^Preface: Hughes, Glenn, Imagism and the Imagist, Stanford University Press, New York 1931
^Pratt, William. The Imagist Poem, Modern Poetry in Miniature (Story Line Press, 1963, expanded 2001). ISBN1-58654-009-2.
^T.S. Eliot: "The point de repère, usually and conveniently taken as the starting-point of modern poetry, is the group denominated 'imagists' in London about 1910." Lecture, Washington University, St. Louis, June 6, 1953
^Pratt, William. The Imagist Poem, Modern Poetry in Miniature (Story Line Press, 1963, expanded 2001). ISBN1-58654-009-2.
^Taupin, René, L'Influence du symbolism francais sur la poesie Americaine (de 1910 a 1920), Champion, Paris 1929 trans William Pratt and Anne Rich AMS, New York, 1985
^Blakeney Williams, Louise (2002). Modernism and the Ideology of History: Literature, Politics, and the Past. Cambridge University Press, p. 16. ISBN0-521-81499-5
^Reprinted in: Pound, Ezra (1975). William Cookson. ed. Selected Prose, 1909–1965. New Directions Publishing. pp. 43. ISBN0-8112-0574-6
^Woon-Ping Chin Holaday. "From Ezra Pound to Maxine Hong Kingston: Expressions of Chinese Thought in American Literature". MELUS, Vol. 5, No. 2, Interfaces, Summer, 1978, pp. 15–24.
^Taupin, René, L'Influence du symbolism francais sur la poesie Americaine(de 1910 a 1920), Champion, Paris 1929
^Taupin, René, L'Influence du symbolism francais sur la poesie Americaine(de 1910 a 1920), Champion, Paris 1929 trans William Pratt and Anne Rich AMS , New York 1985
^"On 'In a Station of the Metro'". Extract from "Genders, Races, and Religious Cultures in Modern American Poetry, 1908–1934". Cambridge University Press, 2001. Retrieved on 29 August 2010.
^Elder, Bruce (1998). The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson. Wilfrid Laurier University Press, pp. 72, 94. ISBN0-88920-275-3
^Pound, "A Retrospect" (1918). Reprinted in Kolocotroni et al., p. 374.
^Edgerly Firchow, Peter, Evelyn Scherabon Firchow, and Bernfried Nugel (2002). Reluctant Modernists: Aldous Huxley and Some Contemporaries. Transaction Books, p. 32.
^Pratt, William. The Imagist Poem, Modern Poetry in Miniature (Story Line Press, 1963, expanded 2001). ISBN1-58654-009-2.
^Pondrom, Cyrena; H.D., "Selected Letters from H. D. to F. S. Flint: A Commentary on the Imagist Period". Contemporary Literature, Vol. 10, No. 4, Special Number on H. D.: A Reconsideration, Autumn, 1969. pp. 557-586.
^Cowley et al. "Years Work English Studies", 1993. pp. 452-521.
In 1929, Walter Lowenfels jokingly suggested that Aldington should produce a new Imagist anthology.[1] Aldington, by now a successful novelist, took up the suggestion and enlisted the help of Ford and H.D. The result was the Imagist Anthology 1930, edited by Aldington and including all the contributors to the four earlier anthologies with the exception of Lowell, who had died, Cannell, who had disappeared, and Pound, who declined. The appearance of this anthology initiated a critical discussion of the place of the Imagists in the history of 20th-century poetry.
Of the poets who were published in the various Imagist anthologies, Joyce, Lawrence and Aldington are now primarily remembered and read as novelists. Marianne Moore, who was at most a fringe member of the group, carved out a unique poetic style of her own that retained an Imagist concern with compression of language. William Carlos Williams developed his poetic along distinctly American lines with his variable foot and a diction he claimed was taken "from the mouths of Polish mothers".[2] Both Pound and H.D. turned to writing long poems, but retained much of the hard edge to their language as an Imagist legacy. Most of the other members of the group are largely forgotten outside the context of the history of Imagism.
^Aldington, Richard; Gates Norman. "Richard Aldington: An Autobiography in Letters". (Katowice): Oficyna Akademii sztuk pięknych w Katowicach, 1984. p. 103.
^Bercovitch, Sacvan; Cyrus R. K. Patell (1994). The Cambridge History of American Literature. Cambridge University Press. pp. 19. ISBN0-521-49733-7
^Strand B. G. Imagist-The Genre – An appraisal, 2013, ASIN: B00AYE482S
^Enck, John J. (1964). Wallace Stevens: Images and Judgments. Carbondale, IL: Southern Illinois University Press. pp. 11
^Introductory Note by Kenneth Allott (ed) The Penguin Book of Contemporary Verse , Penguin Books, Harmondsworth, England 1950
^Sloan, De Villo (1987). “The Decline of American Postmodernism”. SubStance (University of Wisconsin Press) 16 (3): 29. doi:10.2307/3685195. JSTOR3685195.
^Stanley , Sandra. "Louis Zukofsky and the Transformation of a Modern American Poetics". South Atlantic Review 60.1 (1995): 186-189.
^Riddel, Joseph N. (Autumn 1979). “Decentering the Image: The 'Project' of 'American' Poetics?”. Boundary 2 (Duke University Press) 8 (1): 159–188. doi:10.2307/303146. JSTOR303146.