[[File:Peter Nazareth, Ugandan-born critic and writer of fiction and drama. Iowa.jpg|thumb|Peter Nazareth, Ugandan-born critic and writer of fiction and drama. Iowa.]]'''Peter Nazareth''' (born 27 April 1940) is a [[Uganda]]n-born critic and writer of fiction and drama.<ref>Simawe, Saadi A. [http://www.asiatic.iium.edu.my/v3n1/article/Saadi_A._Simawe.pdf "Creating a Nation: Peter Nazareth as Literary Critic"]{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }}, ''Asiatic'' 3.1 (2009): 1. Accessed 13 December 2010.</ref>
[[File:Peter Nazareth, Ugandan-born critic and writer of fiction and drama. Iowa.jpg|thumb|Peter Nazareth, Ugandan-born critic and writer of fiction and drama. Iowa.]]
'''Peter Nazareth''' (born 27 April 1940) is a [[Uganda]]n-born critic and writer of fiction and drama.<ref>Simawe, Saadi A. [http://www.asiatic.iium.edu.my/v3n1/article/Saadi_A._Simawe.pdf "Creating a Nation: Peter Nazareth as Literary Critic"]{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }}, ''Asiatic'' 3.1 (2009): 1. Accessed 13 December 2010.</ref>
==Life==
==Life==
Revisionasof20:53,22June2018
Peter Nazareth, Ugandan-born critic and writer of fiction and drama. Iowa.
Peter Nazareth (born 27 April 1940) is a Ugandan-born critic and writer of fiction and drama.[1]
Life
Peter Nazareth was born in Uganda of Goan ancestry, and his mother's family was earlier based in Malaya-Malaysia-Singapore. He was educated at Makerere University (Kampala, Uganda), where he received his BA in English Literature in 1962,[2] and at the universities of London and Leeds in England.
While residing in Africa, he simultaneously served as senior finance officer in Idi Amin's finance ministry until 1973, when he accepted a fellowship at Yale University (United States) and emigrated from Uganda.[3]
In academia
He is professor of English and African-American World Studies at the University of Iowa (United States), where he is also a consultant to the International Writing Program.[4] Nazareth taught that university's course "Elvis as Anthology," which explores the deep mythological roots of Elvis Presley's roles in popular culture.[4] This class on Elvis led to Nazareth being interviewed by a range of publications -- The Wall Street Journal, UPI, AP, World News Tonight With Peter Jennings, NBC's The Today Show, ABC Chicago, MTV, The Voice of America, National Public Radio, The BBC, and the Cedar Rapids Gazette, among others, according to his cv.[5]
He teaches and has written about African, Caribbean, African-American, Goan, and other literatures. His publications include In the Trickster Tradition: The Novels of Andrew Salkey, Francis Ebejer, and Ishmael Reed (1994); Edwin Thumboo: Creating a Nation Through Poetry (2008); and the long essay Elvis as Anthology in Vernon Chadwick, ed., In Search of Elvis: Music, Race, Art, Religion. He edited Critical Essays on Ngugi wa Thiong’o (2000) and Pivoting on the Point of Return: Modern Goan Literature (2010). His first novel, In a Brown Mantle, has been taught at the University of Pretoria and by Ngugi wa Thiong’oatU.C. Irvine.[6]
His literary criticisms have often involved observations of the fate of diverse global economic and academic migrants, spanning the Asian, African and black American cultural histories.[4] This includes the Goan diaspora[4] settled in Western countries, the post-Idi Amin Asian emigration from Eastern Africa, and the cultural superstitions of the pre-Obama presidency of American politics.
Family
He has been married to Mary Nazareth for more than 50 years. They have two daughters, Kathy (b. 1964) and Monique (b. 1966).[4]
Literature and Society in Modern Africa, East African Literature Bureau, 1972; Kenya Literature Bureau, 1980; published as An African View of Literature, Evanston: Northwestern University Press, 1974.
Two Radio Plays, East African Literature Bureau, 1976.
The Third World Writer: His Social Responsibility, Nairobi: Kenya Literature Bureau, 1978.
Literature of the African Peoples, Study Guide for Independent Study with audiotape/CD, Center for Credit Programs, The University of Iowa, 1983.
A Feny Fele, Budapest: Europa Publishing House, 1984 (selected essays in Hungarian translation)
Elvis -- Rewriting the World through Multicultural Movies.[8]
Edited anthologies
African Writing Today, special issue of Pacific Quarterly Moana, Hamilton, New Zealand: Outrigger Publishers, Vol. 6, No. 3/4, 1981.
Goan Literature: A Modern Reader, issue of the Journal of South Asian Literature, East Lansing: Michigan State University, 1983.
Critical Essays on Ngũgĩ wa Thiong'o, New York: G.K. Hall, 2000
Uganda South Asians Exodus: Kololian Perspectives (co-edited), University of Toronto, 2002.
Significant essays
"Waiting for Amin: Two Decades of Ugandan Literature", The Writing of East & Central Africa, ed. G.D. Killam, London Nairobi / Ibadan : Heinemann, 1984 pages 1–35.
"Bibliyongraphy, or Six Tabans in Search of an Author," ibid., pages 159–172.
"The Narrator as Artist and the Reader as Critic in Season of Migration to the North," Tayeb Salih's Season of Migration to the North: A Casebook, ed. Mona Takieddine Amyuni, Beirut: American University of Beirut, 1985, pages 123–134.
"Out of Darkness: Conrad and Other Third World Writers", Joseph Conrad: Third World Perspectives, ed. Robert Hamner, Washington, D.C.: Three Continents Press, 1990, pages 217–231.
"Elvis as Anthology," In Search of Elvis: Music, Race, Art, Religion, ed. Vernon Chadwick, Boulder, Colorado: Westview Press, 1997, pages 37–72 plus Endnotes 253–258.
"The True Fantasies of Grace Ogot, Storyteller", Meditations on African Literature, ed. Dubem Okafor, Westport, Connecticut: Greenwood Press, 2001, pages 101–117.
"Dark Heart or Trickster?", The Journal of The Korean Society Nineteenth Century Literature in English, Vol. 9-3, 2005, pages 291–321 (onJoseph Conrad's Heart of Darkness).
"Path of Thunder: Meeting Bessie Head", Research in African Literatures, ed. John Conteh-Morgan, Bloomington: Indiana University Press, Vol. 37, No. 4, Winter 2006, pages 211–229.
"Heading Them Off at the Pass," The Critical Response to Ishmael Reed, ed. Bruce Allen Dick, Westport, CT: Greenwood Press, 1999, pages 140–148.
