First edition (US)
| |
| Author | Roald Dahl |
|---|---|
| Illustrator |
|
| Language | English |
| Genre | Children's novel, Fantasy |
| Published | 1961
Published by Alfred A. Knopf, Inc. Original language English |
| Publisher | Alfred A. Knopf, Inc. |
Publication date | 17 July 1961 |
| Publication place | United Kingdom |
| Media type | Hardcover |
| Pages | 160 |
| OCLC | 50568125 |
| [Fic] 21 | |
| LC Class | PZ8.D137 James 2002 |
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The first edition, published by Alfred Knopf, featured illustrations by Nancy Ekholm Burkert. There have been re-illustrated versions of it over the years, done by Michael Simeon (for the first British edition), Emma Chichester Clark, Lane Smith and Quentin Blake. It was adapted into a film of the same name in 1996 (with Smith being a conceptual designer) which was directed by Henry Selick, and a musical in 2010.
The plot centres on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically altered garden bugs he meets. Dahl was originally going to write about a giant cherry, but changed it to James and the Giant Peach because a peach is "prettier, bigger and squishier than a cherry."[1][2] Because of the story's occasional macabre and potentially frightening content, it has become a regular target of censors.[3][4]
Dahl dedicated the book to his six-year-old daughter Olivia, who died from complications of measles only a year after the book was published.[5]
American novelist Bret Easton Ellis has cited James and the Giant Peach as his favourite children's book:
It changed my life. My aunt read it to me, my sisters and my three cousins in two sittings over vacation at a beach house when I was about six. The idea that the world was meaner, crueller, more absurd and fantastical than anything that picture books had previously showed me made a real impact. That was the moment I couldn’t go back [as a reader].[6]
James Henry Trotter is a boy who lives happily with his parents in a house by the sea in the south of England. Unfortunately, when he is four years old, an oddly carnivorous raging rhinoceros escapes from the London Zoo and eats James' parents whilst they are on a shopping trip in the capital. He ends up living with his two cruel aunts, Spiker and Sponge. Instead of caring for him, they physically and verbally abuse him, isolate him in their ramshackle hilltop house and garden, dole out sadistic punishments for the smallest infractions, force him to sleep on bare floorboards in a prison cell-like room, and force him to do heavy chores most of the time that they can't be bothered to do themselves (they also do not call him by his real name, but insults like "you disgusting little beast" or "you miserable creature").
One day, after James has been living with his aunts for three years, he meets a mysterious man who gives him a bag of magical crystals, instructing James to use them in a potion that would change his life for the better. While returning home, James stumbles and spills the bag on the ground, losing the crystals as they dig themselves underground. A nearby barren peach tree, in turn, produces a single peach which soon grows to the size of a house. Spiker and Sponge build a fence around it and earn money by selling viewing tickets to tourists; James is locked in the house, only able to see the peach and the crowds through the bars of his bedroom window.
After the tourists have gone, James is assigned to clean the rubbish around the peach and finds a hole inside it. He crawls in, through a tunnel, and he finds himself in a room, in the enlarged peach pit. There, he meets Centipede, Miss Spider, Old Green Grasshopper, Earthworm, Ladybug, Glowworm, and Silkworm who become his friends.
The next day, Centipede cuts the stem of the peach, causing it to roll away and crush James' aunts. It reaches the sea and is surrounded by ravenous sharks. James uses Miss Spider and Silkworm to make threads, while Earthworm is used as bait and draws 501 seagulls[7] to the peach, whereupon the threads are tied on their necks. The peach is lifted off the water. High above the clouds, the peach encounters the Cloud-Men, who are portrayed as responsible for weather phenomena like hailstorms and rainbows. Centipede mocks the Cloud-Men, who throw things at the group until they get clear.
Later, James realizes that the group has reached New York City. The wing of a passing plane severs the strings, and the falling peach lands on the spire of the Empire State Building. It is mistaken for a bomb at first, resulting in the arrival of police and firemen. Calming the crowd, James tells his story, and becomes friends with many children in New York; they eat the peach and James and his friends get their own jobs, now residing in Central Park, in the pit of the peach.
Despite Roald Dahl having enjoined his publishers not to "so much as change a single comma in one of my books", in February 2023 Puffin Books, a division of Penguin Books, announced it would be re-writing portions of many of Dahl's children's novels, changing the language to, in the publisher's words, "ensure that it can continue to be enjoyed by all today."[8] The decision was met with sharp criticism from groups and public figures including authors Salman Rushdie[9][10] and Christopher Paolini,[11] British prime minister Rishi Sunak,[9][10] Queen Camilla,[9][12] Kemi Badenoch,[13] PEN America,[9][10] and Brian Cox.[13] Dahl's publishers in the United States, France, and the Netherlands announced they had declined to incorporate the changes.[9]
InJames and the Giant Peach, more than seventy changes were made, such as removing references to Sponge as fat (including writing an entirely new poem), changing queertostrange, removing references to skin colour (such as "his face white with horror", "looking white and thin", and the Earthworm's "lovely pink skin"), and changing Cloud-MentoCloud-People.[14][15]
| Original text | 2023 text[15] |
|---|---|
| There were caves everywhere running into the cloud, and at the entrances to the caves the Cloud-Men's wives were crouching over little stoves with frying-pans in their hands, frying snowballs for their husbands' suppers. | There were houses everywhere running into the cloud. |
A television adaptation of the novel appeared on BBC One on December 28, 1976. Paul Stone directed a script by Trever Preston. The cast included Simon Bell playing James, Bernard Cribbins playing Centipede, and Anna Quayle playing Aunt Spiker.[16]
Though Roald Dahl declined numerous offers during his life to have a film version of James and the Giant Peach produced, his widow, Felicity Dahl, approved an offer to have a film adaptation produced in conjunction with Disney in the mid-1990s.[17] It was directed by Henry Selick and producedbyDenise Di Novi and Tim Burton, all of whom previously made The Nightmare Before Christmas. The movie consists of live action and stop-motion to reduce production finances.[18] It was narrated by Pete Postlethwaite (who also played the old man). The film was released on April 12, 1996.[19] Although it was a box office failure, it received positive reviews and eventually became a cult classic.
There are numerous changes in both the plot of the film and the plot of the book, though the film was generally well received. Felicity Dahl said that, "I think Roald would have been delighted with what they did with James."[17] Owen GleibermanofEntertainment Weekly praised the animated part, but calling the live-action segments "crude".[20] It was nominated for an Academy Award for Best Original Musical or Comedy Score (byRandy Newman).
In August 2016, Sam Mendes was in negotiations with Disney to direct another live action adaptation of the novel,[21] with Nick Hornby in talks for the script.[22] In May 2017, Mendes was no longer attached to the project due to his entering talks with Disney about directing a live-action film adaptationofPinocchio.[23]
The book was made into a musical with music and lyrics by Benj Pasek and Justin Paul and book by Timothy Allen McDonald. The musical had its premiere at Goodspeed Musicals on 21 October 2010, and is currently produced in regional and youth theatre.[24][25]
David Wood's play based on James and the Giant Peach has been performed worldwide. It was first produced in 2001 by the Sherman Theatre, Cardiff and Birmingham Stage Company, who then toured it all over the UK. Other major productions have been mounted by West Yorkshire Playhouse and Polka Theatre, and it is very popular with community and amateur companies in the UK and US. The play is published and licensed by Concord Theatricals.[26]
Ray DaSilva's Norwich Puppet Theatre put on puppet theatre performances in 1985.[27]
The book has been recorded a number of times, including:
In May 2020, in the midst of the COVID-19 pandemic, Taika Waititi, the Oscar-winning director, worked with the Roald Dahl Story Company to publish audio-visual readings of the book. Waititi was joined by Oscar-winning actresses Meryl Streep, Lupita Nyong'o, and Cate Blanchett; actors Benedict Cumberbatch, Liam and Chris Hemsworth, Ryan Reynolds; the Duchess of Cornwall, and others in ten installments which were then published to the Roald Dahl official YouTube channel.[31]
The event was organised to raise money for the global-non profit Partners In Health, founded by Dahl's daughter Ophelia, which had been fighting COVID-19 in vulnerable areas; with Roald Dahl Story Co. committing to match donations up to $1million.[31] Waititi had already been working with the company as the writer, director, and executive producer for Netflix's upcoming serialised adaption of Charlie and the Chocolate Factory.[32]
Mendes will no longer direct the "James and the Giant Peach" remake for Disney, which he was attached to less than a year ago.
