Contents

Cuplé

You can help expand this article with text translated from the corresponding article in Spanish. (May 2013) Click [show] for important translation instructions. View a machine-translated version of the Spanish article. Machine translation, like DeepLorGoogle Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Cuplé]]; see its history for attribution. You may also add the template {{Translated|es|Cuplé}} to the talk page. For more guidance, see Wikipedia:Translation.

The cuplé was a popular risqué Spanish theatre song style in the late years of the 19th century. From 1893 to 1911 the songs were a feature of the『género ínfimo』(lowest type) cabaret theatre sung by solo female singers, or men in drag, and attended mainly by men. But in the second decade of the 20th century the cuplé, in a more respectable form, became more family-friendly and was associated with the makings of stars of the Spanish theatre such as Aurora Jauffret, "La Goya",^[1][2] and Lola Montes, who sang the cuplé El novio de la muerte, which, after adaptation, became the official hymn of the Spanish Legion.^[3][4]

The term comes from French couplet, but the poetic form couplet in Spanish is a pareadoordístico. The cuplé prefigured the copla of the 1930s.

• María Antinea (1915–1991), Spanish actress, vedette, dancer, cupletista and tonadillera
• La Argentinita (1898–1945), Spanish-Argentine flamenco dancer (bailaora), choreographer and singer
• Bella Dorita (1901–2001), Spanish cabaret singer, dancer, and vedette
• Paquita Escribano (1880–1970), Spanish singer (cupletista and tonadillera)
• Julia Fons (1882–1973), Spanish singer and cupletista
• La Fornarina (1884–1915), Cuplé singer
• Celia Gámez (1905–1992), Argentine film actress, icon of the Golden Age of Spanish theatre
• Úrsula López (1870–1966), Spanish Zarzuela, variety singer, and businesswoman
• Raquel Meller, Spanish diseuse, cuplé, and tonadilla singer and actress.
• Lola Montes (1898–1983), Spanish singer
• La Chelito (1885–1959), Cuban-born Spanish cuplé singer, and theater business owner
• Preciosilla (1893–1952), Spanish cupletista
• Olga Ramos (1918–2005), Spanish cupletista, violinist, and actress
• Rosita Rodrigo (1891–1959), Spanish actress, vedette, dancer and songwriter
• Teresita Zazá (1893–1980), Spanish tonadillera, cupletista, and actress