The Berkeley Art Museum and Pacific Film Archive (BAMPFA, formerly abbreviated as BAM/PFA) are a combined art museum, repertory movie theater, and archive associated with the University of California, Berkeley. Lawrence Rinder was Director from 2008, succeeded by Julie Rodrigues Widholm in August, 2020.[1][2] The museum is a member of the North American Reciprocal Museums program.
The University of California art collection began with Flight into Egypt, a 16th-century oil on wood panel by the School of Joachim Patinir gifted to the university by San Francisco banker and financier François Louis Alfred Pioche in 1870.[3][4] The museum was founded in 1963 after a donation was made to the university from artist and teacher Hans Hofmann of 45 paintings[5] plus $250,000. A competition to design a building was announced in 1964, and the museum, designed by Mario Ciampi, and associates Ronald Wagner and Richard Jurasch, opened in 1970.[6] Founding Director Peter Selz, formerly of the Museum of Modern Art in New York, served from 1965 to 1973 and played a key role in establishing the museum, championing unorthodox Bay Area artists.[7]
The collection holds more than 22,000 works of art, including Ming and Qing dynasty Chinese paintings, Mughal dynasty Indian miniature painting, Baroque painting, old master prints and drawings, early American painting, African-American quilts, 19th and 20th century photography, Conceptual art, and international contemporary art.
Joan Miró, Metamorphosis, mixed media, 1936, one of 15 works given to the museum in 2021 from the Richard and Mary L. Gray Collection.
In 2009, the museum acquired (as a gift from the artist) 56 paintings and drawings from the Abu Ghraib Series by Fernando Botero.[10][11] Selections from the series have been regularly included in the museum's annual Art for Human Rights exhibitions.[12]
In 2014, the museum acquired San Francisco collector and dealer Steven Leiber's collection of Conceptual art and art materials, as well as his library of reference and artists' books related to Conceptualism and the Fluxus movement. According to The New York Times, "with the acquisition…the museum and film archive will become one of the world’s most important centers for the study of Conceptual art."[13]
In 2019, as a bequest, the museum acquired the Eli Leon Collection of almost 3,000 works by African-American quilt makers, including more than 500 works by Rosie Lee Tompkins. The collection now accounts for about 15 percent of the museum's art collection.[14][15] Drawing from the Eli Leon Collection, BAMPFA presented Rosie Lee Tompkins: A Retrospective in 2020; The New York Times called it "a triumphal retrospective" that "confirms her standing as one of the great American artists–transcending craft, challenging painting and reshaping the canon."[16][17] Drawing on the larger collection, the exhibition Rooted West: Twentieth Century African American Quilts in California will open at BAMPFA in Spring 2025.[18]
The Pacific Film Archive (PFA) was founded by Sheldon Renan, who began screening films on the UC campus in 1966 and was appointed Director of the new PFA in 1967.[20][21] The PFA specializes in programming films "in a theoretical or critical context—exploring, for example, film noir in the context of the post-war ethos."[22] Lectures by film scholars and visits from filmmakers further contextualize the programming. The archive houses 16,000 films and videos, including the largest collection of Japanese films outside of Japan.[23] The PFA also includes a library and study center,[24] and maintains online catalogs of its films and books[25] and an online database of documentation associated with the films.[26]
BAMPFA's major retrospective in March 2019 of the work of Hans Hofmann, who was instrumental in the creation of the museum. Photo by Steven Saylor.
The former Berkeley Art Museum building was designed by Mario Ciampi and associates Ronald E. Wagner and Richard Jurasch and opened in 1970.[6] The concrete Brutalist structure—one of the most inventive buildings in that style, with its fan-shaped procession down a spiral of semi-open galleries—was deemed seismically unsafe in 1997, and iron braces were added in 2001 to improve safety. In 1999, the Pacific Film Archive moved to a temporary building across the street.[27]
Interior of the former (seismically unsafe) Berkeley Art Museum and Pacific Film Archive building designed by Mario Ciampi.
In 2008, BAMPFA unveiled plans for a new museum building, to be designed by the Japanese architect Toyo Ito and located in downtown Berkeley, across the street from UC Berkeley's main entrance.[28][29][30] In 2009 construction of Ito's planned design was cancelled. Citing the weak economy and trouble raising necessary funds, BAMPFA decided to re-construct and enlarge (rather than completely demolish) the former University of California Press printing plant at that site, a 1939 Art Deco building on the California Register of Historic Resources and qualified to be on the National Register of Historic Places because of its role in the publication of the Unitied Nations Charter.[27][31][32]
Berkeley Art Museum sign (detail), photo by Steven Saylor.
In 2011, BAMPFA presented the schematic design for the $100 million transformation of the former printing plant into its new home, designed by the New York firm Diller Scofidio + Renfro.[33] Located at 2155 Center Street in downtown Berkeley, the building combines the shell of the pre-existing art deco concrete structure with a new metal-clad, skylighted addition that includes several galleries, a 232-seat theater, a store and a learning center.[33] Construction began in 2013.[34] The museum re-opened to the public on January 31, 2016.[35] The building totals 83,000 square feet, with 25,000 square feet of gallery space.[36]
The vacated Mario Ciampi building was added to the National Register of Historic Places in 2014.[37] The building, seismically retrofitted and "reimagined", reopened in late 2021 as the Bakar BioEnginuity Hub, an incubator for biotechnology start-ups,[38][39] named Woo Hon Fai Hall in honor of the father of a donor, David Woo.[40]
