|
m →External links: Removed Category:Italian films per Wikipedia talk:WikiProject Film/Archive 79#Should "films by country" categories remain all-inclusive?
|
||
Line 123: | Line 123: | ||
[[Category:Films about astronauts]] |
[[Category:Films about astronauts]] |
||
[[Category:Films directed by Antonio Margheriti]] |
[[Category:Films directed by Antonio Margheriti]] |
||
[[Category:Italian films]] |
|||
[[Category:1960s Italian-language films]] |
[[Category:1960s Italian-language films]] |
||
[[Category:Italian science fiction films]] |
[[Category:Italian science fiction films]] |
Space Men | |
---|---|
Directed by | Antonio Margheriti[2] |
Screenplay by |
|
Starring |
|
Cinematography | Marcello Masciocchi[1] |
Music by | Lelio Luttazzi[2] |
Production | |
Distributed by | Titanus |
Release date |
|
Running time | 73 minutes |
Country | Italy[1] |
Space-Men (a.k.a. Assignment: Outer Space in the United States)[1] is a 1960 Italian science fiction film directed by Antonio Margheriti. The film stars Rik Van Nutter and co-stars Gabriella Farinon, David Montresor, Archie Savage, and Alain Dijon. The film was released in the United States in 1961 by American International Pictures.
Space-Men's storyline recounts a mission in the 22nd century aboard an orbiting space station. The mission involves a risky effort by its crew to redirect a malfunctioning spaceship that threatens to destroy the Earth.
In 2116, Interplanetary Chronicle of New York reporter Ray Peterson (Rik Van Nutter) launches aboard the spaceship Bravo Zulu 88, joining the crew of an orbiting space station. Peterson is assigned to write a story about the "infra-radiation flux in Galaxy M12", but soon tension develops between Peterson and the station commander (David Montresor). He believes the reporter is in the way, calling him a "leech", but he has orders not to interfere with Peterson. A complication arises when Lucy (Gabriella Farinon), the station botanist and navigator, becomes attracted to both the commander and Peterson.
When the errant Spaceship Alpha Two enters the inner solar system, its photon generators radiate enough heat to destroy the Earth. In efforts to intercept Alpha Two, crew members Sullivan (Franco Fantasia) and space station pilot Al (Archie Savage) sacrifice themselves in separate but futile attempts to destroy the dangerous spaceship with missiles.
With both crew members now dying from their attempts, Peterson uses Space Taxi B91 to get aboard the errant spaceship. His goal: to disarm Alpha Two's photon generators. Once inside, he is directed to disable the spaceship's computers and shut down all power sources. He soon finds himself trapped inside when the power loss also disables the emergency hatch. [Note 1]
Despite orders from the high command not to intervene, the commander and his assistant disobey and attempt to intercept the out-of-control Alpha Two and rescue Peterson. They are finally able to reach the reporter as he is collapsing and bring him back safely. With Alpha Two now safely redirected away from the Earth, Peterson wins Lucy's affection and the commander's respect for his heroic actions.
Antonio Margheriti had read science fiction comic books since a young age, and when offered the chance to direct a science fiction film, he immediately seized the opportunity.[4] Space-Men was Margheriti's first full directoral effort. He went on to direct 55 films.[5]
Space-Men's script was written by Margheriti and Ennio De Concini.[4] The film was shot at the same time director Mario Bava was filming Black Sunday on a sound stage next door.[6] Margheriti also took over the studio with the miniatures work featured in the film's outer space segments.[5]
Space-Men was distributed by Titanus and opened in Rome in August 1960.[2][1] The film was re-titled Assignment: Outer Space for its release and opened in San Diego on December 13, 1961.[1]
InPhil Hardy's book Science Fiction: Complete Film Source Book (1984), Space-Men was described as "... not one of Margheriti's best, the narrative line is unclear and jerky" while also noting that "its visual splendours are ample compensation".[3]
A segment of dialogue from the film - specifically a conversation between Ray and Lucy - was sampled by DJ Okawari in his hit song "Flower Dance" in 2010.