Albert was now free to devote himself to the task of establishing Catholic conformity in his dominions. A strict Catholic by upbringing, Albert was a leader of the German Counter-Reformation. Incapable by nature of passionate adherence to any religious principle, and given rather to a life of idleness and pleasure, he pursued the work of repression because he was convinced that the cause of Catholicism was inseparably connected with the fortunes of the house of Wittelsbach. He took little direct share in the affairs of government, nevertheless, and easily lent himself to the plans of his advisers, among whom during the early part of his reign were two sincere Catholics, Georg Stockhammer and Wiguleus Hundt. The latter took an important part in the events leading up to the Peace of Passau (1552) and the Peace of Augsburg (1555).
Duke Albert made strenuous efforts to procure for his son, Ernest of Bavaria, election as Archbishop-elector of Cologne. These efforts would not pay off until after Albert's death; however, a member of the Wittelsbach house of Bavaria would be Archbishop of Cologne for almost two centuries thereafter.
As successor of his uncle Ernest of Salzburg, Duke Albert was since 1560 administrator and owner of the mortgage of the county of Glatz, before he returned the redeemed county to Emperor Maximilian II in 1567.
Cultural activity
[edit]Duke Albert V of Bavaria and his consort Anna of Austria playing chess, portrait by Hans Mielich (1552)
In 1546, Albert and his father William IV ordered the construction of Dachau Palace (completed 1577), a Renaissance style four-winged palace with a court garden which eventually become the preferred dwelling of the rulers of Bavaria.
In 1552, Albert commissioned an inventory of the jewelry which he and his wife Anna owned. The resulting manuscript, still held by the Bavarian State Library, was the Jewel Book of the Duchess Anna of Bavaria ("Kleinodienbuch der Herzogin Anna von Bayern"), and contains 110 drawings by Hans Muelich.[1] Albert was a patron of the arts and a collector whose personal accumulations are the basis of the Wittelsbach antique collection of Greek and Roman antiquities, the coin collection, and the Wittelsbach treasury in the Munich Residenz founded by him to house the jewels of the Wittelsbach dynasty; some of his Egyptian antiquities remain in the collection of Egyptian art. His personal library founded in 1558 has come to the Bavarian State Library in Munich, inheritor of the Wittelsbach court library. In 1559 Albert founded the Paedagogium in Munich.
Albert bought whole collections in Rome and Venice; in Venice, after tiresome drawn-out negotiations with the aged Andrea Loredan, he purchased the Loredan collection virtually in its entirety: 120 bronzes, 2480 medals and coins, 91 marble heads, 43 marble statues, 33 reliefs and 14 various curiosities, for the sum of 7000 ducats; "they were all exported from Venice secretly at night in large chests".[2] At the same time, squabbles among the heirs of Gabriele Vendramin thwarted him in his attempt to purchase the single most important collection in Venice and paintings and antiquities, drawings by the masters and ancient coins.[3] To house his extensive collection of antiquities he commissioned the Antiquarium (created 1568–1571) in the Munich Residenz, the largest Renaissance hall north of the Alps.
Albert appointed Orlando di Lasso to a court post and patronized many other artists; this led to a huge burden of debts (½ Mio. Fl.).
Albert died in 1579 in Munich and was succeeded by his son William. He is buried in the Frauenkirche in Munich.
Hofkleiderbuch (Abbildung und Beschreibung der Hof-Livreen) des Herzogs Wilhelm IV. und Albrecht V. 1508–1551. (Court and Coat of Arms Book of Bavarian Dukes: William IV and Albert V) at the Bavarian State Library
This article incorporates text from a publication in the public domain: Goetz, Walter (1908). "Albert V. of Bavaria and the Counter-Reformation of Bavaria". In Jackson, Samuel Macauley (ed.). New Schaff–Herzog Encyclopedia of Religious Knowledge. Vol. 1 (third ed.). London and New York: Funk and Wagnalls. pp. 104–105. Retrieved 6 September 2021.
