They are one of the pioneers of the mash-up or bootleg, where two or more songs are mixed together into a new track. According to Neil StraussinThe New York Times, "...many musical observers trace the official beginnings of the British bootleg scene to The Evolution Control Committee, which in 1993 mixed a Public Enemy a cappella with music by Herb Alpert." These are the now-classic "Public Enemy/Whipped Cream Mixes" containing Public Enemy's inflammatory raps titled "By the Time I Get To Arizona" and "Rebel Without a Pause" overdubbed onto instrumentals by Herb Alpert and the Tijuana Brass.[2]
The ECC wrote "Rocked by Rape," consisting of samples of Dan Rather's deadpan delivery describing various atrocities over looped riffs from AC/DC's "Back in Black." This work brought legal threats against The ECC by CBS, but by 2003, CBS appeared to have dropped the issue.[3] "Rocked by Rape" was nationally broadcast on NPR's All Things Considered in 2000.[4] It was even played at a roast for Rather, later broadcast on C-SPAN.
Since 2000, Gunderson has performed his works on stage through an electronic instrument of his own invention: "The Thimbletron." It is made of a pair of gloves with ten thimbles attached at the ends of the fingers that are then wired to a laptop computer. As the thimbles are touched together, the laptop in turn plays a different sound sample. Gunderson claims that the device uses "thimbletronium energy" and warns that "thimbletronic radiation can leak unexpectedly due to a mishap during a live performance. The audience is advised to attend Thimbletron performances at their own risk." Gunderson has also modified a bread toaster in a similar fashion, with each depression of a lever playing a sample.
The Thimbletron has been largely retired in public performances in favor of the Wheel of Mashup in which audience members come up on stage and spin a wheel to randomly select the music and vocals to be combined. These are then mashed together in real time using the VidiMasher 3000, a large rear-projected touch screen used to control Ableton Live. VidiMasher 3000 (Video Mashup Screen) Demo
Audio cassette inspired by John Oswald's Plunderphonics. Features cut-ups, including the well known Whipped Cream mixes and two "corrected" Gulf War speeches by George H. W. Bush. The audio cassette is packaged inside of an old 8-track cassette.
Double the Phat and Still Tasteless (Released on Eerie Materials)
CD featuring cut-ups and electronica, as well as absurdist humor skits and guest performances. A 5.25 inch floppy disc is slit along one side and the CD is slipped inside.
A manual packaged with a random CD. The manual describes various ways to make a CD play incorrectly, and is intended ultimately to destroy the CD.
Subliminal (self-released)
Cassette featuring many layered subliminal self-help recordings. The website claims that side one "will increase your creativity, improve your employment, develop your ESP, help you stop smoking, and so on." While side two, being a reverse recording of the same, "will help you gain weight, get demoted, become stupid, etc." link
Mark Gunderson also records as DJ Pantshead and performs with Cheese & Pants Theater, a comedy/performance art duo consisting of a giant pair of pants and a giant Parmesan cheese shaker who pantomime to bizarrely edited vintage audio and as DJ John Philip Suicide with Dub Assault. Past projects have included the experimental performance troupe Gaga, several ECC performances at the Columbus Avant Garage film festival, and a release with the Weird Love Makers. A present project is his webcast 'The Sound of Plaid' as Trademark G. at the Amsterdam-based international radio-art webstation DFM RTV INT, which airs two times each week.
Greg Gillis, in interview outtakes for the movie RIP: A Remix Manifesto, admits that Evolution Control Committee was a major influence and inspiration to create the mashups for his artistic persona Girl Talk. Gillis even explains that the best description of Girl Talk's music is "Plunderphonics."[citation needed]
