The story has varied considerably in different versions over the centuries, translations, and as the subject of numerous modern adaptations. Other names for the story are "Little Red Cap" or simply "Red Riding Hood". It is number 333 in the Aarne–Thompson classification system for folktales.[6]
"Little Red Riding Hood" as illustrated in a 1927 story anthology
The story centers around a girl named Little Red Riding Hood, after the red hoodedcape that she wears. The girl walks through the woods to deliver food to her sickly grandmother (wine and cake depending on the translation). In the Grimms' version, her mother had ordered her to stay strictly on the path.
A stalking wolf wants to eat the girl and the food in the basket. After he enquires as to where she is going, she tells him. He suggests that she pick some flowers as a present for her grandmother, which she does. As she does so, he goes to the grandmother's house and gains entry by pretending to be Riding Hood. He swallows the grandmother whole (or, in some versions, he locks her in the closet) and waits for the girl, disguised as the grandmother.
Gustave Doré's engraving of the scene "She was astonished to see how her grandmother looked."
When Little Red Riding Hood arrives, she notices the strange appearance of her "grandmother". She exclaims, "What a deep voice you have!" "The better to greet you with", responds the wolf. "Goodness, what big eyes you have!" "The better to see you with", responds the wolf. "And what big hands you have!" "The better to embrace you with", responds the wolf. "What a big mouth you have!" "The better to eat you with!", he responds, at which point the wolf jumps out of the bed and eats her as well. Then he falls asleep. In Charles Perrault's version of the story, the first to be published, the tale ends here.
In later and better-known versions, the story continues. A woodcutter in the French version, or a hunter in the Brothers Grimm and traditional German versions, comes to the rescue with an axe, and cuts open the sleeping wolf. Little Red Riding Hood and her grandmother emerge shaken, but unharmed. Then they fill the wolf's body with heavy stones. The wolf awakens and attempts to flee, but the stones cause him to collapse and die. In the Grimms' version, the wolf leaves the house and tries to drink out of a well, but the stones in his stomach cause him to fall in and drown (similarly to the story of "The Wolf and the Seven Little Kids").
Sanitized versions of the story have the grandmother locked in the closet rather than being eaten and some have Little Red Riding Hood saved by the lumberjack as the wolf advances on her rather than after she is eaten, where the woodcutter kills or simply chases away the wolf with his axe.[7]
The story displays similarities to stories from classical Greece and Rome. Scholar Graham Anderson has compared the story to a local legend recounted by Pausanias in which, each year, a virgin girl was offered to a malevolent spirit dressed in the skin of a wolf, who raped the girl. Then, one year, the boxer Euthymos came along, slew the spirit, and married the girl who had been offered as a sacrifice.[9] There are also a number of different stories recounted by Greek authors involving a woman named Pyrrha (literally "fire") and a man with some name meaning "wolf".[10] The Roman poet Horace alludes to a tale in which a male child is rescued alive from the belly of Lamia, an ogress in classical mythology.[11]
The dialogue between the wolf and Little Red Riding Hood has analogies to the Norse Þrymskviða from the Elder Edda; the giant Þrymr had stolen Mjölnir, Thor's hammer, and demanded Freyja as his bride for its return. Instead, the gods dressed Thor as a bride and sent him. When the giants note Thor's unladylike eyes, eating, and drinking, Loki explains them as Freyja's not having slept, eaten, or drunk, out of longing for the wedding.[12] A parallel to another Norse myth, the chase and eventual murder of the sun goddess by the wolf Sköll, has also been drawn.[13]
A similar story also belongs to the North African tradition, namely in Kabylia, where a number of versions are attested.[14] The theme of the little girl who visits her (grand)dad in his cabin and is recognized by the sound of her bracelets constitutes the refrain of a well-known song by the modern singer Idir, "A Vava Inouva":
The theme of the ravening wolf and of the creature released unharmed from its belly is also reflected in the Russian tale Peter and the Wolf and another Grimm tale The Wolf and the Seven Young Kids, but its general theme of restoration is at least as old as the biblical story, Jonah and the Whale. The theme also appears in the story of the life of Saint Margaret, wherein the saint emerges unharmed from the belly of a dragon, and in the epic "The Red Path" by Jim C. Hines.
A Taiwanese story from the 16th century, known as Aunt Tiger bears several striking similarities. In this story there are two girls who are sisters. When the girls' mother goes out, the tigress comes to the girls' house and pretends to be their aunt, asking to come in. One girl says that the aunt's voice does not sound right, so the tigress attempts to disguise her voice. Then, the girl says that the aunt's hands feel too coarse, so the tigress attempts to make her paws smoother. When finally the tigress gains entry, she eats the girl's sister. The girl comes up with a ruse to go outside and fetch some food for her aunt. Aunt Tiger, suspicious of the girl, ties a rope to her leg. The girl ties a bucket to the rope to fool her, but Aunt Tiger realizes this and chases after her, whereupon she climbs into a tree. The girl tells the tigress that she will let her eat her, but first, she would like to feed her some fruit from the tree. The tigress comes closer to eat the fruit, whereupon the girl pours boiling hot oil down her throat, killing her.[16]
According to Paul Delarue, a similar narrative is found in East Asian stories, namely, in China, Korea[17] and Japan, with the title "The Tiger and the Children".[18]
"The better to see you with!" woodcut by Walter Crane
The origins of the Little Red Riding Hood story can be traced to several likely pre-17th century versions from various European countries. Some of these are significantly different from the currently known, Grimms-inspired version. It was told by French peasants in the 10th century[4] and recorded by the cathedral schoolmaster Egbert of Liège.[19] A fifteenth-century collection of folklore described an anecdote about a woman whose husband was a werewolf[20] though it bears little resemblance to Perrault's text.[21] In Italy, Little Red Riding Hood was told by peasants in the fourteenth century, where a number of versions exist, including La finta nonna (The False Grandmother), written among others by Italo Calvino in the Italian Folktales collection.[22] It has also been called "The Story of Grandmother". It is also possible that this early tale has roots in very similar East Asian tales (e.g. "Grandaunt Tiger").[23]
These early variations of the tale do differ from the currently known version in several ways. The antagonist is not always a wolf, but sometimes a 'bzou' (werewolf), making these tales relevant to the werewolf trials (similar to witch trials) of the time (e.g. the trial of Peter Stumpp).[24][25][26] The wolf usually leaves the grandmother's blood and flesh for the girl to eat, who then unwittingly cannibalizes her own grandmother. Furthermore, the wolf was also known to ask her to remove her clothing and toss it into the fire.[27] In some versions, the wolf eats the girl after she gets into bed with him, and the story ends there.[28] In others, she sees through his disguise and tries to escape, complaining to her "grandmother" that she needs to defecate and would not wish to do so in the bed. The wolf reluctantly lets her go, tied to a piece of string so she does not get away. The girl slips the string over something else and runs off. In these stories she escapes with no help from any male or older female figure, instead using her own cunning, or in some versions the help of a younger boy who she happens to run into.[29] Sometimes, though more rarely, the red hood is even non-existent.[28]
In other tellings of the story, the wolf chases after Little Red Riding Hood. She escapes with the help of some laundresses, who spread a sheet taut over a river so she may escape. When the wolf follows Red over the bridge of cloth, the sheet is released and the wolf drowns in the river.[30] And in another version the wolf is pushed into the fire, while he is preparing the flesh of the grandmother to be eaten by the girl.[28]
The earliest known printed version[1] was known as Le Petit Chaperon Rouge and may have had its origins in 17th-century French folklore. It was included in the collection Tales and Stories of the Past with Morals. Tales of Mother Goose (Histoires et contes du temps passé, avec des moralités. Contes de ma mère l'Oye), in 1697, by Charles Perrault. As the title implies, this version[31] is both more sinister and more overtly moralized than the later ones. The redness of the hood, which has been given symbolic significance in many interpretations of the tale, was a detail introduced by Perrault.[32]
French images, like this 19th-century painting, show the much shorter red chaperon being worn
The story had as its subject an "attractive, well-bred young lady", a village girl of the country being deceived into giving a wolf she encountered the information he needed to find her grandmother's house successfully and eat the old woman while at the same time avoiding being noticed by woodcutters working in the nearby forest. Then he proceeded to lay a trap for Red Riding Hood. Little Red Riding Hood ends up being asked to climb into the bed before being eaten by the wolf, where the story ends. The wolf emerges the victor of the encounter and there is no happy ending.
Charles Perrault explained the 'moral' at the end of the tale[33] so that no doubt is left to his intended meaning:
From this story one learns that children, especially young lasses, pretty, courteous and well-bred, do very wrong to listen to strangers, And it is not an unheard thing if the Wolf is thereby provided with his dinner. I say Wolf, for all wolves are not of the same sort; there is one kind with an amenable disposition – neither noisy, nor hateful, nor angry, but tame, obliging and gentle, following the young maids in the streets, even into their homes. Alas! Who does not know that these gentle wolves are of all such creatures the most dangerous!
This, the presumed original version of the tale was written for the late seventeenth-century French court of King Louis XIV. This audience, whom the King entertained with extravagant parties, presumably would take from the story's intended meaning.
In the 19th century two separate German versions were retold to Jacob Grimm and his younger brother Wilhelm Grimm, known as the Brothers Grimm, the first by Jeanette Hassenpflug (1791–1860) and the second by Marie Hassenpflug (1788–1856). The brothers turned the first version to the main body of the story and the second into a sequel of it. The story as Rotkäppchen was included in the first edition of their collection Kinder- und Hausmärchen (Children's and Household Tales (1812) – KHM 26).[34][35]
The earlier parts of the tale agree so closely with Perrault's variant that it is almost certainly the source of the tale.[36] This version ends with the girl and her grandmother saved by a huntsman who was after the wolf's skin; this ending mirrors that in the tale "The Wolf and the Seven Young Kids", which appears to be the source.[37] The second part featured the girl and her grandmother trapping and killing another wolf, this time anticipating his moves based on their experience with the previous one. The girl did not leave the path when the wolf spoke to her, her grandmother locked the door to keep it out, and when the wolf lurked, the grandmother had Little Red Riding Hood put a trough under the chimney and fill it with water that sausages had been cooked in; the smell lured the wolf down, and it drowned.[38]
The Brothers further revised the story in later editions and it reached the above-mentioned final and better-known version in the 1857 edition of their work.[39] It is notably tamer than the older stories which contained darker themes.
An engraving from the Cyclopedia of Wit and Humor.
Numerous authors have rewritten, adapted, or collected variants of this tale.
Charles Marelle in his version of the fairy tale called "The True History of Little Goldenhood" (1888) gives the girl a real name – Blanchette.
Andrew Lang included a variant called "The True History of Little Goldenhood"[40]inThe Red Fairy Book (1890). He derived it from the works of Charles Marelles,[41]inContes of Charles Marelles. This version explicitly states that the story had been mistold earlier. The girl is saved, but not by the huntsman; when the wolf tries to eat her, its mouth is burned by the golden hood she wears, which is enchanted.
James N. Barker wrote a variation of Little Red Riding Hood in 1827 as an approximately 1000-word story. It was later reprinted in 1858 in a book of collected stories edited by William E Burton, called the Cyclopedia of Wit and Humor. The reprint also features a wood engraving of a clothed wolf on a bended knee holding Little Red Riding Hood's hand.
An Iranian variant, featuring a little boy and the disrobing motif, appears in a 20th-century French anthology.[44]
Geneviève Massignon recorded a variant called "Boudin-Boudine" from an informant in Le Gué-de-Velluire. In this version, a little boy is protected from the wolf by his grandmother and father.[45]
Apart from the overt warning about talking to strangers, there are many interpretations of the classic fairy tale, many of them sexual.[46] Some are listed below.
Folklorists and cultural anthropologists, such as P. Saintyves and Edward Burnett Tylor, saw "Little Red Riding Hood" in terms of solar myths and other naturally occurring cycles. Her red hood could represent the bright sun which is ultimately swallowed by the terrible night (the wolf), and the variations in which she is cut out of the wolf's belly represent the dawn.[47] In this interpretation, there is a connection between the wolf of this tale and Sköll, the wolf in Norse mythology that will swallow the personified SunatRagnarök, or Fenrir.[13] Alternatively, the tale could be about the season of spring or the month of May, escaping the winter.[13]
The tale has been interpreted as a puberty rite, stemming from a prehistoric origin (sometimes an origin stemming from a previous matriarchal era).[13] The girl, leaving home, enters a liminal state and by going through the acts of the tale, is transformed into an adult woman by the act of coming out of the wolf's stomach.[13]
Bruno Bettelheim, in The Uses of Enchantment: The Meaning and Importance of Fairy Tales (1976), recast the Little Red Riding Hood motif in terms of classic Freudian analysis, that shows how fairy tales educate, support, and liberate children's emotions. The motif of the huntsman cutting open the wolf he interpreted as a "rebirth"; the girl who foolishly listened to the wolf has been reborn as a new person.[48]
The poem "Þrymskviða" from the Poetic Edda mirrors some elements of Red Riding Hood. Loki's explanations for the strange behavior of "Freyja" (actually Thor disguised as Freyja) mirror the wolf's explanations for his strange appearance. The red hood has often been given great importance in many interpretations, with a significance from the dawn to blood.[13]
A sexual analysis of the tale may also include negative connotations in terms of rape or abduction. In Against Our Will, Susan Brownmiller describes the fairy tale as allegory of rape.[49] Many revisionist versions focus on empowerment and depict Little Red Riding Hood or the grandmother successfully defending herself against the wolf.[50]
Such tellings bear some similarity to the "animal bridegroom" tales, such as Beauty and the BeastorThe Frog Prince, but where the heroines of those tales revert the hero to a prince, these tellings of Little Red Riding Hood reveal to the heroine that she has a wild nature like the hero's.[51] These interpretations reframe the story as one of female empowerment and do not characterize Little Red Riding Hood as a victim.
The Company of Wolves (1984) is a film adaptation based on the short story by Angela Carter and directed by Neil Jordan. The wolf in this version of the tale is in fact a werewolf, which comes to the newly-menstruating Red Riding Hood in the form of a charming hunter while the girl is in the forest. The hunter turns into a wolf and kills her grandmother, and is about to claim Rosaleen (Red Riding Hood) as well; but she is equally seductive and ends up lying with the wolf man and dominating him right back.[53] In the end, she becomes a werewolf and the huntsman's mate before the two run off into the forest to join his pack. This version may be interpreted as a young girl's journey into womanhood, both with regard to menstruation and sexual awakening.
Little Red Riding Hood and the Wolf [de] is a 1937 adaptation of the story by the German state which had a deep interest in the stories of the Brothers Grimm and saw them as useful for teaching ideology. This version has been suppressed but has been seen by academics.[54]
Krasnaya Shapochka (1937) is a Soviet black-and-white animated film by the Brumberg sisters (the so-called "grandmothers of the Russian animation"). Its plot differs slightly from the original fairy tale. It was issued on videotapes in various collections in the 1980s, via the SECAM system, and in the 1990s, via the PAL system, in collections of animated films of a video studio "Soyuz" (since 1994 and 1995 respectively).
In the Soviet Russian animated film Petya and Little Red Riding Hood (1958), directed by Boris Stepantsev and Evgeny Raykovsky, the main character (a boy named Petya Ivanov) witnesses the Grey Wolf deceiving a trusting girl and risks his life to rescue her and her grandmother. The animated movie is considered a cult film, with many of its lines having become catch-phrases in popular culture. In 1959 and 1960, the film received awards[which?] at festivals in Kyiv, Ukraine and Ansi, Estonia.[citation needed]
The 1996 movie Freeway is a crime drama loosely adapted from the Riding Hood story, with Riding Hood (Reese Witherspoon) recast as an abused, illiterate teenager and the wolf (Kiefer Sutherland) portrayed as a serial killer named Bob Wolverton. The film had one straight-to-video sequel.
Jin-Roh: The Wolf Brigade (1999) is a Japanese action political thriller animated film that uses the story of Little Red Riding Hood to show the triumph of the wolf.
Hoodwinked! (2005) is a retelling of "Little Red Riding Hood" as a police investigation.
The film Red Riding Hood (2006) is a musical based upon the tale.
The wolf appears in the Shrek franchise of films. He is wearing the grandmother's clothing as in the fairy tale, though the films imply that the gown is merely a personal style choice and that the wolf is not dangerous.[56]
Red Riding Hood briefly appears in the film Shrek 2 (2004), wherein she is frightened by Shrek and Fiona and runs off.
Red Riding Hood is one of the main characters in the 2014 film adaptation of the 1987 musical Into the Woods, and is portrayed by Lilla Crawford.
Children at Play (2010) is a short film written and directed by Lexan Rosser, starring Bryan Dechart. The film can be interpreted as a reimagining of the classic fairy tale due to its number of overt/subtle parallels and references.
The character Ruby Rose in the popular internet series RWBY is based on "Little Red Riding Hood".
The Grimm Variations (2024), a Netflix anime series, features a retelling of the story. Set in a dystopia where people avoid the real world by entering a virtual reality, the Big Bad Wolf is portrayed as a human serial killer called Grey. Grey kills women to give himself a real-world experience, but then is arranged to meet a woman named Scarlet (Little Red Riding Hood).
In the pilot episode "Wolf Moon" of the MTV hit series Teen Wolf the protagonist Scott McCall wears a red hoody, when he gets attacked by an alpha werewolf in the woods in the night of a full moon.
The pilot episode of NBC's TV series Grimm reveals that the Red Riding Hood stories were inspired by the fabled attacks of Blutbaden, lycanthropic beings who have a deeply ingrained bloodlust and a weakness for victims wearing red.
InMonty Python's Fliegender Zirkus, Red is portrayed by John Cleese as a huge, thuggish strongman in a dirndl and hood, while the wolf is an inoffensive longhaired Dachshund wearing an unconvincing costume, who is shot by security guards when he reaches NASA headquarters, which he has mistaken for Granny's house.[57]
Red: Werewolf Hunter is a 2010 Canadian televisionhorror film. In this TV film, "Red" is a family nickname of the first daughter in every generation of a family that hunts werewolves, descendant of Little Red Riding Hood.
Red Riding Hood is a character in ABC's Once Upon a Time (2011) TV series. In this version of the tale, Red (portrayed by Meghan Ory) is a werewolf, and her cape is the only thing that can prevent her from metamorphosing during a full moon when there is magic present. In the Enchanted Forest, she accidentally devoured her boyfriend Peter (portrayed by Jesse Hutch) and ran off with Snow White (portrayed by Ginnifer Goodwin). Her Storybrooke persona is Ruby Lucas, a waitress.[58]
The story was retold as part of the episode "Grimm Job" of the American animated TV series Family Guy (season 12, episode 10), with Stewie playing Little Red Riding Hood and Brian the Big Bad Wolf. Additionally, both Red Hiding Hood and the Big Bad Wolf appeared briefly in a clip in the season one episode The Son Also Draws.
In the TV series Goldie & Bear Red is a little girl who delivers muffins to her granny and likes to keep her hood clean and tidy. She is also the daughter of The Muffin Man.
In the Disney Junior series Little Einsteins episode, "Little Red Rockethood" the format follows the story but in the episode Rocket is taking a stew-pot with his favorite "Rocket Soup" for his grandma who has a bad cold with help from the little Einsteins. His archenemy, Big Jet (playing the big bad wolf) steals the soup and flies off with it so the Einsteins chase after him before catching the soup. Upon arriving at Grandma Rocket's home Big Jet tricks them again only to then crash into a mud puddle before Rocket cures his grandma with the soup.
The tabletop role-playing game show Dimension 20 has Little Red Riding Hood as a main character in the "Neverafter" season. In this adaptation she has the full human name of Ylfa Snorgelsson and is played by Emily Axford.
Little Red Riding Hood in an illustration by Otto Kubel (1930).
Letitia Elizabeth Landon's poem Little Red Riding Hood in The Court Journal, 1835 is subtitled Lines suggested by the engraving of Landseer's Picture. It reflects on memories of lost childhood.
Charles Perrault's "Le Petit Chaperon rouge" ("Little Red Riding Hood") is centered on an erotic metaphor.[59]
Gabriela Mistral, the Chilean Nobel Prize-winning poet, told the story as a short poem as part of her 1924 book, Ternura[60]
Little Red Riding Hood appears in Angela Carter's short story "The Company of Wolves", published in The Bloody Chamber (1979), her collection of "dark, feminist fables" filled with "bestial and ferocious" heroines.[61] Carter's rewriting of the tale—both her 1979 story and its 1984 film adaptation, the screenplay of which Carter co-wrote with director Neil Jordan—examines female lust, which according to author Catherine Orenstein is "healthy, but also challenging and sometimes disturbing, unbridled and feral lust that delivers up contradictions."[62] As Orenstein points out, the film version does this by unravelling the original tale's "underlying sexual currents" and by investing Rosaleen (the Little Red Riding Hood character, played by Sarah Patterson) with "animal instincts" that lead to her transformation.[62]
In her collection, The World's Wife, Carol Ann Duffy published a poem- the first in the collection- called 'Little Red- Cap' in which a more grown up protagonist meets and develops a relationship with the Wolf.
In the manga Tokyo Akazukin the protagonist is an 11-year-old girl nicknamed "Red Riding Hood" or "Red Hood". Akazukin means "red hood" in Japanese.
The American writer James Thurber wrote a satirical short story called "The Little Girl and the Wolf", based on Little Red Riding Hood.
Anne Sexton wrote an adaptation as a poem called "Red Riding Hood" in her collection Transformations (1971), a book in which she re-envisions 16 of the Grimm's Fairy tales.[63]
Little Red Riding Hood is one of the main characters in the 1986 children's book O Fantástico Mistério de Feiurinha written by Pedro Bandeira. She is the only one of the main characters who is not a princess and helps her friends discover the whereabouts of the Princess Feiurinha that disappeared.
Dark & Darker Faerie Tales by Two Sisters is a collection of dark fairy tales which features Little Red Riding Hood, revealing what happened to her after her encounter with the wolf.
Singaporean artist Casey Chen rewrote the story with a Singlish accent and published it as The Red Riding Hood Lah!. The storyline largely remains the same but is set in Singapore and comes with visual hints of the country placed subtly in the illustrations throughout the book. The book is written as an expression of Singaporean identity.
Scarlet is a 2013 novel written by Marissa Meyer that was loosely based on the fairy tale. In the story, a girl named Scarlet tries to find her missing grandmother with the help of a mysterious street fighter called Wolf. It is the second book of The Lunar Chronicles.
The Land of Stories is a series written by Chris Colfer. In it, Red Riding Hood is the queen of the Red Riding Hood Kingdom, whose citizens are called "Hoodians". She is one of the main characters and helps her friends fight dangerous intruders. She is narcissistic and self-absorbed but can be useful at times. It is said that she and Goldilocks were good friends, but they both had a crush on Jack from Jack and the Beanstalk, and Red, in vain, misled Goldilocks to the Three Bears House, where she became an outlaw.
Nikita Gill's 2018 poetry collection Fierce Fairytales: & Other Stories to Stir Your Soul alludes to Little Red Riding Hood in the poem "The Red Wolf".[65]
In Rosamund Hodge's 2015 novel Crimson Bound, a girl named Rachelle is forced to serve the realm after meeting dark forces in the woods.
InLois Lowry's historical novel Number the Stars, the protagonist Annemarie runs through the woods while fleeing Nazis, reciting the story of Little Red Riding Hood to calm herself down.
The Kentucky writer Cordellya Smith wrote the first Native American version of Little Red Riding Hood, called Kawoni's Journey Across the Mountain: A Cherokee Little Red Riding Hood. It introduces some basic Cherokee words and phrases while drawing Cherokee legends into the children's story.
Hannah F. Whitten wrote a retelling inspired by "Little Red Riding Hood" named "For the wolf", where the character named Red is sacrificed to the Wolf as part of tradition. In this retelling the wolf is a man, and later on they form a relationship.
Red Riding Hood is a character in Bill Willingham's Fables (comics) series beginning with the Homelands arc.
Little Red Riding Hood is frequently parodied in many of the Monica and Friends comic books, usually with the main character being played by either MonicaorMaggy or being a separated character. One of the most notable parodies is the story "A Substituta" (published in June 2000 in Magali #288, Globo) that was later adapted in an animated episode in 2005 for a sequel to Cine Gibi: O Filme, with the title "Chapeuzinho Vermelho 2". In the story Little Red Riding Hood resigns from her role-playing the same character, which leads the Wolf and the other characters to use other girl (Maggy) to replace the role.
A. P. Randolph's 1925 "How Could Red Riding Hood (Have Been So Very Good)?" was the first song known to be banned from radio because of its sexual suggestiveness.[citation needed]
Sam the Sham & the Pharaohs's hit song, "Li'l Red Riding Hood" (1966), take Wolf's point of view, implying that he wants love rather than blood. Here, the Wolf befriends Little Red Riding Hood disguised as a sheep and offers to protect her on her journey through the woods.
The Kelly Family's "The Wolf" (1994) is inspired by the tale, warning the children that there's a Wolf out there. During the instrumental bridge in live shows, the song's lead singer, Joey, does both Little Red Riding Hood's and Wolf's part, where the child asks her grandmother about the big eyes, ears, and mouth.
"Little Red Riding Hood" is a rawstyle song by Da Tweekaz, which was later remixed by Ecstatic.[66]
In the Shrek 2 (2004) video game, she is playable and appears as a friend of Shrek's. She joins him, Fiona, and Donkey on their journey to Far Far Away, despite only appearing in the film's opening scene.
In the computer game Dark Parables: The Red Riding Hood Sisters (2013), the original Red Riding Hood was orphaned when a wolf killed her grandma. A hunter killed the wolf before it could kill her. He took her in as his own out of pity. The Red Riding Hood of this story convinced the hunter to teach her how to fight. They protected the forest together until the hunter was killed during a wolf attack. The Red Riding Hood continued on protecting the forest and took in other orphaned girls and taught them to fight too. They take up wearing a red riding hood and cape to honor their teacher. Even after the death of the original Red Riding Hood the girls continue doing what she did in life.
In the fighting gameDarkstalkers 3 (1997), the character Baby Bonnie Hood (known in the Japanese release as Bulleta) is a parody of Little Red Riding Hood, complete with a childish look, red hood and picnic basket. But instead of food, her basket is full of guns and grenades. Her personality is somewhat psychotic, guerrilla-crazy. During the fights, a small dog named Harry watches the action from the sidelines and reacts to her taking damage in battle. Two rifle-wielding huntsmen named John and Arthur briefly appear alongside her in a special power-up move titled "Beautiful Hunting" that inflicts extra damage on opponents. The character may be based on the James Thurber or Roald Dahl versions of the story, where Red pulls a gun from her basket and shoots the wolf, and the idea behind her character was to show that at their worst, humans are scarier than any imaginary monster.
The psychological horror art game The Path (2007) features 6 sisters, ages 9–19, who all must face their own 'wolf' in the forest on the way to Grandmother's house. The game is developed by Tale of Tales and was originally released for the Microsoft Windows operating system on 18 March 2009, in English and Dutch, and later ported to Mac OS X by TransGaming Technologies.
In the free-to-play mobile game Minimon: Adventure of Minions (2016), Luna is a wolflike minion and agent of a secret society with humanlike physical characteristics who wears a red hood when awakened, which references both the wolf and Red Riding Hood.
SINoALICE (2017) is a mobile Gacha game which features Red Riding Hood as one of the main player controlled characters and features in her own dark story-line which features her as a brutally violent girl whose main desire is to inflict violence, pain and death upon her enemies as well as the other fairy-tale characters featured in the game.
In the 2018 game Lobotomy Corporation, one of the abnormalities in the facility is named Little Red Riding Hooded Mercenary. Where Little Red Riding Hood is saved by a hunter/a lumberjack, Little Red Riding Hooded Mercenary faces the wolf, where she loses her left eye and gains many scars in addition to failing to kill the big bad wolf. After this event, and aged of 15 years old, she's fueled by an intense will of revenge and leaves her old life to lead the life of a wandering mercenary.
Little Red Riding Hood is one of the central characters in the Broadway musical Into the Woods (1987) by Stephen Sondheim and James Lapine. In the song, "I Know Things Now", she speaks of how the wolf made her feel "excited, well, excited and scared", in a reference to the sexual undertones of their relationship. Red Riding Hood's cape is also one of the musical's four quest items that are emblematic of fairy tales.[68]
^ abBerlioz, Jacques (2005). "Il faut sauver Le petit chaperon rouge". Les Collections de l'Histoires (36): 63.
^BottikRuth (2008). "Before Contes du temps passe (1697): Charles Perrault's Griselidis, Souhaits and Peau". The Romantic Review. 99 (3): 175–189.
^Uther, Hans-Jörg (2004). The Types of International Folktales: Animal tales, tales of magic, religious tales, and realistic tales, with an introduction. FF Communications. p. 224-226.
^Spurgeon, Maureen (1990). Red Riding Hood. England: Brown Watson. ISBN0-7097-0692-8.
^Tatar, Maria (2002). The Annotated Classic Fairy Tales. W W Norton. ISBN0-393-05163-3. page xxxviii
^ abcdefDundes, Alan (1988). "Interpreting Little Red Riding Hood Psychoanalytically". In McGlathery, James M. (ed.). The Brothers Grimm and Folktale. University of Illinois Press. pp. 16–51. ISBN0-252-01549-5. See pages 26–32
^The oldest source is the tale Rova in: Leo Frobenius, Volksmärchen und Volksdichtungen Afrikas / Band III, Jena 1921: 126–129, fairy tale # 33.
^Quoted from Jane E. Goodman, Berber Culture on the World Stage: From Village to Video, Indiana University Press, 2005: 62.
^Lontzen, Dr Guntzen (December 1993). "The Earliest Version of the Chinese Red Riding Hood". Merveilles & Contes. 7 (2): 513–527. JSTOR41390379.
^"The Sun, the Moon and the Stars". In: Riordan, James. Korean Folk-tales. Oxford Myths and Legends. Oxford: Oxford University Press, 2000 [1994]. pp. 85–89.
^Delarue, Paul Delarue. The Borzoi Book of French Folk-Tales. New York: Alfred A. Knopf, Inc., 1956. p. 383.
^J.M. Ziolkowski, "A fairy tale from before fairy tales: Egbert of Liege's 'De puella a lupellis seruata' and the medieval background of 'Little Red Riding Hood'", Speculum 67 (1992): 549–575.
^Priest, Hannah (2015). She-wolf: A Cultural History of Female Werewolves. Manchester: Manchester University Press. p. 153.
^Jack Zipes, In Hungarian folklore, the story is known as "Piroska" (Little Red), and is still told in mostly the original version described above. The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm, p 744, ISBN0-393-97636-X
^Catherine Orenstein, Little Red Riding Hood Uncloaked: Sex, Morality and the Evolution of a Fairy Tale, pp 92–106, ISBN0-465-04126-4
^Zipes, Jack (1983). The Trials and Tribulations of Little Red Riding Hood: Versions of the Tale in Sociocultural Context. South Hadley, MA: Bergin & Garvey. p. 4. ISBN978-0-89789-023-6.
^Rumpf, Marianne (1950–1989). Rotkäppchen. Eine vergleichende Märchenuntersuchung. Frankfurt: Artes Populares.
^Zipes, Jack (1993). The Trials and Tribulations of Little Red Riding Hood (2nd ed.). New York: Routledge. p. 4. ISBN0-415-90835-3.
^Beckett, S. L. (2008). Little Red Riding Hood. In D. Haase, The Greenwood Encyclopedia of Folktales and Fairytales: G-P (pp. 522–534). Greenwood Publishing Group.
^Beckett, S. L. (2008). Little Red Riding Hood. In D. Haase, The Greenwood Encyclopedia of Folktales and Fairytales: G-P (pp. 583–588). Greenwood Publishing Group.
^Tatar, Maria (2002). The Annotated Classic Fairy Tales. W W Norton. ISBN0-393-05163-3. page 17
^"Little Red Riding Hood Charles Perrault". Pitt.Edu. University of Pittsburgh. 21 September 2003. Archived from the original on 27 July 2017. Retrieved 12 January 2016. And, saying these words, this wicked wolf fell upon Little Red Riding Hood, and ate her all up.
^cf. in German language Hans Ritz, Die Geschichte vom Rotkäppchen, Kassel 2013, (ISBN978-3-922494-10-2). The author gives the matter of the oral tradition of this fairy tale worldwide and its manifold adaptations in German language full treatment. His book, which has gone through 15 again and again enlarged editions so far, is the leading monograph on Rotkäppchen in Germany. His second book Bilder vom Rotkäppchen (ISBN978-3-453-02390-1) is of similar value.
^Harry Velten, "The Influences of Charles Perrault's Contes de ma Mère L'oie on German Folklore", p 966, Jack Zipes, ed. The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm, ISBN0-393-97636-X
^Harry Velten, "The Influences of Charles Perrault's Contes de ma Mère L'oie on German Folklore", p 967, Jack Zipes, ed. The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm, ISBN0-393-97636-X
^Tatar, Maria (2002). The Annotated Classic Fairy Tales. W W Norton. ISBN0-393-05163-3. page149
^The proper name of this French author is Charles Marelle (1827-19..), there is a typo in Andrew Lang's Red Fairy Book. See BNF note onlineArchived 21 September 2016 at the Wayback Machine.
^Zipes, Jack (2013). The Golden Age of Folk and Fairy Tales: From the Brothers Grimm to Andrew Lang. Indianapolis: Hackett Publishing. pp. 155–178.
^Tatar, Maria (2002). The Annotated Classic Fairy Tales. W W Norton. ISBN0-393-05163-3. page 25
^Tatar, Maria (2002). The Annotated Classic Fairy Tales. W W Norton. ISBN0-393-05163-3. page 148
^Orenstein, Catherine (3 July 2002). Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. Basic Books. p. 145. ISBN0-465-04125-6.
^Orenstein, Catherine (3 July 2002). Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. Basic Books. pp. 160–161. ISBN0-465-04125-6.
^Orenstein, Catherine (3 July 2002). Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. Basic Books. pp. 172–173. ISBN0-465-04125-6.
^Orenstein, Catherine (3 July 2002). Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. Basic Books. pp. 112–3. ISBN0-465-04125-6.
^Orenstein, Catherine (3 July 2002). Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. Basic Books. pp. 166–167. ISBN0-465-04125-6.
^Mistral, Gabriela (1924). Ternura: canciones de niños. Madrid: Saturnino Calleja.
^Orenstein, Catherine (3 July 2002). Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. Basic Books. p. 165. ISBN0-465-04125-6.
^ abOrenstein, Catherine (3 July 2002). Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. Basic Books. p. 167. ISBN0-465-04125-6.
