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T h i s i s a n o l d r e v i s i o n o f t h i s p a g e , a s e d i t e d b y E d w a r d ( t a l k | c o n t r i b s ) at 0 7 : 4 8 , 2 4 N o v e m b e r 2 0 1 6 . T h e p r e s e n t a d d r e s s ( U R L ) i s a p e r m a n e n t l i n k t o t h i s r e v i s i o n , w h i c h m a y d i f f e r s i g n i f i c a n t l y f r o m t h e c u r r e n t r e v i s i o n . ( d i f f ) ← P r e v i o u s r e v i s i o n | L a t e s t r e v i s i o n ( d i f f ) | N e w e r r e v i s i o n → ( d i f f )
Two Weeks in September À coeur joie Brigitte Bardot directed by Serge Bourguignon .
Plot
Model Cecile spends two weeks away from her older lover Philippe and is tempted by a younger man.
Cast
Soundtrack
The soundtrack features two songs, in English, with music by Michel Magne and vocals sung by David Gilmour , working as a session musician, before he joined Pink Floyd .[2]
Reception
"Two hours wasted" said the Los Angeles Times .[3]
Box office
The film was a box office disappointment .[1]
References
^ 'September' for Brigitte Bardot, Thomas, Kevin. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 10 Nov 1967: d24.
External links
t
e
Studio albums
Live albums
Singles
Videos and DVDs
Concert tours
Guest appearances
Related articles
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Two_Weeks_in_September&oldid=751239617 " C a t e g o r i e s : ● F i l m s d i r e c t e d b y S e r g e B o u r g u i g n o n ● F r e n c h r o m a n t i c d r a m a f i l m s ● B r i t i s h r o m a n t i c d r a m a f i l m s ● B r i t i s h f i l m s ● 1 9 6 7 f i l m s ● F i l m s s h o t i n S c o t l a n d ● F i l m s s h o t i n E a s t L o t h i a n ● F r e n c h f i l m s ● D a v i d G i l m o u r H i d d e n c a t e g o r i e s : ● C S 1 e r r o r s : e m p t y u n k n o w n p a r a m e t e r s ● C S 1 e r r o r s : m i s s i n g t i t l e ● E n g v a r B f r o m J u n e 2 0 1 6 ● U s e d m y d a t e s f r o m J u n e 2 0 1 6 ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● P a g e s u s i n g i n f o b o x f i l m w i t h n o n s t a n d a r d d a t e s ● A r t i c l e s c o n t a i n i n g F r e n c h - l a n g u a g e t e x t
● T h i s p a g e w a s l a s t e d i t e d o n 2 4 N o v e m b e r 2 0 1 6 , a t 0 7 : 4 8 ( U T C ) . ● T h i s v e r s i o n o f t h e p a g e h a s b e e n r e v i s e d . B e s i d e s n o r m a l e d i t i n g , t h e r e a s o n f o r r e v i s i o n m a y h a v e b e e n t h a t t h i s v e r s i o n c o n t a i n s f a c t u a l i n a c c u r a c i e s , v a n d a l i s m , o r m a t e r i a l n o t c o m p a t i b l e w i t h t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
