Aratus (/əˈreɪtəs/; Greek: Ἄρατος ὁ Σολεύς; c. 315/310 – 240 BC) was a Greekdidacticpoet. His major extant work is his hexameter poem Phenomena (Greek: Φαινόμενα, Phainómena, "Appearances"; Latin: Phaenomena), the first half of which is a verse setting of a lost work of the same name by Eudoxus of Cnidus. It describes the constellations and other celestial phenomena. The second half is called the Diosemeia (Διοσημεῖα "Forecasts"), and is chiefly about weather lore. Although Aratus was somewhat ignorant of Greek astronomy, his poem was very popular in the Greek and Roman world, as is proven by the large number of commentaries and Latin translations, some of which survive.
About 276 BC Aratus was invited to the court of the Macedonian king Antigonus II Gonatas, whose victory over the Gauls in 277 Aratus set to verse. Here he wrote his most famous poem, Phenomena. He then spent some time at the court of Antiochus I SoterofSyria, but subsequently returned to Pella in Macedon, where he died sometime before 240/239.[2][3] His chief pursuits were medicine (which is also said to have been his profession), grammar, and philosophy.
Several poetical works on various subjects, as well as a number of prose epistles, are attributed to Aratus, but none of them have come down to us, except his two astronomical poems in hexameter.
These have generally been joined as parts of the same work; but they seem to be distinct poems, the first, called Phenomena ("Appearances"), consists of 732 verses; the second, Diosemeia ("On Weather Signs"), of 422 verses.
The Phenomena appears to be based on two prose works—Phenomena and Enoptron (Ἔνοπτρον, "Mirror", presumably a descriptive image of the heavens)—by Eudoxus of Cnidus, written about a century earlier. We are told by the biographers of Aratus that it was the desire of Antigonus to have them turned into verse, which gave rise to the Phenomena of Aratus; and it appears from the fragments of them preserved by Hipparchus, that Aratus has in fact versified, or closely imitated parts of them both, but especially of the first.
The purpose of the Phenomena is to give an introduction to the constellations, with the rules for their risings and settings; and of the circles of the sphere, amongst which the Milky Way is reckoned. The positions of the constellations, north of the ecliptic, are described by reference to the principal groups surrounding the north pole (Ursa Major, Ursa Minor, Draco, and Cepheus), whilst Orion serves as a point of departure for those to the south. The immobility of the Earth, and the revolution of the sky about a fixed axis are maintained; the path of the Sun in the zodiac is described; but the planets are introduced merely as bodies having a motion of their own, without any attempt to define their periods; nor is anything said about the Moon's orbit. The opening of the poem asserts the dependence of all things upon Zeus. From the lack of precision in the descriptions, it would seem that Aratus was neither a mathematician nor observer[4] or, at any rate, that in this work he did not aim at scientific accuracy. He not only represents the configurations of particular groups incorrectly, but describes some phenomena which are inconsistent with any one supposed latitude of the spectator, and others which could not coexist at any one epoch. These errors are partly to be attributed to Eudoxus himself, and partly to the way in which Aratus has used the materials supplied by him. Hipparchus (about a century later), who was a scientific astronomer and observer, has left a commentary upon the Phenomenas of Eudoxus and Aratus, accompanied by the discrepancies which he had noticed between his own observations and their descriptions.
The Diosemeia consists of forecasts of the weather from astronomical phenomena, with an account of its effects upon animals. It appears to be an imitation of Hesiod, and to have been imitated by Virgil in some parts of the Georgics.[2]
The materials are said to be taken almost wholly from Aristotle's Meteorologica, from the work of Theophrastus, On Weather Signs, and from Hesiod. Nothing is said in either poem about Hellenistic astrology.
Let us begin with Zeus, whom we mortals never leave unspoken.
For every street, every market-place is full of god.
Even the sea and the harbour are full of this deity.
Everywhere everyone is indebted to god. For we are indeed his offspring ...
Bing, Peter. 1993. "Aratus and his Audiences." Materiali e Discussioni 31:99–109.
Faulkner, Andrew. 2015. "The Female Voice of Justice in Aratus' Phaenomena." Greece and Rome. 62.1: 75–86
Gee, Emma. 2013. Aratus and the Astronomical Tradition. Oxford: Oxford Univ. Press.
Gee, Emma. 2000. Ovid, Aratus and Augustus: Astronomy in Ovid’s Fasti. Cambridge, UK: Cambridge Univ. Press
Hunter, Richard L. 1995. "Written in the Stars: Poetry and Philosophy in the Phaenomena of Aratus." Arachnion 2:1–34.
James, Alan W. 1972. "The Zeus Hymns of Cleanthes and Aratus." Antichthon 6:28–38.
Katz, Joshua T. 2008.『Vergil Translates Aratus: Phaenomena 1–2 and Georgics 1.1–2.』Materiali e discussioni per l'analisi dei testi classici 60: 105–123
Mastorakou, Stamatina. 2020. “Aratus and the Popularization of Hellenistic Astronomy”. In Ancient Astronomy in Its Mediterranean Contexts (300 BC – 300 AD), A.C. Bowen and F. Rochberg (eds.), Brill, 383-397.
Mastorakou, Stamatina. 2024. “Visualization of Astronomical Knowledge in Hellenistic Times: Aratus, Urania and the Celestial Globe”. In Imagining the Heavens across Eurasia from Antiquity to Early Modernity. Edited by R. Brentjes, S. Brentjes, S. Mastorakou, Mimesis.
Pendergraft, Mary L. B. 1995.『Euphony and Etymology: Aratus’ Phaenomena.』Syllecta Classica 6:43–67.
Possanza, Mark. 2004. Translating the Heavens: Aratus, Germanicus, and the Poetics of Latin Translation. New York: Lang
Volk, Katharina. 2010. "Aratus." In A Companion to Hellenistic Literature. Edited by James J. Clauss and Martine Cuypers, 197–210. Malden, MA: Wiley-Blackwell.