No edit summary
|
No edit summary
|
||
Line 3: | Line 3: | ||
The principal tenets of The17 are stated on Penkiln Burn Notices created by Bill Drummond.<ref>These notices can also be viewed at http://www.the17.org/notice.html as well as www.penkilnburn.com</ref>: |
The principal tenets of The17 are stated on Penkiln Burn Notices created by Bill Drummond.<ref>These notices can also be viewed at http://www.the17.org/notice.html as well as www.penkilnburn.com</ref>: |
||
⚫ |
[[File:The17 Choir, Poster 59, Bill Drummond.pdf]] |
||
==Name== |
==Name== |
||
Line 13: | Line 11: | ||
Each performance has no audience and is never recorded.<ref>"I came to the decision that not only should The17 never be recorded for posterity and have no fixed line-up..." in [http://www.independent.co.uk/arts-entertainment/music/features/a-higher-calling-why-bill-drummond-swapped-rave-for-choir-practice-876657.html A higher calling: Why Bill Drummond swapped rave for choir practice (The Independent)] Retrieved 26 July 2008)</ref> Also, there is no [[sheet music]]; instead the choir performs according to instructions written by Drummond or other choir members. These instructions (called "scores," but bearing little relation to [[musical score]]s) are open to change over time, and exist in the [[public domain]].<ref>Drummond, B. ''Scores 18–76'' (Penkiln Burn 2006), p. 3</ref> |
Each performance has no audience and is never recorded.<ref>"I came to the decision that not only should The17 never be recorded for posterity and have no fixed line-up..." in [http://www.independent.co.uk/arts-entertainment/music/features/a-higher-calling-why-bill-drummond-swapped-rave-for-choir-practice-876657.html A higher calling: Why Bill Drummond swapped rave for choir practice (The Independent)] Retrieved 26 July 2008)</ref> Also, there is no [[sheet music]]; instead the choir performs according to instructions written by Drummond or other choir members. These instructions (called "scores," but bearing little relation to [[musical score]]s) are open to change over time, and exist in the [[public domain]].<ref>Drummond, B. ''Scores 18–76'' (Penkiln Burn 2006), p. 3</ref> |
||
⚫ | |||
==Members== |
==Members== |
||
The choir has a constantly shifting membership (the choir's website states that to join one need only turn up and sing <ref>[http://www.the17.org/members.php?page=1 the17.org members page] Retrieved 30 April 2009</ref>); as of April 2009 there have been 1,508 performers, mostly members of the public with little or no experience in professional music. |
The choir has a constantly shifting membership (the choir's website states that to join one need only turn up and sing <ref>[http://www.the17.org/members.php?page=1 the17.org members page] Retrieved 30 April 2009</ref>); as of April 2009 there have been 1,508 performers, mostly members of the public with little or no experience in professional music. |
||
[[File:Penkiln Burn printout 32.pdf|thumb|]] |
|||
==The17 in Schools== |
==The17 in Schools== |
The17 is a choir. It writes and performs improvised music scores and does not make recordings of its performances. Anyone who wants to can become a member of the17 by joining a performance on its tour across the UK and Worldwide[1]. The17 was founded by Bill Drummond as a development of his interest in choral music, after hearing the music of Arvo Pärt.[2] It also follows Drummond's belief that "all recorded music has run its course".[3]
The principal tenets of The17 are stated on Penkiln Burn Notices created by Bill Drummond.[4]:
Drummond states that he thought of the name immediately.[5] It has origins in his love of Prime numbers, and his idea of the seventeenth year as a stage of life between the "sweet, coy"[6] sixteen and the full adulthood of eighteen. It is also a play on the name of The Sixteen, a professional choir admired by him.[6] While the first performance of the17 was carried out by 17 men in a studio in Leicester, the name no longer dictates the number of choir members for a performance; scores may be performed by hundreds of voices or none[7].
The choir's ethos derives from Drummond's disillusionment with recorded music. He released a manifesto calling on people to "dispense with all previous forms of music and music-making and start again",[8]
Each performance has no audience and is never recorded.[9] Also, there is no sheet music; instead the choir performs according to instructions written by Drummond or other choir members. These instructions (called "scores," but bearing little relation to musical scores) are open to change over time, and exist in the public domain.[10]
File:The17 Choir, Poster 59, Bill Drummond.pdf
The choir has a constantly shifting membership (the choir's website states that to join one need only turn up and sing [11]); as of April 2009 there have been 1,508 performers, mostly members of the public with little or no experience in professional music.
In 2006, Drummond was invited to help schoolchildren compose scores in a project sponsored by the Arts Council. Children from several primary and secondary schoolsinCounty Durham wrote scores that were eventually compiled in the book Scores 18–76. The children also performed their scores in the Hatton Gallery, Newcastle.[12]