J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
1 L i f e a n d c a r e e r
2 C o m p o s i t i o n s
T o g g l e C o m p o s i t i o n s s u b s e c t i o n
2 . 1 S t a g e
2 . 2 O r c h e s t r a
2 . 3 C h a m b e r
2 . 4 C h o r a l
3 W r i t i n g s
4 D i s c o g r a p h y
5 R e f e r e n c e s
6 E x t e r n a l l i n k s
T o g g l e t h e t a b l e o f c o n t e n t s
D é s i r é - É m i l e I n g h e l b r e c h t
1 1 l a n g u a g e s
● D e u t s c h ● E s p a ñ o l ● E u s k a r a ● F r a n ç a i s ● 한 국 어 ● I t a l i a n o ● م ص ر ى ● 日 本 語 ● Р у с с к и й ● S v e n s k a ● W e s t - V l a m s
E d i t l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
I n o t h e r p r o j e c t s
● W i k i m e d i a C o m m o n s
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
( R e d i r e c t e d f r o m D é s i r é - E m i l e I n g h e l b r e c h t )
French conductor and composer
Désiré-Émile Inghelbrecht (17 September 1880 – 14 February 1965) was a French composer, conductor and writer.
Life and career [ edit ]
Inghelbrecht was born in Paris , the son of a violist. He studied at the Paris Conservatoire and made his debut as a conductor in 1908 at the Théâtre des Arts .[1]
Inghelbrecht entered the Conservatoire at only age seven and studied solfege, harmony and violin. When 16, he was expelled when caught playing violin in local cafes. But soon afterward, he was appointed second violin in the Concerts de l'Opéra orchestra; his friend Pierre Monteux , then conductor of the Concerts Berlioz, would also use him as a substitute – all of which gave him important experience.[2]
In 1908 he conducted the first performance of Florent Schmitt 's La tragédie de Salomé Claude Debussy 's Le martyre de Saint Sébastien Théâtre des Champs-Élysées , inaugurated on 2 April. In 1919 Inghelbrecht conducted the first performance of André Caplet 's arrangement of Debussy's La boîte à joujoux [3] Les mariés de la tour Eiffel Les Six .[4]
Inghelbrecht was music director of the Opéra-Comique in 1924–25, where he conducted Massenet 's Manon Wagner 's Tristan und Isolde Pelléas et Mélisande ,Fauré 's Masques et bergamasques Pénélope Jeux de Couleurs .[5]
In 1934, Inghelbrecht was asked to form a national radio orchestra – to become the Orchestre National de la Radiodiffusion Française (ONF). The following year, he fulfilled a long-held ambition to conduct the first Paris performance of the 1874 edition of Musorgsky 's Boris Godunov
During World War II, the ONF was evacuated to Rennes, then Marseilles before its return to Paris in 1943. But when planning the 1,000th performance of the orchestra (which was also to commemorate the 25th anniversary of Debussy's death), Inghelbrecht refused to conduct a program devoted to music of the occupying German forces and on 18 July 1943 received a note suspending his appointment by order of President Laval .[6]
From 1945 to 1950 Inghelbrecht was conductor of the Paris Opéra , and returned to the ONF in 1947. From 1958 to his death in 1965, he prepared weekly radio programs called 'Entretiens autour d'un piano'.
Both in conducting and writing he championed Debussy, Ravel , Roussel , Chabrier and Florent Schmitt.
He corresponded with Debussy – a close friend – from 1911 until the latter's death in 1918. He was a member of Les Apaches along with Ravel, Schmitt and others.
He was married three times: to Colette Steinlen (1910, divorced in 1920), Carina Ari (1928) and Germaine Perrin, with whom he wrote a biography of Debussy in 1953.[7]
Compositions [ edit ]
Although self-taught as a composer, Inghelbrecht left around 60 compositions. The style of his compositions is eclectic. Even when stylistically unoriginal, his polished, masterly orchestration makes his work worthy of closer attention. The operetta Leïla (or Virage sur l’aile ) of 1947, is a hilarious comedy and eminently singable entertainment. The opera-ballet Le chêne et le tilleul (after La Fontaine ) of 1960 is the climax of the composer's output with harmonies in the style of Debussy contrasting with the Bacchic frenzy of wild dances with pungently rhythmic, virile accompaniment.[8] La Nursery for piano four-hands consists of 36 short pieces composed between 1905 and 1932 and some later orchestrated.
La nuit vénitienne (comédie musicale, after Musset )
Le diable dans le beffroi (ballet)
Rayon de lune (ballet)
Virage sur l'aile (opérette in three acts).
Orchestra [ edit ]
Automne
Pour le jour de la première neige au Japon
Rapsodie de Printemps
El Greco
Trois poèmes dansés
La métamorphose d'Eve
Six danses suédoises
Sinfonia brève
Légende de Saint Nicolas
La valse retrouvée
Le livre d'or
Ibériana for violin and orchestra
Ballade dans le Goût Irlandais for harp and orchestra.
Chamber [ edit ]
Prélude et Saltarelle for viola and piano (1907)
Impromptu in F minor for viola and piano (1922)
Nocturne for cello (or violin, or viola) and piano (1922)
Quintet in C minor
Sonatine for flute and harp
Requiem
Tant que Noël durera
Pastourelles sur des Noëls anciens
Mongli[9]
Writings [ edit ]
Comment on ne doit pas interpréter Carmen, Faust et Pelléas – 1923
Diabolus in musica : Essais sur la musique et ses interprètes – 1933
Mouvement contraire : souvenirs d’un musicien – 1947
Le Chef d’orchestre et son équipe – 1949
Le Chef d’orchestre parle au public – 1957
Discography [ edit ]
Debussy : Pelléas et Mélisande Le martyre de Saint Sébastien La Damoiselle élue Prélude à l'après-midi d'un faune La Mer Jeux Images
Ravel : Daphnis et Chloé Ma mère l'Oye Une barque sur l'océan
Berlioz : Overture Le Carnaval Romain , excerpts from La Damnation de Faust
Fauré : Shylock , Pelléas et Mélisande , Cantique de Jean Racine , Requiem
Bizet : Carmen
References [ edit ]
^ Hoérée A, Kaye N. Désiré-Émile Inghelbrecht. In: The New Grove Dictionary of Opera. London and New York: Macmillan, 1997.
^ Cobb MG. Debussy's Letters to Inghelbrecht. University of Rochester Press, Rochester NY, 2005.
^ Cobb MG. Debussy's Letters to Inghelbrecht. Rochester, NY: University of Rochester Press, 2005.
^ Classics online Archived 7 May 2008 at the Wayback Machine
^ Wolff S. Un demi-siècle d'Opéra-Comique (1900–1950). Paris: André Bonne, 1953.
^ Cobb MG, op. cit.
^ Cobb MG, op. cit.
^ Hoérée A, Kaye N. Désiré-Émile Inghelbrecht. In: The New Grove Dictionary of Opera. Macmillan, London and New York, 1997.
^ Work list from: Almanach de la musique 1950, ed Sarnette E. Editions de Flore & La Gazette des Lettres, Paris, 1950
External links [ edit ]
International
National
Academics
Artists
People
Other
t
e
Désiré-Emile Inghelbrecht (principal conductor, 1934)
Manuel Rosenthal (principal conductor, 1944)
Roger Désormière (principal conductor, 1947)
Maurice Le Roux (music director, 1960)
Jean Martinon (music director, 1968)
Lorin Maazel (music director, 1988)
Charles Dutoit (music director, 1991)
Kurt Masur (music director, 2002)
Daniele Gatti (music director, 2008)
Emmanuel Krivine (music director, 2017)
Cristian Măcelaru (music director, 2020)
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Désiré-Émile_Inghelbrecht&oldid=1086142560 " C a t e g o r i e s : ● 1 8 8 0 b i r t h s ● 1 9 6 5 d e a t h s ● M u s i c i a n s f r o m P a r i s ● F r e n c h m a l e c o n d u c t o r s ( m u s i c ) ● M u s i c d i r e c t o r s ( o p e r a ) ● F r e n c h c o m p o s e r s ● F r e n c h m a l e c o m p o s e r s ● 2 0 t h - c e n t u r y F r e n c h c o n d u c t o r s ( m u s i c ) ● 2 0 t h - c e n t u r y F r e n c h m a l e m u s i c i a n s H i d d e n c a t e g o r i e s : ● W e b a r c h i v e t e m p l a t e w a y b a c k l i n k s ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a ● U s e d m y d a t e s f r o m J u n e 2 0 1 4 ● A r t i c l e s w i t h I n t e r n e t A r c h i v e l i n k s ● C o m p o s e r s w i t h I M S L P l i n k s ● A r t i c l e s w i t h I n t e r n a t i o n a l M u s i c S c o r e L i b r a r y P r o j e c t l i n k s ● A r t i c l e s w i t h F A S T i d e n t i f i e r s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h B I B S Y S i d e n t i f i e r s ● A r t i c l e s w i t h B N E i d e n t i f i e r s ● A r t i c l e s w i t h B N F i d e n t i f i e r s ● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h I C C U i d e n t i f i e r s ● A r t i c l e s w i t h J 9 U i d e n t i f i e r s ● A r t i c l e s w i t h K A N T O i d e n t i f i e r s ● A r t i c l e s w i t h K B R i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h L i b r i s i d e n t i f i e r s ● A r t i c l e s w i t h N D L i d e n t i f i e r s ● A r t i c l e s w i t h N K C i d e n t i f i e r s ● A r t i c l e s w i t h N L A i d e n t i f i e r s ● A r t i c l e s w i t h N S K i d e n t i f i e r s ● A r t i c l e s w i t h N T A i d e n t i f i e r s ● A r t i c l e s w i t h P L W A B N i d e n t i f i e r s ● A r t i c l e s w i t h P o r t u g a l A i d e n t i f i e r s ● A r t i c l e s w i t h V c B A i d e n t i f i e r s ● A r t i c l e s w i t h C I N I I i d e n t i f i e r s ● A r t i c l e s w i t h M u s i c B r a i n z i d e n t i f i e r s ● A r t i c l e s w i t h T r o v e i d e n t i f i e r s ● A r t i c l e s w i t h R I S M i d e n t i f i e r s ● A r t i c l e s w i t h S N A C - I D i d e n t i f i e r s ● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 4 M a y 2 0 2 2 , a t 1 1 : 3 4 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
