Leopold Ritter[1] von Sacher-Masoch (German:[ˈleːopɔltfɔnˈzaxɐˈmaːzɔx]; 27 January 1836 – 9 March 1895) was an Austrian nobleman, writer and journalist, who gained renown for his romantic stories of Galician life. The term masochism is derived from his name, invented by his contemporary, the Austrian psychiatrist Richard von Krafft-Ebing. Masoch did not approve of this use of his name.[2]
During his lifetime, Sacher-Masoch was well known as a man of letters, in particular a utopian thinker who espoused socialist and humanist ideals in his fiction and non-fiction. Most of his works remain untranslated into English.
Von Sacher-Masoch was born in the city of Lemberg, the capital of the Kingdom of Galicia and Lodomeria, at the time a province of the Austrian Empire, into the Roman Catholic family. His parents were an Austrian civil servant,[3] Leopold Johann Nepomuk Ritter von Sacher (1797–1874), and Charlotte Josepha von Masoch (1802–1870), a Ukrainian noblewoman.[4] The father later combined his surname with his wife's von Masoch, at the request of her family (she was the last of the line). Von Sacher served as a Commissioner of the Imperial Police Forces in Lemberg, and he was recognised with a new title of nobility as Sacher-Masoch awarded by the Austrian Emperor.[5]
Leopold studied law, history and mathematics at Graz University (where he obtained a doctorate in history in 1856), and after graduating he became a lecturer there.[6]
His early, non-fictional publications dealt mostly with Austrian history. At the same time, Masoch turned to the folklore and culture of his homeland, Galicia. Soon he abandoned lecturing and became a free man of letters. Within a decade his short stories and novels prevailed over his historical non-fiction works, though historical themes continued to imbue his fiction.[5]
Panslavist ideas were prevalent in Masoch's literary work, and he found a particular interest in depicting picturesque types among the various ethnicities that inhabited Galicia. From the 1860s to the 1880s he published a number of volumes of Jewish Short Stories, Polish Short Stories, Galician Short Stories, German Court Stories and Russian Court Stories.
In 1869, Sacher-Masoch conceived a grandiose series of short stories under the collective title Legacy of Cain that would represent the author's aesthetic Weltanschauung. The cycle opened with the manifesto The Wanderer that brought out misogynist themes that became peculiar to Masoch's writings. Of the six planned volumes, only the first two were ever completed. By the middle of the 1880s, Masoch abandoned the Legacy of Cain. Nevertheless, the published volumes of the series included Masoch's best-known stories, and of them, Venus in Furs (published 1870) is the most famous today. The novella expressed Sacher-Masoch's fantasies and fetishes (especially for dominant women wearing fur). He did his best to live out his fantasies with his mistresses and wives. In 1873 he married Angelika Aurora von Rümelin.
Private life and inspiration for Venus in Furs[edit]
Fanny Pistor and Sacher-Masoch
Fanny Pistor was an emerging literary writer. She met Sacher-Masoch after she contacted him, under the assumed name and fictitious title of Baroness Bogdanoff, for suggestions on improving her writing to make it suitable for publication. She was the inspiration for Venus im Pelz (Venus in Furs). The erotic novel spawned the word masochism.[7][8]
In 1874, Masoch wrote the novel Die Ideale unserer Zeit (The Ideals of Our Time), an attempt to give a portrait of German society during its Gründerzeit period.[9]
In his late fifties, his mental health began to deteriorate, and he spent the last years of his life under psychiatric care. According to official reports, he died in Lindheim in 1895. (Lindheim, at that time near Altenstadt, was incorporated into the municipality of Altenstadt in 1971.) It is also claimed that Masoch died in an asyluminMannheim in 1905.[10]
...I feel justified in calling this sexual anomaly "Masochism", because the author Sacher-Masoch frequently made this perversion, which up to his time was quite unknown to the scientific world as such, the substratum of his writings. I followed thereby the scientific formation of the term "Daltonism", from Dalton, the discoverer of colour-blindness.
During recent years facts have been advanced which prove that Sacher-Masoch was not only the poet of Masochism, but that he himself was afflicted with the anomaly. Although these proofs were communicated to me without restriction, I refrain from giving them to the public. I refute the accusation that "I have coupled the name of a revered author with a perversion of the sexual instinct", which has been made against me by some admirers of the author and by some critics of my book. As a man, Sacher-Masoch cannot lose anything in the estimation of his cultured fellow-beings simply because he was afflicted with an anomaly of his sexual feelings. As an author, he suffered severe injury so far as the influence and intrinsic merit of his work is concerned, for so long and whenever he eliminated his perversion from his literary efforts he was a gifted writer, and as such would have achieved real greatness had he been actuated by normally sexual feelings. In this respect he is a remarkable example of the powerful influence exercised by the vita sexualis be it in the good or evil sense over the formation and direction of man's mind.[12]
Sacher-Masoch was not pleased with Krafft-Ebing's assertions. Nevertheless, details of Masoch's private life were obscure until Aurora von Rümelin's memoirs, Meine Lebensbeichte (My Life Confession; 1906), were published in Berlin under the pseudonym Wanda v. Dunajew (the name of a leading character in his Venus in Furs). The following year, a French translation, Confession de ma vie (1907) by "Wanda von Sacher-Masoch", was printed in Paris by Mercure de France. An English translation of the French edition was published as The Confessions of Wanda von Sacher-Masoch (1991) by RE/Search Publications.
1874/76 Liebesgeschichten aus verschiedenen Jahrhunderten [Love Stories from Several Centuries], 3 volumes, includes "Die Bluthochzeit zu Kiew" ("Bloody Wedding in Kyiv"), "Ariella"
1874 Die Ideale unserer Zeit [The Ideals of Our Time][13]
^Regarding personal names: Ritter was a title before 1919, but now is regarded as part of the surname. It is translated as Knight. Before the August 1919 abolition of nobility as a legal class, titles preceded the full name when given (Graf Helmuth James von Moltke). Since 1919, these titles, along with any nobiliary prefix (von, zu, etc.), can be used, but are regarded as a dependent part of the surname, and thus come after any given names (Helmuth James Graf von Moltke). Titles and all dependent parts of surnames are ignored in alphabetical sorting. There is no equivalent feminine form.
^Alison M. Moore, Sexual Myths of Modernity: Sadism, Masochism and Historical Teleology, (Lexington Books, 2016) ISBN9781498530736[page needed]
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