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m v2.05 - Repaired 1 link to disambiguation page - (You can help) - Chokher Bali (film)
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{{Use Indian English|date=April 2017}} |
{{Use Indian English|date=April 2017}} |
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{{Use dmy dates|date= |
{{Use dmy dates|date=June 2022}} |
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{{Infobox |
{{Infobox award |
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| name = National Film Award for Best Production Design |
| name = National Film Award for Best Production Design |
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| image = |
| image = |
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| Line 8: | Line 8: | ||
| caption = |
| caption = |
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| subheader = National award for contributions to [[Cinema of India|Indian Cinema]] |
| subheader = National award for contributions to [[Cinema of India|Indian Cinema]] |
||
| |
| awarded_for = |
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| sponsor = [[Directorate of Film Festivals]] |
| sponsor = [[Directorate of Film Festivals]] |
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| firstawarded = 1979 |
| firstawarded = 1979 |
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| lastawarded = |
| lastawarded = 2020 |
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| reward = {{ubl|Rajat Kamal (Silver Lotus)|{{INRConvert|50|k}}}} |
| reward = {{ubl|Rajat Kamal (Silver Lotus)|{{INRConvert|50|k}}}} |
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| former name = National Film Award for Best Art Direction (1979–2010) |
| former name = National Film Award for Best Art Direction (1979–2010) |
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| holder_label = Most recent winner |
| holder_label = Most recent winner |
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| holder = |
| holder = [[Anees Nadodi]] |
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| award1_type = Total awarded |
| award1_type = Total awarded |
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| award1_winner = |
| award1_winner = 43 |
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| award2_type = First winner |
| award2_type = First winner |
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| award2_winner = Jayoo Patwardhan |
| award2_winner = Jayoo Patwardhan |
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The '''National Film Award for Best Production Design''' is one of the [[National Film Awards]] presented annually by the [[Directorate of Film Festivals]], the organisation set up by [[Ministry of Information and Broadcasting (India)|Ministry of Information and Broadcasting, India]]. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus). |
The '''National Film Award for Best Production Design''' is one of the [[National Film Awards]] presented annually by the [[Directorate of Film Festivals]], the organisation set up by [[Ministry of Information and Broadcasting (India)|Ministry of Information and Broadcasting, India]]. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus). |
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The award was instituted in 1979, at [[27th National Film Awards]] as National Film Award for Best Art Direction, and awarded annually for films produced in the year across the country, in all Indian languages |
The award was instituted in 1979, at [[27th National Film Awards]] as National Film Award for Best Art Direction, and awarded annually for films produced in the year across the country, in all Indian languages; [[Hindi]] (18 awards), [[Tamil language|Tamil]] (6 awards), [[Malayalam]] (6 awards), [[Bengali language|Bengali]] (3 awards), [[Kannada]], [[Urdu]], [[Indian English|English]], [[Marathi language|Marathi]] (two each), [[Telugu language|Telugu]], [[Gujarati language|Gujarati]], [[Punjabi language|Punjabi]], [[Konkani language|Konkani]] (one Each). |
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The award renamed as National Film Award for Best Production Design from the [[57th National Film Awards]] in 2011.<ref name="56thawardPDF">{{cite web|url=http://dff.nic.in/2011/56th_nff_2008.pdf|title=56th National Film Awards|publisher=Directorate of Film Festivals|access-date=20 March 2013}}</ref><ref name="57thawardPDF">{{cite web|url=http://dff.nic.in/2011/57thNFA.pdf|title=57th National Film Awards|publisher=Directorate of Film Festivals|access-date=20 March 2013}}</ref> |
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== Winners == |
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== Multiple winners == |
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* '''4 Wins''': [[Nitin Chandrakant Desai]] , [[Samir Chanda]] & [[Sabu Cyril]] |
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* '''3 Wins''': [[Nitish Roy]] & [[P. Krishnamoorthy]] |
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* '''2 Wins''': Jayoo Patwardhan, [[Thota Tharani]] & Indranil Ghosh |
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== Recipients == |
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Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years: |
Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years: |
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| Line 44: | Line 51: | ||
| [[Marathi language|Marathi]] |
| [[Marathi language|Marathi]] |
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| {{dash}} |
| {{dash}} |
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| align="center" |<ref>{{cite web|url=http://fefkaartdirectors.com/index.php/national-award.html|title=National Awards For Art Direction @ Fefka Art Directors Union| |
| align="center" |<ref>{{cite web|url=http://fefkaartdirectors.com/index.php/national-award.html|title=National Awards For Art Direction @ Fefka Art Directors Union|access-date=7 July 2012}}</ref> |
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|- |
|- |
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| align="center" | [[28th National Film Awards|1980<br>{{small|(28th)}}]] |
| align="center" | [[28th National Film Awards|1980<br>{{small|(28th)}}]] |
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| Line 51: | Line 58: | ||
| [[Gujarati language|Gujarati]] |
| [[Gujarati language|Gujarati]] |
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| {{hidden||''For perfectly creating the glamour of the royal palace juxtaposed with the grim austerity of hutments, for successfully providing a period touch down to the smallest details, for providing a stamp of authenticity to the film.''}} |
| {{hidden||''For perfectly creating the glamour of the royal palace juxtaposed with the grim austerity of hutments, for successfully providing a period touch down to the smallest details, for providing a stamp of authenticity to the film.''}} |
||
| align="center" |<ref name="28thawardPDF">{{cite web|url=http://dff.nic.in/2011/28th_nff_1981.pdf|title=28th National Film Awards |
| align="center" |<ref name="28thawardPDF">{{cite web|url=http://dff.nic.in/2011/28th_nff_1981.pdf|title=28th National Film Awards|publisher=Directorate of Film Festivals|access-date=4 October 2011}}</ref> |
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|- |
|- |
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| align="center" | [[29th National Film Awards|1981<br>{{small|(29th)}}]] |
| align="center" | [[29th National Film Awards|1981<br>{{small|(29th)}}]] |
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! scope="row" | |
! scope="row" | Manzur |
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| ''[[Umrao Jaan (1981 film)|Umrao Jaan]]'' |
| ''[[Umrao Jaan (1981 film)|Umrao Jaan]]'' |
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| [[Urdu language|Urdu]] |
| [[Urdu language|Urdu]] |
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| {{hidden||''For re-creating the sets of the Lucknow Kothas and aristocratic homes with an unerring sense of the historical period portrayed.''}} |
| {{hidden||''For re-creating the sets of the Lucknow Kothas and aristocratic homes with an unerring sense of the historical period portrayed.''}} |
||
| align="center" |<ref name="29thawardPDF">{{cite web|url=http://dff.nic.in/2011/29th_nff_1982.pdf|title=29th National Film Awards |
| align="center" |<ref name="29thawardPDF">{{cite web|url=http://dff.nic.in/2011/29th_nff_1982.pdf|title=29th National Film Awards|publisher=Directorate of Film Festivals|access-date=4 October 2011}}</ref> |
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|- |
|- |
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| align="center" | [[30th National Film Awards|1982<br>{{small|(30th)}}]] |
| align="center" | [[30th National Film Awards|1982<br>{{small|(30th)}}]] |
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| Line 65: | Line 72: | ||
| [[Bengali language|Bengali]] |
| [[Bengali language|Bengali]] |
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| {{hidden||''For recreating milieu with delicate details.''}} |
| {{hidden||''For recreating milieu with delicate details.''}} |
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| align="center" |<ref name="30thawardPDF">{{cite web|url=http://dff.nic.in/2011/30th_nff_1983.pdf|title=30th National Film Awards |
| align="center" |<ref name="30thawardPDF">{{cite web|url=http://dff.nic.in/2011/30th_nff_1983.pdf|title=30th National Film Awards|publisher=Directorate of Film Festivals|access-date=4 October 2011}}</ref> |
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|- |
|- |
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| align="center" | [[31st National Film Awards|1983<br>{{small|(31st)}}]] |
| align="center" | [[31st National Film Awards|1983<br>{{small|(31st)}}]] |
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! scope="row" | [[Nitish Roy]] |
! scope="row" | [[Nitish Roy]] |
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| ''[[Mandi (film)|Mandi]]'' |
| ''[[Mandi (1983 film)|Mandi]]'' |
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| Hindi |
| Hindi |
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| {{hidden||''For the inventive creation of a backdrop which admirably complemented the varying moods of the film.''}} |
| {{hidden||''For the inventive creation of a backdrop which admirably complemented the varying moods of the film.''}} |
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| align="center" |<ref name="31stawardPDF">{{cite web|url=http://dff.nic.in/2011/31st_nff_1984.pdf|title=31st National Film Awards |
| align="center" |<ref name="31stawardPDF">{{cite web|url=http://dff.nic.in/2011/31st_nff_1984.pdf|title=31st National Film Awards|publisher=Directorate of Film Festivals|access-date=9 December 2011}}</ref> |
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|- |
|- |
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| align="center" rowspan="2" | [[32nd National Film Awards|1984<br>{{small|(32nd)}}]] |
| align="center" rowspan="2" | [[32nd National Film Awards|1984<br>{{small|(32nd)}}]] |
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| Line 79: | Line 86: | ||
| rowspan="2" | Hindi |
| rowspan="2" | Hindi |
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| rowspan="2" | {{dash}} |
| rowspan="2" | {{dash}} |
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| align="center" rowspan="2" |<ref name="32ndawardPDF">{{cite web|url=http://dff.nic.in/2011/32nd_nff_1985.pdf|title=32nd National Film Awards |
| align="center" rowspan="2" |<ref name="32ndawardPDF">{{cite web|url=http://dff.nic.in/2011/32nd_nff_1985.pdf|title=32nd National Film Awards|publisher=Directorate of Film Festivals|access-date=6 January 2012}}</ref> |
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|- |
|- |
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! scope="row" | Jayoo Patwardhan |
! scope="row" | Jayoo Patwardhan |
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| Line 88: | Line 95: | ||
| Hindi |
| Hindi |
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| {{hidden||''For the authentic creation of a setting of the early years of the century.''}} |
| {{hidden||''For the authentic creation of a setting of the early years of the century.''}} |
||
| align="center" |<ref name="33rdawardPDF">{{cite web|url=http://dff.nic.in/2011/33nfa.pdf|title=33rd National Film Awards |
| align="center" |<ref name="33rdawardPDF">{{cite web|url=http://dff.nic.in/2011/33nfa.pdf|title=33rd National Film Awards|publisher=Directorate of Film Festivals|access-date=7 January 2012}}</ref> |
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|- |
|- |
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| align="center" | [[34th National Film Awards|1986<br>{{small|(34th)}}]] |
| align="center" | [[34th National Film Awards|1986<br>{{small|(34th)}}]] |
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| Line 95: | Line 102: | ||
| [[Kannada language|Kannada]] |
| [[Kannada language|Kannada]] |
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| {{hidden||''For effectively recreating the era of Madhvacharya.''}} |
| {{hidden||''For effectively recreating the era of Madhvacharya.''}} |
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| align="center" |<ref name="34thawardPDF">{{cite web|url=http://dff.nic.in/2011/34th_NFF.pdf|title=34th National Film Awards |
| align="center" |<ref name="34thawardPDF">{{cite web|url=http://dff.nic.in/2011/34th_NFF.pdf|title=34th National Film Awards|publisher=Directorate of Film Festivals|access-date=7 January 2012}}</ref> |
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|- |
|- |
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| align="center" | [[35th National Film Awards|1987<br>{{small|(35th)}}]] |
| align="center" | [[35th National Film Awards|1987<br>{{small|(35th)}}]] |
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! scope="row" | [[ |
! scope="row" | [[Thota Tharani]] |
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| ''[[Nayakan]]'' |
| ''[[Nayakan]]'' |
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| [[Tamil language|Tamil]] |
| [[Tamil language|Tamil]] |
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| {{hidden||''For interpreting the visual content of the film as authentically as possible, both in the design and construction of the sets and the colour schemes, to create the appropriate atmosphere and character of the film.''}} |
| {{hidden||''For interpreting the visual content of the film as authentically as possible, both in the design and construction of the sets and the colour schemes, to create the appropriate atmosphere and character of the film.''}} |
||
| align="center" |<ref name="35thawardPDF">{{cite web|url=http://dff.nic.in/2011/35th_nff_1988.pdf|title=35th National Film Awards |
| align="center" |<ref name="35thawardPDF">{{cite web|url=http://dff.nic.in/2011/35th_nff_1988.pdf|title=35th National Film Awards|publisher=Directorate of Film Festivals|access-date=9 January 2012}}</ref> |
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|- |
|- |
||
| align="center" | [[36th National Film Awards|1988<br>{{small|(36th)}}]] |
| align="center" | [[36th National Film Awards|1988<br>{{small|(36th)}}]] |
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! scope="row" | T. Vaikundam |
! scope="row" | [[Thota Vaikuntam|T. Vaikundam]] |
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| ''[[Daasi]]'' |
| ''[[Daasi (1988 film)|Daasi]]'' |
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| [[Telugu language|Telugu]] |
| [[Telugu language|Telugu]] |
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| {{hidden||''For his minute care and concern for detail of prop and decor, creating a period locale which becomes an amalgamated part of the film enhancing its aesthetic value.''}} |
| {{hidden||''For his minute care and concern for detail of prop and decor, creating a period locale which becomes an amalgamated part of the film enhancing its aesthetic value.''}} |
||
| align="center" |<ref name="36thawardPDF">{{cite web|url=http://dff.nic.in/2011/36nfa.pdf|title=36th National Film Awards |
| align="center" |<ref name="36thawardPDF">{{cite web|url=http://dff.nic.in/2011/36nfa.pdf|title=36th National Film Awards|publisher=Directorate of Film Festivals|access-date=9 January 2012}}</ref> |
||
|- |
|- |
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| align="center" | [[37th National Film Awards|1989<br>{{small|(37th)}}]] |
| align="center" | [[37th National Film Awards|1989<br>{{small|(37th)}}]] |
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| Line 116: | Line 123: | ||
| [[Malayalam language|Malayalam]] |
| [[Malayalam language|Malayalam]] |
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| {{hidden||''For adding to the aesthetic value of the film as a whole by carefully recreating the essence of the reality of a bygone era in Kerala with minute attention to details of pros and decor.''}} |
| {{hidden||''For adding to the aesthetic value of the film as a whole by carefully recreating the essence of the reality of a bygone era in Kerala with minute attention to details of pros and decor.''}} |
||
| align="center" |<ref name="37thawardPDF">{{cite web|url=http://dff.nic.in/2011/37nfa.pdf|title=37th National Film Awards |
| align="center" |<ref name="37thawardPDF">{{cite web|url=http://dff.nic.in/2011/37nfa.pdf|title=37th National Film Awards|publisher=Directorate of Film Festivals|access-date=29 January 2012}}</ref> |
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|- |
|- |
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| align="center" | [[38th National Film Awards|1990<br>{{small|(38th)}}]] |
| align="center" | [[38th National Film Awards|1990<br>{{small|(38th)}}]] |
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| Line 123: | Line 130: | ||
| Hindi |
| Hindi |
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| {{hidden||''For maintaining the era, etching the characters against the canvas, with perfect color, design and execution.''}} |
| {{hidden||''For maintaining the era, etching the characters against the canvas, with perfect color, design and execution.''}} |
||
| align="center" |<ref name="38thawardPDF">{{cite web|url=http://dff.nic.in/2011/38th_nff_1991.pdf|title=38th National Film Awards |
| align="center" |<ref name="38thawardPDF">{{cite web|url=http://dff.nic.in/2011/38th_nff_1991.pdf|title=38th National Film Awards|publisher=Directorate of Film Festivals|access-date=9 January 2012}}</ref> |
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|- |
|- |
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| align="center" | [[39th National Film Awards|1991<br>{{small|(39th)}}]] |
| align="center" | [[39th National Film Awards|1991<br>{{small|(39th)}}]] |
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| Line 130: | Line 137: | ||
| Hindi |
| Hindi |
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| {{hidden||''For creating an authentic and real setting, matching the mood and manner of the film.''}} |
| {{hidden||''For creating an authentic and real setting, matching the mood and manner of the film.''}} |
||
| align="center" |<ref name="39thawardPDF">{{cite web|url=http://dff.nic.in/2011/39nd_nff_1985.pdf|title=39th National Film Awards |
| align="center" |<ref name="39thawardPDF">{{cite web|url=http://dff.nic.in/2011/39nd_nff_1985.pdf|title=39th National Film Awards|publisher=Directorate of Film Festivals|access-date=27 February 2012}}</ref> |
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|- |
|- |
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| align="center" | [[40th National Film Awards|1992<br>{{small|(40th)}}]] |
| align="center" | [[40th National Film Awards|1992<br>{{small|(40th)}}]] |
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| Line 137: | Line 144: | ||
| Hindi |
| Hindi |
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| {{hidden||''For its realistic recreation of the desert scape, with its requisite architectural structures, both opulent and humble.''}} |
| {{hidden||''For its realistic recreation of the desert scape, with its requisite architectural structures, both opulent and humble.''}} |
||
| align="center" |<ref name="40thawardPDF">{{cite web|url=http://dff.nic.in/2011/40th_nff_1993.pdf|title=40th National Film Awards |
| align="center" |<ref name="40thawardPDF">{{cite web|url=http://dff.nic.in/2011/40th_nff_1993.pdf|title=40th National Film Awards|publisher=Directorate of Film Festivals|access-date=2 March 2012}}</ref> |
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|- |
|- |
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| align="center" | [[41st National Film Awards|1993<br>{{small|(41st)}}]] |
| align="center" | [[41st National Film Awards|1993<br>{{small|(41st)}}]] |
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| Line 144: | Line 151: | ||
| {{•}}Hindi<br/>{{•}}Urdu |
| {{•}}Hindi<br/>{{•}}Urdu |
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| {{hidden||''For recreating architecture, landscape and interiors of exceptional beauty and cinematic integrity, synchronised to perfection with the thematic content of the protagonist's search for the poetry of an ailing maestro.''}} |
| {{hidden||''For recreating architecture, landscape and interiors of exceptional beauty and cinematic integrity, synchronised to perfection with the thematic content of the protagonist's search for the poetry of an ailing maestro.''}} |
||
| align="center" |<ref name="41stawardPDF">{{cite web|url=http://dff.nic.in/2011/41st_nff_1994.pdf|title=41st National Film Awards |
| align="center" |<ref name="41stawardPDF">{{cite web|url=http://dff.nic.in/2011/41st_nff_1994.pdf|title=41st National Film Awards|publisher=Directorate of Film Festivals|access-date=3 March 2012}}</ref> |
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|- |
|- |
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| align="center" | [[42nd National Film Awards|1994<br>{{small|(42nd)}}]] |
| align="center" | [[42nd National Film Awards|1994<br>{{small|(42nd)}}]] |
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| Line 151: | Line 158: | ||
| Malayalam |
| Malayalam |
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| {{hidden||''For creating an appropriate space for a romantic fantasy in cinema-scope in tandem with the cinematography.''}} |
| {{hidden||''For creating an appropriate space for a romantic fantasy in cinema-scope in tandem with the cinematography.''}} |
||
| align="center" |<ref name="42ndawardPDF">{{cite web|url=http://dff.nic.in/2011/42nd_nff_1995.pdf|title=42nd National Film Awards |
| align="center" |<ref name="42ndawardPDF">{{cite web|url=http://dff.nic.in/2011/42nd_nff_1995.pdf|title=42nd National Film Awards|publisher=Directorate of Film Festivals|access-date=5 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[43rd National Film Awards|1995<br>{{small|(43rd)}}]] |
| align="center" | [[43rd National Film Awards|1995<br>{{small|(43rd)}}]] |
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| Line 158: | Line 165: | ||
| Malayalam |
| Malayalam |
||
| {{hidden||''For his apt and outstanding recreation of the early decades of this century, with a remarkably detailed work of mis-en-scene.''}} |
| {{hidden||''For his apt and outstanding recreation of the early decades of this century, with a remarkably detailed work of mis-en-scene.''}} |
||
| align="center" |<ref name="43rdawardPDF">{{cite web|url=http://dff.nic.in/2011/43rd_nff_1996.pdf|title=43rd National Film Awards |
| align="center" |<ref name="43rdawardPDF">{{cite web|url=http://dff.nic.in/2011/43rd_nff_1996.pdf|title=43rd National Film Awards|publisher=Directorate of Film Festivals|access-date=6 March 2012}}</ref> |
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|- |
|- |
||
| align="center" | [[44th National Film Awards|1996<br>{{small|(44th)}}]] |
| align="center" | [[44th National Film Awards|1996<br>{{small|(44th)}}]] |
||
! scope="row" | [[ |
! scope="row" | [[Thota Tharani]] |
||
| ''[[Indian (1996 film)|Indian]]'' |
| ''[[Indian (1996 film)|Indian]]'' |
||
| Tamil |
| Tamil |
||
| {{hidden||''For erection of sets and selection of locations perfectly retaining the period depicted in the story and enhancing the huge canvas of the film.''}} |
| {{hidden||''For erection of sets and selection of locations perfectly retaining the period depicted in the story and enhancing the huge canvas of the film.''}} |
||
| align="center" |<ref name="44thawardPDF">{{cite web|url=http://dff.nic.in/2011/44th_nff_1997.pdf|title=44th National Film Awards |
| align="center" |<ref name="44thawardPDF">{{cite web|url=http://dff.nic.in/2011/44th_nff_1997.pdf|title=44th National Film Awards|publisher=Directorate of Film Festivals|access-date=9 January 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[45th National Film Awards|1997<br>{{small|(45th)}}]] |
| align="center" | [[45th National Film Awards|1997<br>{{small|(45th)}}]] |
||
| Line 172: | Line 179: | ||
| Kannada |
| Kannada |
||
| {{hidden||''For his meticulous attention to minute details creating the exact atmosphere and aura of the film's period lifestyle and its changing perspective decade to decade.''}} |
| {{hidden||''For his meticulous attention to minute details creating the exact atmosphere and aura of the film's period lifestyle and its changing perspective decade to decade.''}} |
||
| align="center" |<ref name="45thawardPDF">{{cite web|url=http://dff.nic.in/2011/45th_NFA.pdf|title=45th National Film Awards |
| align="center" |<ref name="45thawardPDF">{{cite web|url=http://dff.nic.in/2011/45th_NFA.pdf|title=45th National Film Awards|publisher=Directorate of Film Festivals|access-date=11 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[46th National Film Awards|1998<br>{{small|(46th)}}]] |
| align="center" | [[46th National Film Awards|1998<br>{{small|(46th)}}]] |
||
| Line 179: | Line 186: | ||
| English |
| English |
||
| {{hidden||''The film covers a large time span from the pre-electricity age to post independence India. The scene, both indoor and outdoor move effortlessly around rural, urban, Indian and foreign locales and blur the distinction between sets and locations – with the aid of faultless camerawork, the art direction almost single handedly creates the entire period mood and feel of the film.''}} |
| {{hidden||''The film covers a large time span from the pre-electricity age to post independence India. The scene, both indoor and outdoor move effortlessly around rural, urban, Indian and foreign locales and blur the distinction between sets and locations – with the aid of faultless camerawork, the art direction almost single handedly creates the entire period mood and feel of the film.''}} |
||
| align="center" |<ref name="46thawardPDF">{{cite web|url=http://dff.nic.in/2011/46_nff_1999.pdf|title=46th National Film Awards|publisher=Directorate of Film Festivals| |
| align="center" |<ref name="46thawardPDF">{{cite web|url=http://dff.nic.in/2011/46_nff_1999.pdf|title=46th National Film Awards|publisher=Directorate of Film Festivals|access-date=12 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[47th National Film Awards|1999<br>{{small|(47th)}}]] |
| align="center" | [[47th National Film Awards|1999<br>{{small|(47th)}}]] |
||
| Line 186: | Line 193: | ||
| Hindi |
| Hindi |
||
| {{hidden||''For recreating the haveli ambience and matching it with the existing structure used, the décor of the sets and for recreating the best of life styles of the region.''}} |
| {{hidden||''For recreating the haveli ambience and matching it with the existing structure used, the décor of the sets and for recreating the best of life styles of the region.''}} |
||
| align="center" |<ref name="47thawardPDF">{{cite web|url=http://dff.nic.in/2011/47th_nff_2000.pdf|title=47th National Film Awards |
| align="center" |<ref name="47thawardPDF">{{cite web|url=http://dff.nic.in/2011/47th_nff_2000.pdf|title=47th National Film Awards|publisher=Directorate of Film Festivals|access-date=13 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[48th National Film Awards|2000<br>{{small|(48th)}}]] |
| align="center" | [[48th National Film Awards|2000<br>{{small|(48th)}}]] |
||
! scope="row" | [[P. Krishnamoorthy]] |
! scope="row" | [[P. Krishnamoorthy]] |
||
| ''[[Bharathi (film)|Bharati]]'' |
| ''[[Bharathi (2000 film)|Bharati]]'' |
||
| Tamil |
| Tamil |
||
| {{hidden||''For aesthetically recreating the period of early twentieth century taking great care in selecting authentic properties of the time to enhance the décor of both interiors as well as exteriors, thus bringing alive Tamilnadu of that period.''}} |
| {{hidden||''For aesthetically recreating the period of early twentieth century taking great care in selecting authentic properties of the time to enhance the décor of both interiors as well as exteriors, thus bringing alive Tamilnadu of that period.''}} |
||
| align="center" |<ref name="48thawardPDF">{{cite web|url=http://dff.nic.in/2011/48th_nff_2001.pdf|title=48th National Film Awards|publisher=Directorate of Film Festivals| |
| align="center" |<ref name="48thawardPDF">{{cite web|url=http://dff.nic.in/2011/48th_nff_2001.pdf|title=48th National Film Awards|publisher=Directorate of Film Festivals|access-date=13 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[49th National Film Awards|2001<br>{{small|(49th)}}]] |
| align="center" | [[49th National Film Awards|2001<br>{{small|(49th)}}]] |
||
| Line 200: | Line 207: | ||
| Hindi |
| Hindi |
||
| {{hidden||''For aesthetically recreating the pre independence period village with authentic details.''}} |
| {{hidden||''For aesthetically recreating the pre independence period village with authentic details.''}} |
||
| align="center" |<ref name="49thawardPDF">{{cite web|url=http://dff.nic.in/2011/49th_nff_2002.pdf|title=49th National Film Awards|publisher=Directorate of Film Festivals| |
| align="center" |<ref name="49thawardPDF">{{cite web|url=http://dff.nic.in/2011/49th_nff_2002.pdf|title=49th National Film Awards|publisher=Directorate of Film Festivals|access-date=14 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[50th National Film Awards|2002<br>{{small|(50th)}}]] |
| align="center" | [[50th National Film Awards|2002<br>{{small|(50th)}}]] |
||
| Line 207: | Line 214: | ||
| Hindi |
| Hindi |
||
| {{hidden||''For creating an evocative visual setting for the romantic drama.''}} |
| {{hidden||''For creating an evocative visual setting for the romantic drama.''}} |
||
| align="center" |<ref name="50thawardPDF">{{cite web|url=http://dff.nic.in/2011/50nfa.pdf|title=50th National Film Awards|publisher=Directorate of Film Festivals| |
| align="center" |<ref name="50thawardPDF">{{cite web|url=http://dff.nic.in/2011/50nfa.pdf|title=50th National Film Awards|publisher=Directorate of Film Festivals|access-date=14 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" rowspan="2" | [[51st National Film Awards|2003<br>{{small|(51st)}}]] |
| align="center" rowspan="2" | [[51st National Film Awards|2003<br>{{small|(51st)}}]] |
||
! scope="row" | Indranil Ghosh |
! scope="row" | Indranil Ghosh |
||
| ''[[Chokher Bali (film)|Chokher Bali]]'' |
| ''[[Chokher Bali (2003 film)|Chokher Bali]]'' |
||
| [[Bengali language|Bengali]] |
| [[Bengali language|Bengali]] |
||
| {{hidden||''For his muted recreation of a period and its ambiance.''}} |
| {{hidden||''For his muted recreation of a period and its ambiance.''}} |
||
| align="center" rowspan="2" |<ref name="51stawardPDF">{{cite web|url=http://dff.nic.in/2011/51st_nff_2004.pdf|title=51st National Film Awards|publisher=Directorate of Film Festivals| |
| align="center" rowspan="2" |<ref name="51stawardPDF">{{cite web|url=http://dff.nic.in/2011/51st_nff_2004.pdf|title=51st National Film Awards|publisher=Directorate of Film Festivals|access-date=15 March 2012}}</ref> |
||
|- |
|- |
||
! scope="row" | [[Sharmishta Roy]] |
! scope="row" | [[Sharmishta Roy]] |
||
| Line 226: | Line 233: | ||
| {{•}}English<br/>{{•}}Hindi |
| {{•}}English<br/>{{•}}Hindi |
||
| {{hidden||''For effectively recreating the period prior to the second world war across nations.''}} |
| {{hidden||''For effectively recreating the period prior to the second world war across nations.''}} |
||
| align="center" |<ref name="52ndawardPDF">{{cite web|url=http://dff.nic.in/2011/52nd_nff_2005.pdf|title=52nd National Film Awards |
| align="center" |<ref name="52ndawardPDF">{{cite web|url=http://dff.nic.in/2011/52nd_nff_2005.pdf|title=52nd National Film Awards|publisher=Directorate of Film Festivals|access-date=28 January 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[53rd National Film Awards|2005<br>{{small|(53rd)}}]] |
| align="center" | [[53rd National Film Awards|2005<br>{{small|(53rd)}}]] |
||
| Line 233: | Line 240: | ||
| Hindi |
| Hindi |
||
| {{hidden||''For effectively recreating the mughal period and rendering life to an era.''}} |
| {{hidden||''For effectively recreating the mughal period and rendering life to an era.''}} |
||
| align="center" |<ref name="53rdawardPDF">{{cite web|url=http://dff.nic.in/2011/53rd_nff_2006.pdf|title=53rd National Film Awards |
| align="center" |<ref name="53rdawardPDF">{{cite web|url=http://dff.nic.in/2011/53rd_nff_2006.pdf|title=53rd National Film Awards|publisher=Directorate of Film Festivals|access-date=19 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[54th National Film Awards|2006<br>{{small|(54th)}}]] |
| align="center" | [[54th National Film Awards|2006<br>{{small|(54th)}}]] |
||
| Line 240: | Line 247: | ||
| Punjabi |
| Punjabi |
||
| {{hidden||''For the authentic recreation of a historic and culturally rich era.''}} |
| {{hidden||''For the authentic recreation of a historic and culturally rich era.''}} |
||
| align="center" |<ref name="54thawardPDF">{{cite web|url=http://dff.nic.in/2011/54th_nff_2006.pdf|title=54th National Film Awards |
| align="center" |<ref name="54thawardPDF">{{cite web|url=http://dff.nic.in/2011/54th_nff_2006.pdf|title=54th National Film Awards|publisher=Directorate of Film Festivals|access-date=24 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[55th National Film Awards|2007<br>{{small|(55th)}}]] |
| align="center" | [[55th National Film Awards|2007<br>{{small|(55th)}}]] |
||
| Line 247: | Line 254: | ||
| Hindi |
| Hindi |
||
| {{hidden||''For creating authentic film settings of 1970s and recreating them in a dilapidated condition a generation later.''}} |
| {{hidden||''For creating authentic film settings of 1970s and recreating them in a dilapidated condition a generation later.''}} |
||
| align="center" |<ref name="55thawardPDF">{{cite web|url=http://dff.nic.in/2011/55th_nff_2007.pdf|title=55th National Film Awards |
| align="center" |<ref name="55thawardPDF">{{cite web|url=http://dff.nic.in/2011/55th_nff_2007.pdf|title=55th National Film Awards|publisher=Directorate of Film Festivals|access-date=26 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[56th National Film Awards|2008<br>{{small|(56th)}}]] |
| align="center" | [[56th National Film Awards|2008<br>{{small|(56th)}}]] |
||
| Line 268: | Line 275: | ||
| Tamil |
| Tamil |
||
| {{hidden||''For the style and finesse realised in the creation of a set design that is coherent with the futuristic visual style of the narrative.''}} |
| {{hidden||''For the style and finesse realised in the creation of a set design that is coherent with the futuristic visual style of the narrative.''}} |
||
| align="center" |<ref name="58thawardPDF">{{cite web|url=http://dff.nic.in/2011/58_NFA.pdf|title=58th National Film Awards |
| align="center" |<ref name="58thawardPDF">{{cite web|url=http://dff.nic.in/2011/58_NFA.pdf|title=58th National Film Awards|publisher=Directorate of Film Festivals|access-date=29 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" | [[59th National Film Awards|2011<br>{{small|(59th)}}]] |
| align="center" | [[59th National Film Awards|2011<br>{{small|(59th)}}]] |
||
| Line 275: | Line 282: | ||
| Bengali |
| Bengali |
||
| {{hidden||''For a detailed visualisation of the Bengal renaissance through a very intricate weaving of sets, props and the colours that epitomise such an era. He brings in his expertise and knowledge of that period and deftly merges it with the tragic plight of star-crossed lovers in this famous Tagorean tragedy. Recreating locations without making them too elaborate is a highlight of this film.''}} |
| {{hidden||''For a detailed visualisation of the Bengal renaissance through a very intricate weaving of sets, props and the colours that epitomise such an era. He brings in his expertise and knowledge of that period and deftly merges it with the tragic plight of star-crossed lovers in this famous Tagorean tragedy. Recreating locations without making them too elaborate is a highlight of this film.''}} |
||
| align="center" |<ref name="59thaward">{{cite web|url=http://pib.nic.in/release/rel_print_page.asp?relid=80734|title=59th National Film Awards for the Year 2011 Announced|publisher=Press Information Bureau (PIB), India| |
| align="center" |<ref name="59thaward">{{cite web|url=http://pib.nic.in/release/rel_print_page.asp?relid=80734|title=59th National Film Awards for the Year 2011 Announced|publisher=Press Information Bureau (PIB), India|access-date=7 March 2012}}</ref> |
||
|- |
|- |
||
| align="center" rowspan=" |
| align="center" rowspan="2" | [[60th National Film Awards|2012<br>{{small|(60th)}}]] |
||
! scope="row" | Boontawee 'Thor' |
! scope="row" | Boontawee 'Thor' Taweepasas |
||
| rowspan=" |
| rowspan="2" | ''[[Vishwaroopam]]'' |
||
| rowspan=" |
| rowspan="2" | Tamil |
||
| rowspan=" |
| rowspan="2" | {{hidden||''For a subject that transcends different times and space, the commendable production design has played a huge part in making this film what it is.''}} |
||
| align="center" rowspan=" |
| align="center" rowspan="2" |<ref name="60thaward">{{cite press_release|title=60th National Film Awards Announced|url=http://pib.nic.in/archieve/others/2013/mar/d2013031801.pdf|publisher=Press Information Bureau (PIB), India|access-date=18 March 2013}}</ref> |
||
| ⚫ | |||
| ⚫ | |||
|- |
|- |
||
! scope="row" | N. Ilayaraja |
! scope="row" | Lalgudi N. Ilayaraja |
||
|- |
|- |
||
| align="center" rowspan="3" | [[61st National Film Awards|2013<br>{{small|(61st)}}]] |
| align="center" rowspan="3" | [[61st National Film Awards|2013<br>{{small|(61st)}}]] |
||
| Line 293: | Line 298: | ||
| rowspan="3" | Hindi |
| rowspan="3" | Hindi |
||
| rowspan="3" | {{hidden||''For a style and finesse realized by authentic recreating an era in a not too distant past and dressing up the location that is coherent with the visual style of the narrative.''}} |
| rowspan="3" | {{hidden||''For a style and finesse realized by authentic recreating an era in a not too distant past and dressing up the location that is coherent with the visual style of the narrative.''}} |
||
| align="center" rowspan="3" | |
| align="center" rowspan="3" |<ref name="61staward">{{cite web|title=61st National Film Awards|url=http://www.dff.nic.in/List%20of%20Awards.pdf|publisher=Directorate of Film Festivals|date=16 April 2014|access-date=16 April 2014|url-status=dead|archive-url=https://web.archive.org/web/20140416181218/http://www.dff.nic.in/List%20of%20Awards.pdf|archive-date=16 April 2014}}</ref> |
||
|- |
|- |
||
! scope="row" | Tabasheer Zutshi |
! scope="row" | Tabasheer Zutshi |
||
| Line 304: | Line 309: | ||
|Konkani |
|Konkani |
||
|{{hidden||''For convincingly recreating spaces from a different era and with minute attention to detail.''}} |
|{{hidden||''For convincingly recreating spaces from a different era and with minute attention to detail.''}} |
||
| align="center" |<ref name="62ndaward">{{cite press_release|title=62nd National Film Awards|url=http://dff.nic.in/writereaddata/62nd%20National%20Film%20Awards%202014%20-%20Press%20Release.pdf |
| align="center" |<ref name="62ndaward">{{cite press_release|title=62nd National Film Awards|url=http://dff.nic.in/writereaddata/62nd%20National%20Film%20Awards%202014%20-%20Press%20Release.pdf|publisher=Directorate of Film Festivals|date=24 March 2015|access-date=24 March 2015}}</ref> |
||
|- |
|- |
||
| align="center" rowspan="3" | [[63rd National Film Awards|2015<br>{{small|(63rd)}}]] |
| align="center" rowspan="3" | [[63rd National Film Awards|2015<br>{{small|(63rd)}}]] |
||
| Line 311: | Line 316: | ||
| rowspan="3" | Hindi |
| rowspan="3" | Hindi |
||
| rowspan="3" | {{hidden||''For the inventive use of spaces, props and set decoration to provide a dramatic setting for a grand historical spectacle.''}} |
| rowspan="3" | {{hidden||''For the inventive use of spaces, props and set decoration to provide a dramatic setting for a grand historical spectacle.''}} |
||
| align="center" rowspan="3" |<ref name="63rdaward">{{cite press_release|title=63rd National Film Awards|url=http://dff.nic.in/writereaddata/Winners_of_63rd_NFA_2015.pdf |
| align="center" rowspan="3" |<ref name="63rdaward">{{cite press_release|title=63rd National Film Awards|url=http://dff.nic.in/writereaddata/Winners_of_63rd_NFA_2015.pdf|publisher=Directorate of Film Festivals|date=28 March 2016|access-date=28 March 2016}}</ref> |
||
|- |
|- |
||
! scope="row" | Saloni Dhatrak |
! scope="row" | Saloni Dhatrak |
||
| Line 322: | Line 327: | ||
| rowspan="3" | Tamil |
| rowspan="3" | Tamil |
||
| rowspan="3" | {{hidden||''The total production value of the film is more than its art effects, locations, gadgets etc. whereby giving it an organic whole.''}} |
| rowspan="3" | {{hidden||''The total production value of the film is more than its art effects, locations, gadgets etc. whereby giving it an organic whole.''}} |
||
| align="center" rowspan="3" |<ref name="64thaward">{{cite press_release|title=64th National Film Awards|url=http://www.dff.nic.in/writereaddata/NFA64PressNote2016.pdf |
| align="center" rowspan="3" |<ref name="64thaward">{{cite press_release|title=64th National Film Awards|url=http://www.dff.nic.in/writereaddata/NFA64PressNote2016.pdf|publisher=Directorate of Film Festivals|access-date=7 April 2017|url-status=dead|archive-url=https://web.archive.org/web/20170606051143/http://dff.nic.in/writereaddata/NFA64PressNote2016.pdf|archive-date=6 June 2017}}</ref> |
||
|- |
|- |
||
! scope="row" | Shreyas Khedekar |
! scope="row" | Shreyas Khedekar |
||
| Line 332: | Line 337: | ||
| ''[[Take Off (2017 film)|Take Off]]'' |
| ''[[Take Off (2017 film)|Take Off]]'' |
||
| Malayalam |
| Malayalam |
||
| {{dash}} |
|||
| ⚫ | |||
| align="center" | |
| align="center" | |
||
| ⚫ | |||
| align="center" | [[66th National Film Awards|2018<br>{{small|(66th)}}]] |
|||
! scope="row" | Vinesh Banglan |
|||
| ''[[Kammara Sambhavam]]'' |
|||
| Malayalam |
|||
| {{hidden||''Preparing relevant terrains and sets of different periods and cultures.''}} |
|||
| align="center" |<ref>{{cite web|url=https://dff.gov.in/images/News/66th_NFA_Results.pdf|access-date=9 August 2019|title=66th National Film Awards|publisher=[[Directorate of Film Festivals]]}}</ref> |
|||
| ⚫ | |||
| align="center" rowspan="2" | [[67th National Film Awards|2019<br />{{small|(67th)}}]] |
|||
| ⚫ | |||
| rowspan="2" | ''[[Anandi Gopal]]'' |
|||
| rowspan="2" | Marathi |
|||
| rowspan="2" | {{hidden||''For re creating the late 19th century Maharashtra and it's British lifestyle through its location choices, properties and enabling us to drive into its period reality.''}} |
|||
| align="center" rowspan="2" |<ref>{{cite web|url=https://dff.nic.in/images/News/1098_winners_for_67th.pdf|access-date=25 May 2022|title=67th National Film Awards|publisher=[[Directorate of Film Festivals]]}}</ref> |
|||
|- |
|||
! scope="row" | Sunil Nigwekar |
|||
|- |
|||
|[[68th National Film Awards|2020<br />{{small|(68th)}}]] |
|||
! scope="row" | [[Anees Nadodi]] |
|||
|''[[Kappela]]'' |
|||
|Malayalam |
|||
|{{hidden||''For the life like ambience and meticulous handling of the various visual components.''}} |
|||
|<ref>{{Cite news |last=Bureau |first=The Hindu |date=2022-07-22 |title=68th National Film Awards {{!}} Soorarai Pottru wins Best Film award |language=en-IN |work=The Hindu |url=https://www.thehindu.com/entertainment/movies/soorarai-pottru-dominates-68th-national-film-awards/article65671204.ece |access-date=2022-07-23 |issn=0971-751X}}</ref> |
|||
|- |
|||
|} |
|} |
||
== References == |
== References == |
||
{{reflist |
{{reflist}} |
||
== External links == |
== External links == |
||
* [http://dff.nic.in Official Page for Directorate of Film Festivals, India] |
* [http://dff.nic.in Official Page for Directorate of Film Festivals, India] |
||
* [http://dff.nic.in/NFA_archive.asp National Film Awards Archives] |
* [http://dff.nic.in/NFA_archive.asp National Film Awards Archives] |
||
* [https://web.archive.org/web/20090508040421/http://www.imdb.com/Sections/Awards/National_Film_Awards_India/ National Film Awards] at [[ |
* [https://web.archive.org/web/20090508040421/http://www.imdb.com/Sections/Awards/National_Film_Awards_India/ National Film Awards] at [[IMDb]] |
||
{{National Film Award Best Art Direction}} |
{{National Film Award Best Art Direction}} |
||
| Line 349: | Line 378: | ||
[[Category:National Film Awards (India)|Production Design]] |
[[Category:National Film Awards (India)|Production Design]] |
||
[[Category:Awards for best art direction]] |
[[Category:Awards for best art direction]] |
||
[[Category:Ministry of Information and Broadcasting (India)]] |
|||
| National Film Award for Best Production Design | |
|---|---|
| National award for contributions to Indian Cinema | |
| Sponsored by | Directorate of Film Festivals |
| Formerly called | National Film Award for Best Art Direction (1979–2010) |
| Reward(s) |
|
| First awarded | 1979 |
| Last awarded | 2020 |
| Most recent winner | Anees Nadodi |
| Highlights | |
| Total awarded | 43 |
| First winner | Jayoo Patwardhan |
The National Film Award for Best Production Design is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus).
The award was instituted in 1979, at 27th National Film Awards as National Film Award for Best Art Direction, and awarded annually for films produced in the year across the country, in all Indian languages; Hindi (18 awards), Tamil (6 awards), Malayalam (6 awards), Bengali (3 awards), Kannada, Urdu, English, Marathi (two each), Telugu, Gujarati, Punjabi, Konkani (one Each).
The award renamed as National Film Award for Best Production Design from the 57th National Film Awards in 2011.[1][2]
Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years:
| List of award recipients, showing the year (award ceremony), film(s), language(s) and citation | |||||
|---|---|---|---|---|---|
| Year | Recipient(s) | Film(s) | Language(s) | Citation | Refs. |
| 1979 (27th) |
Jayoo Patwardhan | 22 June 1897 | Marathi | – | [3] |
| 1980 (28th) |
Meera Lakhia | Bhavni Bhavai | Gujarati |
For perfectly creating the glamour of the royal palace juxtaposed with the grim austerity of hutments, for successfully providing a period touch down to the smallest details, for providing a stamp of authenticity to the film.
|
[4] |
| 1981 (29th) |
Manzur | Umrao Jaan | Urdu |
For re-creating the sets of the Lucknow Kothas and aristocratic homes with an unerring sense of the historical period portrayed.
|
[5] |
| 1982 (30th) |
Nitish Roy | Kharij | Bengali |
For recreating milieu with delicate details.
|
[6] |
| 1983 (31st) |
Nitish Roy | Mandi | Hindi |
For the inventive creation of a backdrop which admirably complemented the varying moods of the film.
|
[7] |
| 1984 (32nd) |
Nachiket Patwardhan | Utsav | Hindi | – | [8] |
| Jayoo Patwardhan | |||||
| 1985 (33rd) |
Sham Bhutker | Rao Saheb | Hindi |
For the authentic creation of a setting of the early years of the century.
|
[9] |
| 1986 (34th) |
P. Krishnamoorthy | Madhvacharya | Kannada |
For effectively recreating the era of Madhvacharya.
|
[10] |
| 1987 (35th) |
Thota Tharani | Nayakan | Tamil |
For interpreting the visual content of the film as authentically as possible, both in the design and construction of the sets and the colour schemes, to create the appropriate atmosphere and character of the film.
|
[11] |
| 1988 (36th) |
T. Vaikundam | Daasi | Telugu |
For his minute care and concern for detail of prop and decor, creating a period locale which becomes an amalgamated part of the film enhancing its aesthetic value.
|
[12] |
| 1989 (37th) |
P. Krishnamoorthy | Oru Vadakkan Veeragatha | Malayalam |
For adding to the aesthetic value of the film as a whole by carefully recreating the essence of the reality of a bygone era in Kerala with minute attention to details of pros and decor.
|
[13] |
| 1990 (38th) |
Nitish Roy | Lekin... | Hindi |
For maintaining the era, etching the characters against the canvas, with perfect color, design and execution.
|
[14] |
| 1991 (39th) |
Samir Chanda | Rukmavati Ki Haveli | Hindi |
For creating an authentic and real setting, matching the mood and manner of the film.
|
[15] |
| 1992 (40th) |
Samir Chanda | Rudaali | Hindi |
For its realistic recreation of the desert scape, with its requisite architectural structures, both opulent and humble.
|
[16] |
| 1993 (41st) |
Suresh Sawant | Muhafiz | • Hindi • Urdu |
For recreating architecture, landscape and interiors of exceptional beauty and cinematic integrity, synchronised to perfection with the thematic content of the protagonist's search for the poetry of an ailing maestro.
|
[17] |
| 1994 (42nd) |
Sabu Cyril | Thenmavin Kombath | Malayalam |
For creating an appropriate space for a romantic fantasy in cinema-scope in tandem with the cinematography.
|
[18] |
| 1995 (43rd) |
Sabu Cyril | Kalapani | Malayalam |
For his apt and outstanding recreation of the early decades of this century, with a remarkably detailed work of mis-en-scene.
|
[19] |
| 1996 (44th) |
Thota Tharani | Indian | Tamil |
For erection of sets and selection of locations perfectly retaining the period depicted in the story and enhancing the huge canvas of the film.
|
[20] |
| 1997 (45th) |
Ramesh Desai | Thaayi Saheba | Kannada |
For his meticulous attention to minute details creating the exact atmosphere and aura of the film's period lifestyle and its changing perspective decade to decade.
|
[21] |
| 1998 (46th) |
Nitin Chandrakant Desai | Dr. Babasaheb Ambedkar | English |
The film covers a large time span from the pre-electricity age to post independence India. The scene, both indoor and outdoor move effortlessly around rural, urban, Indian and foreign locales and blur the distinction between sets and locations – with the aid of faultless camerawork, the art direction almost single handedly creates the entire period mood and feel of the film.
|
[22] |
| 1999 (47th) |
Nitin Chandrakant Desai | Hum Dil De Chuke Sanam | Hindi |
For recreating the haveli ambience and matching it with the existing structure used, the décor of the sets and for recreating the best of life styles of the region.
|
[23] |
| 2000 (48th) |
P. Krishnamoorthy | Bharati | Tamil |
For aesthetically recreating the period of early twentieth century taking great care in selecting authentic properties of the time to enhance the décor of both interiors as well as exteriors, thus bringing alive Tamilnadu of that period.
|
[24] |
| 2001 (49th) |
Nitin Chandrakant Desai | Lagaan | Hindi |
For aesthetically recreating the pre independence period village with authentic details.
|
[25] |
| 2002 (50th) |
Nitin Chandrakant Desai | Devdas | Hindi |
For creating an evocative visual setting for the romantic drama.
|
[26] |
| 2003 (51st) |
Indranil Ghosh | Chokher Bali | Bengali |
For his muted recreation of a period and its ambiance.
|
[27] |
| Sharmishta Roy | Meenaxi: A Tale of Three Cities | Hindi |
For creating a colourful ambiance which effectively supported the narrative.
| ||
| 2004 (52nd) |
Samir Chanda | Netaji Subhas Chandra Bose: The Forgotten Hero | • English • Hindi |
For effectively recreating the period prior to the second world war across nations.
|
[28] |
| 2005 (53rd) |
C. B. More | Taj Mahal: An Eternal Love Story | Hindi |
For effectively recreating the mughal period and rendering life to an era.
|
[29] |
| 2006 (54th) |
Rashid Rangrez | Waris Shah: Ishq Daa Waaris | Punjabi |
For the authentic recreation of a historic and culturally rich era.
|
[30] |
| 2007 (55th) |
Sabu Cyril | Om Shanti Om | Hindi |
For creating authentic film settings of 1970s and recreating them in a dilapidated condition a generation later.
|
[31] |
| 2008 (56th) |
Gautam Sen | Firaaq | Hindi |
For its perfect use of props and choice of colours to enhance the ambience of a post-riots.
|
[1] |
| 2009 (57th) |
Samir Chanda | Delhi-6 | Hindi |
For a very convincing match of actual locations with detailed, recreated sets.
|
[2] |
| 2010 (58th) |
Sabu Cyril | Enthiran | Tamil |
For the style and finesse realised in the creation of a set design that is coherent with the futuristic visual style of the narrative.
|
[32] |
| 2011 (59th) |
Indranil Ghosh | Noukadubi | Bengali |
For a detailed visualisation of the Bengal renaissance through a very intricate weaving of sets, props and the colours that epitomise such an era. He brings in his expertise and knowledge of that period and deftly merges it with the tragic plight of star-crossed lovers in this famous Tagorean tragedy. Recreating locations without making them too elaborate is a highlight of this film.
|
[33] |
| 2012 (60th) |
Boontawee 'Thor' Taweepasas | Vishwaroopam | Tamil |
For a subject that transcends different times and space, the commendable production design has played a huge part in making this film what it is.
|
[34] |
| Lalgudi N. Ilayaraja | |||||
| 2013 (61st) |
Ashim Ahluwalia | Miss Lovely | Hindi |
For a style and finesse realized by authentic recreating an era in a not too distant past and dressing up the location that is coherent with the visual style of the narrative.
|
[35] |
| Tabasheer Zutshi | |||||
| Parichit Paralkar | |||||
| 2014 (62nd) |
Aparna Raina | Nachom-ia Kumpasar | Konkani |
For convincingly recreating spaces from a different era and with minute attention to detail.
|
[36] |
| 2015 (63rd) |
Shriram Iyengar | Bajirao Mastani | Hindi |
For the inventive use of spaces, props and set decoration to provide a dramatic setting for a grand historical spectacle.
|
[37] |
| Saloni Dhatrak | |||||
| Sujeet Sawant | |||||
| 2016 (64th) |
Subrata Chakraborthy | 24 | Tamil |
The total production value of the film is more than its art effects, locations, gadgets etc. whereby giving it an organic whole.
|
[38] |
| Shreyas Khedekar | |||||
| Amit Ray | |||||
| 2017 (65th) |
Santhosh Raman | Take Off | Malayalam | – | |
| 2018 (66th) |
Vinesh Banglan | Kammara Sambhavam | Malayalam |
Preparing relevant terrains and sets of different periods and cultures.
|
[39] |
| 2019 (67th) |
Nilesh Wagh | Anandi Gopal | Marathi |
For re creating the late 19th century Maharashtra and it's British lifestyle through its location choices, properties and enabling us to drive into its period reality.
|
[40] |
| Sunil Nigwekar | |||||
| 2020 (68th) |
Anees Nadodi | Kappela | Malayalam |
For the life like ambience and meticulous handling of the various visual components.
|
[41] |
