The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828).
It is divided into eleven sections, and attempts to reflect the most current information with regards to Schubert's catalogue. The works contained in this list refer to those found primarily in the following two series of the New Schubert Edition (NSE) edition:
Series III: Partsongs, Choruses and Cantatas (Mehrstimmige Gesänge)
Sieben Gesänge aus Walter Scotts ‘Fräulein am See’
No. 3D 835, Quartet "Bootgesang" ['Triumph, er naht'] for two tenors, two basses and piano (1825)
No. 4D 836, Chorus『Coronach (Totengesang der Frauen und Mädchen)』['Er ist uns geschieden'] for women's choir and piano, Totengesang der Frauen und Mädchen (1825)
No. 1D 985, Quartet "Gott im Ungewitter" ['Du Schrecklicher, wer kann vor dir und deinem Donner stehn?'] for soprano, alto, tenor, bass and piano (1815?)
No. 2D 986, Quartet『Gott der Weltschöpfer』['Zu Gott, zu Gott flieg auf'] for soprano, alto, tenor, bass and piano (1815?)
No. 3D 232, Quartet "Hymne an den Unendlichen" ['Zwischen Himmel und Erd’ '] for soprano, alto, tenor, bass and piano (1815)
D 920, Cantata "Ständchen" ['Zögernd leise, in des Dunkels nächt'ger Hülle'] for alto, women's choir and piano, Notturno [formerly D 921] (1827, 2nd version)
D 714, Octet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 2nd version)
D 984, Quartet "Der Wintertag" ['In schöner heller Winterzeit ward eine Maid geboren'] for two tenors, two basses and piano, Geburtstaglied (after 1820, fragment; piano part is lost)
D 110, Cantata『Wer ist groß?』['Wer ist wohl groß?'] for bass, men's choir and orchestra (1814)
D 294, Cantata "Namensfeier" ['Erhabner! Verehrter Freund der Jugend!'] for soprano, tenor, bass, choir and orchestra, Namensfeier fur Franz Michael VierthalerorGratulations-Kantate (1815)
D 451, Cantata "Prometheus" ['Hervor aus Buschen und Baumen'] for soprano, bass, choir and orchestra (1816, lost)
D 714, Octet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 1st version [formerly D 704], sketch)
D 954, Cantata "Glaube, Hoffnung und Liebe" ['Gott, laß die Glocke glücklich steigen']; version for two tenors, two basses, mixed choir, two oboes, two clarinets, two bassoons, two horns and two trombones (1828)
D 47, Cantata "Dithyrambe" ['Nimmer, das glaubt mir, erscheinen die Götter'] for tenor, bass, mixed choir and piano (1813, 1st setting; fragment)
D 126, Duet "Szene aus ‘Faust’" ['Wie anders, Gretchen, war dir’s'] for two voices and piano (1814, 1st and 2nd versions; also possible as a Cantata for voice, choir and piano; or as a Cantata for two voices, choir and piano)
D 168, Chorus『Nun laßt uns den Leib begraben』['Begrabt den Leib in seiner Gruft'] for mixed choir and piano, Begräbnislied (1815)
D 168A, Chorus『Jesus Christus unser Heiland, der den Tod überwand』['Überwunden hat der Herr den Tod!'] for mixed choir and piano, Osterlied [formerly D 987] (1815)
D 236, Trio "Das Abendrot" ['Der Abend blüht, der Westen glüht!'] for two sopranos, bass and piano (1815)
D 249, Cantata "Die Schlacht" ['Schwer und dumpfig'] for unspecified voices/instruments (1815, 1st setting; sketch)
D 352, Duet "Licht und Liebe" ['Liebe ist ein süßes Licht'] for soprano, tenor and piano, Nachtgesang (1816?)
D 387, Cantata "Die Schlacht" ['Schwer und dumpfig'] for unspecified soloists, choir and piano (1816, 2nd setting; sketch)
D 439, Quartet "An die Sonne" ['O Sonne, Königin der Welt'] for soprano, alto, tenor, bass and piano (1816)
D 609, Quartet "Die Geselligkeit" ['Wer Lebenslust fühlet'] for soprano, alto, tenor, bass and piano, Lebenslust (1818, 2nd part of the 1st verse, "im traulichen Kreise" was formerly D 665)
D 642, Quartet "Viel tausend Sterne prangen" ['Viel tausend Sterne prangen'] for soprano, alto, tenor, bass and piano (1812?)
D 725, Duet "Linde Weste wehen" for mezzo-soprano, tenor and piano (1821, fragment)
D 826, Quartet "Der Tanz" ['Es redet und träumet die Jugend so viel'] for soprano, alto, tenor, bass and piano (1828)
D 875A, Chorus "Die Allmacht" ['Groß ist Jehova der Herr!'] for mixed choir and piano (1826, 2nd setting; sketch)
D 920, Cantata "Ständchen" ['Zögernd leise, in des Dunkels nächt'ger Hülle'] for alto, men's choir and piano, Notturno (1827, 1st version)
D 936, Cantata『Kantate für Irene Kiesewetter』['Al par del ruscelletto chiaro'] for two tenors, two basses, mixed choir and piano duet (1827, also appears as "Kantate zur Feier der Genesung der Irene Kiesewetter")
D 954, Cantata "Glaube, Hoffnung und Liebe" ['Gott, laß die Glocke glücklich steigen']; version for two tenors, two basses, mixed choir and piano (1828)
D Anh. I,24, Cantata "Kantate auf den Vater" ['?'] for unknown voices and piano (?) (1816, lost)
D 329A, Canon "Das Grab" ['Das Grab ist tief und stille'] for mixed choir (1815, 1st setting; sketch)
D 440, Chorus "Chor der Engel" ['Christ ist erstanden'] for mixed choir (1816)
D 643A, Quartet "Das Grab" ['Das Grab ist tief und stille'] for soprano, alto, tenor and bass (1819, 5th setting)
Part songs for only male or only female voices[edit]
Part songs for male or female ensemble and piano[edit]
D 169, Chorus "Trinklied vor der Schlacht" ['Schlacht, du brichst an!'] for double unison choir and piano (1815)
D 170, Cantata "Schwertlied" ['Du Schwert an meiner Linken'] for voice, unison choir and piano (1815)
D 183, Cantata "Trinklied" ['Ihr Freunde und du gold’ner Wein'] for voice, unison choir and piano (1815)
D 330, Chorus "Das Grab" ['Das Grab ist tief und stille'] for unison choir and piano (1815, 2nd setting; scoring also possible for choir and piano)
D 442, Chorus『Das große Halleluja』['Ehre sei dem Hocherhabnen']; version for choir and piano (1816)
D 443, Chorus "Schlachtlied" ['Mit unserm Arm ist nichts getan']; version for choir and piano, Schlachtgesang (1816, 1st setting)
D 521, Chorus "Jagdlied" ['Trarah! Trarah! Wir kehren daheim']; version for unison choir and piano (1817)
D 542, Duet "Antigone und Oedip" ['Ihr hohen Himmlischen'] for two voices and piano (1817, modified version with changes by Johann Michael Vogl)
D 545, Duet『Der Jüngling und der Tod』['Die Sonne sinkt, o könnt ich'] for two voices and piano (1817, 1st version)
Part songs for male or female ensemble a cappella[edit]
D 61, Canon "Ein jugendlicher Maienschwung" ['Ein jugendlicher Maienschwung'] for three voices (1813)
D 69, Canon "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" ['Dreifach ist der Schritt der Zeit'] for three voices (1813, 2nd setting)
D 130, Canon "Der Schnee Zerrinnt" ['Der Schnee zerrinnt, der Mai beginnt'] for three voices (1815?, 1st setting)
D 131, Canon "Lacrimoso son io" ['Lacrimoso son io'] for three voices (1815?, 1st and 2nd versions; 2nd version titled "Lacrimosa son io" ['Lacrimosa son io'])
D 199, Duet "Mailied" ['Grüner wird die Au']; version for two voices (1815, 2nd setting)
D 202, Duet "Mailied" ['Der Schnee zerrinnt, der Mai beginnt']; version for two voices (1815; 2nd setting of D 130, with a different title)
D 203, Duet "Der Morgenstern" ['Stern der Liebe, Glanzgebilde!']; version for two voices (1815, 2nd setting)
D 204, Duet『Jägerlied』['Frisch auf, ihr Jäger']; version for two voices (1815)
D 205, Duet『Lützows wilde Jagd』['Was glänzt dort vom Walde im Sonnenschein?']; version for two voices (1815)
D 244, Canon『Willkommen, lieber schöner Mai』['Willkommen, lieber schöner Mai'] for three voices (1815?, 1st and 2nd versions)
D 253, Duet "Punschlied. Im Norden zu singen" ['Auf der Berge freien Höhen'] for two voices (1815, 2nd version)
D 357, Canon『Gold’ner Schein』['Gold’ner Schein, deckt den Hain'] for three voices (1816)
D 873, Canon ["?"] ['?'] in A major for six voices (1826?, sketch without text)
D 988, Canon『Liebe säuseln die Blätter』['Liebe säuseln die Blätter'] for three voices (1815?)
D deest, Canon『Canon a trè』['?'] in B-flat major for three voices (1816? fragment)
D deest, Trio "?" ['?'] in D major for unspecified voices (date unknown, fragment without text)
D 75, Cantata "Trinklied" ['Freunde, sammelt euch im Kreise'] for bass, men's choir and piano (1813)
D 140, Trio "Klage um Ali Bey" ['Laßt mich! Laßt mich! Ich will klagen'] for two tenors, bass and piano (1815, 1st version)
D 267, Quartet "Trinklied" ['Auf! Jeder sei nun froh und sorgenfrei!'] for two tenors, two basses and piano (1815)
D 268, Quartet "Bergknappenlied" ['Hinab, ihr Brüder, in den Schacht!'] for two tenors, two basses and piano (1815)
D 269, Trio "Das Leben" ['Das Leben ist ein Traum'] for tenor, two basses and piano (1815, 1st version)
D 277, Trio "Punschlied" ['Vier Elemente, inning gesellt'] for two tenors, bass and piano (1815)
D 356, Quartet "Trinklied" ['Funkelnd im Becher so helle, so hold'] for two tenors, two basses and piano (1816, fragment)
D 513, Quartet "La pastorella al prato" ['La pastorella al prato'] for two tenors, two basses and piano, La Pastorella (1817?, 1st setting)
D 569, Chorus "Das Grab" ['Das Grab ist tief und stille'] for unison men's choir and piano (1817, 4th setting)
D 705, Quartet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for two tenors, two basses and piano (1820, 3rd setting; sketch)
D 710, Quartet『Im Gegenwärtigen Vergangenes』['Ros und Lilie morgentaulich'] for two tenors, two basses and piano (1821?)
D 822, Cantata "Lied eines Kriegers" ['Des stolzen Männerlebens schönste Zeichen'] for bass, unison men's choir and piano (1824)
D 865, Quartet "Widerspruch" ['Wenn ich durch Busch und Zweig'] for two tenors, two basses and piano (1828, 1st version)
D 38, Trio『Totengräberlied』['Grabe, Spaten, grabe!'] for two tenors and bass (1813?, 1st setting)
D 43, Trio "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" ['Dreifach ist der Schritt der Zeit'] for two tenors and bass (1813, 1st setting)
D 51, Trio "Unendliche Freude durchwallet das Herz" ['Unendliche Freude durchwallet das Herz'] for two tenors and bass (1813, 1st setting)
D 53, Trio『Vorüber die stöhnende Klage』['Vorüber, vorüber die stöhnende Klage'] for two tenors and bass (1813)
D 54, Canon "Unendliche Freude durchwallet das Herz" ['Unendliche Freude durchwallet das Herz'] for three basses (1813, 2nd setting)
D 55, Trio "Selig durch die Liebe" ['Selig durch die Liebe Götter'] for two tenors and bass (1813)
D 57, Trio "Hier strecket der wallende Pilger" ['Hier strecket der wallende Pilger'] for two tenors and bass (1813)
D 58, Trio『Dessen Fahne Donnerstürme wallte』['Dessen Fahne Donnerstürme wallte'] for two tenors and bass (1813)
D 60, Trio "Hier umarmen sich getreue Gatten" ['Hier umarmen sich getreue Gatten'] for two tenors and bass (1813)
D 62, Trio "Thronend auf erhabnem Sitz" ['Thronend auf erhabnem Sitz'] for two tenors and bass (1813)
D 63, Trio "Wer die steile Sternenbahn" ['Wer die steile Sternenbahn'] for two tenors and bass (1813)
D 64, Trio『Majestät’sche Sonnenrosse』['Majestät’sche Sonnenrosse'] for two tenors and bass (1813)
D 65, Canon "Schmerz verzerret ihr Gesicht" ['Schmerz verzerret ihr Gesicht'] for two tenors and bass (1813, sketch)
D 67, Trio "Frisch atmet des Morgens lebendiger Hauch" ['Frisch atmet des Morgens lebendiger Hauch'] for two tenors and bass (1813)
D 70, Trio "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" ['Dreifach ist der Schritt der Zeit'] for two tenors and bass (1813, 3rd setting; fragment)
D 71, Trio "Die zwei Tugendwege" ['Zwei sind der Wege'] for two tenors and bass (1813)
D 88, Canon "Verschwunden sind die Schmerzen" ['Verschwunden sind die Schmerzen'] for two tenors and bass (1813)
D 129, Trio "Mailied" ['Grüner wird die Au und der Himmel'] for two tenors and bass (1815?, 1st setting)
D 147, Trio "Bardengesang" ['Rolle, du strömigter Carun'] for two tenors and bass (1816?)
D 242, Trio "Trinklied im Winter" ['Das Glas gefüllt!'] for two tenors and bass (1815, 1st setting; D deest is the 2nd setting, with a different title)
D 243, Trio『Frühlingslied』['Die Luft ist blau, das Tal ist grün'] for two tenors and bass (1815, 1st setting)
D 331, Quartet "Der Entfernten" ['Wohl denk’ ich allenthalben'] for two tenors and two basses (ca. 1816, 1st setting; setting identical to the one originally catalogued as D 332)
D 337, Quartet "Die Einsiedelei" ['Es rieselt klar und wehend ein Quell'] for two tenors and two basses (ca. 1816, 1st setting)
D 338, Quartet『An den Frühling』['Willkommen, schöner Jüngling!'] for two tenors and two basses (ca. 1816, 2nd setting)
D 364, Quartet "Fischerlied" ['Das Fischergewerbe gibt rüstigen Mut'] for two tenors and two basses (1816 or 1817?, 2nd setting)
D 377, Chorus "Das Grab" ['Das Grab ist tief und stille'] for men's choir and piano (1816, 3rd setting)
D 407, Cantata『Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri』for two tenors, two basses and piano (1816)
I. Quartet『Gütigster, Bester! Weisester Größter!』for two tenors and two basses (1st and 2nd settings; 2nd setting [formerly D 441] for two tenors, bass and piano)
II. Aria『So Güt’ als Weisheit strömen mild』for tenor and piano
III. Canon『Unser aller Großpapa, bleibe noch recht lange da』for three voices
D 423, Trio "Andenken" ['Ich denke dein, wenn durch den Hain'] for two tenors and bass (1816, 2nd setting)
D 424, Trio "Erinnerungen" ['Am Seegestad, in lauen Vollmondnächten'] for two tenors and bass (1816, 2nd setting)
D 425, Trio "Lebenslied" ['Kommen und scheiden, suchen und meiden'] for two tenors and bass (1816, lost; see also D Anh. I,23)
D 426, Trio "Trinklied (Herr Bacchus ist ein braver Mann)" ['Herr Bacchus ist ein braver Mann'] for two tenors and bass (1816, lost)
D 427, Trio "Trinklied im Mai" ['Bekränzet die Tonnen'] for two tenors and bass (1816)
D 428, Trio "Widerhall" ['Auf ewig dein, wenn Berg und Meere trennen'] for two tenors and bass (1816)
D 494, Quintet "Der Geistertanz" ['Die bretterne Kammer der Toten erbebt'] for two tenors and three basses (1816, 4th setting)
D 538, Quartet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for two tenors and two basses (1817, 2nd setting)
D 572, Quartet "Lied im Freien" ['Wie schön ist's im Freien'] for two tenors and two basses (1817)
D 598, Quartet『Das Dörfchen』['Ich rühme mir mein Dörfchen hier'] for two tenors and two basses (1817, 1st version; sketch without a piano part)
D 635, Quartet『Leise, leise laßt uns singen』['Leise, leise laßt uns singen'] for two tenors and two basses, Ruhe (1819)
D 656, Quintet "Sehnsucht" ['Nur wer die Sehnsucht kennt'] for two tenors and three basses (1819, 4th setting)
D 657, Quartet『Ruhe, schönstes Glück der Erde』['Ruhe, schönstes Glück der Erde'] for two tenors and two basses (1819)
D 709, Quartet『Frühlingsgesang』['Schmücket die Locken mit duftigen Kränzen'] for two tenors and two basses (before 1822, 1st setting)
D 778B, Quartet『Ich hab’ in mich gesogen』['Ich hab’ in mich gesogen den Frühling treu und lieb'] for two tenors and two basses (1827?, sketch)
D 873A, Quartet『Nachklänge』['?'] for two tenors and two basses (?) (1826?, sketch without text)
D 893, Quartet "Grab und Mond" ['Silberblauer Mondenschein fällt herab'] for two tenors and two basses (1826)
D 901, Quartet "Wein und Liebe" ['Liebchen und der Saft der Reben'] for two tenors and two basses (1827)
D 914, Quartet『Frühlingslied』['Geöffnet sind des Winters Riegel'] for two tenors and two basses (1827, 1st setting)
D 916, Quartet "Das stille Lied" ['Schweige nur, süßer Mund'] for two tenors and two basses (1827, sketch)
D Anh. I,18, Trio or Quartet "Lied beim Rundetanz" ['Auf, es dunkelt, silbern funkelt'] for two tenors and bass or two tenors and two basses [formerly D 132] (1815 or 1816, fragment)
D Anh. I,19, Trio or Quartet "Lied im Freien" ['Wie schön ist's im Freien'] for two tenors and bass or two tenors and two basses [formerly D 133] (1815 or 1816, fragment)
D Anh. I,20, Trio or Quartet "Amors Macht" ['Wo Amors Flügel weben'] for two tenors and bass or two tenors and two basses [formerly D 339] (1815 or 1816, fragment)
D Anh. I,21, Trio or Quartet "Badelied" ['Zur Elbe, zur Elbe, des Äthers Gewölbe'] for two tenors and bass or two tenors and two basses [formerly D 340] (1815 or 1816, fragment)
D Anh. I,22, Trio or Quartet "Sylphen" ['Was unterm Monde gleicht uns Sylphen flink und leicht'] for two tenors and bass or two tenors and two basses [formerly D 341] (1815 or 1816, fragment)
D Anh. I,23, Trio or Quartet "Lebenslied" ['Kommen und scheiden, suchen und meiden'] for two tenors and bass or two tenors and two basses (1815 or 1816, fragment; see also D 425)
No. 1D 121, Song『Schäfers Klagelied』['Da droben auf jenem Berge'] for voice and piano (1814, 1st version). Lyrics by Johann Wolfgang von Goethe.
No. 2D 216, Song "Meeres Stille" ['Tiefe Stille herrscht im Wasser'] for voice and piano (1815, 2nd setting). Lyrics by Johann Wolfgang von Goethe.
No. 3D 257, Song "Heidenröslein" ['Sah ein Knab’ ein Röslein stehn'] for voice and piano (1815). Lyrics by Johann Wolfgang von Goethe.
No. 4D 368, Song『Jägers Abendlied』['Im Felde schleich’ ich still und wild'] for voice and piano (1816?, 2nd setting). Lyrics by Johann Wolfgang von Goethe.
No. 1D 489, Song "Der Wanderer" ['Ich komme vom Gebirge her'] for voice and piano, Der Unglückliche (1816, 3rd version [formerly D 493]). Lyrics by Schmidt von Lübeck.
No. 2D 685, Song "Morgenlied" ['Eh’ die Sonne früh aufersteht'] for voice and piano (1820). Lyrics by Werner.
No. 3D 224, Song "Wandrers Nachtlied I" ['Der du von dem Himmel bist'] for voice and piano (1815). Lyrics by Johann Wolfgang von Goethe.
No. 1D 138, Song "Rastlose Liebe" ['Dem Schnee, dem Regen, dem Wind entgegen'] for voice and piano (1815, 1st version). Lyrics by Johann Wolfgang von Goethe.
No. 2D 162, Song『Nähe des Geliebten』['Ich denke dein, wenn mir der Sonne Schimmer'] for voice and piano (1815, 2nd version). Lyrics by Johann Wolfgang von Goethe.
No. 3D 225, Song "Der Fischer" ['Das Wasser rauscht’, das Wasser schwoll'] for voice and piano (1815, 2nd version). Lyrics by Johann Wolfgang von Goethe.
No. 4D 226, Song "Erster Verlust" ['Ach, wer bringt die schönen Tage'] for voice and piano (1815). Lyrics by Johann Wolfgang von Goethe.
No. 5D 367, Song "Der König in Thule" ['Es war ein König in Thule'] for voice and piano (1816). Lyrics by Johann Wolfgang von Goethe.
No. 1D 583, Song "Gruppe aus dem Tartarus" ['Horch, wie Murmeln des empörten Meeres'] for voice and piano (1817, 2nd setting). Lyrics by Schiller.
No. 2D 527, Song "Schlaflied" ['Es mahnt der Wald, es ruft der Strom'] for voice and piano, AbendliedorSchlummerlied (1817, 2nd version). Lyrics by Johann Mayrhofer.
No. 1D 673, Song "Die Liebende schreibt" ['Ein Blick von deinen Augen'] for voice and piano (1819, 2nd version)
No. 2D 670, Song『Die Sternennächte』['In monderhellten Nächten'] for voice and piano (1819, 2nd version)
No. 3D 155, Song "Das Bild" ['Ein Mädchen ist's'] for voice and piano (1815)
No. 4D 230, Song『Die Täuschung』['Im Erlenbusch, im Tannerhain'] for voice and piano (1815)
No. 5D 923, Song "Eine altschottische Ballade" ['Dein Schwert, wie ist's von Blut so rot'] for male voice, female voice and piano, Edward (1827, 1st version)
D 42, Aria "Misero pargoletto" ['Misero pargoletto'] for soprano and piano (1813?, 1st setting: 1st and 2nd versions – both fragments, in addition to a 2nd setting)
D 78, Aria『Son fra l’onde』['Son fra l’onde in mezzo al mare'] for soprano and piano (1813)
D 510, Aria "Vedi quanto adoro" ['Vedi quanto adoro'] for soprano and piano (1816, 1st, 2nd, 3rd and 4th versions; also appears as "Vedi quanto t'adoro")
D 528, Arietta "La pastorella al prato" ['La pastorella al prato'] for soprano and piano, La Pastorella (1817, 2nd setting)
D 990E, Aria "L'incanto degli occhi" ['Da voi, cari lumi'] for soprano and piano (1816?, 1st setting; fragment)
D 990F, Aria "Ombre amene" ['Ombre amene'] for soprano and piano, La serenata (1816?, fragment; originally, the Deutsch catalogue incorrectly listed this entry as an early version of the song "Il traditor deluso")
D 101, Song "Erinnerung" ("Todtenopfer") ['Kein Rosenschimmer leuchtet'] for voice and piano (1814)
D 102, Song "Die Betende" ['Laura betet!'] for voice and piano (1814)
D 107, Song "Lied aus der Ferne" ['Wenn in des Abends letztem Scheine'] for voice and piano (1814, 1st and 2nd versions)
D 108, Song "Der Abend" ['Purpur malt die Tannenhügel'] for voice and piano (1814)
D 109, Song "Lied der Liebe" ['Durch Fichten am Hügel'] for voice and piano (1814)
D 113, Song "An Emma" ['Weit in nebelgrauer Ferne'] for voice and piano (1814; 1st and 2nd versions, in addition to a modified 3rd version)
D 114, Song "Romanze" ['Ein Fräulein klagt’ im finstern Turm'] for voice and piano (1814; 1st and 2nd versions, in addition to a variant of the 1st version)
D 115, Song "An Laura, als sie Klopstocks Auferstehungslied sang" ['Herzen, die gen Himmel sich erheben'] for voice and piano (1814)
D 116, Song "Der Geistertanz" ['Die bretterne Kammer der Toten erbebt'] for voice and piano (1814, 3rd setting)
D 117, Song『Das Mädchen aus der Fremde』['In einem Tal bei armen Hirten'] for voice and piano (1814, 1st setting)
D 119, Song "Nachtgesang" ['O! gieb, vom weichen Pfühle'] for voice and piano (1814)
D 120, Song『Trost in Tränen』['Wie kommt's, daß du so traurig bist'] for voice and piano (1814)
D 121, Song『Schäfers Klagelied』['Da droben auf jenem Berge'] for voice and piano (1814, 2nd version)
D 122, Song "Ammenlied" ['Am hohen, hohen Turm'] for voice and piano (1814)
D 123, Song "Sehnsucht" ['Was zieht mir das Herz so?'] for voice and piano (1814)
D 124, Song "Am See" ['Sitz’ ich im Gras am glatten See'] for voice and piano (1814, 1st and 2nd versions; 1st version is a fragment)
D 126, Song "Szene aus ‘Faust’" ['Wie anders, Gretchen, war dir’s'] for voice and piano (1814, 1st and 2nd versions)
D 138, Song "Rastlose Liebe" ['Dem Schnee, dem Regen, dem Wind entgegen'] for voice and piano (1815, 2nd version)
D 142, Song『Geistes-Gruß』['Hoch auf dem alten Turme'] for voice and piano (1815 or 1816; 1st, 2nd, 3rd, 4th and 5th versions)
D 144, Song "Romanze" ['In der Väter Hallen ruhte'] for voice and piano (1816, sketch)
D 149, Song『Der Sänger』['Was hör’ ich draußen vor dem Tor'] for voice and piano (1815, 1st version)
D 150, Song "Lodas Gespenst" ['Der bleiche, kalte Mond erhob sich in Osten'] for voice and piano (1816)
D 151, Song "Auf einen Kirchhof" ['Sei gegrüßt, geweihte Stille'] for voice and piano (1815)
D 152, Song "Minona" ['Wie treiben die Wolden so finster und schwer'] for voice and piano (1815)
D 153, Song『Als ich sie erröten sah』['All’ mein Wirken, all’ mein Leben'] for voice and piano (1815)
D 159, Song "Die Erwartung" ['Hör’ ich das Pförtchen nicht gehen?'] for voice and piano (1816, 1st version)
D 160, Song "Am Flusse" ['Verfließet, vielgeliebte Lieder'] for voice and piano (1815, 1st setting)
D 161, Song "An Mignon" ['Über Tal und Fluß getragen'] for voice and piano (1815, 1st version)
D 162, Song『Nähe des Geliebten』['Ich denke dein, wenn mir der Sonne Schimmer'] for voice and piano (1815, 1st version)
D 163, Song『Sängers Morgenlied』['Süßes Licht! aus goldenen Pforten'] for voice and piano (1815, 1st setting)
D 164, Song "Liebesrausch" ['Glanz des Guten und des Schönen strahlt mir dein hohes Bild'] for voice and piano (1815, 1st setting; fragment)
D 165, Song『Sängers Morgenlied』['Süßes Licht! aus goldenen Pforten'] for voice and piano (1815, 2nd setting)
D 166, Song "Amphiaraos" ['Vor Thebens siebenfach gähnenden Toren'] for voice and piano (1815)
D 171, Song『Gebet während der Schlacht』['Vater, ich rufe dich!'] for voice and piano (1815, 2 versions)
D 172, Song "Der Morgenstern" ['Stern der Liebe, Glanzgebilde!'] for voice and piano (1815, 1st setting; sketch)
D 174, Song "Das war ich" ['Jüngst träumte mir'] for voice and piano (1815, 1st and 2nd versions; 2nd version is a sketch)
D 176, Song "Die Sterne" ['Was funkelt ihr so mild mich an?'] for voice and piano (1815)
D 177A, Song "Am ersten Mai" ['Ich ging mit ihr im Freien'] for voice and piano (before 1821, lost)
D 179, Song "Liebesrausch" ['Dir, Mädchen, schlägt mit leisem Beben'] for voice and piano (1815, 2nd setting)
D 180, Song "Sehnsucht der Liebe" ['Wie die Nacht mit heil’gem Beben'] for voice and piano (1815)
D 182, Song "Die erste Liebe" ['Die erste Liebe füllt das Herz'] for voice and piano (1815)
D 186, Song "Die Sterbende" ['Heil! dies ist die letzte Zähre'] for voice and piano (1815)
D 187, Song "Stimme der Liebe" ['Abendgewölke schweben hell'] for voice and piano (1815, 1st setting)
D 188, Song『Naturgenuß』['Im Abendschimmer wallt der Quell'] for voice and piano (1815, 1st setting)
D 190, Singspiel『Der vierjährige Posten』(1815)
5. Arie: Gott! Gott! höre meine Stimme (version for voice and piano)
D 191, Song『Des Mädchens Klage』['Der Eichwald braust'] for voice and piano (1815, 2nd setting; 1st version)
D 192, Song『Der Jüngling am Bache』['An der Quelle saß der Knabe'] for voice and piano (1815, 2nd setting)
D 193, Song "An den Mond" ['Geuß, lieber Mond, geuß deine Silberflimmer'] for voice and piano (1815, 1st version)
D 194, Song "Die Mainacht" ['Wann der silberne Mond'] for voice and piano (1815)
D 197, Song『An die Apfelbäume, wo ich Julien erblickte』['Ein heilig Säuseln und ein Gesangeston'] for voice and piano (1815)
D 198, Song "Seufzer" ['Die Nachtigall singt überall'] for voice and piano (1815)
D 201, Song "Auf den Tod einer Nachtigall" ['Sie ist dahin, die Maienlieder tönte'] for voice and piano (1815, 1st setting; sketch)
D 204A, Song "Das Traumbild" ['?'] for voice and piano (1815, lost)
D 206, Song『Liebeständelei』['Süßes Liebchen, komm zu mir!'] for voice and piano (1815)
D 207, Song "Der Liebende" ['Beglückt, beglückt, wer dich erblickt'] for voice and piano (1815)
D 208, Song "Die Nonne" ['Es liebt’ in Welschland irgendwo'] for voice and piano (1815, 1st and 2nd versions; 1st version is a fragment; 2nd version was formerly D 212)
D 210, Song "Die Liebe" ['Freudvoll und leidvoll, gedankenvoll sein'] for voice and piano, Klärchens Lied (1815)
D 211, Song "Adelwold und Emma" ['Hoch, und ehern schier von Dauer'] for voice and piano (1815)
D 215, Song『Jägers Abendlied』['Im Felde schleich’ ich still und wild'] for voice and piano (1815, 1st setting)
D 215A, Song "Meeres Stille" ['Tiefe Stille herrscht im Wasser'] for voice and piano (1815, 1st setting)
D 217, Song "Kolmas Klage" ['Rund um mich Nacht'] for voice and piano (1815)
D 218, Song "Grablied" ['Er fiel den Tod fürs Vaterland'] for voice and piano (1815)
D 219, Song "Das Finden" ['Ich hab’ ein Mädchen funden'] for voice and piano (1815)
D 222, Song "Lieb Minna" ['Schwüler Hauch weht mir herüber'] for voice and piano (1815, also appears as "Lieb Minna. Romanze")
D 225, Song "Der Fischer" ['Das Wasser rauscht’, das Wasser schwoll'] for voice and piano (1815, 1st version and modified 2nd version with changes by Johann Michael Vogl)
D 227, Song "Idens Nachtgesang" ['Vernimm es, Nacht'] for voice and piano (1815)
D 228, Song "Von Ida" ['Der Morgen blüht, der Osten glüht'] for voice and piano (1815)
D 235, Song "Abends unter der Linde" ['Woher, o namenloses Sehnen'] for voice and piano (1815, 1st setting)
D 237, Song "Abends unter der Linde" ['Woher, o namenloses Sehnen'] for voice and piano (1815, 2nd setting; 2 versions)
D 238, Song "Die Mondnacht" ['Siehe, wie die Mondesstrahlen'] for voice and piano (1815)
D 240, Song "Huldigung" ['Ganz verloren, ganz versunken in dein Anschaun'] for voice and piano (1815)
D 241, Song "Alles um Liebe" ['Was ist es, das die Seele füllt?'] for voice and piano (1815)
D 246, Song『Die Bürgschaft』['Zu Dionys, dem Tyrannen'] for voice and piano (1815)
D 250, Song "Das Geheimnis" ['Sie konnte mir kein Wörtchen sagen'] for voice and piano (1815, 1st setting)
D 251, Song "Hoffnung" ['Es reden und träumen die Menschen viel'] for voice and piano (1815, 1st setting)
D 252, Song『Das Mädchen aus der Fremde』['In einem Tal bei armen Hirten'] for voice and piano (1815, 2nd setting)
D 253, Song "Punschlied. Im Norden zu singen" ['Auf der Berge freien Höhen'] for voice and piano (1815, 1st version)
D 254, Song "Der Gott und die Bajadere" ['Mahadöh, der Herr der Erde'] for voice and piano (1815, also appears as "Der Gott und die Bajadere. Indische Legende")
D 255, Song『Der Rattenfänger』['Ich bin der wohlbekannte Sänger'] for voice and piano (1815)
D 256, Song『Der Schatzgräber』['Arm am Beutel, krank am Herzen'] for voice and piano (1815)
D 258, Song "Bundeslied" ['In allen guten Stunden'] for voice and piano (1815)
D 259, Song "An den Mond" ['Fullest wieder Busch und Tal'] for voice and piano (1815, 1st setting)
D 261, Song『Wer kauft Liebesgötter?』['Von allen schönen Waren'] for voice and piano (1815, 2 versions)
D 262, Song『Die Fröhlichkeit』['Wess’ Adern leichtes Blut durchspringt'] for voice and piano (1815)
D 263, Song "Cora an die Sonne" ['Nach so vielen trüben Tagen'] for voice and piano (1815)
D 264, Song『Der Morgenkuß』['Durch eine ganze Nacht sich nah zu sein'] for voice and piano (1815, 1st and 2nd versions)
D 265, Song『Abendständchen. An Lina』['Sei sanft wie ihre Seele'] for voice and piano (1815)
D 266, Song "Morgenlied" ['Willkommen, rotes Morgenlicht!'] for voice and piano (1815)
D 271, Song "Der Weiberfreund" ['Noch fand von Evens Töchterscharen ich keine'] for voice and piano (1815)
D 272, Song "An die Sonne" ['Königliche Morgensonne'] for voice and piano (1815)
D 273, Song『Lilla an die Morgenröte』['Wie schön bist du, du güldne Morgenröte'] for voice and piano (1815)
D 274, Song "Tischlerlied" ['Mein Handwerk geht durch alle Welt'] for voice and piano (1815, 1st and 2nd versions)
D 275, Song『Totenkranz für ein Kind』['Sanft wehn, im Hauch der Abendluft'] for voice and piano (1815)
D 276, Song "Abendlied" ['Groß und rotenflammet'] for voice and piano (1815)
D 278, Song "Ossians Lied nach dem Falle Nathos" ['Beugt euch aus euren Wolken nieder'] for voice and piano (1815; 1st, 2nd and 3rd versions; 1st version is a fragment)
D 280, Song "Das Rosenband" ['Im Frühlingsgarten fand ich sie'] for voice and piano (1815)
D 281, Song『Das Mädchen von Inistore』['Mädchen Inistores, wein auf dem Felsen'] for voice and piano (1815, 1st and 2nd versions)
D 282, Song "Cronnan" ['Ich sitz’ bei der moosigten Quelle'] for voice and piano (1815, 1st and 2nd versions)
D 284, Song "Lied (Es ist so angenehm)" ['Es ist so angenehm, so süß'] for voice and piano (1815)
D 285, Song "Furcht der Geliebten/An Cidli" ['Cidli, du weinest'] for voice and piano (1815, 1st and 2nd versions)
D 286, Song "Selma und Selmar" ['Weine du nicht'] for voice and piano (1815, 1st and 2nd versions)
D 287, Song "Vaterlandslied" ['Ich bin ein deutsches Mädchen'] for voice and piano (1815, 1st and 2nd versions)
D 288, Song "An Sie" ['Zeit, Verkündigerin der besten Freuden'] for voice and piano (1815)
D 289, Song "Die Sommernacht" ['Wenn der Schimmer von dem Monde'] for voice and piano (1815, 1st and 2nd versions)
D 290, Song『Die frühen Gräber』['Willkommen, o silberner Mond'] for voice and piano (1815)
D 291, Song "Dem Unendlichen" ['Wie erhebt sich das Herz'] for voice and piano (1815, 1st, 2nd and 3rd versions)
D 293, Song "Shilric und Vinvela" ['Mein Geliebter ist ein Sohn des Hügels'] for voice and piano (1815, 1st and 2nd versions)
D 295, Song "Hoffnung" ['Schaff, das Tagwerk meiner Hände'] for voice and piano (1815 or 1816?, 1st and 2nd versions)
D 296, Song "An den Mond" ['Füllest wieder Busch und Tal'] for voice and piano (1815 or 1816?, 2nd setting)
D 297, Song "Augenlied" ['Süße Augen, klare Bronnen!'] for voice and piano (1817?, 1st and 2nd versions, in addition to a modified 2nd version)
D 298, Song "Liane" ['Hast du Lianen nicht gesehen?'] for voice and piano (1815)
D 300, Song『Der Jüngling an der Quelle』['Leise, rieselnder Quell'] for voice and piano (1816 or 1817)
D 301, Song "Lambertine" ['O Liebe, die mein Herz erfüllet'] for voice and piano (1815)
D 302, Song "Labetrank der Liebe" ['Wenn im Spiele leiser Töne'] for voice and piano (1815)
D 303, Song "An die Geliebte" ['O, daß ich dir vom stillen Auge'] for voice and piano (1815)
D 304, Song "Wiegenlied" ['Schlumm’re sanft! Noch an dem Mutterherzen'] for voice and piano (1815)
D 305, Song『Mein Gruß an den Mai』['Sei mir gegrüßt, o Mai'] for voice and piano (1815)
D 306, Song "Skolie" ['Laßt im Morgenstrahl des Mai’n'] for voice and piano (1815)
D 307, Song "Die Sternenwelten" ['Oben drehen sich die großen unbekannten Welten dort'] for voice and piano (1815)
D 308, Song "Die Macht der Liebe" ['Überall, wohin mein Auge blicket'] for voice and piano (1815)
D 309, Song『Das gestörte Glück』['Ich hab’ ein hießes junges Blut'] for voice and piano (1815)
D 310, Song "Sehnsucht" ['Nur wer die Sehnsucht kennt'] for voice and piano (1815, 1st setting; 1st and 2nd versions)
D 311, Song "An den Mond" ['?'] for voice and piano (1815?, sketch without text)
D 312, Song "Hektors Abschied" ['Will sich Hektor ewig von mir wenden'] for voice and piano (1815, 1st version)
D 313, Song "Die Sterne" ['Wie wohl ist mir im Dunkeln!'] for voice and piano (1815)
D 314, Song "Nachtgesang" ['Tiefe Feier schauert um die Welt'] for voice and piano (1815, 1st and 2nd versions)
D 315, Song "An Rosa I" ['Warum bist du nicht hier'] for voice and piano (1815, 1st and 2nd versions)
D 316, Song "An Rosa II" ['Rosa, denskt du an mich?'] for voice and piano (1815, 1st and 2nd versions)
D 317, Song "Idens Schwanenlied" ['Wie schaust du aus dem Nebelflor'] for voice and piano (1815, 1st and 2nd versions)
D 318, Song "Schwangesang" ['Endlich stehn die Pforten offen'] for voice and piano (1815)
D 319, Song "Luisens Antwort" ['Wohl weinen Gottes Engel'] for voice and piano (1815, 1st and 2nd versions)
D 320, Song "Der Zufriedene" ['Zwar schuf das Glück hienieden'] for voice and piano (1815)
D 321, Song "Mignon" ['Kennst du das Land'] for voice and piano (1815, 1st and 2nd versions)
D 322, Song "Hermann und Thusnelda" ['Ha, dort kömmt er'] for voice and piano (1815, 1st and 2nd versions)
D 323, Song "Klage der Ceres" ['Ist der holde Lenz erschienen?'] for voice and piano (1816; the last part,『O so laßt euch froh begrüssen』was formerly D 991; original version, in addition to both a variant of mm. 142–203 and a modified version)
D 325, Song "Harfenspieler" ['Wer sich der Einsamkeit ergibt'] for voice and piano (1815, 1st setting)
D 327, Song "Lorma" ['Lorma saß in der Halle von Aldo'] for voice and piano (1815, 1st setting; fragment)
D 328, Song "Erlkönig" ['Wer reitet so spät durch Nacht und Wind?'] for voice and piano (1815, 1st, 2nd and 3rd versions)
D 329, Song『Die drei Sänger』['Der König saß beim frohen Mahle'] for voice and piano (1815, fragment)
D 342, Song "An mein Klavier" ['Sanftes Klavier, welche Entzückungen schaffest du mir'] for voice and piano, Seraphine an ihr Klavier (ca. 1816)
D 343, Song "Am Tage Aller Seelen" ['Ruhn in Frieden alle Seelen'] for voice and piano, Litanei auf das Fest Aller Seelen (1816, 1st and 2nd versions)
D 344, Song "Am ersten Maimorgen" ['Heute will ich fröhlich sein'] for voice and piano (1816?)
D 350, Song "Der Entfernten" ['Wohl denk’ ich allenthalben'] for voice and piano (1816?, 2nd setting)
D 351, Song "Fischerlied" ['Das Fischergewerbe gibt rüstigen Mut'] for voice and piano (1816?, 1st setting)
D 358, Song "Die Nacht" ['Du verstörst uns nicht, o Nacht!'] for voice and piano (1816, 1st and 2nd versions)
D 359, Song "Sehnsucht" ['Nur wer die Sehnsucht kennt'] for voice and piano, Lied der Mignon (1816, 2nd setting)
D 361, Song『Am Bach im Frühling』['Du brachst sie nun, die kalte Rinde'] for voice and piano (1816, 2nd version)
D 362, Song "Zufriedenheit" ['Ich bin vergnügt'] for voice and piano (1816?, 1st setting)
D 363, Song "An Chloen" ['Die Munterkeit ist meinen Wangen'] for voice and piano (1816, fragment)
D 368, Song『Jägers Abendlied』['Im Felde schleich’ ich still und wild'] for voice and piano (1816?, 2nd setting; modified version with changes by Johann Michael Vogl)
D 371, Song "Klage" ['Trauer umfließt mein Leben'] for voice and piano (1816, 1st and 2nd versions; 1st version [formerly D 292] is a sketch)
D 372, Song "An die Natur" ['Süße, heilige Natur'] for voice and piano (1816, 1st and 2nd versions)
D 373, Song "Lied (Mutter geht durch ihre Kammern)" ['Mutter geht durch ihre Kammern'] for voice and piano (1816?)
D 375, Song "Der Tod Oskars" ['Warum öffnest du wieder'] for voice and piano (1816)
D 376, Song "Lorma" ['Lorma saß in der Halle von Aldo'] for voice and piano (1816, 2nd setting; fragment)
D 381, Song "Morgenlied" ['Die frohe, neubelebte Flur'] for voice and piano (1816)
D 382, Song "Abendlied" ['Sanft glänzt die Abendsonne'] for voice and piano (1816)
D 388, Song "Laura am Klavier" ['Wenn dein Finger durch die Saiten meistert'] for voice and piano (1816, 1st and 2nd versions)
D 389, Song『Des Mädchens Klage』['Der Eichwald braust'] for voice and piano (1816, 3rd setting)
D 390, Song『Entzückung an Laura』['Laura, über diese Welt'] for voice and piano (1816, 1st setting)
D 392, Song『Pflügerlied』['Arbeitsam und wacker'] for voice and piano (1816)
D 393, Song "Die Einsiedelei" ['Es rieselt, klar und wehend'] for voice and piano (1816, 2nd setting)
D 394, Song "An die Harmonie" ['Schöpferin beseelter Töne!'] for voice and piano, Gesang an die Harmonie (1816)
D 396, Song "Gruppe aus dem Tartarus" ['Horch, wie Murmeln des empörten Meeres'] for voice and piano (1816, 1st setting; fragment)
D 397, Song "Ritter Toggenburg" ['Ritter, treue Schwesterliebe'] for voice and piano (1816, 1st and 2nd versions)
D 398, Song『Frühlingslied』['Die Luft ist blau'] for voice and piano (1816, 2nd setting)
D 399, Song "Auf den Tod einer Nachtigall" ['Sie ist dahin'] for voice and piano (1816, 2nd setting)
D 400, Song "Die Knabenzeit" ['Wie glücklich, wem das Knabenkleid'] for voice and piano (1816)
D 401, Song "Winterlied" ['Keine Blumen blühn'] for voice and piano (1816)
D 402, Song『Der Flüchtling』['Frisch atmet des Morgens lebendiger Hauch'] for voice and piano (1816)
D 403, Song『Lied (In’s stille Land)』['In's stille Land'] for voice and piano (1816, 1st, 2nd, 3rd and 4th versions; the 1st edition of the 1st version has a four-measure introduction composed by Anton Diabelli)
D 404, Song "Die Herbstnacht" ['Mit leisen Harfentönen'] for voice and piano, Die Wehmuth (1816, 1st and 2nd versions)
D 405, Song "Der Herbstabend" ['Abendglockenhalle zittern'] for voice and piano (1816, 1st and 2nd versions)
D 406, Song "Abschied von der Harfe" ['Noch einmal tön, o Harfe'] for voice and piano (1816, 1st and 2nd versions)
D 409, Song "Die verfehlte Stunde" ['Quälend ungestilltes Sehnen'] for voice and piano (1816, 1st and 2nd versions)
D 411, Song "Daphne am Bach" ['Ich hab’ ein Bächlein funden'] for voice and piano (1816)
D 412, Song "Stimme der Liebe (Meine Selinde)" ['Meine Selinde'] for voice and piano (1816, 1st and 2nd versions)
D 413, Song『Entzückung』['Tag voll Himmel!'] for voice and piano (1816)
D 414, Song "Geist der Liebe" ['Der Abend schleiert Flur und Hain'] for voice and piano (1816, 1st setting)
D 415, Song "Klage" ['Die Sonne steigt, die Sonne sinkt'] for voice and piano (1816)
D 416, Song "Lied in der Abwesenheit" ['Ach, mir ist das Herz so schwer'] for voice and piano (1816, fragment)
D 418, Song『Stimme der Liebe (Abendgewölke)』['Abendgewölke schweben hell'] for voice and piano, Abendgewölke (1816, 2nd setting)
D 419, Song "Julius an Theone" ['Nimmer, nimmer darf ich dir gestehen'] for voice and piano (1816)
D 429, Song "Minnelied" ['Holder klingt der Vogelsang'] for voice and piano (1816)
D 430, Song『Die frühe Liebe』['Schon im bunten Knabenkleide'] for voice and piano (1816, 1st and 2nd versions)
D 431, Song "Blumenlied" ['Es ist ein halbes Himmelreich'] for voice and piano (1816)
D 432, Song "Der Leidende" ['Nimmer trag’ ich langer'] for voice and piano, Klage (1816, 1st, 2nd and 3rd versions)
D 433, Song "Seligkeit" ['Freuden sonder Zahl'] for voice and piano (1816)
D 434, Song "Erntelied" ['Sicheln Schallen, Ähren fallen'] for voice and piano (1816)
D 436, Song "Klage" ['Dein Silber schien durch Eichengrün'] for voice and piano (1816; 1st and 2nd versions, in addition to a variant of the 1st version; 2nd version was formerly D 437)
D 442, Song『Das große Halleluja』['Ehre sei dem Hocherhabnen']; version for voice and piano (1816)
D 443, Song "Schlachtlied" ['Mit unserm Arm ist nichts getan']; version for voice and piano, Schlachtgesang (1816, 1st setting)
D 444, Song "Die Gestirne" ['Es tönet sein Lob'] for voice and piano (1816)
D 445, Song "Edone" ['Dein süßes Bild, Edone'] for voice and piano (1816)
D 446, Song『Die Liebesgötter』['Cypris, meiner Phyllis gleich'] for voice and piano (1816)
D 447, Song "An den Schlaf" ['Komm und senke die umflorten Schwingen'] for voice and piano (1816)
D 448, Song『Gott im Frühlinge』['In seinem schimmernden Gewand'] for voice and piano (1816, 1st and 2nd versions)
D 449, Song "Der gute Hirt" ['Was sorgest du?'] for voice and piano (1816, original and modified versions)
D 450, Song "Fragment aus dem Aeschylus" ['So wird der Mann'] for voice and piano (1816, 1st and 2nd versions)
D 454, Song "Grablied auf einen Soldaten" ['Zieh hin, du braver Krieger du!'] for voice and piano (1816)
D 455, Song "Freude der Kinderjahre" ['Freude, die im frühen Lenze'] for voice and piano (1816)
D 456, Song "Das Heimweh (Oft in einsam stillen Stunden)" ['Oft in einsam stillen Stunden'] for voice and piano (1816)
D 458, Song "Aus Diego Manazares. Ilmerine" ['Wo irrst du durch einsame Schatten'] for voice and piano (1816, also appears as "Aus Diego Manzanares")
D 462, Song "An Chloen" ['Bei der Liebe reinsten Flammen'] for voice and piano (1816)
D 463, Song "Hochzeit-Lied" ['Will singen euch im alten Ton'] for voice and piano (1816)
D 464, Song "In der Mitternacht" ['Todesstille deckt das Tal'] for voice and piano (1816)
D 465, Song "Trauer der Liebe" ['Wo die Taub’ in stillen Buchen'] for voice and piano (1816, 1st and 2nd versions)
D 466, Song "Die Perle" ['Es ging ein Mann zur Frühlingszeit'] for voice and piano (1816)
D 467, Song "Pflicht und Liebe" ['Du, der ewig um mich trauert'] for voice and piano (1816, fragment)
D 468, Song "An den Mond" ['Was schauest du so hell'] for voice and piano (1816)
D 469, Song『Mignon (So laßt mich scheinen, bis ich werde)』['So laßt mich scheinen, bis ich werde'] for voice and piano (1816, 1st setting; 1st and 2nd versions; both are fragments)
D 473, Song "Liedesend" ['Auf seinem gold’nen Throne'] for voice and piano (1816, 1st and 2nd versions)
D 474, Song『Lied des Orpheus, als er in die Hölle ging』['Wälze dich hinweg'] for voice and piano (1816, 1st and 2nd versions)
D 475, Song "Abschied" ['Über die Berge zieht ihr fort'] for voice and piano (1816, also appears as "Abschied. Nach einer Wallfahrts-Arie bearbeitet")
D 476, Song『Rückweg』['Zum Donaustrom, zur Kaiserstadt'] for voice and piano (1816)
D 477, Song "Alte Liebe rostet nie" ['Alte Liebe rostet nie'] for voice and piano (1816)
D 478, Song cycle Gesänge des Harfners aus "Wilhelm Meister" for voice and piano
1. "Wer sich der Einsamkeit ergibt", Harfenspieler I (1816, 2nd setting; 1st version and modified 2nd version)
2. "Wer nie sein Brot mit Tränen aß", Harfenspieler III [formerly D 480] (1816; 1st and 2nd settings, in addition to a modified version of the 3rd setting)
3. "An die Türen will ich schleichen", Harfenspieler II [formerly D 479] (1816, 1st version and modified 2nd version)
D 481, Song "Sehnsucht" ['Nur wer die Sehnsucht kennt'] for voice and piano, Lied der Mignon (1816, 3rd setting)
D 482, Song『Der Sänger am Felsen』['Klage, meine Flöte, klage'] for voice and piano (1816)
D 483, Song『Lied (Ferne von der großen Stadt)』['Ferne von der großen Stadt'] for voice and piano (1816)
D 484, Song "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for voice and piano (1816, 1st setting; fragment)
D 489, Song "Der Wanderer" ['Ich komme vom Gebirge her'] for voice and piano, Der Unglückliche (1816, 1st and 2nd versions; 2nd version was formerly D 493)
D 490, Song "Der Hirt" ['Du Turm, zu meinem Leide'] for voice and piano (1816)
D 491, Song "Geheimnis" ['Sag an, wer lehrt dich Lieder'] for voice and piano (1816)
D 492, Song "Zum Punsche" ['Woget brausend, Harmonien'] for voice and piano (1816)
D 495, Song『Abendlied der Fürstin』['Der Abend rötet nun das Tal'] for voice and piano (1816)
D 496, Song "Bei dem Grabe meines Vaters" ['Friede sei um diesen Grabstein her!'] for voice and piano (1816)
D 496A, Song "Klage um Ali Bey" ['Laßt mich! Laßt mich! ich will klagen'] for voice and piano (1816, 2nd version)
D 499, Song "Abendlied" ['Der Mond is aufgegangen'] for voice and piano (1816)
D 500, Song "Phidile" ['Ich war erst sechzehn Sommer alt'] for voice and piano (1816)
D 501, Song "Zufriedenheit" ['Ich bin vergnügt'] for voice and piano (1816, 2nd setting; 1st and 2nd versions)
D 502, Song "Herbstlied" ['Bunt sind schon die Wälder'] for voice and piano (1816)
D 503, Song "Mailied" ['Grüner wird die Au'] for voice and piano (1816, 3rd setting)
D 504, Song "Am Grabe Anselmos" ['Daß ich dich verloren habe'] for voice and piano (1816, 2nd version)
D 507, Song "Skolie" ['Mädchen entsiegelten, Brüder, die Flaschen'] for voice and piano (1816)
D 508, Song "Lebenslied" ['Kommen und Scheiden'] for voice and piano (1816)
D 509, Song "Leiden der Trennung" ['Vom Meere trennt sich die Welle'] for voice and piano (1816, 1st and 2nd versions)
D 513A, Song "Nur wer die Liebe kennt" ['Nur wer die Liebe kennt'] for voice and piano (1817?, sketch)
D 520, Song "Frohsinn" ['Ich bin von lockerem Schlage'] for voice and piano (1817, 1st and 2nd versions)
D 521, Song "Jagdlied" ['Trarah! Trarah! Wir kehren daheim']; version for voice and piano (1817)
D 522, Song "Die Liebe" ['Wo weht der Liebe hoher Geist?'] for voice and piano (1817)
D 523, Song "Trost" ['Nimmer lange weil’ ich hier'] for voice and piano (1817)
D 524, Song『Der Alpenjäger』['Auf hohen Bergesrücken'] for voice and piano (1817, 1st version)
D 527, Song "Schlaflied" ['Es mahnt der Wald'] for voice and piano, AbendliedorSchlummerlied (1817, 1st version)
D 532, Song "Das Lied vom Reifen" ['Seht meine lieben Bäume an'] for voice and piano (1817, fragment)
D 533, Song『Täglich zu singen』['Ich danke Gott und freue mich'] for voice and piano (1817)
D 534, Song "Die Nacht" ['Die Nacht ist dumpfig und finster'] for voice and piano (1817)
D 540, Song "Philoktet" ['Da sitz’ ich ohne Bogen'] for voice and piano (1817)
D 543, Song "Auf dem See" ['Und frische Nahrung'] for voice and piano (1817, 1st version)
D 545, Song『Der Jüngling und der Tod』['Die Sonne sinkt, o könnt ich'] for voice and piano (1817, 2nd version)
D 546, Song "Trost im Liede" ['Braust des Unglücks Sturm empor'] for voice and piano (1817, 1st version)
D 547, Song "An die Musik" ['Du holde Kunst'] for voice and piano (1817, 1st version)
D 548, Song "Orest" ['Ist dies Tauris'] for voice and piano (1817, also appears as "Orest auf Tauris")
D 549, Song "Mahomets Gesang" ['Seht den Felsenquell'] for voice and piano (1817, 1st setting; fragment)
D 550, Song "Die Forelle" ['In einem Bächlein helle'] for voice and piano (1816–1821, 1st, 2nd, 3rd and 5th versions)
D 551, Song "Pax vobiscum" ['Der Friede sei mit euch!'] for voice and piano (1817)
D 552, Song『Hänflings Liebeswerbung』['Ahidi! ich liebe'] for voice and piano (1817, 1st version)
D 554, Song "Uraniens Flucht" ['Laßt uns, ihr Himmlischen, ein Fest begehen!'] for voice and piano (1817)
D 555, Song ["?"] ['?'] for voice and piano "Liedentwurf in a" (1817?, sketch without text)
D 558, Song "Liebhaber in allen Gestalten" ['Ich wollt’, ich wär’ ein Fisch'] for voice and piano (1817)
D 559, Song "Schweizerlied" ['Uf’m Bergli bin i g’sässe'] for voice and piano (1817)
D 560, Song "Der Goldschmiedsgesell" ['Es ist doch meine Nachbarin'] for voice and piano (1817)
D 561, Song "Nach einem Gewitter" ['Auf den Blumen'] for voice and piano (1817)
D 562, Song "Fischerlied" ['Das Fischergewerbe gibt rüstigen Mut!'] for voice and piano (1817, 3rd setting)
D 563, Song "Die Einsiedelei" ['Es rieselt, klar und wehend'] for voice and piano (1817, 3rd setting)
D 564, Song "Gretchen im Zwinger" ['Ach neige, du Schmerzensreiche'] for voice and piano, Gretchens Bitte (1817, fragment)
D 573, Song "Iphigenia" ['Blüht denn hier an Tauris Strande'] for voice and piano (1817, 1st and 2nd versions)
D 577, Song『Entzückung an Laura』['Laura, Laura, über diese Welt'] for voice and piano (1817, 2nd setting; 2 fragments of a sketch)
D 578, Song "Abschied" ['Lebe wohl! Du lieber Freund!'] for voice and piano (1817)
D 579, Song "Der Knabe in der Wiege" ['Er schläft so süß'] for voice and piano (1817, 1st and 2nd versions; 2nd version is a fragment)
D 579A, Song "Vollendung" ['Wenn ich einst das Ziel errungen habe'] for voice and piano [formerly D 989] (1817)
D 579 B, Song "Die Erde" ['Wenn sanft entzückt mein Auge sieht'] for voice and piano [formerly D 989A] (1817)
D 584, Song "Elysium" ['Vorüber die stöhnende Klage!'] for voice and piano (1817)
D 585, Song "Atys" ['Der Knabe seufzt übers grüne Meer'] for voice and piano (1817)
D 587, Song『An den Frühling』['Willkommen, schöner Jüngling!'] for voice and piano (1817, 3rd setting; 1st and 2nd versions; 2nd version was formerly D 245)
D 588, Song『Der Alpenjäger』['Willst du nicht das Lämmlein hüten?'] for voice and piano (1817, 1st version)
D 595, Song "Thekla (eine Geisterstimme)" ['Wo ich sei und wo mich hingewendet'] for voice and piano (1817, 2nd setting; 1st version)
D 596, Song "Lied eines Kindes" ['Lauter Freude fühl’ ich'] for voice and piano (1817, fragment)
D 611, Song "Auf der Riesenkoppe" ['Hoch auf dem Gipfel deiner Gebirge'] for voice and piano (1818)
D 614, Song "An den Mond in einer Herbstnacht" ['Freundlich ist dein Antlitz'] for voice and piano (1818)
D 616, Song『Grablied für die Mutter』['Hauche milder, Abendluft'] for voice and piano (1818)
D 620, Song "Einsamkeit" ['Gib mir die Fülle der Einsamkeit!'] for voice and piano (1818)
D 622, Song "Der Blumenbrief" ['Euch Blümlein will ich senden'] for voice and piano (1818)
D 623, Song "Das Marienbild" ['Sei gegrüßt, du Frau der Huld'] for voice and piano (1818)
D 626, Song "Blondel zu Marien" ['In düstrer Nacht'] for voice and piano (1818)
D 628, Song "Sonett" ['Apollo, lebet noch dein hold Verlangen'] for voice and piano, Sonett I (1818)
D 629, Song "Sonett" ['Allein, nachdenklich, wie gelähmt vom Krampfe'] for voice and piano, Sonett II (1818)
D 630, Song "Sonett" ['Nunmehr, da Himmel, Erde schweigt'] for voice and piano, Sonett III (1818)
D 631, Song "Blanka" ['Wenn mich einsam Lüfte fächeln'] for voice and piano, Das Mädchen (1818)
D 632, Song『Vom Mitleiden Mariä』['Als bei dem Kreuz Maria stand'] for voice and piano (1818)
D 636, Song "Sehnsucht" ['Ach, aus dieses Tales Gründen'] for voice and piano (1821?, 2nd setting; 1st and 2nd versions)
D 638, Song『Der Jüngling am Bache』['An der Quelle saß der Knabe'] for voice and piano (1819, 3rd setting; 1st version)
D 639, Song "Widerschein" ['Fischer harrt am Brückenbogen'] for voice and piano (1820, 1st and 2nd versions; 2nd version ['Harrt ein Fischer auf der Brücke'] was formerly D 949)
D 645, Song "Abend" ['Wie ist es denn, daß trüb und schwer'] for voice and piano (1819, fragment of a sketch)
D 646, Song『Die Gebüsche』['Es wehet kühl und leise'] for voice and piano (1819)
D 649, Song "Der Wanderer" ['Wie deutlich des Mondes Licht zu mir spricht'] for voice and piano (1819, 1st version)
D 650, Song "Abendbilder" ['Still beginnt's im Hain zu tauen'] for voice and piano (1819)
D 651, Song "Himmelsfunken" ['Der Odem Gottes weht'] for voice and piano (1819)
D 652, Song『Das Mädchen』['Wie so innig, möcht ich sagen'] for voice and piano (1819, 1st and 2nd versions)
D 653, Song "Bertas Lied in der Nacht" ['Nacht umhüllt mit wehendem Flügel'] for voice and piano (1819)
D 654, Song "An die Freunde" ['Im Wald, im Wald, da grabt mich ein'] for voice and piano (1819)
D 658, Song "Geistliches Lied" ['Ich sehe dich in tausend Bildern'] for voice and piano [formerly "Marie"] (1819?)
D 659, Song "Hymne" ['Wenige wissen das Geheimnis der Liebe'] for voice and piano (1819; also appears as "Hymne I")
D 660, Song "Geistliches Lied" ['Wenn ich ihn nur habe'] for voice and piano (1819; also appears as "Hymne II")
D 661, Song "Geistliches Lied" ['Wenn alle untreu werden'] for voice and piano (1819; also appears as "Hymne III")
D 662, Song "Geistliches Lied" ['Ich sag’ es jedem, daß er lebt'] for voice and piano (1819; also appears as "Hymne IV")
D 663, Hymn "Der 13. Psalm" ['Ach Herr, wie lange willst du mein so ganz vergessen?'] for voice and piano (1819, fragment)
D 669, Song "Beim Winde" ['Es traümen die Wolken'] for voice and piano (1819)
D 670, Song『Die Sternennächte』['In monderhellten Nächten'] for voice and piano (1819, 1st version)
D 671, Song "Trost" ['Hörnerklänge rufen klangend'] for voice and piano (1819)
D 672, Song『Nachtstück』['Wenn über Berge sich der Nebel breitet'] for voice and piano (1819, 1st version)
D 673, Song "Die Liebende schreibt" ['Ein Blick von deinen Augen'] for voice and piano (1819, 1st version)
D 677, Song『Strophe aus ‘Die Götter Griechenlands’ 』['Schöne Welt, wo bist du?'] for voice and piano (1819, 1st and 2nd versions)
D 682, Song『Über allen Zauber Liebe』['Sie hüpfte mit mir auf grünem Plan'] for voice and piano (1820 and 1824, fragment)
D 684, Song "Die Sterne" ['Du staunest, o Mensch'] for voice and piano (1820)
D 686, Song『Frühlingsglaube』['Die linden Lüfte sind erwacht'] for voice and piano (1820, 1st and 2nd versions)
D 687, Song "Nachthymne" ['Hinüber wall’ ich'] for voice and piano (1820)
D 688, Song cycle Vier Canzonen for voice and piano (1820)
1. "Non t'accostar all'urna"
2. "Guarda, che bianca luna"
3. "Da quel sembiante appresi"
4. "Mio ben, ricordati"
D 690, Song『Abendröte』['Tiefer sinket schon die Sonne'] for voice and piano (1823)
D 692, Song "Der Knabe" ['Wenn ich nur ein Vöglein wäre'] for voice and piano (1820)
D 693, Song『Der Fluß』['Wie rein Gesang sich windet'] for voice and piano (1820)
D 694, Song "Der Schiffer" ['Friedlich lieg’ ich hingegossen'] for voice and piano (1820)
D 695, Song "Namenstagslied" ['Vater, schenk’ mir diese Stunde'] for voice and piano (1820?)
D 698, Song『Des Fräuleins Liebeslauschen』['Hier unten steht ein Ritter'] for voice and piano (1820)
D 699, Song『Der entsühnte Orest』['Zu meinen Füßen brichst du dich'] for voice and piano (1820)
D 700, Song "Freiwilliges Versinken" ['Wohin? o Helios!'] for voice and piano (1820)
D 805, Song "Der Sieg" ['O unbewölktes Leben!'] for voice and piano (1824)
D 806, Song "Abendstern" ['Was weilst du einsam an dem Himmel'] for voice and piano (1824)
D 807, Song『Auflösung』['Verbirg dich, Sonne'] for voice and piano (1824)
D 808, Song "Gondelfahrer" ['Es tanzen Mond und Sterne'] for voice and piano (1824, 1st setting)
D 827, Song "Nacht und Träume" ['Heil’ge Nacht, du sinkest nieder!'] for voice and piano (1823, 1st version)
D 829, Melodrama『Leb’ wohl du schöne Erde』['Leb’ wohl du schöne Erde'] for spoken voice and piano (1826, also appears as "Abschied" or "Abschied von der Erde")
D 832, Song『Des Sängers Habe』['Schlagt mein ganzes Glück in Splitter'] for voice and piano (1825)
D 833, Song "Der blinde Knabe" ['O sagt, ihr Lieben, mir einmal'] for voice and piano (1825, 1st version and modified 2nd version)
D 834, Song "Im Walde" ['Ich wandre über Berg und Tal'] for voice and piano (1825, 1st version)
D 842, Song『Totengräbers Heimwehe』['O Menschheit, o Leben, was soll's?'] for voice and piano (1825)
D 851, Song "Das Heimweh" ['Ach, der Gebirgssohn'] for voice and piano (1825, 1st version)
D 852, Song "Die Allmacht" ['Groß ist Jehova, der Herr'] for voice and piano (1825, 1st setting; modified version)
D 853, Song "Auf der Bruck" ['Frisch trabe sonder Ruh’ und Rast'] for voice and piano (1825, 1st version)
D 854, Song『Fülle der Liebe』['Ein sehnend Streben teilt mir das Herz'] for voice and piano (1825)
D 855, Song "Wiedersehn" ['Der Frühlingssonne holdes Lächeln'] for voice and piano (1825)
D 860, Song "An mein Herz" ['O Herz, sei endlich stille'] for voice and piano (1825)
D 861, Song "Der liebliche Stern" ['Ihr Sternlein, still in der Höhe'] for voice and piano (1825)
D 862, Song "Um Mitternacht" ['Keine Stimme hör’ ich schallen'] for voice and piano (1825 and 1826?, 1st version)
D 863, Song "An Gott" ['Kein Auge hat dein Angesicht geschaut'] for voice and piano (1827 or earlier, lost)
D 864, Song "Das Totenhemdchen" ['Starb das Kindlein'] for voice and piano (after 1824, lost)
D 869, Song『Totengräber-Weise』['Nicht so düster und so bleich'] for voice and piano (1826)
D 871, Song『Das Zügenglöcklein』['Kling die Nacht durch, klinge'] for voice and piano (1826, 1st version)
D 874, Song『O Quell, was strömst du rasch und wild』['O Quell, was strömst du rasch und wild'] for voice and piano (1826?, sketch)
D 876, Song『Im Jänner 1817』['Ich bin von aller Ruh’ geschieden'] for voice and piano, Tiefes Leid (1826)
D 906, Song "Der Vater mit dem Kind" ['Dem Vater liegt das kind in Arm'] for voice and piano (1827)
D 907, Song『Romanze des Richard Löwenherz』['Großer Taten tat der Ritter fern im heiligen Lande viel'] for voice and piano (1826?, 1st version)
D 910, Song "Schiffers Scheidelied" ['Die Wogen am Gestade schwellen'] for voice and piano (1827)
D 911, Song cycle Winterreise for voice and piano (1827)
7. "Auf dem Flusse" ['Der du so lustig rauschtest'] (1st version)
10. "Rast" ['Nun merk’ ich erst, wie müd ich bin'] (1st version)
11.『Frühlingstraum』['Ich träumte von bunten Blumen'] (1st version)
22. "Mut" ['Fliegt der Schnee mir ins Gesicht'] (1st version)
23. "Die Nebensonnen" ['Drei Sonnen sah ich'] (1st version)
D 916A, Song ["?"] ['?'] for voice and piano "Liedentwurf in C" (1827?, sketch without text)
D 919, Song『Frühlingslied』['Geöffnet sind des Winters Riegel'] for voice and piano (1827?, 2nd setting)
D 922, Song "Heimliches Lieben" ['O du, wenn deine Lippen mich berühren'] for voice and piano (1827, 1st version)
D 923, Song "Eine altschottische Ballade" ['Dein Schwert, wie ist's von Blut so rot'] for voice and piano, Edward (1827; 2nd version in addition to 3rd version for male voice, female voice and piano)
D 931, Song "Der Wallensteiner Lanzknecht beim Trunk" ['He! schenket mir im Helme ein!'] for voice and piano (1827)
D 932, Song "Der Kreuzzug" ['Ein Münich steht in seiner Zell'] for voice and piano (1827)
D 933, Song『Des Fischers Liebesglück』['Dort blinket durch Weiden'] for voice and piano (1827)
D 937, Song "Lebensmut" ['Fröhlicher Lebensmut braust in dem raschen Blut'] for voice and piano (1828?, fragment)
D 938, Song "Der Winterabend" ['Es ist so still, so heimlich um mich'] for voice and piano (1828)
D 945, Song "Herbst" ['Es rauschen die Winde so herbstlich und kalt'] for voice and piano (1828)
D 957, Song cycle 13 Lieder nach Gedichten von Rellstab und Heine for voice and piano (1828, also appears as "Schwanengesang")
1. "Liebesbotschaft" ['Rauschendes Bächlein, so silber und hell']
2. "Kriegers Ahnung" ['In tiefer Ruh liegt um mich her']
3.『Frühlingssehnsucht』['Säuselnde Lüfte wehen so mild']
4.『Ständchen』['Leise flehen meine Lieder'], Serenade (original and modified versions)
13. "Der Doppelgänger" ['Still ist die Nacht, es ruhen die Gassen']
D 965A, Song "Die Taubenpost" ['Ich hab’ eine Brieftaub in meinem Sold'] for voice and piano [formerly D 957 No. 14] (1828)
D 990, Song "Der Graf von Habsburg" ['Zu Aachen in seiner Kaiserpracht'] for voice and piano (date unknown)
D 990A, Song "Kaiser Maximilian auf der Martinswand" ['Hinauf! hinauf! in Sprung und Lauf'] for voice and piano (date unknown, also appears as "Kaiser Maximilian auf der Martinswand in Tirol")
D 990B, Song "Augenblicke im Elysium" ['Vor der in Ehrfurcht all mein Wesen kniet'] for voice and piano [formerly D 582] (date unknown, lost)
D 990D, Song "Die Schiffende" ['Sie wankt dahin; die Abendwinde spielen'] for voice and piano (1815?, lost)
D Anh. II,3, Arrangement of Two Arias from the Opera Echo et Narcisse ['Rien de la nature'; 'O combats, o désordre extrème!'] for voice and piano (1816, compositions by Christoph Willibald Gluck)
D deest, Song "?" ['?'] improvised for a play for voice and piano (1815?, lost?; possibly identical to D 284)
D deest, Song "?" ['?'] in C major for voice and piano (1816, fragment)
D deest, Song "Winterlied" ['Das Glas gefüllt!'] for voice and piano, Winterabend (after 1820; 2nd setting of D 242, with a different title; also appears unofficially listed as D 242A or D 324A)
D deest, Song "?" ['?'] for voice and piano (ca. 1827, fragment; lost)
D 17, Composition exercises on『Quell’ innocente figlio』['Quell’ innocente figlio'] for various vocal ensembles, Arie dell’ Angelo (1812?, also appears as "Aria dell’ Angelo"; 9 settings; No. 1 Solo for soprano; No. 2 Duo for two sopranos; No. 3 Trio for soprano, alto and tenor; No. 4 Quartet for soprano, alto, tenor and bass; No. 5 Trio for soprano, alto and tenor; No. 6 Trio for soprano, alto and tenor; No. 7 Quartet for soprano, alto, tenor and bass; No. 8 Quartet for soprano, alto, tenor and bass; No. 9 Quartet for soprano, alto, tenor and bass)
D 33, Composition exercises on "Entra l'uomo allor che nasce" ['Entra l'uomo allor che nasce'] for various vocal ensembles, Aria di Abramo (1812, also appears as "Aria di Abramo"; 6 settings; No. 1 for soprano; No. 2 Duo for soprano and alto; No. 3 Trio for soprano, alto and tenor; No. 4 Quartet for soprano, alto, tenor and bass; No. 5 Quartet for soprano, alto, tenor and bass; No. 6 Quartet for soprano, alto, tenor and bass)
D 34, Composition exercises on "Te solo adoro" ['Te solo adoro'] for soprano, alto, tenor and bass (1812, 2 settings; 2nd setting is a fragment)
D 35, Composition exercises on "Serbate, o Dei custodi" ['Serbate, o Dei custodi'] for various vocal ensembles (1812, 3 settings; No. 1 Quartet for soprano, alto tenor and bass; No. 2 Chorus for mixed choir; No. 3 Solo for tenor)
D 619, Vocal exercises for two voices and figured bass『Singübungen』(1818, figured bass usually realized for piano)
D deest, Canon ["?"] ['?'] in C major for five voices (1826?)
Vocal works, fragments and sketches of unknown genre[edit]
D Anh. I,25, Cantata『Drum Schwester und Brüder』['Drum Schwester und Brüder singt fröhliche Lieder'] for voice (?), choir, violin, violoncello and other unknown instruments (1819, fragment; only violin and violoncello parts are extant)
D Anh. I,26, Trio or Quartet『Sturmbeschwörung』['Nirgends Rettung, nirgends Land'] for two sopranos and alto (?) or two sopranos and two altos (?) (date unknown, fragment; only one soprano part is extant)
D Anh. I,28, Song『Klage (Nimmer länger trag ich)』['Nimmer länger trag ich dieser Leiden Last'] for voice and piano, Nimmer länger trag ich [formerly D 512] (ca. 1817, presumably not by Schubert)
D Anh. I,29, Song " Kaiser Ferdinand II." ['Was reget die Stadt sich in freudiger Hast?'] for voice and piano (1809?, doubtful)
D deest, Trio "Scherz-Terzett" ['Mala musica, bona musica?'] for three altos (1812, doubtful)
D deest, Song "Die Nacht" ['Die Nacht bricht an, mit leisen Lüften sinket'] for voice and guitar (after 1816?, doubtful; accompaniment part by Franz Xaver Baron von Schlechta; voice part by Schubert?)
D deest, Song (?)『Seliges Genügen』['?'] for unspecified voice(s)/instrument(s) (date unknown, lost)
Vocal works in the catalogue by other composers[edit]
D Anh. I,27, Song『Drei Chöre mit Bläsern』['Lieblich ist, wenn sanftes Grau; Leb wohl, geliebte Freundin; O Zeit, wie manchen herben Schmerz'] for male choir, two horns and two bassoons (date unknown, fragment; not by Schubert)
D Anh. I,30, Song "Mein Frieden" ['Ferne, ferne flammen helle Sterne'] for voice and piano (pub. 1823, composition by Franz Anton Schubert)
D Anh. I,31, Song "Adieu! (Lebe wohl!)" ['Voici l'instant suprême; Schon naht, um uns zu scheiden'] for voice and piano (pub. 1824, composition by August Heinrich von Weyrauch)
D Anh. III,1, Nine Canons "Neun Kanons" ['Es packe dich das Glück beim Kragen; Vom Glück sei alles dir beschert; Glück fehl dir vor allem; Wohlsein und Freude; Drum habe Dank, o Vater Hayden; Adam hat siebn Söhn; Cato, Plato, Cicero; Was i beim Tag mit der Leiern gwinn; Alleluia'] for four or more voices (ca. 1810 copy; compositions by Michael Haydn, Joseph Haydn, Josef Otter, Wolfgang Amadeus Mozart and anonymous composers)
D Anh. III,2, Song "Die Teilung der Erde" ['Nehmt hin die Welt! rief Zeus aus seinen Höhen'] for voice and piano (ca. 1810 copy; composition by Franz de Paula Roser)
D Anh. III,4, Canon "Kanon (Hoffnung Kind des Himmels)" ['Hoffnung Kind des Himmels'] from the Singspiel "Elbondocani" for two sopranos, tenor, bass and piano (1813? copy; composition by Johann Rudolf Zumsteeg)
D Anh. III,5, Trio "Chor der Derwische" ['Ein Gott, ein wahrer Gott ist nur'] for two tenors and bass (1813? copy; composition by Johann Rudolf Zumsteeg)
D Anh. III,7, Scene『Monolog aus Goethes ‘Iphigenie’ 』['Heraus in eure Schatten'] for voice, women’s choir and piano ['Heraus in eure Schatten'] (1815 copy; composition by Johann Friedrich Reichardt)
D Anh. III,9, Song "Deutsches Hochamt (Hier liegt vor deiner Majestät)" for voice and organ (copy of the organ part lost; composition by Michael Haydn)
D Anh. III,11, Canon『Laß immer in der Jugend Glanz』['Laß immer in der Jugend Glanz'], K. 410/Anh. 134/440d/484d (score), for two voices [formerly D 92] (copy lost; composition by Wolfgang Amadeus Mozart)
D Anh. III,12, Canon "Selig alle, die im Herrn entschliefen" ['Selig alle, die im Herrn entschliefen'], KV 382b, for two voices [formerly D 127] (copy lost; composition by Wolfgang Amadeus Mozart)
D Anh. III,13, Song "Abendlied unterm gestirnten Himmel" ['Wenn die Sonne niedersinket'], WoO 150, for voice and piano (1820 copy; composition by Ludwig van Beethoven)