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| birth_date = {{Birth date and age|1956|9|3|df=y}} <!--Per WP:DOB = Birth information must be attributed to a reliable published source and widely reported, or a source linked to the subject. Source guideline at WP:BLPSOURCES.--> |
| birth_date = {{Birth date and age|1956|9|3|df=y}} <!--Per WP:DOB = Birth information must be attributed to a reliable published source and widely reported, or a source linked to the subject. Source guideline at WP:BLPSOURCES.--> |
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| birth_place = |
| birth_place = London,<ref name="Clarke">{{Cite news|url=https://www.irishtimes.com/culture/film/how-a-cinema-ticket-tearer-teamed-up-with-neil-jordan-and-helped-save-an-industry-1.658666|title=How a cinema ticket-tearer teamed up with Neil Jordan and helped save an industry|last=Clarke|first=Donald|newspaper=The Irish Times|language=en|access-date=2019-03-18}}</ref> England |
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| occupation = |
| occupation = Filmmaker and actor |
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* [[Film producer]] |
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* [[Film director]] |
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* [[Screenwriter]] |
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* [[Actor]]}} |
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| years_active = 1980–present |
| years_active = 1980–present |
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| style = [[Comedy]]<br>[[Fantasy]]<br>[[Horror film|Horror]]<br>[[Action film|Action]] |
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| spouse = [[Elizabeth Karlsen]] |
| spouse = [[Elizabeth Karlsen]] |
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}} |
}} |
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'''Stephen Woolley''' (born 3 September 1956) is an |
'''Stephen Woolley''' (born 3 September 1956) is an English filmmaker and actor. His career has spanned over three and a half decades, for which he was awarded the [[BAFTA Outstanding British Contribution to Cinema Award|BAFTA award for Outstanding British Contribution to Cinema]] in February 2019.<ref>{{Cite web|url=http://www.bafta.org/film/features/outstanding-british-contribution-to-cinema-2019|title=Elizabeth Karlsen & Stephen Woolley – Outstanding British Contribution to Cinema|date=2019-02-08|website=www.bafta.org|language=en|access-date=2019-03-18}}</ref> As a producer, he has been [[Academy Awards|Oscar]]-nominated for ''[[The Crying Game]]'' (1992), and has produced multi-Academy Award nominated films including ''[[Mona Lisa (film)|Mona Lisa]]'' (1986), ''[[Little Voice (film)|Little Voice]]'' (1998), ''[[Michael Collins (film)|Michael Collins]]'' (1996), ''[[The End of the Affair (1999 film)|The End of the Affair]]'' (1999), [[Interview with the Vampire (film)|''Interview with the Vampire'']] (1994), and ''[[Carol (film)|Carol]]'' (2016). He runs the production company [[Number 9 Films]] with his partner [[Elizabeth Karlsen]].<ref>{{cite web|url=http://www.tcm.com/tcmdb/person/209371%7C0/Stephen-Woolley/|title=Overview for Stephen Woolley|website=Turner Classic Movies|access-date=13 July 2016}}</ref><ref>{{cite web|title=Stephen Woolley Biography|url=https://www.rottentomatoes.com/celebrity/stephen_woolley/biography|website=Rotten Tomatoes|access-date=13 July 2016}}</ref> |
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==Career== |
==Career== |
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Woolley's first [[film]] as a [[Film producer|producer]] was ''[[The Company of Wolves]]'' (1984), but his career began after leaving [[Dame Alice Owen's School]] in Islington, London.<ref>{{cite web | url=https://shapersofthe80s.com/2018/05/01/2018-➤-spooky-or-what-when-two-bands-went-by-the-name-of-spandau-ballet | title=Spooky or what? When two bands went by the name of Spandau Ballet | publisher=Shapersofthe80s.com | date=1 May 2018 | accessdate=16 January 2022}}</ref> In 1976 he became an usher at the venue [[Quentin Tarantino]] described as “the coolest cinema in London”, [[The Screen On The Green|The Screen on the Green]] in [[Islington]], run by [[Romaine Hart]] ([[Order of the British Empire|OBE]]), at a time when its ushers wore hotpants.<ref>{{cite news | url=https://www.theguardian.com/film/2022/jan/03/romaine-hart-obituary | work=The Guardian | first=Jane | last=Giles | title=Romaine Hart obituary | date=3 January 2022}}</ref><ref name=":0">{{cite web|url=http://www.screenonline.org.uk/people/id/477663/|title=Woolley, Stephen (1956–) Biography|website=BFI Screenonline|access-date=13 July 2016}}</ref><ref name=":1" /> He then joined the exhibition arm of film collective [http://www.contemporaryfilms.com/other/other.html The Other Cinema] in [[Charlotte Street]] in the [[West End of London]], before going on to own and run his own repertory cinema, [[Scala (club)|The Scala Cinema]], on the same premises.<ref name="Clarke"/><ref>{{Cite news|url=https://www.theguardian.com/film/2010/aug/05/scala-cinema-vintage-goodwood|title=Beyond B-movies: Recreating The Scala's movie mecca|last=Woolley|first=Stephen|date=2010-08-05|work=The Guardian|access-date=2019-03-18|language=en-GB|issn=0261-3077}}</ref><ref>{{Cite web|url=http://www.screenonline.org.uk/people/id/477663/|title=BFI Screenonline: Woolley, Stephen (1956–) Biography|website=www.screenonline.org.uk|access-date=2019-03-18}}</ref> As part of his programming, Woolley developed Friday evenings for special events which in March and May 1980 included early live gigs by the pop group [[Spandau Ballet]], school pals from Dame Alice's, the second being filmed for [[London Weekend Television]]'s youth series ''20th-Century Box''.<ref>{{cite web | url=https://shapersofthe80s.com/revolution/1980-who-was-who-in-spandaus-break-out-year/| title=Who was who in Spandau's break-out year | publisher=Shapersofthe80s.com | date=5 June 2018 | accessdate=16 January 2022}}</ref> |
Woolley's first [[film]] as a [[Film producer|producer]] was ''[[The Company of Wolves]]'' (1984), but his career began after leaving [[Dame Alice Owen's School]] in Islington, London.<ref>{{cite web | url=https://shapersofthe80s.com/2018/05/01/2018-➤-spooky-or-what-when-two-bands-went-by-the-name-of-spandau-ballet | title=Spooky or what? When two bands went by the name of Spandau Ballet | publisher=Shapersofthe80s.com | date=1 May 2018 | accessdate=16 January 2022}}</ref> In 1976 he became an usher at the venue [[Quentin Tarantino]] described as “the coolest cinema in London”, [[The Screen On The Green|The Screen on the Green]] in [[Islington]], run by [[Romaine Hart]] ([[Order of the British Empire|OBE]]), at a time when its ushers wore hotpants.<ref>{{cite news | url=https://www.theguardian.com/film/2022/jan/03/romaine-hart-obituary | work=The Guardian | first=Jane | last=Giles | title=Romaine Hart obituary | date=3 January 2022}}</ref><ref name=":0">{{cite web|url=http://www.screenonline.org.uk/people/id/477663/|title=Woolley, Stephen (1956–) Biography|website=BFI Screenonline|access-date=13 July 2016}}</ref><ref name=":1" /> He then joined the exhibition arm of film collective [http://www.contemporaryfilms.com/other/other.html The Other Cinema] in [[Charlotte Street]] in the [[West End of London]], before going on to own and run his own repertory cinema, [[Scala (club)|The Scala Cinema]], on the same premises.<ref name="Clarke"/><ref>{{Cite news|url=https://www.theguardian.com/film/2010/aug/05/scala-cinema-vintage-goodwood|title=Beyond B-movies: Recreating The Scala's movie mecca|last=Woolley|first=Stephen|date=2010-08-05|work=The Guardian|access-date=2019-03-18|language=en-GB|issn=0261-3077}}</ref><ref>{{Cite web|url=http://www.screenonline.org.uk/people/id/477663/|title=BFI Screenonline: Woolley, Stephen (1956–) Biography|website=www.screenonline.org.uk|access-date=2019-03-18}}</ref> As part of his programming, Woolley developed Friday evenings for special events which in March and May 1980 included early live gigs by the pop group [[Spandau Ballet]], school pals from Dame Alice's, the second being filmed for [[London Weekend Television]]'s youth series ''20th-Century Box''.<ref>{{cite web | url=https://shapersofthe80s.com/revolution/1980-who-was-who-in-spandaus-break-out-year/| title=Who was who in Spandau's break-out year | publisher=Shapersofthe80s.com | date=5 June 2018 | accessdate=16 January 2022}}</ref> |
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In 1981 under Woolley's management the Scala relocated to near [[London King's Cross railway station|King's Cross railway station]].<ref name=":0" /><ref name=":1" /><ref name=":2" /><ref name="huffpost" /> At the same time he established [https://www.discogs.com/label/52661-Palace-Video Palace Video] in partnership with [[Nik Powell]], in the early 1980s to distribute the types of cult cinema and international art films that had been the core of his cinema programmes.<ref name=":0" /><ref name=":1">{{cite |
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| ⚫ | In 1981 under Woolley's management the Scala relocated to near [[London King's Cross railway station|King's Cross railway station]].<ref name=":0" /><ref name=":1" /><ref name=":2" /><ref name="huffpost" /> At the same time he established [https://www.discogs.com/label/52661-Palace-Video Palace Video] in partnership with [[Nik Powell]], in the early 1980s to distribute the types of cult cinema and international art films that had been the core of his cinema programmes.<ref name=":0" /><ref name=":1">{{cite news|last1=Clarke|first1=Donald|title=How a cinema ticket-tearer teamed up with Neil Jordan and helped save an industry|url=https://www.irishtimes.com/culture/film/how-a-cinema-ticket-tearer-teamed-up-with-neil-jordan-and-helped-save-an-industry-1.658666|newspaper=The Irish Times|access-date=13 July 2016}}</ref><ref name=":2">{{cite news|last1=Woolley|first1=Stephen|title=Beyond B-movies: Recreating The Scala's movie mecca|url=https://www.theguardian.com/film/2010/aug/05/scala-cinema-vintage-goodwood|website=The Guardian|date=5 August 2010 |access-date=13 July 2016}}</ref><ref name=huffpost>{{cite web|title=Stephen Woolley|url=https://www.huffingtonpost.com/stephen-woolley/|website=[[The Huffington Post]]|access-date=13 July 2016}}</ref> Palace Video titles included [[David Lynch]]'s ''[[Eraserhead]]'' (1977), [[Derek Jarman]]'s ''[[The Tempest (1979 film)|The Tempest]]'' (1979), and [[Werner Herzog]]'s ''[[Fitzcarraldo]]'' (1982).<ref>{{Cite web|url=http://www.screenonline.org.uk/film/id/588228/index.html|title=BFI Screenonline: Letter to Brezhnev (1985)|website=www.screenonline.org.uk|access-date=2019-03-18}}</ref> It later grew into a theatrical distribution company, retitled [https://web.archive.org/web/20170426093221/http://www.bfi.org.uk/films-tv-people/4ce2b96a23030 Palace Pictures], where Woolley was behind the UK releases of French cult film [[Diva (1981 film)|''Diva'' (1981)]], [[Sam Raimi]]'s ''[[The Evil Dead]]'' (1981), [[Nagisa Oshima|Nagisa Ōshima]]'s ''[[Merry Christmas, Mr. Lawrence]]'' (1983), [[Wim Wenders]]’ ''[[Paris, Texas (film)|Paris, Texas]]'' (1984), [[Coen brothers|the Coen brothers]]' ''[[Blood Simple]]'' (1984), [[Rob Reiner]]'s ''[[When Harry Met Sally...|When Harry Met Sally]]'' (1988) – as well as films by [[John Cassavetes]], [[John Waters]], [[Mike Leigh]], [[Ken Loach]], [[Peter Greenaway]], [[Rainer Werner Fassbinder|Fassbinder]], and [[Bernardo Bertolucci|Bertolucci]].<ref>{{Cite web|url=http://www.screenonline.org.uk/film/id/588228/index.html|title=BFI Screenonline: Letter to Brezhnev (1985)|website=www.screenonline.org.uk|access-date=2019-03-18}}</ref> Palace Pictures moved into film production in 1984 with its first feature ''[[The Company of Wolves]]'' – directed by [[Neil Jordan]] (the first of many films Woolley and Jordan would later make together).<ref name="express.co.uk">{{cite web|url=http://www.express.co.uk/entertainment/films/400847/Box-office-success-in-Stephen-Woolley-s-undead-end-jobs|title=Box office success in Stephen Woolley's undead end jobs|last1=Fitzherbert|first1=Henry|website=Daily Express|date=19 May 2013 |access-date=13 July 2016}}</ref><ref>{{cite web|url=http://www.metropolefilms.com/data/ftp/Byzantium/BYZANTIUM%20metropole%20press%20kit.pdf|title=Byzantium Metropole Press Kit|website=Metropole Films|access-date=13 July 2016}}</ref><ref>{{cite news|url=https://www.theguardian.com/film/2009/may/18/cannes-film-festival-producers-guide|title=How to close a movie deal at Cannes: a producer's guide|last1=Woolley|first1=Stephen|website=The Guardian|date=17 May 2009 |access-date=13 July 2016}}</ref> Palace Pictures would eventually expand their operations, opening an office in Los Angeles by 1986.<ref>{{Cite news|date=1986-06-18|title=London's Palace Prods. Opening In L.A.; Boyle Named Director|page=7|work=[[Variety (magazine)|Variety]]}}</ref> Many of Palace Pictures projects were first supported by [[Channel 4]], and Woolley also helped establish many first-time directors including [[Michael Caton-Jones]] and [[Richard Stanley (director)|Richard Stanley]].<ref>{{cite web|title=VIP GUESTS & SCHOOLS|url=http://nahemi.org/eatourshorts_2006/vips.html|website=National Association for Higher Education in the Moving Image|access-date=13 July 2016}}</ref> In 1987, the company decided to set up making American-based films, starting with ''[[Shag (film)|Shag]]'', which was funded by [[Hemdale Film Corporation]] with a $4.6 million budget, as well as the first miniseries and its horror picture, which became the "firsts" for the entire Palace Pictures organization.<ref>{{Cite news |last=Adams |first=Mark |date=1987-05-20 |title=First U.S.-Based Film On Sked For Revved Up Palace Prods. |page=47 |work=[[Variety (magazine)|Variety]]}}</ref> Woolley established an association with [[Miramax Films|Miramax]], which distributed a number of Palace films in the [[United States]], including ''[[Scandal (1989 film)|Scandal]]'' (1989), ''[[A Rage in Harlem]]'' (1991), ''[[Hardware (film)|Hardware]]'' (1990) and ''[[The Crying Game]]'' (1992).<ref>{{cite news|last1=Woolley|first1=Stephen|title=British producer Stephen Woolley says independents have a powerful friend called Harvey|url=https://www.theguardian.com/film/2004/jan/18/features.review1|newspaper=The Observer|date=18 January 2004 |access-date=13 July 2016}}</ref> |
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| ⚫ | Woolley had established his reputation with a series of low budget but high production value releases, but began developing more ambitious projects. After some box-office disappointments and the recession which weakened Nik Powell's parent company in 1992 Palace Pictures was forced to close.<ref>{{cite web|title=The rise and fall of the film production company Palace Pictures|url=http://cinearchive.org/post/96789649310/the-rise-and-fall-of-the-film-production-company|website=CINEPHILIA and FILMMAKING|access-date=13 July 2016}}</ref><ref>{{cite web|last1=Coleman|first1=Caryn|title=Darren Banks: The Palace Collection|url=https://caryncoleman.com/darren-banks-the-palace-collection/|access-date=13 July 2016}}</ref><ref>{{cite web|last1=Picardie|first1=Ruth|title=Golden girl, producer, mother, babe|url=https://www.independent.co.uk/life-style/golden-girl-producer-mother-babe-1361956.html |archive-url=https://ghostarchive.org/archive/20220525/https://www.independent.co.uk/life-style/golden-girl-producer-mother-babe-1361956.html |archive-date=25 May 2022 |url-access=subscription |url-status=live|website=The Independent|access-date=13 July 2016}}</ref> A year later, The Scala Cinema's twelve-year lease expired simultaneously as its defeat in a court case caused by an illegal screening of ''[[A Clockwork Orange (film)|A Clockwork Orange]]'', whose screening rights had been withdrawn in the UK by [[Stanley Kubrick]] in 1971, and the financial collapse of Palace precipitated its closure in 1993.<ref>{{cite web|title=Scala Cinema|url=http://cinematreasures.org/theaters/2498|website=Cinema Treasures|access-date=13 July 2016}}</ref><ref>{{cite web|title=Building History|url=http://scala.co.uk/about/building-history/|website=Scala|access-date=13 July 2016}}</ref><ref>{{cite web|title=La Scala|url=http://totalproduction.designandgo.net/production-profiles/installprofiles/83050/la_scala.html|website=Total Production International|access-date=13 July 2016}}</ref> |
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| ⚫ | Woolley had established his reputation with a series of low budget but high production value releases, but began developing more ambitious projects. After some box-office disappointments and the recession which weakened Nik Powell's parent company in 1992 Palace Pictures was forced to close.<ref>{{cite web|title=The rise and fall of the film production company Palace Pictures|url=http://cinearchive.org/post/96789649310/the-rise-and-fall-of-the-film-production-company|website=CINEPHILIA and FILMMAKING|access-date=13 July 2016}}</ref><ref>{{cite web|last1=Coleman|first1=Caryn|title=Darren Banks: The Palace Collection|date=20 August 2010 |url=https://caryncoleman.com/darren-banks-the-palace-collection/|access-date=13 July 2016}}</ref><ref>{{cite web|last1=Picardie|first1=Ruth|title=Golden girl, producer, mother, babe|url=https://www.independent.co.uk/life-style/golden-girl-producer-mother-babe-1361956.html |archive-url=https://ghostarchive.org/archive/20220525/https://www.independent.co.uk/life-style/golden-girl-producer-mother-babe-1361956.html |archive-date=25 May 2022 |url-access=subscription |url-status=live|website=The Independent|date=5 September 1996 |access-date=13 July 2016}}</ref> A year later, The Scala Cinema's twelve-year lease expired simultaneously as its defeat in a court case caused by an illegal screening of ''[[A Clockwork Orange (film)|A Clockwork Orange]]'', whose screening rights had been withdrawn in the UK by [[Stanley Kubrick]] in 1971, and the financial collapse of Palace precipitated its closure in 1993.<ref>{{cite web|title=Scala Cinema|url=http://cinematreasures.org/theaters/2498|website=Cinema Treasures|access-date=13 July 2016}}</ref><ref>{{cite web|title=Building History|url=http://scala.co.uk/about/building-history/|website=Scala|access-date=13 July 2016}}</ref><ref>{{cite web|title=La Scala|url=http://totalproduction.designandgo.net/production-profiles/installprofiles/83050/la_scala.html|website=Total Production International|access-date=13 July 2016}}</ref> |
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Woolley and Powell went on to found Scala Pictures, where they made ''[[Backbeat (film)|Backbeat]]'' (1994), ''[[Little Voice (film)|Little Voice]]'' (1998)'', [[Twenty Four Seven (film)|Twenty Four Seven]]'' (1997), and a series of low budget UK features. Simultaneously, he secured a three-picture deal with [[Warner Bros.|Warner Brothers]] and made three films with Jordan after the worldwide box office hit of ''[[Interview with the Vampire]]''.<ref name="express.co.uk" /> Woolley and Jordan formed a company, [[Company of Wolves]] funded by [[DreamWorks Pictures|DreamWorks]], where ''[[In Dreams (film)|In Dreams]]'' (1999), ''[[The Actors]]'' (2003), ''[[Intermission (film)|Intermission]]'' (2003), and ''[[Not I]]'' (2000) were produced under this banner. |
Woolley and Powell went on to found Scala Pictures, where they made ''[[Backbeat (film)|Backbeat]]'' (1994), ''[[Little Voice (film)|Little Voice]]'' (1998)'', [[Twenty Four Seven (film)|Twenty Four Seven]]'' (1997), and a series of low budget UK features. Simultaneously, he secured a three-picture deal with [[Warner Bros.|Warner Brothers]] and made three films with Jordan after the worldwide box office hit of ''[[Interview with the Vampire]]''.<ref name="express.co.uk" /> Woolley and Jordan formed a company, [[Company of Wolves]] funded by [[DreamWorks Pictures|DreamWorks]], where ''[[In Dreams (film)|In Dreams]]'' (1999), ''[[The Actors]]'' (2003), ''[[Intermission (film)|Intermission]]'' (2003), and ''[[Not I]]'' (2000) were produced under this banner. |
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[[Number 9 Films|Number 9 films]] was set up in 2002, with longstanding producing partner [[Elizabeth Karlsen]], whose films include ''[[Breakfast on Pluto (film)|Breakfast on Pluto]]'' (2005), ''[[How to Lose Friends & Alienate People (film)|How to Lose Friends and Alienate People]]'' (2008), ''[[Made in Dagenham]]'' (2010), ''[[Great Expectations (2012 film)|Great Expectations]]'' (2012), ''[[Their Finest]]'' (2015) ''[[The Limehouse Golem]]'' (2016), and ''[[On Chesil Beach (film)|On Chesil Beach]]'' (2017).<ref name="huffpost" /> |
[[Number 9 Films|Number 9 films]] was set up in 2002, with longstanding producing partner [[Elizabeth Karlsen]], whose films include ''[[Breakfast on Pluto (film)|Breakfast on Pluto]]'' (2005), ''[[How to Lose Friends & Alienate People (film)|How to Lose Friends and Alienate People]]'' (2008), ''[[Made in Dagenham]]'' (2010), ''[[Great Expectations (2012 film)|Great Expectations]]'' (2012), ''[[Their Finest]]'' (2015) ''[[The Limehouse Golem]]'' (2016), and ''[[On Chesil Beach (film)|On Chesil Beach]]'' (2017).<ref name="huffpost" /> |
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Woolley's directorial debut, the 2005 film ''[[Stoned (film)|Stoned]]'', was a biopic of [[Brian Jones]].<ref>{{cite web|last1=Bradshaw|first1=Peter|title=Stoned|url=https://www.theguardian.com/film/movie/107537/stoned|website=The Guardian|access-date=13 July 2016}}</ref><ref>{{cite web|last1=Sandall|first1=Robert|title=Sex and drugs and Brian Jones|url=https://www.telegraph.co.uk/culture/film/3647853/Sex-and-drugs-and-Brian-Jones.html|website=The Telegraph|access-date=13 July 2016}}</ref> |
Woolley's directorial debut, the 2005 film ''[[Stoned (film)|Stoned]]'', was a biopic of [[Brian Jones]].<ref>{{cite web|last1=Bradshaw|first1=Peter|title=Stoned|url=https://www.theguardian.com/film/movie/107537/stoned|website=The Guardian|date=21 July 2008 |access-date=13 July 2016}}</ref><ref>{{cite web|last1=Sandall|first1=Robert|title=Sex and drugs and Brian Jones|url=https://www.telegraph.co.uk/culture/film/3647853/Sex-and-drugs-and-Brian-Jones.html|website=The Telegraph|date=11 November 2005 |access-date=13 July 2016}}</ref> |
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==Personal life== |
==Personal life== |
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Woolley is married to fellow film producer Elizabeth Karlsen,<ref>{{cite web|url=https://www.theguardian.com/film/2015/may/14/carol-film-cannes-karlsen-cate-blanchett|title=Passion project: meet the indie super-producer behind Cannes hot ticket Carol|website=[[The Guardian]]|first=Hannah|last=Ellis-Petersen|date=14 May 2015|access-date=26 April 2016}}</ref><ref>{{cite web|url=https://deadline.com/2016/03/carol-producers-elizabeth-karlsen-stephen-woolley-keira-knightley-saoirse-ronan-colette-on-chesil-beach-cate-blanchett-rooney-mara-1201712939/|title= |
Woolley is married to fellow film producer Elizabeth Karlsen,<ref>{{cite web|url=https://www.theguardian.com/film/2015/may/14/carol-film-cannes-karlsen-cate-blanchett|title=Passion project: meet the indie super-producer behind Cannes hot ticket Carol|website=[[The Guardian]]|first=Hannah|last=Ellis-Petersen|date=14 May 2015|access-date=26 April 2016}}</ref><ref>{{cite web|url=https://deadline.com/2016/03/carol-producers-elizabeth-karlsen-stephen-woolley-keira-knightley-saoirse-ronan-colette-on-chesil-beach-cate-blanchett-rooney-mara-1201712939/|title='Carol' Producers Elizabeth Karlsen And Stephen Woolley On Turning Good Taste Into A Business|website=[[Deadline Hollywood]]|first=Ali|last=Jaafar|date=2 March 2016|access-date=26 April 2016}}</ref> with whom he co-founded [[Number 9 Films]] in 2002.<ref name=huffpost /> |
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==Filmography== |
==Filmography== |
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===As |
===As filmmaker=== |
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{{div col|colwidth=20em}} |
{{div col|colwidth=20em}} |
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*''[[Mothering Sunday (film)|Mothering Sunday]]'' (2021) |
*''[[Mothering Sunday (film)|Mothering Sunday]]'' (2021) |
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*''[[High Spirits (film)|High Spirits]]'' (1988) |
*''[[High Spirits (film)|High Spirits]]'' (1988) |
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*''[[Absolute Beginners (film)|Absolute Beginners]]'' (1986) |
*''[[Absolute Beginners (film)|Absolute Beginners]]'' (1986) |
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*''[[Mona Lisa ( |
*''[[Mona Lisa (film)|Mona Lisa]]'' (1986) |
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*''[[The Company of Wolves]]'' (1984) – also executive producer |
*''[[The Company of Wolves]]'' (1984) – also executive producer |
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*''[[The Worst of Hollywood]]'' (1983) – TV series |
*''[[The Worst of Hollywood]]'' (1983) – TV series |
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{{div col end}} |
{{div col end}} |
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===As |
=== Asactor === |
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{{div col|colwidth=20em}} |
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*''[[Dark Blood]]'' (2012) – executive producer |
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*''[[Return to Sender (2004 film)|Return to Sender]]'' (2004) – executive producer |
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*''[[Purely Belter]]'' (2000) – executive producer |
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*''[[Spy Games|History Is Made at Night]]'' (1999) – executive producer |
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*''[[The Last September]]'' (1999) – executive producer |
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*''[[The Lost Son (film)|The Lost Son]]'' (1999) |
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*''[[Little Voice (film)|Little Voice]]'' (1998) |
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*''[[Divorcing Jack (film)|Divorcing Jack]]'' (1998) |
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*''[[Downtime (film)|Downtime]]'' (1997) |
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*''[[Twenty Four Seven (film)|Twenty Four Seven]]'' (1997) |
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*''[[Welcome to Woop Woop]]'' (1997) |
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*''[[Fever Pitch (1997 film)|Fever Pitch]]'' (1997) |
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*''[[Hollow Reed]]'' (1996) |
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*''[[The Neon Bible (film)|The Neon Bible]]'' (1995) |
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*''[[Waterland (film)|Waterland]]'' (1992) |
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*''[[Dust Devil (film)|Dust Devil]]'' (1992) |
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*''A Woman at War'' (1991) – TV movie |
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*''[[Red Hot + Blue|Red Hot and Blue]]'' (1990) – TV [[AIDS]] benefit, co-executive producer |
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*''Beyond the Groove'' (1990) – TV series |
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*''[[Dancin' Thru the Dark]]'' (1990) |
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*''[[Hardware (film)|Hardware]]'' (1990) |
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*''[[The Courier (1988 film)|The Courier]]'' (1988) |
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*''[[Letter to Brezhnev]]'' (1985) |
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*''Chinese Boxes'' (1984) |
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{{div col end}} |
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==References== |
==References== |
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==External links== |
==External links== |
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* [http://number9films.co.uk Number 9 Films] |
* [http://number9films.co.uk Number 9 Films] |
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* [https://web.archive.org/web/20160720203313/http://www.bfi.org.uk/films-tv-people/4ce2ba0e97bc6 Stephen Woolley] at the [[British Film Institute]]{{better source needed|reason=Help request: a live link can be searched for at https://collections-search.bfi.org.uk/web/search/expert - if available, replace the archive URL with the live link. Or if none found, remove this 'better source needed' template. | date=October 2023}} |
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* {{BFI|4ce2ba0e97bc6|name=Stephen Woolley}} |
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* {{Metacritic person|stephen-woolley}} |
* {{Metacritic person|stephen-woolley}} |
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* {{IMDb name|0941262}} |
* {{IMDb name|0941262}} |
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|title = Awards for Stephen Woolley |
|title = Awards for Stephen Woolley |
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{{BAFTA Best British Film recipients}} |
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{{BAFTA Outstanding British Contribution to Cinema Award}} |
{{BAFTA Outstanding British Contribution to Cinema Award}} |
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Stephen Woolley
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| Born | (1956-09-03) 3 September 1956 (age 67)
London,[1] England
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| Occupation(s) | Filmmaker and actor |
| Years active | 1980–present |
| Style | Comedy Fantasy Horror Action |
| Spouse | Elizabeth Karlsen |
Stephen Woolley (born 3 September 1956) is an English filmmaker and actor. His career has spanned over three and a half decades, for which he was awarded the BAFTA award for Outstanding British Contribution to Cinema in February 2019.[2] As a producer, he has been Oscar-nominated for The Crying Game (1992), and has produced multi-Academy Award nominated films including Mona Lisa (1986), Little Voice (1998), Michael Collins (1996), The End of the Affair (1999), Interview with the Vampire (1994), and Carol (2016). He runs the production company Number 9 Films with his partner Elizabeth Karlsen.[3][4]
Woolley's first film as a producer was The Company of Wolves (1984), but his career began after leaving Dame Alice Owen's School in Islington, London.[5] In 1976 he became an usher at the venue Quentin Tarantino described as “the coolest cinema in London”, The Screen on the GreeninIslington, run by Romaine Hart (OBE), at a time when its ushers wore hotpants.[6][7][8] He then joined the exhibition arm of film collective The Other CinemainCharlotte Street in the West End of London, before going on to own and run his own repertory cinema, The Scala Cinema, on the same premises.[1][9][10] As part of his programming, Woolley developed Friday evenings for special events which in March and May 1980 included early live gigs by the pop group Spandau Ballet, school pals from Dame Alice's, the second being filmed for London Weekend Television's youth series 20th-Century Box.[11]
In 1981 under Woolley's management the Scala relocated to near King's Cross railway station.[7][8][12][13] At the same time he established Palace Video in partnership with Nik Powell, in the early 1980s to distribute the types of cult cinema and international art films that had been the core of his cinema programmes.[7][8][12][13] Palace Video titles included David Lynch's Eraserhead (1977), Derek Jarman's The Tempest (1979), and Werner Herzog's Fitzcarraldo (1982).[14] It later grew into a theatrical distribution company, retitled Palace Pictures, where Woolley was behind the UK releases of French cult film Diva (1981), Sam Raimi's The Evil Dead (1981), Nagisa Ōshima's Merry Christmas, Mr. Lawrence (1983), Wim Wenders’ Paris, Texas (1984), the Coen brothers' Blood Simple (1984), Rob Reiner's When Harry Met Sally (1988) – as well as films by John Cassavetes, John Waters, Mike Leigh, Ken Loach, Peter Greenaway, Fassbinder, and Bertolucci.[15] Palace Pictures moved into film production in 1984 with its first feature The Company of Wolves – directed by Neil Jordan (the first of many films Woolley and Jordan would later make together).[16][17][18] Palace Pictures would eventually expand their operations, opening an office in Los Angeles by 1986.[19] Many of Palace Pictures projects were first supported by Channel 4, and Woolley also helped establish many first-time directors including Michael Caton-Jones and Richard Stanley.[20] In 1987, the company decided to set up making American-based films, starting with Shag, which was funded by Hemdale Film Corporation with a $4.6 million budget, as well as the first miniseries and its horror picture, which became the "firsts" for the entire Palace Pictures organization.[21] Woolley established an association with Miramax, which distributed a number of Palace films in the United States, including Scandal (1989), A Rage in Harlem (1991), Hardware (1990) and The Crying Game (1992).[22]
Woolley had established his reputation with a series of low budget but high production value releases, but began developing more ambitious projects. After some box-office disappointments and the recession which weakened Nik Powell's parent company in 1992 Palace Pictures was forced to close.[23][24][25] A year later, The Scala Cinema's twelve-year lease expired simultaneously as its defeat in a court case caused by an illegal screening of A Clockwork Orange, whose screening rights had been withdrawn in the UK by Stanley Kubrick in 1971, and the financial collapse of Palace precipitated its closure in 1993.[26][27][28]
Woolley and Powell went on to found Scala Pictures, where they made Backbeat (1994), Little Voice (1998), Twenty Four Seven (1997), and a series of low budget UK features. Simultaneously, he secured a three-picture deal with Warner Brothers and made three films with Jordan after the worldwide box office hit of Interview with the Vampire.[16] Woolley and Jordan formed a company, Company of Wolves funded by DreamWorks, where In Dreams (1999), The Actors (2003), Intermission (2003), and Not I (2000) were produced under this banner.
Number 9 films was set up in 2002, with longstanding producing partner Elizabeth Karlsen, whose films include Breakfast on Pluto (2005), How to Lose Friends and Alienate People (2008), Made in Dagenham (2010), Great Expectations (2012), Their Finest (2015) The Limehouse Golem (2016), and On Chesil Beach (2017).[13]
Woolley's directorial debut, the 2005 film Stoned, was a biopic of Brian Jones.[29][30]
Woolley is married to fellow film producer Elizabeth Karlsen,[31][32] with whom he co-founded Number 9 Films in 2002.[13]
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