Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head is the fourth and final studio album by American heavy metal band White Zombie, released on April 11, 1995, by Geffen Records. The album proved to be their most commercially successful recording, peaking at number six on the Billboard 200 with the aid of the popular hit singles "More Human than Human" and "Super-Charger Heaven". It was the band's only studio album to feature John Tempesta on drums.
The album was highly anticipated due to the surprise success of the band's previous release La Sexorcisto: Devil Music Volume One. Ivan DePrume, the band's long-time drummer, had left the band to start Burningsound studios during their touring sessions for that album. The band later recruited former Exodus and Testament drummer John Tempesta for the recording of this album. The album had help from significant industrial musicians, such as the keyboard work from Charlie Clouser, who had worked with artists like Nine Inch Nails, Rammstein, Marilyn Manson, Killing Joke, and more. They had also hired Terry Date (Deftones, Pantera, Soundgarden) to produce Astro-Creep: 2000 for them. According to J., the album comprises seventy-two track recordings, forty-eight of which are analog and twenty-four being digital recordings.[4] For the album, the band had a much bigger recording budget and more freedom in time.
The entire album took three months to write and another three to record. Writing for the album began in June 1994, shortly after White Zombie finished touring Japan.[5] Recording was scheduled to commence in September 1994,[6] and the album was finished by Christmas 1994.[5]
The album is much heavier than La Sexorcisto and has been called "white-trash-on-acid metal" by Stephen Thomas ErlewineofAllMusic.[7] The band also down-tuned the guitars and bass to give it the darker sound that the songs required, going from standard E tuning to dropped C# (1.5 steps below standard E).[citation needed]
Much of the lyrics are also darker and more disturbing than on the previous album, and are arranged more like twisted poetry than La Sexorcisto's pseudo-rap scores, dealing with murder, the undead, blasphemy, and satanic elements.[citation needed]
Rob has said he favors this album to the previous one, stating, "I was never that happy with it [La Sexorcisto]. In some respects, it was probably the best thing we could do at the time under the circumstances; and that this record was exactly what we wanted it to sound like."[9]
The album is White Zombie's best-selling album, being certified double Platinum by the RIAA and selling over 2,600,000 copies in America since its release. There was also a limited 50,000 pressings of this album on see-through blue vinyl. The album has been certified by CAN platinum. The album was nominated for a Grammy Award for Best Engineered Album and the band's biggest hit, "More Human than Human", nominated for a Grammy Award for Best Metal Performancein1996.
There were also plans to start filming a video for "Blood, Milk and Sky" after Christmas as well as eventually filming a video for every song on the album.[20] However, these plans were scrapped when the band dissolved.
^I "Blood, Milk and Sky" contains the hidden track "Where the Sidewalk Ends, the Bug Parade Begins" at 8:45, after 3 minutes of silence. On the digital version, however, the hidden track is its own 2:33 track.[28]
^Beebee, Steve (April 29, 1995). "Albumz". Kerrang!. No. 543. EMAP. p. 43.
^Slessor, Dan (November 2011). "White Zombie: Astro-Creep 2000: Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head". Kerrang!: 666 Albums You Must Hear Before You Die!. Bauer Media Group. p. 123.
^Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head (booklet). White Zombie. Los Angeles, California: Geffen Records. 1995.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
"Electric Head Pt. 2 (The Ecstasy)": Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 300.
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