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Schellenberg joined the faculty of the University of Windsor as an assistant professor in 1993, and conducted research into the psychology of music.<ref name="Fink1997">Robert Fink. ''[https://books.google.com/books?id=Em-VJoURT9sC&pg=PA45 Neanderthal Flute: Oldest Musical Instrument : Matches Notes of Do, Re, Mi Scale : Musicological Analysis]''. Robert Martin Fink; 1997. <templatestyles src="Module:Citation/CS1/styles.css" />[[International Standard Book Number|ISBN]] [[Special:BookSources/978-0-912424-12-5 |978-0-912424-12-5]]. p. 45.</ref> He worked as an associate professor at Dalhousie University, beginning in 1997. He subsequently pursued doctoral work in psychology, specializing in the role of music in human [[cognition]].<ref name="Huron2006">David Brian Huron. ''[https://books.google.com/books?id=uyI_Cb8olkMC&pg=PA94 Sweet Anticipation: Music and the Psychology of Expectation]''. MIT Press; 2006. <templatestyles src="Module:Citation/CS1/styles.css" />[[International Standard Book Number|ISBN]] [[Special:BookSources/978-0-262-08345-4 |978-0-262-08345-4]]. p. 94.</ref><ref name="Bencivelli2011">Silvia Bencivelli. ''[https://books.google.com/books?id=F95gU39CbLYC&pg=PA167 Why We Like Music: Ear, Emotion, Evolution]''. Music Word Media Group; 2011. <templatestyles src="Module:Citation/CS1/styles.css" />[[International Standard Book Number|ISBN]] [[Special:BookSources/978-1-937330-01-9 |978-1-937330-01-9]]. p. 86, 167.</ref><ref>[https://issuu.com/furstmedia/docs/beat1336 "Pop Getting More Depressing?"]. ''Beat Magazine'', #1336, Sep 3, 2012 </ref> |
Schellenberg joined the faculty of the University of Windsor as an assistant professor in 1993, and conducted research into the psychology of music.<ref name="Fink1997">Robert Fink. ''[https://books.google.com/books?id=Em-VJoURT9sC&pg=PA45 Neanderthal Flute: Oldest Musical Instrument : Matches Notes of Do, Re, Mi Scale : Musicological Analysis]''. Robert Martin Fink; 1997. <templatestyles src="Module:Citation/CS1/styles.css" />[[International Standard Book Number|ISBN]] [[Special:BookSources/978-0-912424-12-5 |978-0-912424-12-5]]. p. 45.</ref> He worked as an associate professor at Dalhousie University, beginning in 1997. He subsequently pursued doctoral work in psychology, specializing in the role of music in human [[cognition]].<ref name="Huron2006">David Brian Huron. ''[https://books.google.com/books?id=uyI_Cb8olkMC&pg=PA94 Sweet Anticipation: Music and the Psychology of Expectation]''. MIT Press; 2006. <templatestyles src="Module:Citation/CS1/styles.css" />[[International Standard Book Number|ISBN]] [[Special:BookSources/978-0-262-08345-4 |978-0-262-08345-4]]. p. 94.</ref><ref name="Bencivelli2011">Silvia Bencivelli. ''[https://books.google.com/books?id=F95gU39CbLYC&pg=PA167 Why We Like Music: Ear, Emotion, Evolution]''. Music Word Media Group; 2011. <templatestyles src="Module:Citation/CS1/styles.css" />[[International Standard Book Number|ISBN]] [[Special:BookSources/978-1-937330-01-9 |978-1-937330-01-9]]. p. 86, 167.</ref><ref>[https://issuu.com/furstmedia/docs/beat1336 "Pop Getting More Depressing?"]. ''Beat Magazine'', #1336, Sep 3, 2012 </ref> |
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Schellenberg then became |
Schellenberg then became a professor of psychology at the University of Toronto Mississauga, and has published a number of research papers about the evolution of pop music; his study indicating that pop songs have become increasingly melancholy over time has been widely reported.<ref>[https://www.theguardian.com/music/shortcuts/2012/jun/04/longer-slower-sadder-pop-songs "Longer, slower and sadder: how pop songs have changed"]. ''The Guardian'', Priya Elan, Mon 4 Jun 2012</ref><ref>[https://www.npr.org/2012/09/04/160548025/why-were-happy-being-sad-pops-emotional-evolution "Why We're Happy Being Sad: Pop's Emotional Evolution"]. ''NPR'', September 4, 2012. Alex Spiegel.</ref> |
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==References== |
==References== |
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Glenn Schellenberg is a Canadian composer and a Professor of Psychology at the University of Toronto Mississauga.[1]
Schellenberg studied psychology at Cornell University, graduating in 1994.
Schellenberg played keyboard in the synth-pop band TBA in the 1980s,[2] along with Paul Hackney, Steven Bock and Andrew Zealley.[2] He also played in the bands Dish and Everglade.[3]
Schellenberg composed music for three films directed by John Greyson.[4] For one of these films, Zero Patience, Schellenberg was nominated, along with Greyson, for a Genie Award for Best Original Song for the song "Just Like Scheherazade".[5]
Schellenberg joined the faculty of the University of Windsor as an assistant professor in 1993, and conducted research into the psychology of music.[6] He worked as an associate professor at Dalhousie University, beginning in 1997. He subsequently pursued doctoral work in psychology, specializing in the role of music in human cognition.[7][8][9]
Schellenberg then became a professor of psychology at the University of Toronto Mississauga, and has published a number of research papers about the evolution of pop music; his study indicating that pop songs have become increasingly melancholy over time has been widely reported.[10][11]
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