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Title:  The Young Guard
Author: E. W. Hornung
* A Project Gutenberg of Australia eBook *
eBook No.: 1800281h.html
Language: English
Date first posted:  April 2018
Most recent update: April 2018

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The Young Guard

by
E. W. Hornung

Consecration Lord’s Leave Last Post The Old Boys Ruddy Young Ginger The Ballad Of Ensign Joy Bond And Free Shell-Shock In Arras The Big Thing Forerunners Uppingham Song Wooden Crosses

Consecration

Children we deemed you all the days We vexed you with our care: But in a Universe ablaze, What was your childish share? To rush upon the flames of Hell, To quench them with your blood! To be of England’s flower that fell Ere yet it brake the bud! And we who wither where we grew, And never shed but tears, As children now would follow you Through the remaining years; Tread in the steps we thought to guide, As firmly as you trod; And keep the name you glorified Clean before man and God.

Lord’s Leave
(1915)

No Lord’s this year: no silken lawn on which A dignified and dainty throng meanders. The Schools take guard upon a fierier pitch Somewhere in Flanders. Bigger the cricket here; yet some who tried In vain to earn a Colour while at Eton Have found a place upon an England side That can’t be beaten! A demon bowler’s bowling with his head— His heart’s as black as skins in Carolina! Either he breaks, or shoots almost as dead As Anne Regina; While the deep-field-gun, trained upon your stumps, From concrete grand-stand far beyond the bound’ry, Lifts up his ugly mouth and fairly pumps Shells from Krupp’s foundry. But like the time the game is out of joint— No screen, and too much mud for cricket lover; Both legs go slip, and there’s sufficient point In extra cover! Cricket? ‘Tis Sanscrit to the super-Hun— Cheap cross between Caligula and Cassius, To whom speech, prayer, and warfare are all one— Equally gaseous! Playing a game’s beyond him and his hordes; Theirs but to play the snake or wolf or vulture: Better one sporting lesson learnt at Lord’s Than all their Kultur. . . . Sinks a torpedoed Phoebus from our sight; Over the field of play see darkness stealing; Only in this one game, against the light There’s no appealing. Now for their flares. . . and now at last the stars. . . Only the stars now, in their heavenly million, Glisten and blink for pity on our scars From the Pavilion.

Last Post
(1915)

Last summer, centuries ago, I watched the postman’s lantern glow, As night by night on leaden feet He twinkled down our darkened street. So welcome on his beaten track, The bent man with the bulging sack! But dread of every sleepless couch, A whistling imp with leathern pouch! And now I meet him in the way, And earth is Heaven, night is Day, For oh! there shines before his lamp An envelope without a stamp! Address in pencil; overhead, The Censor’s triangle in red. Indoors and up the stair I bound: “One from the boy, still safe, still sound! “Still merry in a dubious trench They’ve taken over from the French; Still making light of duty done; Still full of Tommy, Fritz, and fun! “Still finding War of games the cream, And his platoon a priceless team— Still running it by sportsman’s rule, Just as he ran his house at school. “Still wild about the ‘bombing stunt’ He makes his hobby at the front. Still trustful of his wondrous luck— ‘Prepared to take on old man Kluck!’ ” Awed only in the peaceful spells, And only scornful of their shells, His beaming eye yet found delight In ruins lit by flares at night, In clover field and hedgerow green, Apart from cover or a screen, In Nature spurting spick-and-span For all the devilries of Man. He said those weeks of blood and tears Were worth his score of radiant years. He said he had not lived before— Our boy who never dreamt of War! He gave us of his own dear glow, Last summer, centuries ago. Bronzed leaves still cling to every bough. I don’t waylay the postman now. Doubtless upon his nightly beat He still comes twinkling down our street. I am not there with straining eye— A whistling imp could tell you why.

The Old Boys
(1917)

“Who is the one with the empty sleeve?” “Some sport who was in the swim.” “And the one with the ribbon who’s home on leave?” “Good Lord! I remember him!
A hulking fool, low down in the school, And no good at games was he— All fingers and thumbs—and very few chums. (I wish he’d shake hands with me!)” “Who is the one with the heavy stick, Who seems to walk from the shoulder?” “Why, many’s the goal you have watched him kick!” “He’s looking a lifetime older. Who is the one that’s so full of fun— I never beheld a blither— Yet his eyes are fixt as the furrow betwixt?” “He cannot see out of either,” “Who are the ones that wecannot see, Though we feel them as near as near? In Chapel one felt them bend the knee, At the match one felt them cheer. In the deep still shade of the Colonnade, In the ringing quad’s full light, They are laughing here, they are chaffing there, Yet never in sound or sight.” “Oh, those are the ones who never shall leave, As they once were afraid they would! They marched away from the school at eve, But at dawn came back for good, With deathless blooms from uncoffin’d tombs To lay at our Founder’s shrine. As many are they as ourselves to-day, And their place is yours and mine.” “But who are the ones they can help or harm?” “Each small boy, never so new, Has an Elder Brother to take his arm, And show him the thing to do— And the thing to resist with a doubled fist, If he’d be nor knave nor fool— And the Game to play if he’d tread the way Of the School behind the school.”

Ruddy Young Ginger
(1915)

Ruddy young Ginger was somewhere in camp, War broke it up in a day, Packing cadets of the steadier stamp Home with the smallest delay. Ginger braves town in his O.T.C. rags— Beards a Staff Marquis—the limb! Saying, “Your son, Sir, is one of my fags,” Gets a Commission through him. Then to his tailor’s for khaki complet; Then to Pall Mall for a sword; Lastly, a wire to his people to say, “Left school—joined the Line—are you bored?” And it was a bit cool (A term’s fees in the pool By a rule of the school). There were those who said “Fool!” Of young Ginger. Ruddy young Ginger! Who gave him that name? Tommies who had his own nerve! “Into ‘im, Ginger!” was heard in a game With a neighbouring Special Reserve. Blushing and grinning and looking fifteen, Ginger, with howitzer punt, Bags his man’s wind as succinctly and clean As he hopes to bag Huns at the front. Death on recruits who fall out by the way, Sentries who yawn at their post, Yet he sang such a song at the Y.M.C.A. That the C.O. turned green as a ghost! Less the song than the stance, And the dissolute dance, Drew a glance so askance That... they packed him to France, Little Ginger. Next month, to the haunts of fine Ladies and Lords I ventured, in Grosvenor Square: The stateliest chambers were hospital wards— And ruddy young Ginger was there. In spite of his hurts he looked never so red, Nor ever less shy or sedate, Though his hair had been cropped (by machine-gun, he said) And bandages turbaned his pate. He was mostly in holes—but his cheek was intact! I could not but notice, with joy, The loveliest Sisters had most to transact With ruddy young Ginger—some boy! Slaying Huns by the tons, With a smile like a nun’s— Oh! of all the brave ones, All the sons of our guns— Give me Ginger!

The Ballad of Ensign Joy
(1917)

             Solomon cited wonders three;
              One was the way of a ship at sea,
              One was the way of a mighty bird,
              And the way of a serpent was the third.
              But Solomon (since he was in the trade)
              Appended the way of a man with a maid:
              And Solomon (still in the flesh) might add
              The way of a mad with a soldier lad. This is the story of Ensign Joy      (And the obsolete rank withal That I love for each gentle English boy      Who jumped to his country’s call. By their fire and fun, and the deeds they’ve done, Iwould gazette them Second to none      Who faces a gun in Gaul!) It is also the story of Ermyntrude     (A less appropriate name For an idealistic Academy purde; prude!      But under it, all the same, The usual consanguineous squad Had made her an honest child of God—      And cannot be held to blame.) It was just when the grind of the Special Reserves,      Employed upon Coast Defence, Was getting on every Ensign’s nerves—      Sick-keen to be drafted hence— That they met and played tennis and danced and sang, The lad with the laugh and the schoolboy slang,      The girl with the eyes intense. Yet it wasn’t for him that she languished and sighed,      But for all of our dear doomed youth; And it wasn’t for her, but her sex, that he cried,      If he could but have probed the truth! Did she? She would none of his hot young heart; As khaki escort he’s tall and smart,      As lover a shade uncouth. He went with his draft. She returned to her craft.      He wrote in his merry vein: She read him aloud, and the Studio laughed!      (Ermyntrude bore the strain.) He was full of gay bloodshed and Old Man Fritz: His flippancy sent her friends into fits.      (Ermyntrude frowned with pain.) His tales of the Sergeant who swore so hard      Left Ermyntrude cold and prim; The tactless truth of the picture jarred,      And some of his jokes were grim. Yet, let him but skate upon tender ice, And he had to write to her twice or thrice      Before she would answer him. (Yet once she sent him a fairy’s box,      And her pocket felt the brunt Of tinned contraptions and books and socks—      Which he hailed as “a sporting stunt!” She slaved at his muffler none the less, And still took pleasure in murmuring, “Yes!      For a friend of mine at the Front.”) One fine morning his name appears—      Looking so pretty in print! “Wounded!” she warbles in tragedy tears—      And pictures the reddening lint, The drawn damp face and the draggled hair . . . But she found him blooming in Grosvenor Square,      With a punctured shin in a splint. It wasn’t a haunt of Ermyntrude’s,      That grandiose urban pile; Like starlight in arctic altitudes      Was the stately Sister’s smile. Tropical sunshine was Ensign Joy— In his golden greeting no least alloy—      In his shining eyes no guile! He showed her the bullet that did the trick—      He showed her the trick, X-ray’d; He showed her a table timed to a tick,      And a map that an airman made. He spoke of a shell that caused grievous loss— But he never mentioned a certain cross      For his part in the escapade! She saw it herself in a list next day,      And it brought her back to his bed, With a number of beautiful things to say,      Which were mostly over his head. Turned pink as his own pyjamas’ stripe, To her mind he ceased to embody a type—      Sank into her heart instead. “I Wonder that all of you didn’t retire!”      “My blighters were not that kind.” “But it says you—’advanced under murderous fire,      Machine-gun and shell combined’—” “Oh, that’s the regular War Office wheeze!” “ ‘Advanced’—with that leg!—‘on his hands and knees’!”      “I couldn’t leave it behind.” He was soon trick-driving an invalid chair,      And dancing about on a crutch; The haute noblesse of Belgrave Square      Were moved to oblige as such; They sent him for many a motor-whirl— With the wistful, willowy wisp of a girl      Who never again lost touch. Their people were most of them dead and gone,      They had only themselves to please. His pay was enough to marry upon,      As every Ensign sees. They would muddle along as others did, With vast supplies of the tertium quid      One bracket with bread and cheese. They gave him some leave after Belgrave Square—      And bang went a month on banns; For Ermyntrude had a natural flair      For the least unusual plans. Her heaviest uncle came down well, And entertained, at a fair hotel,      The dregs of the coupled clans. A certain number of cheques accrued      To keep the wolf from the door: The economical Ermyntrude      Had charge of the dwindling store, When a Board reported her bridegroom fit As—some expression she didn’t permit . . .      And he left for the Front once more. His crowd had been climbing the jaws of hell:      He found them in death’s dogteeth, With little to show but a good deal to tell      In their fissure of smoking heath. There were changes—of course—but the change in him Was the ribbon that showed on his tunic trim      And the tumult hidden beneath! For all he had suffered and seen before      Seemed nought to a husband’s care; And the Chinese puzzle of modern war      For subtlety couldn’t compare With the delicate springs of the complex life To be led with a highly sensitized wife      In a slightly rarefied air! Yet it’s good to be back with the old platoon—     and some of the same old men; Each cheery dog is a henchman boon—      Especially Sergeant Wren! Ermyntrude couldn’t endure his name— Considered bad language no claim on fame,      Yet it’s good to—hear it again! (Better to feel the Sergeant’s grip,      Though your fingers ache to the bone! Better to take the Sergeant’s tip      Than to make up your mind alone. They can do things together, can Wren and Joy— The bristly bear and the beardless boy—      That neither could do on his own.) But there’s never a word about Old Man Wren      In the screeds he scribbles to-day— Though he praises his N.C.O.’s and men      In rather a pointed way. And he rubs it in (with a knitted brow) That the war’s as good as a picnic now,      And better than any play! His booby-hutch is “as safe as the Throne,”      And he fares “like the C.-in-Chief,” He has “treated his chaps to a gramophone      By way of comic relief.” (And he sighs as he hears the men applaud, While the Woodbine spices are wafted abroad      With the savour of bully-beef.) He may touch on the latest type of bomb,      But Ermyntrude needn’t blench, For he never says where you hurl it from,      And it might be from your trench. He never might lead a stealthy band, Or toe the horrors of No Man’s Land,      Or swim at the sickly stench. . . . Her letters came up by ration-cart      As the men stood-to before dawn: He followed the chart of her soaring heart      With face transfigured yet drawn: It filled him with pride, touched with chivalrous shame. But—it spoilt the war, as a first-class game,      For this particular pawn. (The Sergeant sees it, and damns the cause      In a duly sullphurous flow; But turns and trounces, without a pause,      A junior N. C. O. For the crime of agreeing that Ensign Joy Isn’t altogether the officer boy      That he was four months ago! At length he’s dumfounded (the month being May)      By a sample of Ermyntrude’s fun! “You will kindly get leave over Christmas Day,      Or make haste and finish the Hun!” But Christmas means presents, she bids him beware: “So what do you say to a son and heir?      I’m thinking of giving you one!!!” What, indeed, does the Ensign say?      What does he sit and write? What do his heart-strings drone all day?      What do they throb all night? What does he add to his piteous prayers?— “Not for my own sake, Lord, but—theirs,      See me safe through . . .” “They talk”—and he writhes—“of our spirit out here,      Our valour and all the rest! There’s my poor, lonely, delicate dear,      As brave as the very best! Westand or fall in a cheery crowd, And yet how often we grouse aloud!      She faces that with a jest!” He has had no sleep for a day and a night;      He has written her half a ream; He has lain him down to wait for the light,      And at last come sleep—and a dream. He’s hopping on sticks up the studio stair: A telegraph-boy is waiting there,      And—that is his darling’s scream! He picks her up in a tender storm—      But how does it come to pass That he cannot see his reflected form      With hers in the studio glass? “What’s wrong with that mirror?” he cries. But only the Sergeant’s voice replies:      “Wake up, Sir! The Gas—the Gas!” Is it a part of the dream of dread?      What are the men about? Each one sticking a haunted head      Into a spectral clout! Funny, the dearth of gibe and joke, When each one looks like a pig in a poke,      Not omitting the snout! There’s your mask, Sir! No time to lose!”      Ugh, what a gallows shape! Partly white cap, and partly noose!      Somebody ties the tape. Goggles of sorts, it seems, inset: Cock them over the parapet,      Study the battlescape. Ensign Joy’s in the second line—      And more than a bit cut off; A furlong or so down a green incline      The fire-trench curls in the trough. Joy cannot see it—it’s in the bed Of a river of poison that brims instead.      He can only hear—a cough! Nothing to do for the Companies there—      Nothing but waiting now, While the Gas rolls up on the balmy air,      And a small bird cheeps on a bough. All of a sudden the sky seems full Of trusses of lighted cotton-wool      And the enemy’s big bow-wow! The firmament cracks with his airy mines,      And an interlacing hail Threshes the clover between our lines,      As a vile invisible flail. And the trench has become a mighty vice That holds us, in skins of molten ice,      For the vapors that fringe the veil. It’s coming—in billowy swirls—as smoke      From the roof a world on fire. It—comes! And a lad with a heart of oak      Knows only that heart’s desire! His masked lips whimper but one dear name— And so is he lost to inward shame      That he thrills at the word: “Re-tire!” Whose is the order, thrice renewed?      Ensign Joy cannot tell: Only, that way lies Ermyntrude,      And the other way this hell! Three men leap from the poisoned fosse, Three men plunge from the parados,      And—their—officer—as well! Now, as he flies at their flying heels,      He awakes to his deep disgrace, But the yawning pit of his shame reveals      A way of saving his face: He twirls his stick to a shepherd’s crook, To trip and bring one of them back to book,      As though he’d been giving chase! He got back gasping—“They’d too much start!”      “I’d’ve shot ‘em sight!” said Wren. “That was your job, Sir, if you’d the ‘eart—      But it wouldn’t‘ve been you, then. I pray my Lord I may live to see A firing-party in front o’ them three!”      (That’s what he said to the men.) Now, Joy and Wren, of Company B,      Are a favourite firm of mine; And the way they reinforced A, C, and D      Was, perhaps, not exactly fine, But it meant a good deal both to Wren and Joy— That grim, gaunt man, but that desperate boy!—      And it didn’t weaken the Line. Not a bad effort of yours, my lad,”      The Major deigned to declare. “My Sergeant’s plan, Sir”—“And that’s not bad—      But you’ve lost that ribbon you wear?” “It—must have been eaten away by the Gas!” “Well—ribbons are ribbons—but don’t be an ass!      It’s better to do than dare.” Dare! He has dared to desert his post—      But he daren’t acknowledge his sin! He has dared to face Wren with a lying boast—      But Wren is not taken in. None sings his praises so long and loud— With look so loving and loyal and proud!      But the boy sees under his skin. Daily and gaily he wrote to his wife,      Who had dropped the beatified droll And was writing to him on the marvel of Life      Which illumed and exalted her soul. Her courage was high—though she mentioned its height; But he saw not a joint in her Armour of Light—      Nor the bee in her Aureole! But never a helm had the lad we know,      As he went on his nightly raids With a brace of his Blighters, an N. C O.      And a bagful of hand-grenades. And the way he rattled and harried the Hun— The deeds he did dare, and the risks he would run—      Were the gossip of two Brigades: How he’d stand stockstill as the trunk of a tree,      With his face tucked down out of sight, When a star-shell burst and the other three      Fell prone in the frightening light. How the German sandbags, that made them quake, Were the only cover he cared to take,      But he’d eavesdrop there all night. . . . Machine-Guns, tapping a phrase in Morse,      Grew hot on a random quest, And swarms of bullets buzzed down the course      Like wasps from a trampled nest. Yet, that last night . . . They had just set off, When he pitched on his face with a smothered cough,      And a row of holes in his chest. He left a letter. It saved the lives      Of the three who ran from the Gas; A small enclosure alone survives,      In Battersea, under glass: Only the ribbon that left his breast On the day he turned and ran with the rest,      And lied with a lip of brass! But the letters they wrote about the boy,      From the Brigadier to the men! They would “never forget dear Mr. Joy,”      Not look on his like again. Ermyntrude read them with dry, proud eye. There was only one letter that made her cry.      It was from Sergeant Wren: “There never was such a fearless man,      Or one so beloved as he. He was always up to some daring plan,      Or some treat for his men and me. There wasn’t his match when he went away; But since he got back, there has not been a day      But what he has earned a V. C.” . . . A cynical story? That’s not my view.      The years since he fell are twain. What were his chances of coming through?      Which of his friends remain? But Ermyntrude’s training a splendid boy Twenty years younger than Ensign Joy.      On balance, a British gain! And Ermyntrude, did she lose her all      Or find it, two years ago? O young girl-wives of the boys who fall,      With your youth and your babes to show! No heart but bleeds for your widowhood. Yet Life is with you, and Life is good.      No bone of your bone lies low! Your blessedness came—as it went—in a day.      Deep dread but heightened your mirth. Your idols’ feet never turned to clay—      Never lit upon common earth. Love is the Game but is not the Goal: You played it together, body and soul,      And you had your Candle’s worth. Yes! though the Candle light a Shrine,      And heart cannot count the cost, You are Winners yet in its tender shine!—      Would they choose to have lived and lost? There are chills, you see, for the finest hearts; But, once it is only old Death that parts,      There can never come twinge of frost. And this be our comfort for Everyboy      Cut down in his high heyday, Or ever the Sweets of the Morning cloy,      Or the swift foot falter or stray. So a sunlit billow curls to a crest, And shouts as it breaks at its loveliest,      In a glory of rainbow spray!

Bond And Free
**(The Bapaume Road, March 1917)**

Misty and pale the sunlight, brittle and black the trees; Roads powdered like sticks of candy for a car to crunch as they freeze... Then we overtook a Battalion... and it wasn’t a roadway then, But cymbals and drums and dulcimers to the beat of the marching men! They were laden and groomed for the trenches, they were shaven and scrubbed and fed; Like the scales of a single Saurian their helmets rippled ahead; Not a sorrowful face beneath them, just the tail of a scornful eye For the car full of favoured mufti that went quacking and quaking by. You gloat and take note in your motoring coat, and the sights come fast and thick: A party of pampered prisoners, toying with shovel and pick; A town where some of the houses are so many heaps of stone, And some of them steel anatomies picked clean to the buckled bone. A road like a pier in a hurricane of mountainous seas of mud, Where a few trees, whittled to walking-sticks, rose out of the frozen flood Like the masts of the sunken villages that might have been down below— Or blown off the festering face of an earth that God Himself wouldn’t know! Not a yard but was part of a shell-hole—not an inch, to be more precise— And most of the holes held water, and all the water was ice: They stared at the bleak blue heavens like the glazed blue eyes of the slain, Till the snow came, shutting them gently, and sheeting the slaughtered plain. Here a pile of derelict rifles, there a couple of horses lay— Like rockerless rocking-horses, as wooden of leg as they, And not much redder of nostril—not anything like so grim As the slinking ghoul of a lean live cat creeping over the crater’s rim! And behind and beyond and about us were the long black Dogs of War, With pigmies pulling their tails for them, and making the monsters roar As they slithered back on their haunches, as they put out their flaming tongues, And spat a murderous message long leagues from their iron lungs! They were kennelled in every corner, and some were in gay disguise, But all kept twitching their muzzles and baying the silvery skies! A howitzer like a hyena guffawed point-blank at the car— But only the sixty - pounder leaves an absolute aural scar! (Could a giant but crack a cable as a stockman cracks his whip, Or tear up a mile of calico with one unthinkable r-r-r-r-rip! Could he only squeak a slate-pencil about the size of this gun, You might get some faint idea of its sound, which is those three sounds in one.) But certain noises were absent, we looked for some sights in vain, And I cannot tell you if shrapnel does really descend like rain— Or Big Stuff burst like a bonfire, or bullets whistle or moan; But the other figures I’ll swear to—if some of ‘emare my own! * * * * * * * * Livid and moist the twilight, heavy with snow the trees, And a road as of pleated velvet the colour of new cream-cheese. . . Then we overtook a Battalion... and I’m hunting still for the word For that gaunt, undaunted, haunted, whitening, frightening herd! They had done their tour of the trenches, they were coated and caked with mud, And some of them wore a bandage, and some of them wore their blood! The gaps in their ranks were many, and none of them looked at me. . . And I thought of no more vain phrases for the things I was there to see, But I felt like a man in a prison van where the rest of the world goes Free.

Shell-Shock In Arras
(1918)

All night they crooned high overhead As the skies are over men: I lay and smiled in my cellar bed, And went to sleep again. All day they whistled like a lash That cracked in the trembling town: I stood and listened for the crash Of houses thundering down. In, in they came, three nights and days, All night and all day long; It made us learned in their ways And experts on their song. Like a noisy clock, or a steamer’s screw, Their beat debauched the ear, And left it dead to a deafening few That burst who cared how near? We only laughed when the flimsy floor Heaved on the shuddering sod: But when some idiot slammed a door— My God!

The Big Thing
(1918)

It was a British Linesman. His face was like a fist, His sleeve all stripes and chevrons from the elbow to the wrist. Said he to an American (with other words of his): “It’s a big thing you are doing—do you know how big it is?” “I guess, Sir,” that American inevitably drawled, “Big Bill’s our proposition an’ we’re goin’ for him bald. You guys may have him rattled, but I figure it’s for us To slaughter, quarter, grill or bile, an’ masticate the cuss.” “I hope your teeth,” the Linesman said, “are equal to your tongue— But that’s the sort of carrion that’s better when it’s hung. Yet—the big thing you’re doing I should like to make you see!” “Our stunt,” said that young Yankee, “is to set the whole world free!” The Linesman used a venial verb (and other parts of speech): “That’s just the way the papers talk and politicians preach! But apart from gastronomical designs upon the Hun— And the rather taller order—there’s a big thing that you’vedone.” “Why, say! The biggest thing on earth, to any cute onlooker, Is Old Man Bull and Uncle Sam aboard the same blamed hooker! One crew, one port, one speed ahead, steel-true twin-hearts within her: One ding-dong English-singin’ race—a race without a winner!” The boy’s a boyish mixture—half high-brow and half droll: So brave and naïve and cock-a-hoop—so sure yet pure of soul! Behold him bright and beaming as the bride-groom after church— The Linesman looking wistful as a rival in the lurch! “I’d love to be as young as you—” he doesn’t even swear— “Love to be joining up anew and spoiling for my share! But when your blood runs cold and old, and brain and bowels squirm, The only thing to ease you is some fresh blood in the firm. “When the war was young, and wewere young, we felt the same as you A few short months of glory—and we didn’t care how few! French, British and Dominions, it took us all the same— Who knows but what the Hun himself enjoyed his dirty game! “We tumbled out of tradesmen’s carts, we fell off office stools; Fathers forsook their families, boys ran away from schools; Mothers untied their apron-strings, lovers unloosed their arms— All Europe was a wedding and the bells were war’s alarms! “The chime had changed—You took a pull—the old wild peal rings on With the clamour and the glamour of a Generation gone. Their fun—their fire—their hearts’ desire—are born again in You!” “That the big thing we’re doin’?” “It’s as big as Man can do!”

Forerunners *
(1900)

When I lie dying in my bed, A grief to wife, and child, and friend,— How I shall grudge you gallant dead Your sudden, swift, heroic end! Dear hands will minister to me, Dear eyes deplore each shallower breath: You had your battle-cries, you three, To cheer and charm you to your death. You did not wane from worse to worst, Under coarse drug or futile knife, But in one grand mad moment burst From glorious life to glorious Life.... These twenty years ago and more, ‘Mid purple heather and brown crag, Our whole school numbered scarce a score, And three have fallen for the Flag. You two have finished on one side, You who were friend and foe at play; Together you have done and died; But that was where you learnt the way. And the third face! I see it now, So delicate and pale and brave. The clear grey eye, the unruffled brow, Were ripening for a soldier’s grave. Ah! gallant three, too young to die! The pity of it all endures. Yet, in my own poor passing, I Shall lie and long for such as yours. * H. P. P.—F. M.—J. W. A. C. St. Ninian’s, Moffat, 1879-1880; South Africa, 1899-1900.

Uppingham Song
(1913)

Ages ago (as to-day they are reckoned) I was a lone little, blown little fag: Panting to heel when Authority beckoned, Spoiling to write for the Uppingham Mag.!
Thirty years on seemed a terrible time then— Thirty years back seems a twelvemonth or so. Little I saw myself spinning this rhyme then— Less do I feel that it’s ages ago! Ages ago that was Somebody’s study; Somebody Else had the study next door. O their long walks in the fields dry or muddy! O their long talks in the evenings of yore! Still, when they meet, the old evergreen fellows Jaw in the jolly old jargon as though Both were as slender and sound in the bellows As they were ages and ages ago! O but the ghosts at each turn I could show you!— Ghosts in low collars and little cloth caps— Each of ‘em now quite an elderly O.U.— Wiser, no doubt, and as pleasant—perhaps! That’s where poor Jack lit the slide up with tollies, Once when the quad was a foot deep in snow— When a live Bishop was one of the Pollies * — Ages and ages and ages ago! Things that were Decent and things that were Rotten, How I remember them year after year! Some—it may be—that were better forgotten: Some that—it may be—should still draw a tear. . . More, many more, that are good to remember: Yarns that grow richer, the older they grow: Deeds that would make a man’s ultimate ember Glow with the fervour of ages ago! Did we play footer in funny long flannels? Had we no Corps to give zest to our drill? Never a Gym lined throughout with pine panels? Half of your best buildings were quarry-stone still? Ah! but it’s not for their looks that you love them, Not for the craft of the builder below, But for the spirit behind and above them— But for the Spirit of Ages Ago! Eton may rest on her Field and her River. Harrow has songs that she knows how to sing. Winchester slang makes the sensitive shiver. Rugby had Arnold, but never had Thring! Repton can put up as good an Eleven. Marlborough men are the fear of the foe. All that I wish to remark is—thank Heaven I was at Uppingham ages ago! * Praepostors.

Wooden Crosses
(1917)

Go live the wide world over—but when you come to die, A quiet English churchyard is the only place to lie! I held it half a lifetime, until through war’s mischance I saw the wooden crosses that fret the fields of France. A thrush sings in an oak-tree, and from the old square tower A chime as sweet and mellow salutes the idle hour: Stone crosses take no notice—but the little wooden ones Are thrilling every minute to the music of the guns! Upstanding at attention they face the cannonade, In apple-pie alinement like Guardsmen on parade: But Tombstones are Civilians who loll or sprawl or sway At every crazy angle and stage of slow decay. For them the Broken Column—in its plot of unkempt grass; The tawdry tinsel garland safeguarded under glass; And the Squire’s emblazoned virtues, that would overweight a Saint, On the vault empaled in iron—scaling red for want of paint! The men who die for England don’t need it rubbing in; An automatic stamper and a narrow strip of tin Record their date and regiment, their number and their name— And the Squire who dies for England is treated just the same. So stand the still battalions: alert, austere, serene; Each with his just allowance of brown earth shot with green; None better than his neighbour in pomp or circumstance— All beads upon the rosary that turned the fate of France! Who says their war is over? While others carry on, The little wooden crosses spell but the dead and gone? Not while they deck a sky-line, not while they crown a view, Or a living soldier sees them and sets his teeth anew! The tenants of the churchyard where the singing thrushes build Were not, perhaps, all paragons of promise well fulfilled: Some failed—through Love, or Liquor—while the parish looked askance. But—you cannot die a Failure if you win a Cross in France! The brightest gems of Valour in the Army’s diadem Are the V.C. and the D.S.O., M.C. and D.C.M. But those who live to wear them will tell you they are dross Beside the Final Honour of a simple Wooden Cross.

THE END

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The Young Guard

by E. W. Hornung

CONTENTS

Consecration

Lord’s Leave (1915)

Last Post (1915)

The Old Boys (1917)

Ruddy Young Ginger (1915)

The Ballad of Ensign Joy (1917)

Bond And Free (The Bapaume Road, March 1917)

Shell-Shock In Arras (1918)

The Big Thing (1918)

Forerunners * (1900)

Uppingham Song (1913)

Wooden Crosses (1917)