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|---|---|
Multiply (stylised as x) is the second studio album by English singer-songwriter Ed Sheeran. It was released on 20 June 2014 in Australia and New Zealand,[1] and worldwide on 23 June through Asylum Records and Atlantic Records.[2]
The album received positive reviews from music critics. It was an international success in its first week on sale, charting at number one in twelve countries and reaching the Top 5 in eleven other countries.
The album's lead single, "Sing", was released on 7 April 2014,[3][4][5] becoming Sheeran's first single to reach number one in the UK.[6]
Around the time his first album + was released in 2011, the first songs for Sheeran's second album were written, "One" being the album opener,[7] and another which eventually became a bonus track.[8] Sheeran wrote with Johnny McDaid from Snow Patrol in hotel rooms while supporting them on the North American leg of the band's Fallen Empires Tour in 2012.[8] He also wrote with Northern Irish singer/songwriter and frequent tourmate Foy Vance, penning multiple potential songs for the album.[9] Sheeran decided against releasing his second album in 2012, deciding instead to follow in the footsteps of fellow British acts like Adele and One Direction who had "broken America".[10] In Autumn 2013, Sheeran performed three sold out nights at Madison Square Garden, finishing two and a half years on tour to focus on recording his new album.[11]
In a behind the scenes tour video, it was revealed that he was in the studio with producers Rick Rubin and Pharrell Williams,[12] who were later confirmed in interviews to be contributing towards the album. The album was due for release on 17 February 2014, but Sheeran got "the opportunity to work with Rick Rubin for two months, which [he] wasn't going to say no to," which led to a delay.[13] Having written "hundreds" of songs, Sheeran entered the studio with Rubin and they cut that down to the 15 new songs that feature on the album, excluding "I See Fire", which was recorded separately and saw release on the soundtrack for The Hobbit: The Desolation of Smaug.[14] Sheeran stated that he "started off making another acoustic record, and it turned into a neo-soul-funk record," due to the influence of working with producers like Rubin and Benny Blanco that "pulled [him] out of [his] comfort zone." Getting into the studio with Rubin to "rerecord all the songs" after two years of writing them made the songs sound "raw and interesting", at a time when Sheeran was getting tired of them,[15] giving him a chance to "actually set up the album instead of just putting it out."[13] However, doing an entire album with Rubin "just wouldn't work on pop radio", so after working with Rubin he wrote the songs "I'm a Mess" and "Thinking Out Loud", both about his girlfriend at the time, with a different producer.[10] Jake Gosling, who co-wrote and produced the majority of Sheeran's debut album, has no writing credits on this album, whilst new collaborators include Snow Patrol's Gary Lightbody and British dance act, Rudimental.[16]
"One" was the first song Sheeran wrote for the album, and is "particularly quiet".[17] Written on a guitar made out of a whiskey bottle in a hotel room whilst on tour in Perth in 2011, the song was the last song written about the love interest that was the focus of the previous album.[7][10][18]
"I'm a Mess" was one of the last songs written, after the recording sessions with Rubin. It is one of two songs written about his then-current girlfriend. It is described as a simple song, and was "written in the shower." [10][19]
In an interview with Zane Lowe for BBC Radio 1, promoting the first single, "Sing", Sheeran talked about getting in the studio with Pharrell and him "playing [Sheeran] a lot of things, and then it stuck on this one riff," which eventually became the basis of the track. He stated he has always been a fan of R&B, but was just "trying to find the right way to make it."[20] Sheeran expressed wishes to create an entire album with Pharrell, and "Sing" was to be a song for that project, but several musical peers, including Elton John, Taylor Swift and Pharrell himself, urged Sheeran to release it with x.[10] Justin Timberlake's debut album, Justified, was a favourite of Sheeran's, which he consciously tried to channel for "Sing".[21] On working with Pharrell, Sheeran told MistaJamonBBC Radio 1Xtra that they had written two other songs together that were in the style he "usually did", but for "Sing" he was pushed "out of [his] comfort zone" which made the track stand out. Pharrell reportedly said that he wanted to "shake the world's view of [Sheeran] up" and make pioneering songs that no singer/songwriter has done before rather than just "a cool record".[22] A remix of the track has been made with Korean recording artist Psy, and the music video for the song was based on a night out with the artist.[23]
"Don't", a song about a girlfriend who cheated on him with a close friend, has been linked to several of Sheeran's fellow singers, including Ellie Goulding and Taylor Swift, but Sheeran has said it is "100 percent not about Taylor", but that he has played her the song, and she "never want[s] to piss [him] off that much."[24] It started off "as a riff on his phone".[25] "Don't" was planned to be released as the first single from the album, but it was decided that the chorus, especially the line "Don't f- with my love," was not suitable for a first single. The song was recorded first with Benny Blanco, then again with Rick Rubin, and the two producers came together to produce the final cut.[18] The song almost didn't make it onto the album, as Sheeran felt it was "a bit personal", but was urged by those who had heard the demo to release it, as it was "an alright song... so it ended up on the record."[26]
"Nina" was written with Johnny McDaid, and was the first song the pair wrote for the album. According to McDaid, it is a "self-deprecating" love song about "heartbreak... where he basically calls someone up and advises her not to be with him."[18]
"Photograph", also written with McDaid whilst touring with his band Snow Patrol in May 2012, is a "timeless ballad". It started life as a "piano loop playing on [McDaid's] laptop" which Sheeran started singing along to.[25] Sheeran has stated "it will be the one that will change my career path", and believes it to be the one song that will sell the album, even "if the rest of the album is shit."[10][27] Described as "[Sheeran's] Angels", the song is a "ballad with big drums, set in New York."[16]
"Bloodstream" is about Sheeran's experience of taking MDMA during a friend's wedding party in Ibiza.[28]
"Tenerife Sea", first played in demo form at Sheeran's sold out Madison Square Garden shows, is "trademark acoustic balladry". Sheeran wrote the song at the 2013 Grammy Awards, where he felt "a bit left out", as he was there with his parents and "everyone else was doing drugs."[29] Sheeran described it by saying "it sounds like a Thomas Cook brochure", and was in fact inspired by one, as "the sea was so blue and [he] likened it to someones eyes." He "was writing the song and the Thomas Cook brochure was on the table, and [he thought] 'Her eyes kinda look like that sea, what sea is that?'," leading to the name and some of the lyrics.[30]
"Runaway" is the second and final track from the album that is produced by Pharrell Williams. Described as "finger-clicking", it draws from the same influence, the sound of Justin Timberlake's debut album, that "Sing" does. Sheeran intended for the song to feature on a future project with Pharrell, but it was put on the album when he was persuaded to include "Sing".[10][16][19]
"The Man", produced by long-time collaborator Jake Gosling, features Sheeran rapping in a style similar to that of Mike Skinner from The Streets.[16] The song focuses on a failed relationship, whilst touching on the subjects of marriage, chemical dependency and his career in the music industry.[31]
"Thinking Out Loud" was the last song written for the album, and it is also Sheeran's favourite. Written about Sheeran's then-current girlfriend after the recording sessions with Rick Rubin were over, it is a "soul" song, and Sheeran "pinned [it] as the 'walking down the aisle' song."[1][10][19] He described it as "the only happy song on the album", and he wrote it in his kitchen.[32]
"Afire Love" was written about Sheeran's grandfather "two weeks before he passed away". He had suffered with Alzheimer's disease for twenty years, and Sheeran has been thinking "What if [he passed away]? And then he did."[25] Sheeran finished writing the song at his funeral.[10] It explains the aftermath of his death, with his family reuniting for the funeral, and explains the deep love between his grandparents.[33]
"Take It Back" is the first track exclusive to the deluxe edition of the album. In it, Sheeran claims not to be a rapper, whilst delivering four rapped verses. In the same vein as previous single "You Need Me, I Don't Need You", he talks about "his personal struggles and his rise to fame."[34]
"I See Fire", the final track on the electronic deluxe edition (the physical deluxe version has a seventeenth track, "All of the Stars", the song used in the credits for the film The Fault in Our Stars), was previously released on the soundtrack for the second installment of The Hobbit film series. Sheeran was asked to write the song for the closing credits by the film's director, Peter Jackson, whose daughter was a fan of his work. After flying to New Zealand to watch the film, he wrote the majority of the song in a single day, performing all the instruments, apart from the cello, including a violin, which Sheeran taught himself to play for the song.[35] The track was produced by Sheeran himself, and mixed in Abbey Road studios by Peter Cobbin and Kirsty Whalley.[36] It was released on 5 November 2013 as the first single from the soundtrack.[14]
In a live webcast on YouTube, Sheeran stated that he "feels every single one of [his] records should have a theme that runs through it, even if it's just a colour. The first one was orange, throughout, everything [he] did was orange. This one's going to be green throughout, and everything [he does] will be green in terms of artwork." He cited Coldplay as an influence for this, as they keep with the image of each album they release "for the next two years".[8]
The physical versions of the album come packaged in a green jewel case.[37]
A countdown to the unveiling of the first single was posted on Sheeran's Facebook page, but it was accidentally announced early by Zane Lowe that he would have the first play of "Sing" on 7 April 2014, as his "Hottest Record in the World". The song was played twice in a row, and Sheeran discussed the album and working with Pharrell to produce the single.[20]
Sheeran performed "Sing" and "Don't" live for the first time on Saturday Night Live on 12 April 2014.[38] He then went on to do an exclusive acoustic performance of "Take It Back" on SB.TV on 16 April.[39] Sheeran later performed "Sing" on 27 April at the 2014 Logie Awards held annually in Melbourne, Australia.[40] On 2 May, the singer released an acoustic version of "One" on his YouTube channel.[41] The song was given away on 16 May to people who had preordered the album on iTunes.[42][43][44][better source needed]
On 5 May, Sheeran played three "Multiplyed" gigs, starting at the Steamboat Pub in Ipswich, going on to Koko in London, and finishing in Dublin, where his entire show was streamed live on his website.[45][46][47] The next day, he played a session for BBC Radio 1 at their Maida Vale studios, where Zane Lowe made a live rendition of "One" his "Hottest Record in the World".[48]
Sheeran stated that, until the album is released, he will play very few new songs live, as fans "want to hear the hits", but once it is released he will play a lot more new songs, as "that's going to be what people want to see."[49]
Sheeran played "Sing" on Later Live... with Jools Holland on 20 May, and showcased songs from the record on the extended version on 23 May, including the TV debut of "Thinking Out Loud."[50] His live performance was exactly three years since his last appearance on the show.[51][52][53][54][55][56]
Sheeran performed "Sing" on the finale of The Voice, alongside a duet with contestant Christina Grimmie of his song "All of the Stars", which features on the soundtrack for The Fault in Our Stars.[57][58]
MTV announced that a behind-the-scenes documentary of Sheeran's life, titled 9 Days and Nights of Ed Sheeran, was being filmed, to be aired 10 June. The show would "show every aspect of [Sheeran's] life" while he is on tour, "with extraordinary intimate access to Sheeran", something he has never done before.[59][60] Taylor Swift and Pharrell Williams appeared in the feature.[61]
After the music video for "Sing" was released, which featured a puppet version of Sheeran wearing a pair of Beats by Dre headphones,[62] it was announced that Sheeran, and his then unreleased song "Don't", would feature in the advert for the latest Beats by Dre headphones, the Solo II.[63]
On 5 June, Sheeran appeared in the BBC Radio 1 Live Lounge for Annie Mac, performing "Sing" and a cover of Sam Smith's "Stay with Me", both with a live band.[64] "Don't" was serviced to US contemporary hit radio on 15 July 2014 as the album's second official single.[65]
To promote the album, Sheeran will hold several shows around the world until March 2015.[66]
| TourbyEd Sheeran | |
| Associated album | X |
|---|---|
| Start date | August 6, 2014 (2014-08-06) |
| End date | February 3, 2015 (2015-02-03) |
| Legs | 4 |
| No. of shows |
|
| Tour dates [67] | |||
|---|---|---|---|
| Date | City | Country | Venue |
| Asia | |||
| August 6, 2014 | Osaka | Japan | Big Cat |
| August 8, 2014 | Tokyo | Studio Coast | |
| Europe | |||
| August 15, 2014 | Hasselt | Belgium | Pukkelpop |
| August 16, 2014 | Chelmsford | United Kingdom | V Festival |
| August 17, 2014 | Staffordshire | ||
| North America | |||
| August 21, 2014 | Seattle | United States | WaMu Theater |
| August 23, 2014 | Vancouver | Canada | Ambleside Live |
| August 26, 2014 | San Jose | United States | SAP Center |
| August 27, 2014 | Los Angeles | Staples Center | |
| August 29, 2014 | Las Vegas | The Chelsea at the Cosmopolitan | |
| August 30, 2014 | |||
| August 31, 2014 | Glendale | jobing.com Arena | |
| September 2, 2014 | Kansas City | Sprint Center | |
| September 4, 2014 | Cleveland | Wolstein Center | |
| September 6, 2014 | Columbia | Merriweather Post Pavilion | |
| September 8, 2014 | Philadelphia | Wells Fargo Center | |
| September 9, 2014 | Mansfield | Xfinity Center | |
| September 11, 2014 | Charlotte | Time Warner Cable Arena | |
| September 12, 2014 | Atlanta | Gwinnett Center | |
| September 13, 2014 | Nashville | Bridgestone Arena | |
| September 15, 2014 | Minneapolis | Target Center | |
| September 16, 2014 | Rosemont | Allstate Arena | |
| September 17, 2014 | Auburn Hills | The Palace of Auburn Hills | |
| September 18, 2014 | Toronto | Canada | Air Canada Centre |
| Europe | |||
| October 3, 2014 | Dublin | Ireland | 3Arena |
| October 4, 2014 | |||
| October 5, 2014 | |||
| October 6, 2014 | |||
| October 8, 2014 | Belfast | Northern Ireland | Odyssey Arena |
| October 9, 2014 | |||
| October 11, 2014 | Leeds | United Kingdom | First Direct Arena |
| October 12, 2014 | London | The O₂ Arena | |
| October 13, 2014 | |||
| October 14, 2014 | |||
| October 15, 2014 | |||
| October 19, 2014 | Birmingham | LG Arena | |
| October 20, 2014 | |||
| October 22, 2014 | Nottingham | Capital FM Arena | |
| October 23, 2014 | |||
| October 25, 2014 | Newcastle | Metro Radio Arena | |
| October 27, 2014 | Manchester | Phones 4u Arena | |
| October 28, 2014 | |||
| October 30, 2014 | Glasgow | SSE Hydro | |
| October 31, 2014 | |||
| November 3, 2014 | Amsterdam | Netherlands | Ziggo Dome |
| November 4, 2014 | Brussels | Belgium | Forest National |
| November 5, 2014 | Düsseldorf | Germany | ISS Dome |
| November 6, 2014 | Hamburg | O2 World | |
| November 11, 2014 | Copenhagen | Denmark | Forum Copenhagen |
| November 12, 2014 | Stockholm | Sweden | Ericsson Globe |
| November 14, 2014 | Berlin | Germany | Max-Schmeling-Halle |
| November 15, 2014 | Stuttgart | Porsche Arena | |
| November 17, 2014 | Munich | Olympiahalle | |
| November 18, 2014 | Frankfurt | Festhalle | |
| November 19, 2014 | Zürich | Switzerland | Maag Halle |
| November 20, 2014 | Milan | Italy | Alcatraz |
| November 22, 2014 | Lyon | France | Le Transbordeur |
| November 24, 2014 | Barcelona | Spain | Sant Jordi Club |
| November 25, 2014 | Madrid | Palacio de Deportes | |
| November 27, 2014 | Paris | France | Le Bataclan |
| January 26, 2015 | Rome | Italy | PalaLottomatica |
| January 27, 2015 | Milan | Mediolanum Forum | |
| January 28, 2015 | Zürich | Switzerland | Hallenstadion |
| January 30, 2015 | Amnéville | France | Galaxie Amnéville |
| February 1, 2015 | Clermont-Ferrand | Zénith de Clermont-Ferrand | |
| February 2, 2015 | Paris | Zénith de Paris | |
| February 3, 2015 | Nantes | Zénith de Nantes | |
| February 15, 2015 | Vilnius | Lithuania | Siemens Arena |
| Asia [68] | |||
| March 12, 2015 | Manila | Philippines | Mall of Asia Arena |
"Sing" was released as the first single from the album on 7 April 2014 around the world, and 1 June in United Kingdom and Germany. The music video, released exclusively to Facebook on 22 May, features a puppet caricature of Sheeran on a night out in Los Angeles.[69] The single entered the Billboard Hot 100 at number fifteen,[70] where it has since peaked at number thirteen. It also became Sheeran's first number one on the Australian ARIA Charts and in the UK, where it was released alongside a corresponding EP, which featured a live version of the track, a remix by Trippy Turtle and a new song, "Friends", that does not feature on x.[6][71]
"Don't", previously released on iTunes as the second "instant grat" promotional single, will impact on US contemporary hit radio as the second official single from the album.[65]
"Thinking Out Loud", was sent to Oceanian radio on 21 September as the third single off Sheeran's album."
"One" was released as the first promotional single on 16 May, available as an "instant grat" download on iTunes when you pre-ordered the album. It entered the UK Singles Chart at number 20 and entered the Billboard Hot 100 at 86.[72]
"Don't" was released as the second "instant grat" promotional single from the album on 13 June, ten days before the release of the album.[73] It debuted at #21 in the Canadian Hot 100 on the chart dated for June, 28th, 2014, the top debut for that week.
Sheeran revealed that he would be releasing a track from the album every weekday in the week leading up to the release, as promotional "instant grat" singles available to those who had preordered the deluxe edition of the album on iTunes. The first of these was "Afire Love", released on 16 June, followed by "Bloodstream" on 17 June, "Thinking Out Loud" on 18 June, "The Man" on 19 June and "Photograph" on 20 June.[74][75][76][77][78][79]
It debuted at number one in the United Kingdom, selling 180,000 copies in its first week of release, becoming the fastest selling album of 2014 so far,[80] and it also marked Sheeran's second number one album in the United Kingdom.[citation needed] It stayed at number one for eight weeks on the UK album charts, the longest number one since Adele’s 21.[81] It has sold 488,711 copies in the UK as of August 2014.[82]
In the United States, the album became Sheeran's first number one on the Billboard 200, debuting at number one with sales of 210,000 copies. Furthermore, Sheeran marks the largest debut for a pop album so far this year and the fourth-biggest opening overall in 2014.[83]
In Canada, the album debuted at number one on the Canadian Albums Chart; in its second week, the album remained at number one selling 7,000 copies.[84]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 67/100[85] |
| Review scores | |
| Source | Rating |
| The A.V. Club | B[86] |
| AllMusic |    [87] |
| The Daily Telegraph | [88] |
| The Guardian | [89] |
| The Observer | [90] |
| Rolling Stone | [91] |
| USA Today | [92] |
| Drowned in Sound | 4/10[93] |
| The Independent | Negative[94] |
| Time Out | [95] |
Upon its release, X received generally positive reviews from music critics. The review aggregator website Metacritic assigns a "Metascore" to each album, which is based on the ratings and reviews of selected mainstream independent publications, and the release has a score of a 67 based on 20 selected critics, indicating "generally favorable reviews".[85]AtThe Daily Telegraph, Neil McCormick rated the album a perfect five stars, commenting how the album is like a "vehicle for emotional veracity, personal revelation and universal inclusion."[88] Stephen Thomas ErlewineofAllMusic rated the album three-and-a-half stars out of five, remarking how Sheeran's usage of hip hop elements "keeps [the music] from being merely a bit of excellently crafted mature pop and gives it some appealing character."[87]AtThe A.V. Club, Annie Zaleski graded the album a B, indicating how Sheeran is showing in his music that "growing up is messy and tough [...] but affirms that navigating life with maturity and confidence is possible."[86] Randall Roberts of Los Angeles Times rated the album two-and-a-half stars out of four, calling the music "Well-crafted, generous and willing to lay it on thick when necessary, but fun to be around nonetheless."[96]AtEntertainment Weekly, Melissa Maerz graded the album a B, commenting how even though Sheeran is "finally getting angry, taking aim at a pop-star girlfriend who slept with another guy" that "he's still a good boy after all."[97] Alex Petridis of The Guardian rated the album four stars out of five, highlighting how the artist is "confidently pushing at the boundaries of what he does."[89]
Jason Lipshutz of Billboard rated the album an 81 out of 100, and according to him, he "finds a hungry artist doing everything possible to elevate to another level, simply by abiding by his instincts."[4]AtQ, John Aizlewood rated the album four stars out of five, describing how Sheeran's usage of many collaborators could have been "a potentially foolish move, but Sheeran pulls it off, chiefly because... his friends bend to him, not the other way round."[98] In addition, Aizlewood remarks how Sheeran has "used his success rather than been used by it,"[98] Brian MansfieldofUSA Today rated the album three-and-a-half stars out of four, calling it one of those "rare album[s] that satisfies expectations while simultaneously raising them," which "showcases the sweet, achingly vulnerable songs" that is a hallmark of Sheeran's work.[92]AtAmerican Songwriter, Jim Beviglia rated the album three-and-a-half stars, cautioning how the release shows Sheeran in "somewhat of an identity crisis", yet "it's fascinating to hear him work out whether he's a hopeless romantic or just a guy who thinks romance is hopeless."[99] Gary GraffofThe Oakland Press rated the album three stars out of four, stating how this release "expands his sonic palette".[100]AtNewsday, Glenn Gamboa graded the album an A-, praising Sheeran because he "manages a remarkably difficult task [of] broadening his sound without losing the immediacy of his raw, intimate tales."[101] Sarah Rodman of The Boston Globe gave a positive review of the album, finding how Sheeran "comes into his own" with the release.[102]
AtRolling Stone, Jon Dolan rated the album three stars out of five, suggesting that "A better album title might have been XXX" and cautioning that the album has "plenty of oversweet ballad moments".[91] Jim Farber of New York Daily News rated the album three stars out of five, writing how "Sheeran can write a hummable tune and, clearly, has something young girls love even more than looks: heart." but noting how his music was "milky bland", his lyrics "rote and soppy" and the album's sound was "unconvincing".[103] Writing for musicOMH John Murphy rated the album three stars out of five, noting how "X will undoubtedly be another huge success for Sheeran, and if he can build on its good points, there could be an even better record lurking inside him as well", taking issue with the album's "huge reliance on epic sounding but bland ballad-anthems" which sound "calculated and a little bit cynical".[104] Kitty EmpireofThe Observer was unimpressed by the album, rating it two stars out of five, noting how Sheeran "has a broad palette but lacks depth" and "can't cut it as a leading man", ultimately concluding that "Sing is quite easily the best song on x, probably because it sounds nothing like Sheeran".[90]AtDrowned in Sound, Dave Hanratty rated the album a four out of ten; criticising the release because it "offers a few lively embers, but never quite ignites", noting that Sheeran lacks any kind of noteworthy identity and the majority of the album "is alternatively as generic and simpering as it gets."[93] The Independent was highly critical of the album; noting the lyrics as a『stolid plod through clichés』having a "serotonin-reducing effect"; and Sheeran and the album as "bleary", "so bland", "without wit or sex appeal" and "authentically uninspiring", .[94]
ABC News' Allan Raible found Sheeran spent much of the album "trying to force the groove in the name of pop success," concluding that it was "a mixed bag leaning on the negative side of the equation."[105] Time Out rated the album three stars out of five, saying "There's enough awkward rapping and gooey-eyed sentiment here to put cynical listeners off."[95] The Big Issue was equally scathing, pondering "what the fuss is about" and his "lyrical clunkers", concluding Sheeran's "curious mixture of cocksureness and self-pity is hard to stomach."[106] Lauren Murphy of The Irish Times said Sheeran had an "aptitude for melody" but criticised Sheeran for being "undeniably cliched" and "simply dull".[107] The Sunday Times praised the album as being "deftly assembled" but criticised his "cringe-inducing, rhyming-dictionary clunkiness", noting that "little here is either daring or groundbreaking".[108] Detroit's Metro Times was highly critical, calling the record "torture" and a "downright painful experience", ultimately concluding the album's best track was "only slightly unbearable".[109] The Scotsman noted "Sing" was "the tip of a pretty shallow iceberg" and Sheeran was "a decent singer but essentially middle of the road".[110] The Edmonton Journal rated the album three out of five, noting with this release Sheeran was "desperately trying to shed his milquetoast image" and ultimately concluding the album as "insipid".[111] PopMatters rated the album six out of ten, acknowledging Sheeran as a "talented wordsmith [who] uses past experiences and stories and moulds them into money making songs that stick in your head for days" but noted some of his songs "lack originality and flare" and criticising Sheeran as "predictable and boring to see another singer songwriter talk about relationships and emotions".[112]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "One" | Ed Sheeran | Gosling | 4:13 |
| 2. | "I'm a Mess" | Sheeran | Gosling | 4:06 |
| 3. | "Sing" |
| Williams[115] | 3:55 |
| 4. | "Don't" |
|
| 3:39 |
| 5. | "Nina" |
| Gosling | 3:43 |
| 6. | "Photograph" |
|
| 4:17 |
| 7. | "Bloodstream" |
| Rubin | 4:59 |
| 8. | "Tenerife Sea" |
| Rubin | 4:00 |
| 9. | "Runaway" |
| Williams[16] | 3:26 |
| 10. | "The Man" | Sheeran | Gosling | 4:09 |
| 11. | "Thinking Out Loud" |
| Gosling | 4:40 |
| 12. | "Afire Love" |
| McDaid | 5:14 |
| Total length: | 50:05 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 13. | "Take It Back" |
| Rubin | 3:28 |
| 14. | "Shirtsleeves" | Sheeran | Gosling | 3:09 |
| 15. | "Even My Dad Does Sometimes" |
| Gosling | 3:48 |
| 16. | "I See Fire" | Sheeran |
| 4:57 |
| Total length: | 65:27 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 17. | "All of the Stars" |
| McDaid | 3:55 |
| Total length: | 69:22 | |||
All credits taken from album liner notes.[37]
|
|
|
| Chart (2014) | Peak position |
|---|---|
| Argentine Albums (CAPIF)[120] | 3 |
| Australian Albums (ARIA)[121] | 1 |
| Austrian Albums (Ö3 Austria)[122] | 2 |
| Belgian Albums (Ultratop Flanders)[123] | 2 |
| Belgian Albums (Ultratop Wallonia)[124] | 8 |
| Canadian Albums (Billboard)[125] | 1 |
| Croatian Albums (Toplista)[126] | 4 |
| Czech Albums (ČNS IFPI)[127] | 19 |
| Danish Albums (Hitlisten)[128] | 1 |
| Dutch Albums (Album Top 100)[129] | 2 |
| Finnish Albums (Suomen virallinen lista)[130] | 1 |
| French Albums (SNEP)[131] | 5 |
| German Albums (Offizielle Top 100)[132] | 1 |
| Hungarian Albums (MAHASZ)[133] | 3 |
| Irish Albums (IRMA)[134] | 1 |
| Italian Albums (FIMI)[135] | 2 |
| Japanese Albums (Oricon)[136] | 32 |
| Korean Albums (GAON)[137] | 45 |
| Mexican Albums (AMPROFON)[138] | 17 |
| New Zealand Albums (RMNZ)[139] | 1 |
| Norwegian Albums (VG-lista)[140] | 1 |
| Polish Albums (ZPAV)[141] | 5 |
| Portuguese Albums (AFP)[142] | 2 |
| Scottish Albums (OCC)[143] | 1 |
| Spanish Albums (PROMUSICAE)[144] | 6 |
| Swedish Albums (Sverigetopplistan)[145] | 3 |
| Swiss Albums (Schweizer Hitparade)[146] | 1 |
| UK Albums (OCC)[147] | 1 |
| USBillboard 200[148] | 1 |
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[149] | Platinum | 70,000^ |
| Canada (Music Canada)[150] | Platinum | 80,000^ |
| New Zealand (RMNZ)[151] | Platinum | 15,000^ |
| Poland (ZPAV)[152] | Gold | 10,000* |
| Sweden (GLF)[153] | Gold | 20,000‡ |
| Switzerland (IFPI Switzerland)[154] | Gold | 10,000^ |
| United Kingdom (BPI)[155] | 2× Platinum | 600,000^ |
| United States (RIAA)[156] | Gold | 500,000^ |
|
^ Shipments figures based on certification alone. | ||
| Region | Date | Format | Label |
|---|---|---|---|
| Australia[157][158] | 20 June 2014 | Digital download | Asylum Records |
| Germany[159][160] | |||
| New Zealand[161][162] | |||
| United Kingdom[114][117] | 23 June 2014 | ||
| United States[163][164] |
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| Videography |
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| Tours |
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