Archibald Quincy JonesFAIA (April 29, 1913 – August 3, 1979) was a Los Angeles–based architect and educator known for innovative buildings in the modernist style and for urban planning that pioneered the use of greenbelts and green design.
After marrying a fellow architecture student (Ruth Schneider), Jones returned to Los Angeles, working first in the offices of the modernist architects Douglas Honnold and George Vernon Russell from 1936 to 1937, and Burton A. Schutt from 1937 to 1939.
He worked for Allied Engineers, Inc. of San Pedro from 1940 to 1942, where he met the architect Frederick Emmons, with whom he would later partner. Jones was responsible for the development and layout of Roosevelt Base in San Pedro and the Naval Reserve Air Base in Los Alamitos.
In 1942, Jones received his California architect certification, divorced and received a commission as a lieutenant commander in the United States Navy. He was assigned to the aircraft carrierUSS Lexington, which was serving in the Pacific theater.
Discharged from the Navy in 1945, Jones returned to Los Angeles and opened an architectural office in one of the two buildings of the house in Laurel Canyon he had built with his former wife. On his first day in business Jones had secured his first client.
The years after the war saw Jones partnering with Paul R. Williams on several projects in the Palm Springs area. These include the Palm Springs Tennis Club (1947), the Town & Country restaurant (1948), and the restaurant Romanoff's On the Rocks (1950). Jones also participated in John Entenza's Case Study House program.
The December 1950 issue of the magazine Architectural Forum featured a "Builder's House of the Year" designed by A. Quincy Jones. The same issue also awarded the innovative Palo Alto building magnate Joseph Eichler "Subdivision of the Year". Eichler then invited Jones to tour the Palo Alto development he had just completed where he suggested to Jones that the Builder of the Year join forces with the Architect of the Year. This relationship continued until Eichler's death in 1974.
It was through this relationship that Jones was provided both the venue and the freedom to implement his concepts of incorporating park-like common areas in tract housing developments. His were some of the first greenbelts incorporated into moderate income tract housing in the United States. In 1960, Jones was hired by William Pereira as a planning partner in the development of the city of Irvine, California, which has since become a model for the integration of greenbelts into urban development.
The Eichler commission prompted Jones to form a partnership with his prewar acquaintance, architect Frederick Emmons. The Jones and Emmons partnership lasted from 1951 until Emmons' retirement in 1969. Their designs are reflected in some 5,000 of Eichler's homes, by Emmons' estimate. Jones and Emmons were awarded national AIA Firm of the Year in 1969.[1]
Jones raised the tract house in California from the simple stucco box to a logically designed structure integrated into the landscape and surrounded by greenbelts. He introduced new materials as well as a new way of living within the built environment and popularized an informal, outdoor-oriented open plan. More than just abstractions of the suburban ranch house, most Jones and Emmons designs incorporated a usable atrium, high ceilings, post-and-beam construction and walls of glass. For the postwar moderate-income family, his work bridged the gap between custom-built and developer-built homes.
Jones often took advantage of industrial prefabricated units to provide affordable yet refined architecture. His larger buildings brought innovations to the integration of mechanical systems, improving their efficiency and maximizing retrievable space. Jones' aesthetic style, precise detailing and siting made his buildings quintessential embodiments of mid-century American architecture.
In 2013, a Hammer Museum exhibition entitled "A. Quincy Jones: Building for Better Living," redressed what curators had until then considered a major omission in the history of Los Angeles Modernism.[2] An exhibition catalogue, now out of print, was published at the same time.[3]
1951 Campbell Hall School, 4717 Laurel Canyon, North Hollywood, California
1952 House, Bienveneda and Marquette Streets, Pacific Palisades, California
1953 House, 503 N Oakhurst Drive, Beverly Hills, California (destroyed by new owner circa 1995.) (According to Property Shark and several other realty websites, the house at this address was built in 2005, so the new owner either held onto the property for 10 years, or Wikipedia date is incorrect. According to Jones' collection at UCLA the home was built in 1951.)
1954
Emmons House, 661 Brooktree, Pacific Palisades, California
U.S. Gypsum Research Village House, Barrington, Illinois
1955 Jones House, 1223 Tigertail Road, Los Angeles (destroyed by fire)
