|
m Disambiguating links to Slave to the Rhythm (link changed to Slave to the Rhythm (album)) using DisamAssist.
|
m v2.05b - Bot T23 CW#558 - Fix errors for CW project (Duplicated reference)
|
||
| Line 74: | Line 74: | ||
In May 1991, Kaye invited Banks to play with Yes on stage during the encore at their show at the [[Great Western Forum]], California. Banks accepted and went to the show, but Kaye informed him that Howe did not want Banks to play. An angered Banks proceeded to drink at the arena bar with comedian [[Billy Connolly]].<ref name=Independent/><ref>''[[Classic Artists: Yes]]'', 2007</ref> In 1994 and 1998, Banks was a featured guest at the Yes fan convention Yestival. In 1995, he performed "Astral Traveller" on the Yes tribute album ''Tales from Yesterday''. He co-ordinated the release of the live compilation ''[[Something's Coming: The BBC Recordings 1969–1970]]'', and wrote about his days with the band in the liner notes. In 2006, he was interviewed for the Yes documentary ''[[Classic Artists: Yes]]''. In 1997, Banks was mainly responsible for the release of a [[double album|double]] [[live album|live]] Yes album, ''[[Something's Coming: The BBC Recordings 1969–1970]]'' (renamed ''Beyond and Before'' in the US), a collection of appearances at the [[BBC]] during 1969 and 1970, featuring the original line-up in all tracks and with a booklet containing the guitarist's account of those early days. Several music videos featuring him with Yes during their early days can be seen in ''[[The Lost Broadcasts]]'' DVD released in 2009. |
In May 1991, Kaye invited Banks to play with Yes on stage during the encore at their show at the [[Great Western Forum]], California. Banks accepted and went to the show, but Kaye informed him that Howe did not want Banks to play. An angered Banks proceeded to drink at the arena bar with comedian [[Billy Connolly]].<ref name=Independent/><ref>''[[Classic Artists: Yes]]'', 2007</ref> In 1994 and 1998, Banks was a featured guest at the Yes fan convention Yestival. In 1995, he performed "Astral Traveller" on the Yes tribute album ''Tales from Yesterday''. He co-ordinated the release of the live compilation ''[[Something's Coming: The BBC Recordings 1969–1970]]'', and wrote about his days with the band in the liner notes. In 2006, he was interviewed for the Yes documentary ''[[Classic Artists: Yes]]''. In 1997, Banks was mainly responsible for the release of a [[double album|double]] [[live album|live]] Yes album, ''[[Something's Coming: The BBC Recordings 1969–1970]]'' (renamed ''Beyond and Before'' in the US), a collection of appearances at the [[BBC]] during 1969 and 1970, featuring the original line-up in all tracks and with a booklet containing the guitarist's account of those early days. Several music videos featuring him with Yes during their early days can be seen in ''[[The Lost Broadcasts]]'' DVD released in 2009. |
||
After returning to London in the mid-1990s, Banks continued as a session musician and released archive material. He released three solo albums: the all-instrumental ''Instinct'' (1993), ''Self Contained'' (1995), which features Gerald Goff on keyboards, and ''Reduction'' (1997). |
After returning to London in the mid-1990s, Banks continued as a session musician and released archive material. He released three solo albums: the all-instrumental ''Instinct'' (1993), ''Self Contained'' (1995), which features Gerald Goff on keyboards, and ''Reduction'' (1997).<ref name="AMG"/> Another archival release was ''Psychosync'', a live Flash recording made in 1973 for the [[King Biscuit Flower Hour]] and finally released in 1998.<ref name="AMG"/> Banks also collaborated in 1995's ''Tales from Yesterday'' (a Yes tribute album) performing a version of the song "Astral Traveller" with [[Robert Berry]]; appeared on the album ''Big Beats'' in 1997; and played on 1999's ''Encores, Legends and Paradox'', an [[Emerson, Lake & Palmer]] tribute album. He contributed to 1999's ''Come Together People of Funk'' by Funky Monkey (including keyboardist [[Gerard Johnson (musician)|Gerard Johnson]] who helped on a number of Banks' projects in the 1990s and who also worked with Banks' old bandmate Chris Squire). |
||
Following an appearance by Banks and [[Geoff Downes]] together at the 1998 edition of Yestival (a Yes fan festival), the pair played some sessions and the possibility of Banks joining [[Asia (band)|Asia]] was mooted. However, these sessions did not lead anywhere. |
Following an appearance by Banks and [[Geoff Downes]] together at the 1998 edition of Yestival (a Yes fan festival), the pair played some sessions and the possibility of Banks joining [[Asia (band)|Asia]] was mooted. However, these sessions did not lead anywhere. |
||
 |
This article needs additional citations for verification. Please help improve this articlebyadding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Peter Banks" – news · newspapers · books · scholar · JSTOR (May 2022) (Learn how and when to remove this message) |
Peter Banks
| |
|---|---|
| Birth name | Peter William Brockbanks |
| Born | (1947-07-15)15 July 1947 Chipping Barnet, Hertfordshire, England |
| Died | 7 March 2013(2013-03-07) (aged 65) Chipping Barnet, London, England |
| Genres |
|
| Occupation(s) |
|
| Instrument(s) |
|
| Years active | 1966–2013 |
| Formerly of |
|
| Website | peterbanks |
Peter William Brockbanks (15 July 1947 – 7 March 2013), known professionally as Peter Banks, was a British guitarist, vocalist, songwriter and producer. He was the original guitarist in the rock band Yes, Flash, and Empire; he was also a guitarist for The Syn. Banks has been described as "the architect of progressive music".[1]
Peter William Brockbanks was born in Chipping Barnet in north London, on 15 July 1947, and raised in 37 Alston Road.[2][3] His father William was an optical mechanic and his mother Ellen a cleaner. He attended Barnet Secondary School, followed by Barnet College of Further Education.[4][5] Lonnie Donegan was Banks' first major musical influence and inspired him to take up the guitar at around 8 years of age.[6] His parents bought him his records to listen to as well as his first guitar, an acoustic model which he later said "was practically unplayable".[4] His first electric guitar was a Gretsch Tennessean. Banks studied art and once had an ambition of becoming a zookeeper, but decided against it when he learned the job had unfavourable hours, and pursued music.[4] Banks also cited guitarist David O'List and Pete Townshend as an influence in his early period.[7]
Banks started as rhythm guitarist in the Nighthawks, a local group, in 1963. His first gig took place at the New Barnet Pop Festival. In the following year he left to join the Devil's Disciples with John Tite on vocals, Ray Alford on bass, and Malcolm "Pinnie" Raye on drums.[8] They recorded two covers on an acetate, Arthur Alexander's "You Better Move On" and Graham Gouldman's "For Your Love", which became a hit record for the Yardbirds one year later. It was Banks' first visit in a recording studio, during which he wore headphones and experienced stereo sound for the first time. He found the experience "totally terrifying", and was so traumatised that he started having doubts if he could carry on playing the guitar and work in another studio again.[9] In 1965 Banks joined the Syndicats, replacing guitarist Ray Fenwick.
After leaving the Syndicats, Banks joined the Syn which at the time included Chris Squire on bass, Andrew Pryce Jackman on keyboards, Steve Nardelli on vocals, and Gunnar Hákonarson on drums. They recorded two singles, "Created by Clive"/"Grounded" and "Flowerman"/"14 Hour Technicolour Dream", both in 1967, before they split. Later that year, Banks and Squire joined Mabel Greer's Toyshop with Clive Bayley on rhythm guitar and vocals and Bob Hagger on drums. In the spring of 1968 Banks left the band to join Neat Change, with whom he recorded one single, "I Lied to Aunty May". He was fired from the band after his bandmates wanted to adopt a skinhead look, and Banks refused to cut his hair.[10] Meanwhile, Jon Anderson had joined Mabel Greer's Toyshop as lead vocalist, and Hagger was replaced by drummer Bill Bruford. The four entered a period of rehearsals in London, during which Banks replaced a departing Bayley and keyboardist Tony Kaye was brought in to round out the group.[11]
While rehearsing with the new line-up, the band exchanged ideas for a name. Anderson suggested Life and Squire proposed World, but all agreed on Banks' suggestion of Yes, which he had thought of some time before.[12][10] Following their debut in August 1968 Banks devised the band's first logo, a design featuring the group's name inside a speech bubble. Banks performed on the first two Yes albums, Yes (1969) and Time and a Word (1970). The latter features orchestral arrangements which Banks disagreed with, and he often clashed with producer Tony Colton.[4] On 18 April 1970, Banks was fired from Yes after their gig at the Luton College of Technology, and was replaced by former Syndicats guitarist Steve Howe.[11] In his autobiography, Howe wrote that Banks "was an interesting guitarist to have to follow. He, too, adopted different guitar styles and had already set a scene I could relate to. He was a sweet guy and came to many of our early gigs. I can't think of many other ex-band members doing that – I mean, right after they've left the band."[13]
Banks joined Blodwyn Pig for around six months in 1970, following the departure of original guitarist Mick Abrahams.[4] He tried to incorporate more arrangements into their simple blues-oriented music, which he later realised did not fit and found his style incompatible. In later years, however, Banks looked back on this period as a particularly happy one and enjoyed working with his bandmates.[10] After the band ran its course, Banks was unsure of his next move and later admitted that he was still "shell-shocked" by his departure from Yes, and turned to alcohol and drugs.[10] He earned some money as a session musician, but found the work restrictive in a creative sense. At one point he was close to bankruptcy, and had to sell some of his equipment. Attempts to form a new band fell through, partly due to his disinterest in being a leader.[14]
Banks' fortunes changed when music reporter Chris Welch wrote an article about him in Melody Maker in June 1971.[14] The article was spotted by vocalist Colin Carter, who contacted Banks and invited him to form a band. Following the addition of bassist Ray Bennett and drummer Mike Hough, the four named themselves Flash and began touring in 1972.[11] In the same year they released two albums, Flash and In the Can, to a warm reception. The group disbanded in 1973 towards the end of a US tour to promote their third album, Out of Our Hands.[11] Banks felt the group lacked the right management, and got angry at Carter and Bennett for often playing with their backs to the audience. By this time Banks was a heavy drinker, addicted to valium, and unbeknownst to him until years later, was suffering from his first nervous breakdown.[10]
In 1973 Banks recorded his debut solo album, Two Sides of Peter Banks.[4] It was recorded at the same time as Out of Our Hands, with Banks working with Flash during the day and travelling to a different studio to work on his own at night.[10] The album features guest appearances from Jan AkkermanofFocus, drummer Phil Collins and guitarist Steve HackettofGenesis, and John WettonofKing Crimson.[11] In the summer of 1973, Banks played in a short-lived band with Collins, guitarist Ronnie Caryl, violinist Mike Poggott, and bassist John Howitt named Zox and the Radar Boys.
While touring the US with Flash, Banks met his first wife Sidonie Jordan (known as Sidney Foxx). In 1974, they formed Empire and recorded three albums with various musicians until 1979, which remained unreleased until the 1990s.[11] Amongst the musicians involved were Collins, Preston Heyman, bassist John Giblin, and keyboardist Jakob Magnusson. Ray Bennett of Flash was in the group for a period, but he and Banks did not get along and Banks caught Jordan having an affair with him.[10] Empire disbanded in 1980, having only performed showcase gigs for record executives.[10][15]
Banks made a steady living in the 1980s and 1990s as a session musician in Los Angeles, which he enjoyed over time.[3][10] He played on various albums including those by Lonnie Donegan and Jakob Frímann Magnússon,[4] and appeared on Romeo Unchained (1986) by Tonio K. He also worked with Ian Wallace in The Teabags with Jackie Lomax, Kim Gardner, David Mansfield, and Mel Collins. No recordings came out of that.
In May 1991, Kaye invited Banks to play with Yes on stage during the encore at their show at the Great Western Forum, California. Banks accepted and went to the show, but Kaye informed him that Howe did not want Banks to play. An angered Banks proceeded to drink at the arena bar with comedian Billy Connolly.[4][16] In 1994 and 1998, Banks was a featured guest at the Yes fan convention Yestival. In 1995, he performed "Astral Traveller" on the Yes tribute album Tales from Yesterday. He co-ordinated the release of the live compilation Something's Coming: The BBC Recordings 1969–1970, and wrote about his days with the band in the liner notes. In 2006, he was interviewed for the Yes documentary Classic Artists: Yes. In 1997, Banks was mainly responsible for the release of a double live Yes album, Something's Coming: The BBC Recordings 1969–1970 (renamed Beyond and Before in the US), a collection of appearances at the BBC during 1969 and 1970, featuring the original line-up in all tracks and with a booklet containing the guitarist's account of those early days. Several music videos featuring him with Yes during their early days can be seen in The Lost Broadcasts DVD released in 2009.
After returning to London in the mid-1990s, Banks continued as a session musician and released archive material. He released three solo albums: the all-instrumental Instinct (1993), Self Contained (1995), which features Gerald Goff on keyboards, and Reduction (1997).[11] Another archival release was Psychosync, a live Flash recording made in 1973 for the King Biscuit Flower Hour and finally released in 1998.[11] Banks also collaborated in 1995's Tales from Yesterday (a Yes tribute album) performing a version of the song "Astral Traveller" with Robert Berry; appeared on the album Big Beats in 1997; and played on 1999's Encores, Legends and Paradox, an Emerson, Lake & Palmer tribute album. He contributed to 1999's Come Together People of Funk by Funky Monkey (including keyboardist Gerard Johnson who helped on a number of Banks' projects in the 1990s and who also worked with Banks' old bandmate Chris Squire).
Following an appearance by Banks and Geoff Downes together at the 1998 edition of Yestival (a Yes fan festival), the pair played some sessions and the possibility of Banks joining Asia was mooted. However, these sessions did not lead anywhere.
In 2000, Banks put out a collection of his oldest recordings (many previously unreleased) called Can I Play You Something?.[11] The front sleeve of this last record showed an eight-year-old Banks posing with his first guitar. The track listing includes some early recordings by The Syn, Mabel Greer's Toyshop, and Yes, including an early rendition of the song "Beyond and Before".
Banks appeared in small concerts by new young local bands, including the Yes tribute band Fragile. Later recorded appearances by Banks included Jabberwocky (2000) and Hound of the Baskervilles (2002), a pair of albums recorded by Oliver Wakeman (Rick Wakeman's son) and Clive Nolan. Rick Wakeman also narrates on the Jabberwocky album. Peter Banks also guested further on the Funky Monkey project.
Banks was initially involved in a reunion of The Syn in 2004 but left the band.[17] After early talks in 2004, he was also not included in the current Flash reunion, which made their debut return at the Prog Day Festival 2010 with Flash bassist Ray Bennett taking over on lead guitar.
In 2004, Banks formed Harmony in Diversity, an improvisational group with Andrew Booker and Nick Cottam, who had been working together as a duo named Pulse Engine.[18][10] They released one album, Trying. Booker left and was replaced by David Speight. Banks was also planning a related project with keyboardist Gonzalo Carrera.
In Gibson Guitar's Lifestyle e-magazine of 3 February 2009, Banks is listed as one of the "10 Great Prog Rock Guitarists". According to the article, "Before there was Steve Howe, there was Peter Banks. Artistic differences between Banks and singer Jon Anderson prompted Banks's departure from Yes in 1970, but in his little-known '70s band, Flash, Banks used an ES-335 to create several should-have-been prog rock classics. "Lifetime", from Flash's In the Can album, is his tour-de-force."[19]
In 2018, a documentary film on Banks' life and career written and directed by Heidi Hornbacher was in production, entitled Claiming Peter Banks.[3]
Banks' first marriage was to American singer and musician Sidonie Jordan (known as Sidney Foxx). They first met in 1974 and co-formed Empire, and divorced in 1985.[15] Banks moved to Los Angeles, California in 1976.[10] In 1996, Banks left the US for his childhood home in Barnet, north London, to care for his ailing father.[2] In 1999, he married Peruvian-born Cecilia Quino Rutte. Although Banks found married life "fantastic" at one point, his second marriage ended in a divorce by the early 2000s due to the effects of his medication to treat his depression, which his friends said made him difficult to live with.[4][2] A longtime friend said he also went through seasonal "dark" periods around February and March.[3]
In 2011, Banks was hospitalised with a case of septicaemia, likely caused from an infected tooth due to dental neglect. He also caught Legionnaires' disease.[4] During this time his doctors discovered a cancerous tumour.[3] Banks died on 7 March 2013 in his rented flat where he grew up in Chipping Barnet, London, aged 65. He failed to turn up for a scheduled recording session, and a concerned friend had medical staff break into his home, where his body was discovered. The coroner declared that he died from heart failure.[4][20] His former business partner and manager George Mizer, who he first met in the 1970s, organised Banks' posthumous business affairs, and discovered that Banks' body was unclaimed in the local mortuary. As Banks had no children or a will, Mizer reached out to Quino, who gave the required approval for the body to be released. There was no money to pay for a funeral or wake, so Mizer setup an online fund for fans to contribute. Banks was cremated, after which several friends and associates, including David CrossofKing Crimson and original Yes manager Roy Flynn, met for a memorial drink in Denmark Street. Mizer kept the ashes, and sprinkled some in areas that meant something to Banks.[3]
With the Syn
With Neat Change
With Yes
With Flash
With Empire
With Harmony in Diversity
With David Cross
Sources
|
| |
|---|---|
| |
| Studio albums |
|
| Mini albums |
|
| Live albums |
|
| Compilation albums |
|
| Box sets |
|
| Singles |
|
| Other songs |
|
| Video releases |
|
| Tours |
|
| Related bands |
|
| Managers |
|
| Related articles |
|
| International |
|
|---|---|
| National |
|
| Artists |
|
