m Removing "The17_Choir,_Poster_59,_Bill_Drummond.pdf", it has been deleted from Commons by Fastily because: No permission since 29 February 2012.
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<!--NOTE: there is no space between "The" and "17" in the name. Please do not "correct" to "The 17". Thank you. --> |
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'''The17''' is a [[choir]]. It writes and performs [[improvised music]] scores and does not make recordings of its performances. Anyone who wants to can become a member of the17 by joining a performance on its tour across the UK and Worldwide<ref>http://www.the17.org/about.php</ref>. The17 was founded by [[Bill Drummond]] as a development of his interest in [[choral music]], after hearing the music of [[Arvo Pärt]].<ref>"It was in 2004...that I discovered the Estonian composer Arvo Pärt" quoted in [http://www.independent.co.uk/arts-entertainment/music/features/a-higher-calling-why-bill-drummond-swapped-rave-for-choir-practice-876657.html A higher calling: Why Bill Drummond swapped rave for choir practice] ([[The Independent]]) (retrieved 26 July 2008</ref> It also follows Drummond's belief that "all recorded music has run its course"<ref>See Penkiln Burn poster no 59 at http://www.the17.org/notice_scores.php and www.penkilnburn.com</ref> and that music should be a performed art form, "celebrating time, place and occasion and nothing to do with something trapped in the iPod in your pocket".<ref>http://www.the17.org/about.php</ref> |
'''The17''' is a [[choir]]. It writes and performs [[improvised music]] scores and does not make recordings of its performances. Anyone who wants to can become a member of the17 by joining a performance on its tour across the UK and Worldwide<ref>http://www.the17.org/about.php</ref>. The17 was founded by [[Bill Drummond]] as a development of his interest in [[choral music]], after hearing the music of [[Arvo Pärt]].<ref>"It was in 2004...that I discovered the Estonian composer Arvo Pärt" quoted in [http://www.independent.co.uk/arts-entertainment/music/features/a-higher-calling-why-bill-drummond-swapped-rave-for-choir-practice-876657.html A higher calling: Why Bill Drummond swapped rave for choir practice] ([[The Independent]]) (retrieved 26 July 2008</ref> It also follows Drummond's belief that "all recorded music has run its course"<ref>See Penkiln Burn poster no 59 at http://www.the17.org/notice_scores.php and www.penkilnburn.com</ref> and that music should be a performed art form, "celebrating time, place and occasion and nothing to do with something trapped in the iPod in your pocket".<ref>http://www.the17.org/about.php</ref> |
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Each performance has no audience and is never recorded.<ref>"I came to the decision that not only should The17 never be recorded for posterity and have no fixed line-up..." in [http://www.independent.co.uk/arts-entertainment/music/features/a-higher-calling-why-bill-drummond-swapped-rave-for-choir-practice-876657.html A higher calling: Why Bill Drummond swapped rave for choir practice (The Independent)] Retrieved 26 July 2008)</ref> Also, there is no [[sheet music]]; instead the choir performs according to instructions written by Drummond or other choir members. These instructions (called "scores," but bearing little relation to [[musical score]]s) are open to change over time, and exist in the [[public domain]].<ref>Drummond, B. ''Scores 18–76'' (Penkiln Burn 2006), p. 3</ref> |
Each performance has no audience and is never recorded.<ref>"I came to the decision that not only should The17 never be recorded for posterity and have no fixed line-up..." in [http://www.independent.co.uk/arts-entertainment/music/features/a-higher-calling-why-bill-drummond-swapped-rave-for-choir-practice-876657.html A higher calling: Why Bill Drummond swapped rave for choir practice (The Independent)] Retrieved 26 July 2008)</ref> Also, there is no [[sheet music]]; instead the choir performs according to instructions written by Drummond or other choir members. These instructions (called "scores," but bearing little relation to [[musical score]]s) are open to change over time, and exist in the [[public domain]].<ref>Drummond, B. ''Scores 18–76'' (Penkiln Burn 2006), p. 3</ref> |
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==Members== |
==Members== |
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[[File:Penkiln Burn printout 32.pdf|thumb|]] |
[[File:Penkiln Burn printout 32.pdf|thumb|]] |
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==Score 1. IMAGINE and Graffiti== |
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Of approximately 400 existing scores written by Bill Drummond and other 17 members, Score #1 is titled IMAGINE. It begins with the words "Imagine waking up tomorrow and all music has disappeared." For many new locations on The17's World Tour, a Penkiln Burn notice is created with the IMAGINE score translated into the local language. Translations in 22 different languages exist so far including various European languages, Chinese, Hebrew, Arabic, Russian and Haitian Kreyol. <ref>http://www.the17.org/scores/1h</ref> For many locations on the World Tour, Drummond finds a place to graffiti the first line of the IMAGINE score translated in the local language. Artists, and numerous times 17 performers, John Hirst and Tracey Moberley have documented much of this graffiti with their own photographs.<ref>http://www.the17.org/graffiti.php</ref> |
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==The17 in Schools== |
==The17 in Schools== |
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==External links== |
==External links== |
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*[http://www.the17.org/ Official site] |
*[http://www.the17.org/ Official site] |
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*[http://www.thequietus.com/articles/heavenly-17-bill-drummond-hears-too-much-music Heavenly 17: Bill Drummond Hears Too Much Music (The Quietus)] |
*[http://www.thequietus.com/articles/heavenly-17-bill-drummond-hears-too-much-music Heavenly 17: Bill Drummond Hears Too Much Music (The Quietus)] |
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*[http://www.wordmagazine.co.uk/content/bill-drummond-man-who-wants-end-recorded-music Bill Drummond: The Man Who Wants To End Recorded Music (The Word)] |
*[http://www.wordmagazine.co.uk/content/bill-drummond-man-who-wants-end-recorded-music Bill Drummond: The Man Who Wants To End Recorded Music (The Word)] |
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*[http://www.guardian.co.uk/music/2008/jul/25/billdrummond 'I'll never willingly put on a CD again' {The Guardian)] |
*[http://www.guardian.co.uk/music/2008/jul/25/billdrummond 'I'll never willingly put on a CD again' {The Guardian)] |
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*[http://www.timeout.com/london/art/features/3845/The_relationship_between_art_and_music.html The relationship between art and music (Time Out)] |
*[http://www.timeout.com/london/art/features/3845/The_relationship_between_art_and_music.html The relationship between art and music (Time Out)] |
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*[http://fourdoormentality.com/link to artist John Hirst] |
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[[Category:British choirs]] |
[[Category:British choirs]] |
The17 is a choir. It writes and performs improvised music scores and does not make recordings of its performances. Anyone who wants to can become a member of the17 by joining a performance on its tour across the UK and Worldwide[1]. The17 was founded by Bill Drummond as a development of his interest in choral music, after hearing the music of Arvo Pärt.[2] It also follows Drummond's belief that "all recorded music has run its course"[3] and that music should be a performed art form, "celebrating time, place and occasion and nothing to do with something trapped in the iPod in your pocket".[4]
The principal tenets of The17 are stated on Penkiln Burn Notices created by Bill Drummond. These notices, along with approximately 400 composed scores for The17, are freely available for viewing, downloading and printing on a website dedicated to The17. The website also contains news about upcoming performances and images of Drummond's graffitti carried out in the name of the choir. [5]:
Drummond states that he thought of the name immediately.[6] It has origins in his love of Prime numbers, and his idea of the seventeenth year as a stage of life between the "sweet, coy"[7] sixteen and the full adulthood of eighteen. It is also a play on the name of The Sixteen, a professional choir admired by him.[7] While the first performance of the17 was carried out by 17 men in a studio in Leicester, the name no longer dictates the number of choir members for a performance; scores may be performed by hundreds of voices or none[8].
The choir's ethos derives from Drummond's disillusionment with recorded music. He released a manifesto calling on people to "dispense with all previous forms of music and music-making and start again",[9]
Each performance has no audience and is never recorded.[10] Also, there is no sheet music; instead the choir performs according to instructions written by Drummond or other choir members. These instructions (called "scores," but bearing little relation to musical scores) are open to change over time, and exist in the public domain.[11]
The choir has a constantly shifting membership (the choir's website states that to join one need only turn up and sing [12]); as of April 2009 there have been 1,508 performers, mostly members of the public with little or no experience in professional music.
Of approximately 400 existing scores written by Bill Drummond and other 17 members, Score #1 is titled IMAGINE. It begins with the words "Imagine waking up tomorrow and all music has disappeared." For many new locations on The17's World Tour, a Penkiln Burn notice is created with the IMAGINE score translated into the local language. Translations in 22 different languages exist so far including various European languages, Chinese, Hebrew, Arabic, Russian and Haitian Kreyol. [13] For many locations on the World Tour, Drummond finds a place to graffiti the first line of the IMAGINE score translated in the local language. Artists, and numerous times 17 performers, John Hirst and Tracey Moberley have documented much of this graffiti with their own photographs.[14]
In 2006, Drummond was invited to help schoolchildren compose scores in a project sponsored by the Arts Council. Children from several primary and secondary schoolsinCounty Durham wrote scores that were eventually compiled in the book Scores 18–76. The children also performed their scores in the Hatton Gallery, Newcastle.[15]