Folio 72 verso of the Codex Aureus of Lorsch contains an illumination of Christ in MajestyVirgin and Child with John the Baptist and Zachary's. Book cover of the Lorsch Gospels (back cover). Nativity and annunciation to the shepherds below. Ivory, 14 7/8 x 10 3.4in. (37.8 x 27.3 cm), c. 810. Victoria and Albert Museum, London.
The Codex Aureus of LorschorLorsch Gospels (Biblioteca Apostolica Vaticana, Pal. lat. 50, and Alba Iulia, Biblioteca Documenta Batthyaneum, s.n.) is an illuminatedGospel Book written in Latin between 778 and 820, roughly coinciding with the period of Charlemagne's rule over the Frankish Empire. Both the manuscript and the carved ivory panels from the cover are rare and important survivals from the art of this period.
The current location of the various original parts is:
It was first recorded in Lorsch Abbey (Germany), for which it was presumably written, and where it was mentioned as Evangelium scriptum cum auro pictum habens tabulas eburneas in the catalogue of the Abbey's library, compiled in 830 under Abbot Adelung. [citation needed] Considering gold letters in the manuscript and its location at Lorsch, it was named the Codex Aureus Laurensius. In the tenth and eleventh centuries, the library of Lorsch was one of the best libraries of the world. [citation needed]
The back cover of the Lorsch Gospels is divided into five panels, with a representation of the Virgin and Child seated on a throne in the center and John the Baptist and Zacharius on the sides. John the Baptist is on the left holding a scroll, while on the right Zacharius is holding incense. In the top panel there is a circular medallion framing a bust of Christ held up by two angels. In the bottom panel is a depiction of the Nativity, with Joseph, Mary, and the Christ Child in a manger. This is the scene of the birth of Christ in Bethlehem.[2] Judging from the placement of the figures within the architectural arches, it looks as if they are taking up all of the space. The figure's shoulders are rounded as well as their stomachs and thighs, and the bottom halves of their bodies are covered by their linear drapery.[2]
Afacsimile of the codex was presented as a gift to Queen Elizabeth IIbyPope Benedict XVI on 16 September 2010, who in turn received a series of Hans Holbein prints from the royal collection.[3] A full digital version of the manuscript is available online from a number of sources.[4] In May 2023, the manuscript was inscribed on the UNESCO Memory of the World Register.[5]
