"Walk Away Renée" is a song written by Steven Stolow, Michael Brown, Bob Calilli, Howie, and Tony Sansone for the band the Left Banke, released as a single in July 1966. Steve Martin Caro is featured on lead vocals. It spent 13 weeks on the US charts, with a top spot of No. 5.[5] The song has been widely considered a quintessence of the baroque pop genre.[6] As musician Marshall Crenshaw explained, "There's something about 'Walk Away Renee' that's one of the most powerful songs I've ever heard, just in terms of provoking an emotional reaction."[7]
Michael Brown has stated that the song is one of a number he wrote about Renée Fladen (later Fladen-Kamm), the then-girlfriend of the Left Banke's bassist Tom Finn and object of Brown's affection. She was associated with the band for a few weeks, and was described as a free-spirited and tall blonde. Brown wrote it one month after he met her.[9] 『Walk Away Renée』was one of a series of love songs the infatuated Brown wrote for his muse.[10] Other works about her include the band's second hit "Pretty Ballerina" and "She May Call You Up Tonight". After decades of obscurity, she was identified in 2001 as a noted singer, vocal teacher, and artist on the West Coast.[11]
According to band member Tom Finn:
A bunch of teens got an apartment together around Tin Pan Alley, in the Broadway area, and Renee lived there part time when she wasn't living with her mother. Most of the kids were like half runaways in those days, and there was a "crash pad" there, as we used to call it. I guess I brought her to the studio one day where Michael met her and fell in love with her.[12]
Brown says of his unrequited love for Renée:
I was just sort of mythologically in love, if you know what I mean, without having evidence in fact or in deed... But I was as close as anybody could be to the real thing.[13]
Renée was looking on during the recording of the song, and her presence nearly prevented its completion. In an interview, Brown stated:
My hands were shaking when I tried to play, because she was right there in the control room... There was no way I could do it with her around, so I came back and did it later.[14]
However, co-writer Tony Sansone has given a different version of the origin of the song and contends that he is the primary writer. Sansone has stated in interviews that he wrote the lyrics, and he randomly chose the name Renée because the Beatles used the name "Michelle" in their hit song of the same name; he likewise chose a French name, Renée.[15][16]
The song features an alto flute solo[17] played during the instrumental bridge of the middle portion of the song. Brown was inspired to add it by the Mamas & the Papas song "California Dreamin'" which had been recorded in November 1965, but was not an immediate hit until early 1966.[18] The arrangement for『Walk Away Renée 』also includes a lush string orchestration, a jangling harpsichord part, and a descending chromatic bass melody. Its production was credited to World United Productions, Inc., but the session was produced by brothers Bill and Steve Jerome, along with Brown's father, jazz and classical violinist Harry Lookofsky, who also led the string players.[2][19] The session took place in March 1966.[2]
The Four Tops' recording was featured on their 1967 album Reach Out and is the second most successful cover version,[26] having reached #15 on the soul singles chart,[27] #14 on the Billboard Hot 100, and charting higher than The Left Banke in Canada at #2 on the RPM Magazine charts. Overseas, it peaked at #3 on the UK Singles Chart and #5 in the Irish Singles Chart in January 1968,[28][29]The Andantes provided backing vocals on this Motown release in unison with the other Tops. Record World called it a "pretty version" of the song.[30]Billboard called it "an exciting rock ballad" and said that the "driving vocal workout and exciting production will hit hard and fast."[31]
In May 1993,『Walk Away Renée』was released by Australian singer-songwriter Rick Price as the fifth single from his debut studio album Heaven Knows. The song peaked at #21 in Australia.
^Lanza, Joesph (November 10, 2020). "Love and "The Internal Muzak Denial Move". Easy-Listening Acid Trip - An Elevator Ride Through '60s Psychedelic Pop. Port Townsend: Feral House. p. 124.
^Simons, Dave (2004). Studio Stories: How The Great New York Records Were Made : From Miles To Madonna, Sinatra To The Ramones. Backbeat Books. p. 168. ISBN0-87930-817-6.
^Mary Devlin (2001). Medieval Music, Magical Minds. p. 21. Renée Fladen-Kamm, my longtime vocal coach and vocal director of the Sherwood Consort, is a highly trained and skilled light lyric soprano, who has performed not only early music but opera as well—most often Mozart, who was partial to the ...
