It was founded in London in 1878 to study traditional vernacular culture, including traditional music, song, dance and drama, narrative, arts and crafts, customs and belief. The foundation was prompted by a suggestion made by Eliza Gutch in the pages of Notes and Queries.[3]
William Thoms, the editor of Notes and Queries who had first introduced the term folk-lore,[4] seems to have been instrumental in the formation of the society:[5] as was G. L. Gomme, who was for many years a leading member.[6]
Some prominent members were identified as the "great team" in Richard Dorson's now long-outdated 1967 history of British folkloristics, late-Victorian leaders of the surge of intellectual interest in the field, these were Andrew Lang, Edwin Sidney Hartland, Alfred Nutt, William Alexander Clouston, Edward Clodd, and Gomme. Later historians have taken a deeper interest in the pre-modern views of members such as Joseph Jacobs.[7]
A long-serving member and steady contributor to the society's discourse and publications was Charlotte Sophia Burne, the first woman to become editor of its journal and later president (1909–10) of the society.[8]Ethel Rudkin, the Lincolnshire folklorist, was a notable member; her publications included several articles in the journal, as well as the book Lincolshire Folklore.[9]
The society publishes, in partnership with Taylor and Francis, the journal Folklore in four issues per year, and, since 1986, a newsletter, FLS News.[10]
The journal began as The Folk-Lore Record in 1878, continued or was restarted as The Folk-Lore Journal, and from 1890 its issues were compiled as volumes with the long title Folk-Lore: A Quarterly Review of Myth, Tradition, Institution, & Custom. Incorporating The Archæological Review and The Folk-Lore Journal. Joseph Jacobs edited the first four annual volumes as the Quarterly Review, succeeded by Alfred Nutt. As the head of publisher David Nutt in the Strand, Alfred Nutt was the publisher of the journal from 1890.
The Katharine Briggs Award is an annual book prize awarded by the Society in honour of Katharine Mary Briggs (who was the society's president from 1969 to 1972).[14] The prize has been awarded every year since it was first announced in 1982.[15] Notable winners include Israeli historian of social memory Guy Beiner (2019), American scholar of fairy tales Jack Zipes (2007), English mythographer Marina Warner (1999), British radical historian E. P. Thompson (1992), English married team of folklorists Iona and Peter Opie (1986) and Soviet folklorist Vladimir Propp (1985).
1997: Neil Jarman, Parading Culture: Parades and Visual Displays in Northern Ireland (Berg)
1998: Joseph Falaky Nagy, Conversing with Angels and Ancients: The Literary Myths of Medieval Ireland (Four Courts)
1999: Marina Warner, No Go the Bogeyman: Scaring, Lulling and Making Mock (Chatto and Windus)[20]
2000: Diarmuid Ó Giolláin, Locating Irish Folklore: Tradition, Modernity, Identity (Cork University Press)
2001: Adam Fox, Oral and Literate Culture in England, 1500-1700 (Clarendon Press)[21]
2002: Elizabeth Hallam and Jenny Hockey, Death, Memory and Material Culture (Berg)[22]
2003: Malcolm Jones, The Secret Middle Ages (Sutton)[23]
2004: Steve Roud, The Penguin Guide to the Superstitions of Britain and Ireland (Penguin)
2005: Jeremy Harte, Explore Fairy Traditions (Heart of Albion Press)
2006: Catherine Rider, Magic and Impotence in the Middle Ages (Oxford University Press)
2007: Jack Zipes, Why Fairy Tales Stick (Routledge)
2008: Richard Bebb, Welsh Furniture 1250-1950: a Cultural History of Craftsmanship and Design (Saer Books)
2009: Kathryn Marsh, The Musical Playground: Global Tradition and Change in Children’s Songs and Games (Oxford University Press)
2010: Arthur Taylor, Played at the Pub: the Pub Games of Britain (English Heritage Publications)
2011: Herbert Halpert, edited by John Widdowson, Folk Tales, Trickster Tales and Legends of the Supernatural from the Pinelands of New Jersey (Edwin Mellen Press)
2012: David Hopkin, Voices of the People in Nineteenth-Century France (Cambridge University Press)
2013: Karl Bell, The Legend of Spring-Heeled Jack: Victorian Urban Folklore and Popular Cultures (Boydell Press)
2014: David Atkinson, The Anglo-Scottish Ballad and its Imaginary Contexts (OpenBook Publishers)
2016: Lizanne Henderson, Witchcraft and Folk Belief in the Age of Enlightenment: Scotland, 1670-1740 (Palgrave)[25]
2017: Christopher Josiffe, Gef! The Strange Tale of an Extra-Special Talking Mongoose (Strange Attractor)
2018: Martin Graebe, As I Walked Out: Sabine Baring Gould and the Search for the Folk Songs of Devon and Cornwall (Signal Books)
2019: Guy Beiner, Forgetful Remembrance: Social Forgetting and Vernacular Historiography of a Rebellion in Ulster (Oxford University Press)[26]
2020: William G. Pooley, Body and Tradition in Nineteenth-Century France: Félix Arnaudin and the Moorlands of Gascony, 1870-1914 (Oxford University Press)
2021: Jonathan Y. H. Hui (ed. and trans.), Vilmundar saga viðutan. The Saga of Vilmundur the Outsider (Viking Society for Northern Research)
2022: Marina Montesano (ed.) Folklore, Magic, and Witchcraft: Cultural Exchanges from the Twelfth to Eighteenth Century (Routledge)
2023: Una McIlvenna, Singing the News of Death: Execution Ballads in Europe 1500-1900 (Oxford University Press)
Coote Lake Medal
[edit]Coote Lake Medal awarded to Ethel Rudkin (North Lincolnshire Museum)
The Coote Lake medal is awarded by the Committee of the Folklore Society for "outstanding research and scholarship" in the field of Folklore Studies.[27]
The award is named in honour of Harold Coote Lake (1878-1939), an active member of the Folklore Society in the 1920s and 1930s (who served as both Treasurer and Secretary of the Society at points in that period).
^"Charlotte Sophia Burne: Shropshire Folklorist, First Woman President of the Folklore Society, and First Woman Editor of Folklore. Part 1: A Life and Appreciation", Gordon Ashman and Gillian Bennett, Folklore, Vol. 111, No. 1 (Apr., 2000), pp. 1–21
