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Leila Fuad Aboulela (Arabic:ليلى فؤاد ابوالعلا; born 1964) is a fiction writer, essayist, and playwright of Sudanese origin based in Aberdeen, Scotland.[1] She grew up in Khartoum, Sudan, and moved to Scotland in 1990 where she began her literary career.[1] Aboulela has published five novels and several short stories, which have been translated into fifteen languages.[1] Her most popular novels, Minaret (2005) and The Translator (1999) both feature the stories of Muslim women in the UK and were long-listed for the International Dublin Literary Award and Orange Prize.[2] Aboulela’s works have been included in publications such as Harper's Magazine, Granta, The Washington Post and The Guardian. BBC Radio has adapted her work extensively and broadcast a number of her plays, including The Insider, The Mystic Life and the historical drama The Lion of Chechnya.[3]The five-part radio serialization of her 1999 novel The Translator was short-listed for the Race In the Media Award (RIMA).[3] Aboulela’s work is critically acclaimed for its depiction of Muslim migrants in the West the and the challenges they face. Her work is heavily influenced by her own experiences as an immigrant to the United Kingdom and the hardships she experienced during the transition. Her work centers around political issues and themes such as identity, multi-cultural relationships, the East-West divide, migration, and Islamic spirituality. Her prose has been celebrated for its "restrained lyricism, irony and clarity” by J.M Coetzee, Ben Okri and Ali Smit.[4]
Born in 1964 in Cairo, Egypt, to an Egyptian mother and a Sudanese father, Aboulela moved at the age of six weeks to Khartoum, Sudan, where she lived continuously until 1987.[5] Aboulela’s father comes from a prominent Sudanese family, with his cousin being poet, Hassan Awad Aboulela.[6] He studied at Victoria College in Egypt and Trinity College, Dublin.[7] Her mother was a Statistics professor at the University of Khartoum and the first Demographer in Sudan after earning a PhD in the subject from a university in London.[8] Her multicultural upbringing was marked by summer vacations in Cairo where she was able to form a connection with her mother’s family and absorb Egyptian culture through food, popular media, and film.[8] As a child she attended the Khartoum American School and the Sisters' School, a private Catholic high school.[2] She described her education at the American School as one with “very few Sudanese pupils and no Sudanese teachers”.[9] Aboulela grew up speaking both English and Arabic; however, she recalls being the victim of bullying at school due to her use of colloquial Egyptian Arabic, which she learned from her mother.[8]Aboulela later attended the University of Khartoum, graduating in 1985 with a degree in Economics.[2]In 1991, Aboulela was awarded a Master of Science (M.Sc) and a Master of Philosophy (MPhil) degree in Statistics from the London School of Economics. Her thesis is titled “Stock and flow models for the Sudanese educational system”.[10]
As of 2021, Aboulela lives between Abu Dhabi, United Arab Emirates and Aberdeen, Scotland.[3] Her husband, an engineer, is Half-Sudanese, Half-British.[11] They have three children together.[7]In 1990 Aboulela moved to Aberdeen with her husband and children, a move she cites as the inspiration for her first novel, The Translator.[12]Aboulela began writing in 1992 while working as a lecturer at Aberdeen College and later as a research assistant at the University of Aberdeen.[13] In 2006, she moved back to Khartoum, Sudan, to care for her ailing father who passed away in 2008.[7]Between 2000 and 2012, Aboulela lived in Jakarta, Dubai, Abu Dhabi, and Doha.[14]
Aboulela is a devout Muslim, and her faith informs much of her written work.[15]
Aboulela began writing at the age of 28, following a move to Aberdeen, Scotland. with her two young children spurred by her husband’s work in the oil rigs.[8]Aboulela began writing after enrolling in a creative writing course at the Aberdeen Central Library where she was encouraged and supported by the writer-in-residence, Todd McEwen, who passed along Aboulela’s work to his editor.[7] Aboulela writes in English, a decision she dates back to her childhood, and notes that she chose to express herself in English because it was “a third language, refreshingly free from the disloyalty of having to choose between my father and my mother’s tongues” in reference to Egyptian and Sudanese colloquial Arabic.[8]
She is a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby which compiles the work of 200 women writers of African descent.[16] The anthology includes several genres such as autobiography, memoir, letters, short stories, novels, poetry, drama, humour, journalism, essays and speeches.[17]
The Translator: Originally published in 1999, The Translator is Aboulela’s first novel which tells the story of a Sudanese widow in Scotland who works as a translator and her relationship with her secular Scottish employer.[6] In 2006, The Translator was listed by The New York Times as one of the 100 Notable Books of the Year.[18]
Minaret: Published in 2005, Minaret is centered around Najwa, who was forced to flee Sudan and live in exile in London following a coup which overthrew the regime her father, a Minister, served under. [19] Najwa’s story is one of culture shock, love, islamophobia, and immigration. It also describes a young woman’s journey to survive and find a home in a new, unfamiliar environment.[19]
Lyrics Alley: First published in 2010, Lyrics Alley is Aboulela’s third novel and the winner of the Scottish Book of the Year award for fiction.[20][21]Lyrics Alley is directly inspired by the life of her uncle, poet Hassan Awad Aboulela.[7] Set in post-colonial 1950s Sudan, this novel tells the story of a country in transition through the life of an affluent family as they lose the life they had been accustomed to and suffer a devastating tragedy, which alters their dynamic and lives forever.[22]
The Kindness of Enemies: Published in 2015, The Kindness of Enemies depicts the story of a half-Russian, half-Sudanese professor who embarks on a journey to document the life of a Muslim historical figure, Imam Shamil, who gained notoriety through his leading role in the anti-Russian resistance movement of the Caucasian War.[23] Set in 2010, the book also tackles the theme of life as a Muslim in the post-9/11 era.[23]
Bird Summons: Published in 2019, Bird Summons is a story of three Muslim women who travel to the Scottish Highlands to visit the grave of the first British woman to complete the Hajj pilgrimage to Mecca. [24]The trip evolves into one of adventure and self discovery for the women.[25] The freedom afforded to them through the distance from their homes and the lush Scottish landscape inspires them to reflect on their lives and the decisions which brought them to where they are.[25]
Coloured Lights: Originally published in 2001, Coloured Lights is Aboulela’s first short-story collection. It contains eleven short stories.[26] The collection features the stories of young Sudanese women in varying settings, as they navigate their lives in search of meaning and belonging.[27] Many of the stories depict the immigrant experience and the challenges of transitioning from life in the East to the culture of the West. Aboulela’s short story “The Museum” - which is included in this collection - was awarded the inaugural Caine Prize for African Writing in 2000.[28] “The Museum” recounts the story of a Sudanese student in Aberdeen and her first date with her Scottish classmate. The titular museum refers to the story’s critique of the exhibition of African art in Scottish museums and the colonial legacy of institutions.[2]
Elsewhere, Home: Published in 2018, this anthology was awarded the Saltire Fiction Book of the Year award and contains thirteen short stories.[29][30] Depicting tales of multicultural relationships, friendships, and loss, Elsewhere, Home is a collection of short-stories that follows the lives of characters as they transform and reinvent themselves.[31] The stories are set in Abu Dhabi, Aberdeen, Edinburgh, and London.[31] In “Pages of Fruit”, a lonely housewife travels to the Edinburgh book festival to meet an author whom she idolizes, only to find herself aimless and disappointed following their ill-fated meeting.[29] Meanwhile, in “Something Old, Something New”, a Scottish Muslim convert visits Khartoum to see his Sudanese fiancée and begins to experience doubt regarding their relationship when confronted with his feelings of suspicion and fear of foreigners in a faraway land.[29]
Aboulela has written several radio plays, with many of them not published in print form. Her plays The Insider, The Mystic Life, The Lion of Chechnya, and The Sea Warrior were broadcast on BBC radio programs.[32]The Mystic Life is an adaptation of a story from her short-story collection, Coloured Lights, while The Lion of Chechnya recounts the story of Imam Shamil (1797-1871), a Muslim political leader and the subject of her novel, The Kindness of Enemies.[2] Her novel The Translator and short-story “The Museum” were also adapted into radio plays while her stage-play Friends and Neighbors was performed in Aberdeen in 1998.[2]
Much of Aboulela’s writing is directly inspired by her own life. She credits her move from Sudan to Scotland in 1990 as being the catalyst for her literary career and cites her desire to write about Sudan and Islam - topics which she had seen scarcely represented - for being her preliminary motivators.[8] Aboulela has stated her interest in countering stereotypical portrayals of Muslims, Sudan, and immigrants through her writing and has made an effort to reflect people she has met and places she has lived within her stories.[6] Her novel Lyrics Alley is based on the true story of the life of her uncle, poet Hassan Awad Aboulela, and his tragic accident in the early 1940s which left him paraplegic.[7] She collaborated with her father to write the novel and learn more about the life of his cousin who serves as an inspiration behind the main character, Nur.[7]
Aboulela cites Naguib Mahfouz and Tayeb Salih as literary influences from her childhood and time in Sudan. Her move to Scotland introduced her to Jean Rhys and Anita Desai, authors whom she notes as having a “haunting influence on her works”.[6] Aboulela has indicated her attraction to authors such as Abdulrazak Gurnah, Doris Lessing, Buchi Emecheta, and Ahdaf Soueif who migrated to Britain at a young age and thus possess similar experiences to her own. She also acknowledges the influence of Scottish writers, such as Alan Spence and Robin Jenkins.[6]
Aboulela’s works have amassed overwhelmingly positive critical reception and she is celebrated by the likes of Ben Okri, Nobel Prize winner J.M Coetzee, and Ali Smith for her mastery of both the novel and short-story formats as well as her unique prose.[8] She was referred to as “one of the best short story writers alive” by editor and author John Freeman.[33] Her prose impressed Kim Hedges of the San Francisco Chronicle who wrote,“Aboulela’s prose is amazing. She handles intense emotions in a contained yet powerful way, lending their expressions directness and originality, and skillfully capturing the discrete sensory impressions that compound to form a mood.”[34]
She is recognized for her nuanced depictions of Muslim immigrants, the intricacies of inter-cultural relationships, Islam, and female characters who subvert social expectations.[6] She was complimented by journalist Boyd Tonkin for being “One of the few Muslim women writers in Britain to present their faith as a living force rather than discarded history”.[35]
Among her works, her second novel Minaret (2005) has drawn the most critical attention.[2]Minaret signaled Aboulela's arrival as an influential member of a new wave of British Muslim writers.[36]Minaret was lauded as a “brilliant success” and a “beautiful, daring, challenging novel” by Mike Phillips for The Guardian.[37]
She is considered an African, Arab, Scottish, and diasporic female author by her audience of critics, literary prize boards, and researchers.[2] Author James Robinson described Aboulela as “a unique and refreshing voice in contemporary Scottish fiction”.[35] John A. Stotesbury and Brendan Smyth, argue that Aboulela has cemented her role in the literary sphere as an author who challenges Orientalist and Islamic perceptions of masculinity as well as the popular conception of Muslim women.[2]
Aboulela’s work has also become a popular topic for PhD theses and scholarly articles surrounding Muslim and contemporary women’s writing.[2]
