-sadder-pop-songs "Longer, slower and sadder: how pop songs have changed"]. ''The Guardian'', Priya Elan, Mon 4 Jun 2012</ref><ref>[https://www.npr.org/2012/09/04/160548025/why-were-happy-being-sad-pops-emotional-evolution "Why We're Happy Being Sad: Pop's Emotional Evolution"]. ''NPR'', September 4, 2012. Alex Spiegel.</ref> His main areas of research include (1) memory for music, and (2) how exposure to music is associated with non-musical abilities. During his sabbatical research leaves, Schellenberg had the opportunity to live and work in Sydney, Amsterdam, Berlin, Marseille, and Montpellier. |
Schellenberg then moved to the University of Toronto Mississauga, where he became a full professor in 2004. He has published a number of research papers, including one about the evolution of pop music. His finding that pop songs have become increasingly melancholy over time was covered widely by the media.<ref>[https://www.theguardian.com/music/shortcuts/2012/jun/04/longer-slower-sadder-pop-songs "Longer, slower and sadder: how pop songs have changed"]. ''The Guardian'', Priya Elan, Mon 4 Jun 2012</ref><ref>[https://www.npr.org/2012/09/04/160548025/why-were-happy-being-sad-pops-emotional-evolution "Why We're Happy Being Sad: Pop's Emotional Evolution"] {{Webarchive|url=https://web.archive.org/web/20190209124453/https://www.npr.org/2012/09/04/160548025/why-were-happy-being-sad-pops-emotional-evolution |date=2019-02-09 }}. ''NPR'', September 4, 2012. Alex Spiegel.</ref> His main areas of research include (1) memory for music, and (2) how exposure to music is associated with non-musical abilities. During his sabbatical research leaves, Schellenberg had the opportunity to live and work in Sydney, Amsterdam, Berlin, Marseille, and Montpellier. |
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==References== |
==References== |
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[[Category:Canadian film score composers]] |
[[Category:Canadian film score composers]] |
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[[Category:Canadian male film score composers]] |
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[[Category:Living people]] |
[[Category:Living people]] |
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[[Category:Year of birth missing (living people)]] |
[[Category:Year of birth missing (living people)]] |
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[[Category:20th-century Canadian LGBT people]] |
[[Category:20th-century Canadian LGBT people]] |
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[[Category:21st-century Canadian LGBT people]] |
[[Category:21st-century Canadian LGBT people]] |
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[[Category:University of Toronto alumni]] |
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Glenn Schellenberg is a Canadian composer and a professor of psychology at the University of Toronto Mississauga.[1]
Schellenberg studied psychology at University of Toronto, where he received a B.Sc.. He went on to obtain a PhD in 1994 in psychology in Cornell University.
In the 1980s, Schellenberg played keyboards and was the principal songwriter for the synth-pop band TBA,[2] along with Paul Hackney, Steven Bock and Andrew Zealley.[2] After the departure of Hackney and Bock, Glen Binmore, Dianne Bos, and Brian Skol joined the band. Schellenberg also played in the bands The Dishes and The Everglades,[3] and performed live with Martha and the Muffins. Side-projects included The Beds (with Tony Malone) and Anti-Normal (with Tim Guest, Massimo Agostinelli, and Billy Sutherland).
Schellenberg composed music for three films directed by John Greyson.[4] For one of these films, Zero Patience, Schellenberg was nominated, along with Greyson, for a Genie Award for Best Original Song for the song "Just Like Scheherazade".[5] He also composed the theme song (and approximately 50 other songs) for a children's television show called The Adventures of Dudley the Dragon. His songs on the show were sung by Jackie Richardson, Jackie Burroughs, Eric Peterson, Graham Greene, and Clark Johnson.
Schellenberg joined the faculty of the University of Windsor as an assistant professor in 1993, conducting research into the psychology of music.[6] He worked next as an associate professor at Dalhousie University for a single academic year, 1997-1998.[7][8][9]
Schellenberg then moved to the University of Toronto Mississauga, where he became a full professor in 2004. He has published a number of research papers, including one about the evolution of pop music. His finding that pop songs have become increasingly melancholy over time was covered widely by the media.[10][11] His main areas of research include (1) memory for music, and (2) how exposure to music is associated with non-musical abilities. During his sabbatical research leaves, Schellenberg had the opportunity to live and work in Sydney, Amsterdam, Berlin, Marseille, and Montpellier.
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