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''Shipōyaki'' is a kind of cloisonné, in which the base is covered by enamel and fused. The different types and techniques which are the marks of Ando include:<ref>http://www.shippoyaki.jp/gihou.html</ref> |
''Shipōyaki'' is a kind of cloisonné, in which the base is covered by enamel and fused. The different types and techniques which are the marks of Ando include:<ref>http://www.shippoyaki.jp/gihou.html</ref> |
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* ''Musen shippō'' (無線七宝) wireless cloisonné |
* ''Musen shippō'' (無線七宝) wireless cloisonné, enamel is applied to the body or to the wire while being painted, the wire is then removed before firing the object |
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* ''Yūsen shippō'' (有線七宝) wired cloisonné |
* ''Yūsen shippō'' (有線七宝) wired cloisonné |
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* ''Moriage shippō'' (盛上七宝) is raised cloisonné above the wires.<ref>http://wsimag.com/architecture-and-design/4457-shippo-cloisonne-radiance-of-japan</ref> Kawade Shibataro was a master in this area, producing wares for the [[Tokyo Imperial Palace]].<ref>http://kagedo.com/wordpress/g/kawade-shibataro-imperial-presentation-enamel-raspberry-vase/</ref> |
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* ''Moriage shippō'' |
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* ''Tōtai shippō'' (透胎七宝) parts are cut into an object’s body, then filled with semi-translucent or translucent enamel resembling stained glass<ref>http://wsimag.com/architecture-and-design/4457-shippo-cloisonne-radiance-of-japan</ref> |
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* ''Totai shippō'' |
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* ''Shōtai shippō'' (省胎七宝) uses translucent enamels applied through ''yūsen shippō'', but the metal is then dissolved in nitric acid<ref>http://wsimag.com/architecture-and-design/4457-shippo-cloisonne-radiance-of-japan</ref> |
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* ''Shōtai shippō'' (省胎七宝) |
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* '' |
* ''Saiyū shippō'' / ''tuiki shippō'' (彩釉七宝) coloured cloisonné |
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* |
* Email ''shippō'' (エマイル七宝) |
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* '' |
* ''Dōtai shippō'' (銅胎七宝) copper enamels |
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* ''Gintai shippō'' (銀胎七宝) silver enamels |
* ''Gintai shippō'' (銀胎七宝) silver enamels |
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* ''Tōmeiyū shippō'' (透明釉七宝) transparent enamels |
* ''Tōmeiyū shippō'' (透明釉七宝) transparent enamels |
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* '' |
* ''Han-tōmeiyū shippō'' (半透明釉七宝) translucent or semi-transparent enamels |
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* '' |
* ''Fu-tōmeiyū shippō'' (不透明釉七宝) opaque enamels |
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<gallery> |
<gallery> |
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File:Japanese cloisonne type Yusen shippo.jpg|''Yūsen shippō'' |
File:Japanese cloisonne type Yusen shippo.jpg|''Yūsen shippō'' |
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File:Japanese cloisonne type Totai shippo.jpg|'' |
File:Japanese cloisonne type Totai shippo.jpg|''Tōtai shippō'' |
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File:Japanese cloisonne type Shotai shippo.jpg|''Shōtai shippō'' |
File:Japanese cloisonne type Shotai shippo.jpg|''Shōtai shippō'' |
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File:Japanese cloisonne type Tuiki shippo.jpg|'' |
File:Japanese cloisonne type Tuiki shippo.jpg|''Saiyū shippō'' (''tuiki shippō'') |
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File:Japanese cloisonne type Gintai shippo.jpg|''Gintai shippō'' |
File:Japanese cloisonne type Gintai shippo.jpg|''Gintai shippō'' |
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File:Japanese cloisonne type Tomeiyu shippo.jpg|''Tōmeiyū shippō'' |
File:Japanese cloisonne type Tomeiyu shippo.jpg|''Tōmeiyū shippō'' |
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Ando Cloisonné Company (安藤七宝店, Ando Shipōyaki) is a Japanese cloisonné making company located in Sakae, Nagoya, central Japan.
During the Edo period the Ando family operated a pipe shop called "Murata-ya". Ando Jubei (Jusaburo) (1876-1953) was born in Nagoya as the fourth child with three elder sisters. His mother passed away in May 1877 after illness, and his father followed in September 1877. Orphaned at less than one year old, he was raised according to his father’s will by staff employers. His older sister married Ando Juzaemon, whose born name was Matsukichi. Together with his brother-in-law they made the cloisonné company a success. In 1893, Ando Juzaemon went to the Chicago exposition. It was his first time to travel overseas, and he used the opportunity to study the market. In 1901 Ando Jubei went to the Glasgow exposition, which was his first time travel overseas, and he stayed for two years in a British home to study the market. After they returned back to Japan, they invited Kawade Shibatarō (1856–1921) as head of the studio, who further developed plique-à-jour. Cloisonné experienced strong growth around the time of the Paris exposition of 1900. Japanese enamel work became sought after in the west and sourced many pieces from Toshima, which is the origin of Owari cloisonne.
As of 1918, at least fifty cloisonné artists worked there.[1] The company was given an Imperial Warrant of Appointment to the Japanese court. Ando cloisonné was also presented as state gifts. Manchukuo prime minster Zheng Xiaoxu (1860-1938) wrote four Chinese characters in calligraphy in praise of a vase that was presented to him as a gift.
It is one of the very few traditional cloisonné companies still left in Japan.[2]
The main store in Sakae has a small museum with objects by the Ando company and also Namikawa. Objects from Ando are held in the collection of the Walters Art Museum and in the Victoria and Albert Museum.[3][4]
Shipōyaki is a kind of cloisonné, in which the base is covered by enamel and fused. The different types and techniques which are the marks of Ando include:[5]
Media related to Ando Cloisonné Company at Wikimedia Commons
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