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Contents

   



(Top)
 


1 Contents  



1.1  I. The White Album  





1.2  II. California Republic  





1.3  III. Women  





1.4  IV. Sojourns  





1.5  V. On the Morning After the Sixties  







2 References  





3 External links  














The White Album (book)







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This is an old revision of this page, as edited by GrahamHardy (talk | contribs)at09:55, 23 April 2014 (caption). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
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The White Album
First edition
AuthorJoan Didion
LanguageEnglish
GenreEssays
PublisherSimon & Schuster

Publication date

1979
Publication placeUnited States
Media typePrint (Hardback & Paperback)
Pages222
ISBN0-671-22685-1
OCLC23163086

The White Album is a 1979 book of essays by Joan Didion. The entire contents of this book are reprinted in Didion's We Tell Ourselves Stories in Order to Live: Collected Nonfiction (2006).

Contents

I. The White Album

"The White Album" is an autobiographical literary essay detailing loosely related events in the author's life in the 1960s, primarily in Los Angeles, California. In the course of describing her ongoing psychological difficulties, Didion discusses Black Panther Party meetings, drug-related experiences, a Doors recording session, various other interactions with LA musicians and cultural figures and several prison meetings with Linda Kasabian, a former follower of Charles Manson who was testifying against the group for the grisly Sharon Tate murders. Tate had been an acquaintance of Didion's. The murder trial cast a cloud of fear over Hollywood that seemed to propel many of Didion's insights. The impression conveyed is one of a city and nation pervaded by paranoia and detachment.

However, the ending, in which the author moves away from what she feels to be the unstable world of Hollywood and renovates an old house that possesses a few lingering associations with the 1960s, indicates that for her there is still the possibility of escaping the paranoia and unrest of that decade.

Publishers Weekly picked "The White Album" as one of the 10 most important essays since 1950, calling it "a brilliant mosaic distillation ... of California in the late 1960s." [1]

II. California Republic

The liberal Episcopalian bishop is viewed as representing the shallower aspects of American spirituality.

An account of a lavish Governor's mansion commissioned by Ronald Reagan, while Governor of California, which was not used.

The Museum is viewed as an extension of power

The contemporary workings of Caltrans.

Californian politics

III. Women

A critical essay which views second-wave feminism as a Marxist substitute for the proletariat.

The author of The Golden Notebook is seen as a 'nativist' writer in the manner of Theodore Dreiser.

IV. Sojourns

V. On the Morning After the Sixties

References

  1. ^ "The Top 10 Essays Since 1950". Publishers Weekly. Retrieved April 22, 2013.

External links


Retrieved from "https://en.wikipedia.org/w/index.php?title=The_White_Album_(book)&oldid=605431505"

Categories: 
1979 books
Essay collections by Joan Didion
Books about California
 



This page was last edited on 23 April 2014, at 09:55 (UTC).

This version of the page has been revised. Besides normal editing, the reason for revision may have been that this version contains factual inaccuracies, vandalism, or material not compatible with the Creative Commons Attribution-ShareAlike License.



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