Furietti was born at Bergamo,[1] the son of Giovanni Marco Sonzogni Furietti, noble, of a local branch of the Sonzogni.[2] He was educated at the Almo Collegio Borromeo, Pavia,[3] then at the University of Pavia, where he received his doctorate in canon and civil law (utroque iure). In spite of his distinguished service to the Apostolic Camera,[4] and Furietti's dedication of a book on mosaics to him, the cardinal's hat was withheld by Pope Benedict XIV partly in pique for Furietti's refusal to part with the famous marble centaurs for the Museo Capitolino,[5] which had opened in 1734. Furietti was eventually created cardinal priest, by Clement XIII in the consistory of 24 September 1759.
For a sum, Furietti obtained rights to excavate the section of Hadrian's Villa that belonged to Simplicio Bulgarini. As early as 1724, Conte Giuseppe Fede had been buying up parcels of land in the extensive villa, which had become divided up among a multitude of owners,[6] forming the nucleus of one of the outstanding recently formed and non-papal collections of antiquities in Rome. After only a few days Furietti's crews found the famous statues of Centaurs signed by Aristeas and Papias, the "Furietti Centaurs", which quickly became two of the most celebrated sculptures in Rome, in part through the engravings of them made in 1739 and 1740 under Furietti's supervision. Charles de Brosses saw them displayed in Monsignor Furietti's apartments in the Palazzo Montecitorio in 1739-40,[7] and Francesco de' Ficoroni described them in Furietti's collection in 1744.[8] Furietti habitually employed Bartolomeo Cavaceppi as a restorer, hence some of the pieces that had passed through Cavaceppi's studio were illustrated from Furietti's former collection in Cavaceppi's self-promoting volume of plates, Raccolta d'antiche statue, busti, teste cognite ed altre sculpture antiche, 1768.
The "Dove Basin", attributed by Furietti to Sosius/Sosos (Capitoline Museums).
Among the mosaics he found at Hadrian's Villa is the celebrated one of four doves drinking, found in 1737; Furietti was convinced that it was the very work executed by Sosius/Sosos at Pergamum, mentioned by Pliny the Elder (Pliny's Natural HistoryXXXVI,.25). It was the first plate in his book on mosaics, De Musivis (Rome, 1752), with six engraved plates, four of them folding, which became a classic on the subject.[9] After Furietti's death, his heirs sold the two centaurs and the mosaic for 14,000 scudi,[10] for the Museo Clementino.
Furietti was also a bibliophile. He edited and published the works of two of his compatriots, Gasparino and Guiniforti Barziza,[11] and the poems of Publio Fontana, prefacing the volumes with brief vite. His personal library he bequeathed to his native Bergamo, with the obligation that it be open to the citizens. It became the nucleus of the Biblioteca Civica Angelo Mai;[12] there some of Furietti's correspondence is preserved.[13]
The early biography is G. Gallizioli, Memorie per servire alla storia della vita, degli studi e degli scritti del cardinale Giuseppe Alessandro Furietti, (Lucca) 1790.
^In 1743 Benedict appointed Furietti to his own former post, secretary to the sacra congregazione dell' concilio (Gaetano Moroni, Dizionario di erudizione storico-ecclesiastica da S. Pietro sino ai nostri giorni 1844:75-77).
^Gasparini Barzizii Bergomatis et Guiniforti filii Opera, quorum pleraque ex mss. nunc primum in lucem eruta recensuit, ac edidit Joseph Alexander Furiettus Bergomas, (Rome: G.M. Salvioni) 1713, doubtless in collaboration with his uncle.
Sonzogni, Ivano: Una Biblioteca per i bergamaschi di gran talento, il cardinale Furietti e la fondazione della Civica, in "Bergomum", Bollettino della Civica Biblioteca, n. 2, 1994, pp. 5–46
Sonzogni, Ivano: Il carteggio Alessandro Furietti - Pierantonio Serassi. Momenti dell'erudizione bergamasca a metà Settecento, in "Bergomum", n.2, 1996, pp. 91–188.
