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Contents

   



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1 Biography  





2 Ethnographic work  





3 Literary career  





4 See also  





5 Notes  





6 References  





7 Further reading  





8 External links  














S. An-sky






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From Wikipedia, the free encyclopedia
 


This is an old revision of this page, as edited by Artem.G (talk | contribs)at20:13, 18 June 2024 (Ethnographic work). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
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S. An-sky
Native name
ש. אַנ-סקי
BornShloyme Zanvl Rappoport
(1863-10-27)October 27, 1863
Chashniki, Russian Empire
DiedNovember 8, 1920(1920-11-08) (aged 57)
WarsaworOtwock, Poland
Pen nameS. An-sky
OccupationWriter, journalist, ethnographer
LanguageYiddish, Russian

S. An-sky[a] (1863 – November 8, 1920), born Shloyme Zanvl Rappoport, was a Jewish author, playwright, researcher of Jewish folklore, polemicist, and cultural and political activist. He is best known for his play The DybbukorBetween Two Worlds, written in 1914, and for Di Shvue, the anthem of the Jewish socialist Bund.

In 1917, after the Russian Revolution, he was elected to the Russian Constituent Assembly as a Social-Revolutionary deputy.[1]

Biography

Odessa writers. From left to right: Y. Ravnitzki, An-sky, Mendele Mocher Sforim, H. N. Bialik, S. Frug. Published in Simon Dubnow's newspaper in 1916

Shloyme Zanvl Rappoport was born in Chashniki, Vitebsk Governorate, Russian Empire (now Belarus), but spent his childhood in Vitebsk. He was from a poor religious family, and he had only a heder education. His mother ran a tavern. He left his home and moved to Liozno in his late-teens, and worked as a tutor; he was ostracised by his community for "disseminating radical ideas".[2]

He died of a heart attack[2]inOtwock, Poland on November 8, 1920.

Ethnographic work

S. An-sky, 1910

Under the influence of the Russian narodnik movement, An-sky became interested in ethnography, as well as socialism, and became a political activist. Between 1912 and 1913, An-sky headed an ethnographic commission, financed by Baron Vladimir Günzburg and named in honor of his father Horace Günzburg, which traveled through Podolia and Volhynia in the Pale of Settlement. They documented the oral traditions and customs of the native Jews, whose culture was slowly disintegrating under the pressure of modernity. According to his assistant Samuel Schreier-Shrira, An-sky was particularly impressed by the stories he heard in Miropol of a local sage, the hasidic rebbe Samuel of Kaminka-Miropol (1778 – May 10, 1843), who was reputed to have been a master exorcist of dybbuk spirits. Samuel served as the prototype for the character Azriel, who is also said to reside in that town.[3] Historian Nathaniel Deutsch suggested he also drew inspiration for The Dybbuk from the Maiden of Ludmir, who was also rumored to have been possessed, thus explaining her perceived inappropriate manly behavior.[4] He composed a detailed ethnographic questionnaire of 2,087 questions.[5]

An-sky's ethnographic collections were locked away in Soviet vaults for years, but some material has come to light since the 1990s.[6] The State Ethnographic Museum at St. Petersburg holds a good deal of it.[7] Some of his vast collection of cylinder recordings made on these expeditions have been transferred to CD as well.[8]

His ethnographic report of the deliberate destruction of Jewish communities by the Russian army in the First World War, The Enemy at His Pleasure: A Journey Through the Jewish Pale of Settlement During World War I, has become a major source in the historiography of the war's impact on civilian populations.[9]

Literary career

Mausoleum of the Three Writers (Peretz, Dinezon, and An-sky) in Warsaw

Initially he wrote in Russian, but from 1904 he became known mainly as a Yiddish author.

He is best known for his play The DybbukorBetween Two Worlds, written in 1914. The play was first staged in the Elyseum Theatre in Warsaw, on December 9, 1920, one month (at the end of the 30-day mourning period) after the author's death.[10] It was subsequently translated into a dozen or more languages and performed thousands of times all over the world. It is still being produced, along with numerous adaptations, as well as operas, ballets, and symphonic suites. (For example, in 2011 there were seven different productions.) It is considered the jewel of the Jewish theatre.[11] In the early years The Dybbuk was considered so significant that parodies of it were written and produced.[12]

Although The Dybbuk is An-sky’s best-known work, he published many works of literature, politics and ethnography. His Collected Works, which do not include all his writings, comprise fifteen volumes.[13] An-sky wrote a number of other plays, four of which are included in this collection, long out of print. One (Day and Night) is, like The Dybbuk, a Hasidic Gothic story. The other three plays have revolutionary themes, and were originally written in Russian: Father and Son, In a Conspiratorial Apartment, and The Grandfather. All four have recently been republished in a bilingual Yiddish-English edition.[14]

An-sky was also the author of the song Di Shvue (The Oath), which became the anthem of the Jewish Socialist Bund party. He was the author of the poem (later made into a song) "In Zaltsikn Yam" (In the Salty Sea), which was also dedicated to the Bund.

See also

Notes

  1. ^ also An-ski, Ansky, Anski

References

  1. ^ "S. Ansky (1863-1920)". Jewish Heritage Online Magazine. Retrieved 2009-11-04.
  • ^ a b "YIVO | Rapoport, Shloyme Zaynvl". yivoencyclopedia.org. Retrieved 17 June 2024.
  • ^ Nathaniel Deutsch, The Jewish Dark Continent, Harvard University Press, 2009. p. 47-48.
  • ^ Nathaniel Deutsch, The Maiden of Ludmir: A Jewish Holy Woman and Her World, University of California Press, 2003. p. 9, 15-16.
  • ^ Nathaniel Deutsch, The Jewish Dark Continent: Life and Death in the Russian Pale of Settlement. Harvard University Press, 2011. pp. 11-14
  • ^ Eugene M. Avrutin, ed. Photographing the Jewish Nation: Pictures from S. An-sky's Ethnographic Expeditions. Tauber Institute for the Study of European Jewry. Waltham, Mass.: Brandeis, 2009.
  • ^ Tracing An-sky: Jewish Collections from the State Ethnographic Museum in St. Petersburg, Amsterdam 1992
  • ^ Materials of J. Engel Ethnographic Expedition 1912 (The Historic Collection of Jewish Music 1912-1947, vol. 1) (Kiev: National Academy of Sciences of Ukraine; Vernadsky National Library of Ukraine; Institute for Information Recording, 2001)
  • ^ Ansky (An-ski), S. The Enemy at His Pleasure: A Journey Through the Jewish Pale of Settlement During World War I. Translated by Joachim Neugroschel. New York: Metrpolitan Books/Henry Holt, 2003. ISBN 9780805059441. p. 253.
  • ^ Zylbercweig, Zalmen (ed.). "An-ski, Sh.", in Leksikon fun Yidishn Teater (Lexicon of Yiddish Theater). Vol. 1. New York: Elisheva, 1931. col. 71-78; here: 74.
  • ^ 1. Fernando Peñalosa, The Dybbuk: Text, Subtext, and Context. Tsiterboym Books, 2012.
  • ^ Fernando Peñalosa, tr., Parodies of An-sky’s The Dybbuk. Bilingual Edition. Tsiterboym Books, 2012.
  • ^ S. An-sky. Gezamelte Shriften. Vilna, Warsaw, New York: Wydawnistwo “AN-SKI,” 1922. Reprinted 1926 and 1929.
  • ^ S. An-sky. Four Plays. Bilingual Edition, tr. Fernando Peñalosa. Tsiterboym Books, 2013.
  • Further reading

    External links


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    This page was last edited on 18 June 2024, at 20:13 (UTC).

    This version of the page has been revised. Besides normal editing, the reason for revision may have been that this version contains factual inaccuracies, vandalism, or material not compatible with the Creative Commons Attribution-ShareAlike License.



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