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( R e d i r e c t e d f r o m P i e r r e P a u l P r u d ' h o n )
Pierre-Paul Prud'hon (French pronunciation: [pjɛʁ pɔl pʁydɔ̃] painter and draughtsman best known for his allegorical paintings and portraits such as Madame Georges Anthony and Her Two Sons Napoleon 's two wives.
He was an early influence on Théodore Géricault .
Biography [ edit ]
Justice and Divine Vengeance Pursuing Crime , 1808. The darkness and the sprawling naked figure anticipate Théodore Géricault 's painting The Raft of the Medusa [1]
Pierre-Paul Prud'hon was born in Cluny , Saône-et-Loire , France . He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris , he found work decorating some private mansions. His work for wealthy Parisians led him to be held in high esteem at Napoleon 's court.
His painting of Josephine portrays her not as an Empress, but as a lovely, attractive woman, which led some to think that he might have been in love with her. After the divorce of Napoleon and Josephine, he was also employed by Napoleon's second wife Marie-Louise .
Prud'hon was at times clearly influenced by Neo-classicism , at other times by Romanticism . He was appreciated by other artists and writers, including Stendhal , Delacroix , Millet and Baudelaire , for his chiaroscuro and convincing realism . He painted Crucifixion (1822) for St. Etienne 's Cathedral in Metz ; it now hangs in the Louvre .
The young Théodore Géricault had painted copies of work by Prud'hon, whose "thunderously tragic pictures" include his masterpiece, Justice and Divine Vengeance Pursuing Crime , where oppressive darkness and the compositional base of a naked, sprawled corpse obviously anticipate Géricault's painting The Raft of the Medusa [1]
Gallery [ edit ]
Female Nude , 1800
Study for The Dream of Happiness (with Constance Mayer ) , 1819
References [ edit ]
Further reading [ edit ]
General studies [ edit ]
Bricon, Etienne (1907). Prud'hon: biographie critique OCLC 1051736394 – via the Internet Archive .
Clément, Charles (1872). Prud'hon: sa vie, ses œuvres et sa correspondance OCLC 1051761864 – via the Internet Archive.
Forest, Alfred (1913). Pierre-Paul Prud'hon : peintre français (1758-1823) Gallica .
Friedlaender, Walter (1952). David to Delacroix ISBN 978-0-674-19401-4 OCLC 1029048561 . SBN 674-19401-2
Gauthiez, Pierre (1886). Prud'hon OCLC 848495507 – via the Internet Archive.
Goncourt, Edmond de (1876). Catalogue raisonné de l'œuvre peint, dessiné et gravé de P.P. Prud'hon OCLC 1041796905 – via the Internet Archive.
Grappe, Georges (1958). Prud'hon (in French). Paris: A. Michel. OCLC 2502696 .
Guffey, Elizabeth E. (2001). Drawing an Elusive Line: The Art of Pierre-Paul Prud'hon . Newark: University of Delaware Press. ISBN 0-87413-734-9 OCLC 46462851 .
Guiffrey, Jean (1924). L'œuvre de Pierre-Paul Prud'hon (in French). Paris: A. Colin. OCLC 2743610 .
Laveissière, Sylvain (1998). Pierre-Paul Prud'hon ISBN 0-8709-9845-5 LCCN 97044759 – via the Internet Archive.
O'Neill, J, ed. (2000). Romanticism & the school of nature : nineteenth-century drawings and paintings from the Karen B. Cohen collection
Régamey, Raymond (1928). Prud'hon (in French). Paris: Rieder. OCLC 604652946 .
Voïart, Élise (1824). Notice historique sur la vie et les ouvrages de P.-P. Prudhon, peintre
Reference works [ edit ]
Graul, Richard (1933). "Prudhon, Pierre Paul". In Vollmer, Hans (ed.). Allgemeines Lexikon der bildenden Künstler
Weston, Henry (1996). "Prud'hon, Pierre-Paul" . In Turner, Jane (ed.). The Dictionary of Art ISBN 1-884446-00-0
External links [ edit ]
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R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Pierre-Paul_Prud%27hon&oldid=1218360526 " C a t e g o r i e s : ● 1 7 5 8 b i r t h s ● 1 8 2 3 d e a t h s ● P e o p l e f r o m S a ô n e - e t - L o i r e ● 1 8 t h - c e n t u r y F r e n c h p a i n t e r s ● F r e n c h m a l e p a i n t e r s ● 1 9 t h - c e n t u r y F r e n c h p a i n t e r s ● F r e n c h d r a u g h t s m e n ● F r e n c h r o m a n t i c p a i n t e r s ● B u r i a l s a t P è r e L a c h a i s e C e m e t e r y ● 1 9 t h - c e n t u r y F r e n c h m a l e a r t i s t s ● 1 8 t h - c e n t u r y F r e n c h m a l e a r t i s t s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s w i t h h C a r d s ● P a g e s w i t h F r e n c h I P A ● C S 1 F r e n c h - l a n g u a g e s o u r c e s ( fr ) ● C o m m o n s c a t e g o r y l i n k f r o m W i k i d a t a ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h B N F i d e n t i f i e r s ● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h K U L T U R N A V i d e n t i f i e r s ● A r t i c l e s w i t h N G V i d e n t i f i e r s ● A r t i c l e s w i t h R K D a r t i s t s i d e n t i f i e r s ● A r t i c l e s w i t h U L A N i d e n t i f i e r s ● A r t i c l e s w i t h D T B I O i d e n t i f i e r s ● A r t i c l e s w i t h S N A C - I D i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 1 A p r i l 2 0 2 4 , a t 0 7 : 5 0 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
