 |
This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous.
Find sources: "Christopher H. Bidmead" – news · newspapers · books · scholar · JSTOR (January 2013) (Learn how and when to remove this message) |
Christopher Hamilton Bidmead
| |
|---|---|
Bidmead in 2003
| |
| Born | (1941-01-18) 18 January 1941 (age 83)
Bolton, Lancashire, England
|
| Siglum | chb |
| Occupation(s) | Writer and journalist |
Christopher Hamilton Bidmead (born 18 January 1941) is an English screenwriter, script editor and journalist.
Bidmead trained as an actor at the Royal Academy of Dramatic Art (RADA),[1] later playing several roles on stage, television and radio.
By the early 1970s, Bidmead was scriptwriting for Thames Television, producing material for Harriet's Back in Town and Rooms. Up until 1979, he was a journalist, and contributed some articles to New Scientist.[2]
In 1979, Robert Banks Stewart recommended him for the post of script editor on Doctor Who.[3] Bidmead was primarily responsible for a "back to basics" approach for his yearlong tenure on Doctor Who, attempting to curb the more playful and fantasy oriented approach of his predecessor Douglas Adams in favour of a more naturalistic and scientific style of presentation.[2] Most noticeable in the more serious portrayal of Tom Baker's Doctor, this approach proved controversial and ratings suffered, although this has been attributed to the tough timeslot for Bidmead's season which saw the show competing against Buck Rogers in the 25th CenturyonITV. Very much a product of its time, Bidmead's writings for Doctor Who demonstrate an increasing awareness of computer technology, typified by his complex serial Logopolis which served to write out the Fourth Doctor. After a year as script editor he returned to freelance work. This included writing two more Doctor Who serials for Peter Davison's Doctor (Castrovalva and Frontios) as well as producing novelisations of all three of these Doctor Who stories.[4]
In August 2006, it was announced in Doctor Who Magazine that Bidmead would be writing a Doctor Who audio play, Renaissance of the Daleks, for release through Big Finish Productions in March 2007. An audio play with that title was subsequently released, with a "From a Story By" credit for Bidmead.[5] In recent years he has contributed voiceover commentaries and interviews for numerous DVD and Blu-ray releases of Doctor Who serials with which he was involved.
Bidmead has continued his career in computer journalism, writing regularly (asChris Bidmead) for Personal Computer World, PC Plus and other computer magazines, and specialising in Linux tools. Occasionally he has contributed more speculative or philosophical pieces for publications such as New Scientist, and recently he has worked as a journalist producing material for Wired magazine.
Submitted on 19 June 1984, it would see the Doctor losing some of his memories throughout time. He would adapt the story for Big Finish Productions in June 2010.
Also known as The Last Adventure, this four-part story was submitted on 29 October 1986 as a story for the Trial of a Time Lord season. The story would see the Doctor on trial by the Time Lords for investigating the planet Pinacotheca, which has a museum showing places and times in the universe.
{{cite web}}: CS1 maint: numeric names: authors list (link)
| Preceded by | Doctor Who Script Editor 1980—81 |
Succeeded by |
| International |
|
|---|---|
| National |
|
