"Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the Billboard Hot 100 in 1959.
The historical Stagger Lee was Lee Shelton, an African-American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag" (attended social events unaccompanied by a person of the opposite sex); he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution.[2] Shelton was well known locally as one of the Macks, a group of pimps who attracted attention through their flashy clothing and appearance.[3] In addition to those activities, he was the captain of a black Four Hundred Club, a social club with a dubious reputation.[4]
On Christmas night in 1895, Shelton and his acquaintance William "Billy" Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis' underworld, and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton's Stetson hat.[5] Subsequently, Shelton shot Lyons, recovered his hat, and left.[6] Lyons died of his injuries, and Shelton was charged, tried, and convicted of the murder in 1897. He was paroled in 1909, but returned to prison in 1911 for assault and robbery. He died incarcerated in 1912.[7]
The crime quickly entered into American folklore and became the subject of song, as well as folktales and toasts. The song's title comes from Shelton's nickname—Stag Lee or Stack Lee.[8] The name was quickly corrupted in the folk tradition. Early versions were called "Stack-a-Lee" and "Stacker Lee", while "Stagolee" and "Stagger Lee" also became common. Other recorded variants include "Stackerlee", "Stack O'Lee", "Stackolee", "Stackalee", "Stagerlee", and "Stagalee".[9]
A song called "Stack-a-Lee" was first mentioned in 1897, in the Kansas City Leavenworth Herald, as being performed by "Prof. Charlie Lee, the piano thumper".[10] The earliest versions were likely field hollers and other work songs performed by African-American forced laborers, and were well known along the lower Mississippi River by 1910. That year, musicologist John Lomax received a partial transcription of the song,[11] and in 1911, two versions were published in the Journal of American Folklore by the sociologist and historian Howard W. Odum.[12]
Before World War II, the song was commonly known as "Stack O'Lee". W.C. Handy wrote that it probably was a nickname for a tall person, comparing him to the tall smokestack of the famous steamboat Robert E. Lee.[14] By the time W.C. Handy wrote that explanation in 1926, "Stack O' Lee" was already familiar in United States popular culture, with recordings of the song made by pop singers of the day, such as Cliff Edwards.
The version by Mississippi John Hurt, recorded in 1928, is regarded by many as definitive.[10] In his version, as in all such pieces, there are many (sometimes anachronistic) variants on the lyrics. Several older versions give Billy's last name as "De Lyons" or "Deslile". Other notable pre-war versions were recorded by Duke Ellington (1927), Cab Calloway (1931), Woody Guthrie (1941),[10] and Sidney Bechet (1945).[15]
Lloyd Price recorded an R&B rendition of the song as "Stagger Lee" in 1958, and it rose to the top of both the R&B and US pop charts in early 1959.[17] Although his version uses similar lyrics to previous versions of the song, his rendition features a different melody and has no lyrical refrain, making it shorter than previous recordings of the song. Price's version of the song was ranked number 456 on Rolling Stone's500 Greatest Songs of All Time list, and also reached number 7 on the UK singles chart. Price also recorded a lyrically toned-down version of the song that changed the shooting to an argument between two friends for his appearance on Dick Clark's American Bandstand.[10]
The Grateful Dead frequently played and eventually recorded a version of the tale which focuses on the fictionalized hours after the death of "Billy DeLyon", when Billy's wife Delia tracks down Stagger Lee in a local saloon and "she shot him in the balls" in revenge for Billy's death.[23]
Christian Rock musician Larry Norman wrote new lyrics using a bluesy version of the tune called Nightmare #97 about a religious experience where the narrator is caught up to heaven. It was recorded in 1977 but not published until 1981 in the album Something New Under the Son.
The Clash used some lyrics for their intro to their song The Wrong 'em Boyo from the 1979 album London Calling.
In 1996, Nick Cave and the Bad Seeds included a song called "Stagger Lee" on their album "Murder Ballads". Not a cover version of the classic song, but instead an alternative and darker version of the tale itself, the references are evident: set in 1932, a still alive Stagger Lee now owns a Colt .45 (instead of the 'original' .44) and carries a deck of cards; he also still has his Stetson hat, which is now, of course, "old". Also Stagger Lee still has problems in bars, and ends up shooting not only a bartender, but also another rival also called Billy. This version retakes a street "toast poem" on Stagolee.[24]
In 2005, Chris Whitley and Jeff Lang recorded their own arrangement of the song, called "Stagger Lee", ultimately released on their 2006 CD Dislocation Blues.
In the 2007 film Black Snake Moan, Samuel L. Jackson's character sings a boastful version of the song from Stagger Lee's perspective, titled "Stackolee". This version is based on R. L. Burnside's rendition which can be heard on the album Well, Well, Well.
Josh Ritter recorded a version of the tale titled "Folk Bloodbath" on the album So Runs the World Away. In his version, Stagger Lee killed a man named Louis Collins, and 'Hangin' Billy Lyons was the judge who sentenced Stagger to hang.
Neil Diamond released a version in 1979 on the album titled September Morn
Three For Silver recorded an original titled "The Recurring Stagger Lee Blues, Pt. 1" on their 2019 release, "Blue Ruin." In their version, Stagger Lee and Billy are two self-aware characters forever fated to repeat their murderous relationship as they reappear in song after song.
In 2011 Snakefarm included song called "Staggerlee" in their album "My Halo In Half-light".
The song "Wrong 'Em Boyo" by the Jamaican rocksteady group the Rulers begins with a quotation from "Stagger Lee": "Stagger Lee met Billy and they got down to gambling / Stagger Lee throwed seven, Billy said that he throwed eight." The song was notably covered by the Clash on their 1979 album London Calling with an additional lyric to finish the verse: "So Billy said, 'Hey Stagger! I'm gonna make my big attack / I'm gonna have to leave my knife in your back.'"
Stagger Lee was the masked persona of wrestler Junkyard Dog, who donned the name and mask in 1982 due to an angle where he was forced to leave his wrestling territory for 90 days.
Blues musician Keb' Mo' performs his version in a scene from the 2007 film Honeydripper.
In Percival Everett's 2001 novel Erasure and its 2023 film adaptation American Fiction, black literature professor Thelonious "Monk" Ellison, becomes frustrated with the success of books that exploit and sensationalize Black American poverty, violence, and crime, and writes a satire of these books, first titled My Pafology and then retitled Fuck, under the pseudonym "Stagg R. Leigh", and must then deal with the effects of his book being taken seriously by everyone and becoming wildly successful.
^Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. p. 43. ISBN978-0674028906. Brown summarizes what little is known about the club as follows: "The Four Hundred Club was a 'social club,' but such clubs always had a moral front. (...) The Four Hundred Club may have been a type of black-and-tan club, catering to an interracial clientele, and as such would have been under pressure from reform policies." Brown cites a contemporary source from the newspaper St. Louis Star-Sayings, in which a member of the club states: "Mr. [Stack] Lee was our captain."
^Brown, Cecil (2004). Stagolee Shot Billy. Boston: Harvard University Press. p. 23. ISBN978-0674028906. Based on the statements of witnesses, Cecil Brown retells the incident as follows: "Then Lyons grabbed Shelton's Stetson. When Shelton demanded it back, Lyons said no."
^Breihan, Tom (January 29, 2018). "The Number Ones: Lloyd Price's "Stagger Lee"". Stereogum. Retrieved June 3, 2023. And in 1959, the New Orleans R&B singer and former Army serviceman Lloyd Price took one of those versions to #1....Instead, it's a total blast of a song, a spirited New Orleans rumble...
^ abWhitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942–1995. Record Research. p. 12.
The full text of five variations of "Stagger Lee" at Wikisource
