The Project Gutenberg EBook of American Notes, by Rudyard Kipling This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: American Notes Author: Rudyard Kipling Release Date: July 21, 2008 [EBook #977] Last Updated: March 9, 2018 Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN NOTES *** Produced by Judith Boss, and David Widger
|
“Serene, indifferent to fate, Thou sittest at the Western Gate; Thou seest the white seas fold their tents, Oh, warder of two continents; Thou drawest all things, small and great, To thee, beside the Western Gate.”THIS is what Bret Harte has written of the great city of San Francisco, and for the past fortnight I have been wondering what made him do it. There is neither serenity nor indifference to be found in these parts; and evil would it be for the continents whose wardship were intrusted to so reckless a guardian. Behold me pitched neck-and-crop from twenty days of the high seas into the whirl of California, deprived of any guidance, and left to draw my own conclusions. Protect me from the wrath of an outraged community if these letters be ever read by American eyes! San Francisco is a mad city—inhabited for the most part by perfectly insane people, whose women are of a remarkable beauty. When the “City of Pekin” steamed through the Golden Gate, I saw with great joy that the block-house which guarded the mouth of the “finest harbor in the world, sir,” could be silenced by two gunboats from Hong Kong with safety, comfort, and despatch. Also, there was not a single American vessel of war in the harbor. This may sound bloodthirsty; but remember, I had come with a grievance upon me—the grievance of the pirated English books. Then a reporter leaped aboard, and ere I could gasp held me in his toils. He pumped me exhaustively while I was getting ashore, demanding of all things in the world news about Indian journalism. It is an awful thing to enter a new land with a new lie on your lips. I spoke the truth to the evil-minded Custom House man who turned my most sacred raiment on a floor composed of stable refuse and pine splinters; but the reporter overwhelmed me not so much by his poignant audacity as his beautiful ignorance. I am sorry now that I did not tell him more lies as I passed into a city of three hundred thousand white men. Think of it! Three hundred thousand white men and women gathered in one spot, walking upon real pavements in front of plate-glass-windowed shops, and talking something that at first hearing was not very different from English. It was only when I had tangled myself up in a hopeless maze of small wooden houses, dust, street refuse, and children who played with empty kerosene tins, that I discovered the difference of speech. “You want to go to the Palace Hotel?” said an affable youth on a dray. “What in hell are you doing here, then? This is about the lowest ward in the city. Go six blocks north to corner of Geary and Markey, then walk around till you strike corner of Gutter and Sixteenth, and that brings you there.” I do not vouch for the literal accuracy of these directions, quoting but from a disordered memory. “Amen,” I said. “But who am I that I should strike the corners of such as you name? Peradventure they be gentlemen of repute, and might hit back. Bring it down to dots, my son.” I thought he would have smitten me, but he didn't. He explained that no one ever used the word “street,” and that every one was supposed to know how the streets ran, for sometimes the names were upon the lamps and sometimes they weren't. Fortified with these directions, I proceeded till I found a mighty street, full of sumptuous buildings four and five stories high, but paved with rude cobblestones, after the fashion of the year 1. Here a tram-car, without any visible means of support, slid stealthily behind me and nearly struck me in the back. This was the famous cable car of San Francisco, which runs by gripping an endless wire rope sunk in the ground, and of which I will tell you more anon. A hundred yards further there was a slight commotion in the street, a gathering together of three or four, something that glittered as it moved very swiftly. A ponderous Irish gentleman, with priest's cords in his hat and a small nickel-plated badge on his fat bosom, emerged from the knot supporting a Chinaman who had been stabbed in the eye and was bleeding like a pig. The by-standers went their ways, and the Chinaman, assisted by the policeman, his own. Of course this was none of my business, but I rather wanted to know what had happened to the gentleman who had dealt the stab. It said a great deal for the excellence of the municipal arrangement of the town that a surging crowd did not at once block the street to see what was going forward. I was the sixth man and the last who assisted at the performance, and my curiosity was six times the greatest. Indeed, I felt ashamed of showing it. There were no more incidents till I reached the Palace Hotel, a seven-storied warren of humanity with a thousand rooms in it. All the travel books will tell you about hotel arrangements in this country. They should be seen to be appreciated. Understand clearly—and this letter is written after a thousand miles of experiences—that money will not buy you service in the West. When the hotel clerk—the man who awards your room to you and who is supposed to give you information—when that resplendent individual stoops to attend to your wants he does so whistling or humming or picking his teeth, or pauses to converse with some one he knows. These performances, I gather, are to impress upon you that he is a free man and your equal. From his general appearance and the size of his diamonds he ought to be your superior. There is no necessity for this swaggering self-consciousness of freedom. Business is business, and the man who is paid to attend to a man might reasonably devote his whole attention to the job. Out of office hours he can take his coach and four and pervade society if he pleases. In a vast marble-paved hall, under the glare of an electric light, sat forty or fifty men, and for their use and amusement were provided spittoons of infinite capacity and generous gape. Most of the men wore frock-coats and top-hats—the things that we in India put on at a wedding-breakfast, if we possess them—but they all spat. They spat on principle. The spittoons were on the staircases, in each bedroom—yea, and in chambers even more sacred than these. They chased one into retirement, but they blossomed in chiefest splendor round the bar, and they were all used, every reeking one of them. Just before I began to feel deathly sick another reporter grappled me. What he wanted to know was the precise area of India in square miles. I referred him to Whittaker. He had never heard of Whittaker. He wanted it from my own mouth, and I would not tell him. Then he swerved off, just like the other man, to details of journalism in our own country. I ventured to suggest that the interior economy of a paper most concerned the people who worked it. “That's the very thing that interests us,” he said. “Have you got reporters anything like our reporters on Indian newspapers?” “We have not,” I said, and suppressed the “thank God” rising to my lips. “Why haven't you?” said he. “Because they would die,” I said. It was exactly like talking to a child—a very rude little child. He would begin almost every sentence with, “Now tell me something about India,” and would turn aimlessly from one question to the other without the least continuity. I was not angry, but keenly interested. The man was a revelation to me. To his questions I returned answers mendacious and evasive. After all, it really did not matter what I said. He could not understand. I can only hope and pray that none of the readers of the “Pioneer” will ever see that portentous interview. The man made me out to be an idiot several sizes more drivelling than my destiny intended, and the rankness of his ignorance managed to distort the few poor facts with which I supplied him into large and elaborate lies. Then, thought I, “the matter of American journalism shall be looked into later on. At present I will enjoy myself.” No man rose to tell me what were the lions of the place. No one volunteered any sort of conveyance. I was absolutely alone in this big city of white folk. By instinct I sought refreshment, and came upon a barroom full of bad Salon pictures in which men with hats on the backs of their heads were wolfing food from a counter. It was the institution of the “free lunch” I had struck. You paid for a drink and got as much as you wanted to eat. For something less than a rupee a day a man can feed himself sumptuously in San Francisco, even though he be a bankrupt. Remember this if ever you are stranded in these parts. Later I began a vast but unsystematic exploration of the streets. I asked for no names. It was enough that the pavements were full of white men and women, the streets clanging with traffic, and that the restful roar of a great city rang in my ears. The cable cars glided to all points of the compass at once. I took them one by one till I could go no further. San Francisco has been pitched down on the sand bunkers of the Bikaneer desert. About one fourth of it is ground reclaimed from the sea—any old-timers will tell you all about that. The remainder is just ragged, unthrifty sand hills, to-day pegged down by houses. From an English point of view there has not been the least attempt at grading those hills, and indeed you might as well try to grade the hillocks of Sind. The cable cars have for all practical purposes made San Francisco a dead level. They take no count of rise or fall, but slide equably on their appointed courses from one end to the other of a six-mile street. They turn corners almost at right angles, cross other lines, and for aught I know may run up the sides of houses. There is no visible agency of their flight, but once in awhile you shall pass a five-storied building humming with machinery that winds up an everlasting wire cable, and the initiated will tell you that here is the mechanism. I gave up asking questions. If it pleases Providence to make a car run up and down a slit in the ground for many miles, and if for twopence halfpenny I can ride in that car, why shall I seek the reasons of the miracle? Rather let me look out of the windows till the shops give place to thousands and thousands of little houses made of wood (to imitate stone), each house just big enough for a man and his family. Let me watch the people in the cars and try to find out in what manner they differ from us, their ancestors. It grieves me now that I cursed them (in the matter of book piracy), because I perceived that my curse is working and that their speech is becoming a horror already. They delude themselves into the belief that they talk English—the English—and I have already been pitied for speaking with “an English accent.” The man who pitied me spoke, so far as I was concerned, the language of thieves. And they all do. Where we put the accent forward they throw it back, and vice versa where we give the long “a” they use the short, and words so simple as to be past mistaking they pronounce somewhere up in the dome of their heads. How do these things happen? Oliver Wendell Holmes says that the Yankee school-marm, the cider and the salt codfish of the Eastern States, are responsible for what he calls a nasal accent. I know better. They stole books from across the water without paying for 'em, and the snort of delight was fixed in their nostrils forever by a just Providence. That is why they talk a foreign tongue to-day. “Cats is dogs, and rabbits is dogs, and so's parrots. But this 'ere tortoise is an insect, so there ain't no charge,” as the old porter said. A Hindoo is a Hindoo and a brother to the man who knows his vernacular. And a Frenchman is French because he speaks his own language. But the American has no language. He is dialect, slang, provincialism, accent, and so forth. Now that I have heard their voices, all the beauty of Bret Harte is being ruined for me, because I find myself catching through the roll of his rhythmical prose the cadence of his peculiar fatherland. Get an American lady to read to you “How Santa Claus Came to Simpson's Bar,” and see how much is, under her tongue, left of the beauty of the original. But I am sorry for Bret Harte. It happened this way. A reporter asked me what I thought of the city, and I made answer suavely that it was hallowed ground to me, because of Bret Harte. That was true. “Well,” said the reporter, “Bret Harte claims California, but California don't claim Bret Harte. He's been so long in England that he's quite English. Have you seen our cracker factories or the new offices of the 'Examiner'?” He could not understand that to the outside world the city was worth a great deal less than the man. I never intended to curse the people with a provincialism so vast as this. But let us return to our sheep—which means the sea-lions of the Cliff House. They are the great show of San Francisco. You take a train which pulls up the middle of the street (it killed two people the day before yesterday, being unbraked and driven absolutely regardless of consequences), and you pull up somewhere at the back of the city on the Pacific beach. Originally the cliffs and their approaches must have been pretty, but they have been so carefully defiled with advertisements that they are now one big blistered abomination. A hundred yards from the shore stood a big rock covered with the carcasses of the sleek sea-beasts, who roared and rolled and walloped in the spouting surges. No bold man had painted the creatures sky-blue or advertised newspapers on their backs, wherefore they did not match the landscape, which was chiefly hoarding. Some day, perhaps, whatever sort of government may obtain in this country will make a restoration of the place and keep it clean and neat. At present the sovereign people, of whom I have heard so much already, are vending cherries and painting the virtues of “Little Bile Beans” all over it. Night fell over the Pacific, and the white sea-fog whipped through the streets, dimming the splendors of the electric lights. It is the use of this city, her men and women folk, to parade between the hours of eight and ten a certain street called Cairn Street, where the finest shops are situated. Here the click of high heels on the pavement is loudest, here the lights are brightest, and here the thunder of the traffic is most overwhelming. I watched Young California, and saw that it was, at least, expensively dressed, cheerful in manner, and self-asserting in conversation. Also the women were very fair. Perhaps eighteen days aboard ship had something to do with my unreserved admiration. The maidens were of generous build, large, well groomed, and attired in raiment that even to my inexperienced eyes must have cost much. Cairn Street at nine o'clock levels all distinctions of rank as impartially as the grave. Again and again I loitered at the heels of a couple of resplendent beings, only to overhear, when I expected the level voice of culture, the staccato “Sez he,” “Sez I” that is the mark of the white servant-girl all the world over. This was depressing because, in spite of all that goes to the contrary, fine feathers ought to make fine birds. There was wealth—unlimited wealth—in the streets, but not an accent that would not have been dear at fifty cents. Wherefore, revolving in my mind that these folk were barbarians, I was presently enlightened and made aware that they also were the heirs of all the ages, and civilized after all. There appeared before me an affable stranger of prepossessing appearance, with a blue and an innocent eye. Addressing me by name, he claimed to have met me in New York, at the Windsor, and to this claim I gave a qualified assent. I did not remember the fact, but since he was so certain of it, why, then—I waited developments. “And what did you think of Indiana when you came through?” was the next question. It revealed the mystery of previous acquaintance and one or two other things. With reprehensible carelessness my friend of the light-blue eye had looked up the name of his victim in the hotel register, and read “Indiana” for India. The provincialism with which I had cursed his people extended to himself. He could not imagine an Englishman coming through the States from west to east instead of by the regularly ordained route. My fear was that in his delight in finding me so responsive he would make remarks about New York and the Windsor which I could not understand. And, indeed, he adventured in this direction once or twice, asking me what I thought of such and such streets, which from his tone I gathered to be anything but respectable. It is trying to talk unknown New York in almost unknown San Francisco. But my friend was merciful. He protested that I was one after his own heart, and pressed upon me rare and curious drinks at more than one bar. These drinks I accepted with gratitude, as also the cigars with which his pockets were stored. He would show me the life of the city. Having no desire to watch a weary old play again, I evaded the offer and received in lieu of the devil's instruction much coarse flattery. Curiously constituted is the soul of man. Knowing how and where this man lied, waiting idly for the finale, I was distinctly conscious, as he bubbled compliments in my ear, of soft thrills of gratified pride stealing from hat-rim to boot-heels. I was wise, quoth he—anybody could see that with half an eye; sagacious, versed in the ways of the world, an acquaintance to be desired; one who had tasted the cup of life with discretion. All this pleased me, and in a measure numbed the suspicion that was thoroughly aroused. Eventually the blue-eyed one discovered, nay, insisted, that I had a taste for cards (this was clumsily worked in, but it was my fault, for in that I met him half-way and allowed him no chance of good acting). Hereupon I laid my head upon one side and simulated unholy wisdom, quoting odds and ends of poker talk, all ludicrously misapplied. My friend kept his countenance admirably, and well he might, for five minutes later we arrived, always by the purest of chance, at a place where we could play cards and also frivol with Louisiana State Lottery tickets. Would I play? “Nay,” said I, “for to me cards have neither meaning nor continuity; but let us assume that I am going to play. How would you and your friends get to work? Would you play a straight game, or make me drunk, or—well, the fact is, I'm a newspaper man, and I'd be much obliged if you'd let me know something about bunco steering.” My blue-eyed friend erected himself into an obelisk of profanity. He cursed me by his gods—the right and left bower; he even cursed the very good cigars he had given me. But, the storm over, he quieted down and explained. I apologized for causing him to waste an evening, and we spent a very pleasant time together. Inaccuracy, provincialism, and a too hasty rushing to conclusions, were the rocks that he had split on, but he got his revenge when he said:—“How would I play with you? From all the poppycock Anglice bosh you talked about poker, I'd ha' played a straight game, and skinned you. I wouldn't have taken the trouble to make you drunk. You never knew anything of the game, but how I was mistaken in going to work on you, makes me sick.” He glared at me as though I had done him an injury. To-day I know how it is that year after year, week after week, the bunco steerer, who is the confidence trick and the card-sharper man of other climes, secures his prey. He clavers them over with flattery as the snake clavers the rabbit. The incident depressed me because it showed I had left the innocent East far behind and was come to a country where a man must look out for himself. The very hotels bristled with notices about keeping my door locked and depositing my valuables in a safe. The white man in a lump is bad. Weeping softly for O-Toyo (little I knew then that my heart was to be torn afresh from my bosom) I fell asleep in the clanging hotel. Next morning I had entered upon the deferred inheritance. There are no princes in America—at least with crowns on their heads—but a generous-minded member of some royal family received my letter of introduction. Ere the day closed I was a member of the two clubs, and booked for many engagements to dinner and party. Now, this prince, upon whose financial operations be continual increase, had no reason, nor had the others, his friends, to put himself out for the sake of one Briton more or less, but he rested not till he had accomplished all in my behalf that a mother could think of for her debutante daughter. Do you know the Bohemian Club of San Francisco? They say its fame extends over the world. It was created, somewhat on the lines of the Savage, by men who wrote or drew things, and has blossomed into most unrepublican luxury. The ruler of the place is an owl—an owl standing upon a skull and cross-bones, showing forth grimly the wisdom of the man of letters and the end of his hopes for immortality. The owl stands on the staircase, a statue four feet high; is carved in the wood-work, flutters on the frescoed ceiling, is stamped on the note-paper, and hangs on the walls. He is an ancient and honorable bird. Under his wing 'twas my privilege to meet with white men whose lives were not chained down to routine of toil, who wrote magazine articles instead of reading them hurriedly in the pauses of office-work, who painted pictures instead of contenting themselves with cheap etchings picked up at another man's sale of effects. Mine were all the rights of social intercourse, craft by craft, that India, stony-hearted step-mother of collectors, has swindled us out of. Treading soft carpets and breathing the incense of superior cigars, I wandered from room to room studying the paintings in which the members of the club had caricatured themselves, their associates, and their aims. There was a slick French audacity about the workmanship of these men of toil unbending that went straight to the heart of the beholder. And yet it was not altogether French. A dry grimness of treatment, almost Dutch, marked the difference. The men painted as they spoke—with certainty. The club indulges in revelries which it calls “jinks”—high and low, at intervals—and each of these gatherings is faithfully portrayed in oils by hands that know their business. In this club were no amateurs spoiling canvas, because they fancied they could handle oils without knowledge of shadows or anatomy—no gentleman of leisure ruining the temper of publishers and an already ruined market with attempts to write “because everybody writes something these days.” My hosts were working, or had worked for their daily bread with pen or paint, and their talk for the most part was of the shop—shoppy—that is to say, delightful. They extended a large hand of welcome, and were as brethren, and I did homage to the owl and listened to their talk. An Indian club about Christmas-time will yield, if properly worked, an abundant harvest of queer tales; but at a gathering of Americans from the uttermost ends of their own continent, the tales are larger, thicker, more spinous, and even more azure than any Indian variety. Tales of the war I heard told by an ex-officer of the South over his evening drink to a colonel of the Northern army, my introducer, who had served as a trooper in the Northern Horse, throwing in emendations from time to time. “Tales of the Law,” which in this country is an amazingly elastic affair, followed from the lips of a judge. Forgive me for recording one tale that struck me as new. It may interest the up-country Bar in India. Once upon a time there was Samuelson, a young lawyer, who feared not God, neither regarded the Bench. (Name, age, and town of the man were given at great length.) To him no case had ever come as a client, partly because he lived in a district where lynch law prevailed, and partly because the most desperate prisoner shrunk from intrusting himself to the mercies of a phenomenal stammerer. But in time there happened an aggravated murder—so bad, indeed, that by common consent the citizens decided, as a prelude to lynching, to give the real law a chance. They could, in fact, gambol round that murder. They met—the court in its shirt-sleeves—and against the raw square of the Court House window a temptingly suggestive branch of a tree fretted the sky. No one appeared for the prisoner, and, partly in jest, the court advised young Samuelson to take up the case. “The prisoner is undefended, Sam,” said the court. “The square thing to do would be for you to take him aside and do the best you can for him.” Court, jury, and witness then adjourned to the veranda, while Samuelson led his client aside to the Court House cells. An hour passed ere the lawyer returned alone. Mutely the audience questioned. “May it p-p-please the c-court,” said Samuel-son, “my client's case is a b-b-b-bad one—a d-d-amn bad one. You told me to do the b-b-best I c-could for him, judge, so I've jest given him y-your b-b-bay gelding, an' told him to light out for healthier c-climes, my p-p-professional opinion being he'd be hanged quicker'n h-h-hades if he dallied here. B-by this time my client's 'bout fifteen mile out yonder somewheres. That was the b-b-best I could do for him, may it p-p-please the court.” The young man, escaping punishment in lieu of the prisoner, made his fortune ere five years. Other voices followed, with equally wondrous tales of riata-throwing in Mexico and Arizona, of gambling at army posts in Texas, of newspaper wars waged in godless Chicago (I could not help being interested, but they were not pretty tricks), of deaths sudden and violent in Montana and Dakota, of the loves of half-breed maidens in the South, and fantastic huntings for gold in mysterious Alaska. Above all, they told the story of the building of old San Francisco, when the “finest collection of humanity on God's earth, sir, started this town, and the water came up to the foot of Market Street.” Very terrible were some of the tales, grimly humorous the others, and the men in broadcloth and fine linen who told them had played their parts in them. “And now and again when things got too bad they would toll the city bell, and the Vigilance Committee turned out and hanged the suspicious characters. A man didn't begin to be suspected in those days till he had committed at least one unprovoked murder,” said a calm-eyed, portly old gentleman. I looked at the pictures around me, the noiseless, neat-uniformed waiter behind me, the oak-ribbed ceiling above, the velvet carpet beneath. It was hard to realize that even twenty years ago you could see a man hanged with great pomp. Later on I found reason to change my opinion. The tales gave me a headache and set me thinking. How in the world was it possible to take in even one thousandth of this huge, roaring, many-sided continent? In the tobacco-scented silence of the sumptuous library lay Professor Bryce's book on the American Republic. “It is an omen,” said I. “He has done all things in all seriousness, and he may be purchased for half a guinea. Those who desire information of the most undoubted, must refer to his pages. For me is the daily round of vagabondage, the recording of the incidents of the hour and intercourse with the travelling-companion of the day. I will not 'do' this country at all.” And I forgot all about India for ten days while I went out to dinners and watched the social customs of the people, which are entirely different from our customs, and was introduced to men of many millions. These persons are harmless in their earlier stages—that is to say, a man worth three or four million dollars may be a good talker, clever, amusing, and of the world; a man with twice that amount is to be avoided, and a twenty million man is—just twenty millions. Take an instance. I was speaking to a newspaper man about seeing the proprietor of his journal, as in my innocence I supposed newspaper men occasionally did. My friend snorted indignantly:—“See him! Great Scott! No. If he happens to appear in the office, I have to associate with him; but, thank Heaven! outside of that I move in circles where he cannot come.” And yet the first thing I have been taught to believe is that money was everything in America!
“Man is fire and woman is tow, And the devil he comes and begins to blow.”In America the tow is soaked in a solution that makes it fire-proof, in absolute liberty and large knowledge; consequently, accidents do not exceed the regular percentage arranged by the devil for each class and climate under the skies. But the freedom of the young girl has its drawbacks. She is—I say it with all reluctance—irreverent, from her forty-dollar bonnet to the buckles in her eighteen-dollar shoes. She talks flippantly to her parents and men old enough to be her grandfather. She has a prescriptive right to the society of the man who arrives. The parents admit it. This is sometimes embarrassing, especially when you call on a man and his wife for the sake of information—the one being a merchant of varied knowledge, the other a woman of the world. In five minutes your host has vanished. In another five his wife has followed him, and you are left alone with a very charming maiden, doubtless, but certainly not the person you came to see. She chatters, and you grin, but you leave with the very strong impression of a wasted morning. This has been my experience once or twice. I have even said as pointedly as I dared to a man:—“I came to see you.” “You'd better see me in my office, then. The house belongs to my women folk—to my daughter, that is to say.” He spoke the truth. The American of wealth is owned by his family. They exploit him for bullion. The women get the ha'pence, the kicks are all his own. Nothing is too good for an American's daughter (I speak here of the moneyed classes). The girls take every gift as a matter of course, and yet they develop greatly when a catastrophe arrives and the man of many millions goes up or goes down, and his daughters take to stenography or typewriting. I have heard many tales of heroism from the lips of girls who counted the principals among their friends. The crash came, Mamie, or Hattie, or Sadie, gave up their maid, their carriages and candy, and with a No. 2 Remington and a stout heart set about earning their daily bread. “And did I drop her from the list of my friends? No, sir,” said a scarlet-lipped vision in white lace; “that might happen to us any day.” It may be this sense of possible disaster in the air that makes San Francisco society go with so captivating a rush and whirl. Recklessness is in the air. I can't explain where it comes from, but there it is. The roaring winds of the Pacific make you drunk to begin with. The aggressive luxury on all sides helps out the intoxication, and you spin forever “down the ringing grooves of change” (there is no small change, by the way, west of the Rockies) as long as money lasts. They make greatly and they spend lavishly; not only the rich, but the artisans, who pay nearly five pounds for a suit of clothes, and for other luxuries in proportion. The young men rejoice in the days of their youth. They gamble, yacht, race, enjoy prize-fights and cock-fights, the one openly, the other in secret; they establish luxurious clubs; they break themselves over horse-flesh and other things, and they are instant in a quarrel. At twenty they are experienced in business, embark in vast enterprises, take partners as experienced as themselves, and go to pieces with as much splendor as their neighbors. Remember that the men who stocked California in the fifties were physically, and, as far as regards certain tough virtues, the pick of the earth. The inept and the weakly died en route, or went under in the days of construction. To this nucleus were added all the races of the Continent—French, Italian, German, and, of course, the Jew. The result you can see in the large-boned, deep-chested, delicate-handed women, and long, elastic, well-built boys. It needs no little golden badge swinging from the watch-chain to mark the native son of the golden West, the country-bred of California. Him I love because he is devoid of fear, carries himself like a man, and has a heart as big as his books. I fancy, too, he knows how to enjoy the blessings of life that his province so abundantly bestows upon him. At least, I heard a little rat of a creature with hock-bottle shoulders explaining that a man from Chicago could pull the eye-teeth of a Californian in business. Well, if I lived in fairy-land, where cherries were as big as plums, plums as big as apples, and strawberries of no account, where the procession of the fruits of the seasons was like a pageant in a Drury Lane pantomime and the dry air was wine, I should let business slide once in a way and kick up my heels with my fellows. The tale of the resources of California—vegetable and mineral—is a fairy-tale. You can read it in books. You would never believe me. All manner of nourishing food, from sea-fish to beef, may be bought at the lowest prices, and the people are consequently well-developed and of a high stomach. They demand ten shillings for tinkering a jammed lock of a trunk; they receive sixteen shillings a day for working as carpenters; they spend many sixpences on very bad cigars, which the poorest of them smoke, and they go mad over a prize-fight. When they disagree they do so fatally, with fire-arms in their hands, and on the public streets. I was just clear of Mission Street when the trouble began between two gentlemen, one of whom perforated the other. When a policeman, whose name I do not recollect, “fatally shot Ed Hearney” for attempting to escape arrest, I was in the next street. For these things I am thankful. It is enough to travel with a policeman in a tram-car, and, while he arranges his coat-tails as he sits down, to catch sight of a loaded revolver. It is enough to know that fifty per cent of the men in the public saloons carry pistols about them. The Chinaman waylays his adversary, and methodically chops him to pieces with his hatchet. Then the press roars about the brutal ferocity of the pagan. The Italian reconstructs his friend with a long knife. The press complains of the waywardness of the alien. The Irishman and the native Californian in their hours of discontent use the revolver, not once, but six times. The press records the fact, and asks in the next column whether the world can parallel the progress of San Francisco. The American who loves his country will tell you that this sort of thing is confined to the lower classes. Just at present an ex-judge who was sent to jail by another judge (upon my word I cannot tell whether these titles mean anything) is breathing red-hot vengeance against his enemy. The papers have interviewed both parties, and confidently expect a fatal issue. Now, let me draw breath and curse the negro waiter, and through him the negro in service generally. He has been made a citizen with a vote, consequently both political parties play with him. But that is neither here nor there. He will commit in one meal every betise that a senllion fresh from the plow-tail is capable of, and he will continue to repeat those faults. He is as complete a heavy-footed, uncomprehending, bungle-fisted fool as any mem-sahib in the East ever took into her establishment. But he is according to law a free and independent citizen—consequently above reproof or criticism. He, and he alone, in this insane city, will wait at table (the Chinaman doesn't count). He is untrained, inept, but he will fill the place and draw the pay. Now, God and his father's fate made him intellectually inferior to the Oriental. He insists on pretending that he serves tables by accident—as a sort of amusement. He wishes you to understand this little fact. You wish to eat your meals, and, if possible, to have them properly served. He is a big, black, vain baby and a man rolled into one. A colored gentleman who insisted on getting me pie when I wanted something else, demanded information about India. I gave him some facts about wages. “Oh, hell!” said he, cheerfully, “that wouldn't keep me in cigars for a month.” Then he fawned on me for a ten-cent piece. Later he took it upon himself to pity the natives of India. “Heathens,” he called them—this woolly one, whose race has been the butt of every comedy on the native stage since the beginning. And I turned and saw by the head upon his shoulders that he was a Yoruba man, if there be any truth in ethnological castes. He did his thinking in English, but he was a Yoruba negro, and the race type had remained the same throughout his generations. And the room was full of other races—some that looked exactly like Gallas (but the trade was never recruited from that side of Africa), some duplicates of Cameroon heads, and some Kroomen, if ever Kroomen wore evening dress. The American does not consider little matters of descent, though by this time he ought to know all about “damnable heredity.” As a general rule he keeps himself very far from the negro, and says things about him that are not pretty. There are six million negroes, more or less, in the States, and they are increasing. The American, once having made them citizens, cannot unmake them. He says, in his newspapers, they ought to be elevated by education. He is trying this, but it is likely to be a long job, because black blood is much more adhesive than white, and throws back with annoying persistence. When the negro gets religion he returns directly as a hiving bee to the first instincts of his people. Just now a wave of religion is sweeping over some of the Southern States. Up to the present two Messiahs and a Daniel have appeared, and several human sacrifices have been offered up to these incarnations. The Daniel managed to get three young men, who he insisted were Shadrach, Meshach, and Abednego, to walk into a blast furnace, guaranteeing non-combustion. They did not return. I have seen nothing of this kind, but I have attended a negro church. They pray, or are caused to pray by themselves in this country. The congregation were moved by the spirit to groans and tears, and one of them danced up the aisle to the mourners' bench. The motive may have been genuine. The movements of the shaken body were those of a Zanzibar stick dance, such as you see at Aden on the coal-boats, and even as I watched the people, the links that bound them to the white man snapped one by one, and I saw before me the hubshi (woolly hair) praying to a God he did not understand. Those neatly dressed folk on the benches, and the gray-headed elder by the window, were savages, neither more nor less. What will the American do with the negro? The South will not consort with him. In some States miscegenation is a penal offence. The North is every year less and less in need of his services. And he will not disappear. He will continue as a problem. His friends will urge that he is as good as the white man. His enemies—well, you can guess what his enemies will do from a little incident that followed on a recent appointment by the President. He made a negro an assistant in a post-office where—think of it!—he had to work at the next desk to a white girl, the daughter of a colonel, one of the first families of Georgia's modern chivalry, and all the weary, weary rest of it. The Southern chivalry howled, and hanged or burned some one in effigy. Perhaps it was the President, and perhaps it was the negro—but the principle remains the same. They said it was an insult. It is not good to be a negro in the land of the free and the home of the brave. But this is nothing to do with San Francisco and her merry maidens, her strong, swaggering men, and her wealth of gold and pride. They bore me to a banquet in honor of a brave lieutenant—Carlin, of the “Vandalia”—who stuck by his ship in the great cyclone at Apia and comported himself as an officer should. On that occasion—'twas at the Bohemian Club—I heard oratory with the roundest of o's, and devoured a dinner the memory of which will descend with me into the hungry grave. There were about forty speeches delivered, and not one of them was average or ordinary. It was my first introduction to the American eagle screaming for all it was worth. The lieutenant's heroism served as a peg from which the silver-tongued ones turned themselves loose and kicked. They ransacked the clouds of sunset, the thunderbolts of heaven, the deeps of hell, and the splendor of the resurrection for tropes and metaphors, and hurled the result at the head of the guest of the evening. Never since the morning stars sung together for joy, I learned, had an amazed creation witnessed such superhuman bravery as that displayed by the American navy in the Samoa cyclone. Till earth rotted in the phosphorescent star-and-stripe slime of a decayed universe, that god-like gallantry would not be forgotten. I grieve that I cannot give the exact words. My attempt at reproducing their spirit is pale and inadequate. I sat bewildered on a coruscating Niagara of blatherum-skite. It was magnificent—it was stupendous—and I was conscious of a wicked desire to hide my face in a napkin and grin. Then, according to rule, they produced their dead, and across the snowy tablecloths dragged the corpse of every man slain in the Civil War, and hurled defiance at “our natural enemy” (England, so please you), “with her chain of fortresses across the world.” Thereafter they glorified their nation afresh from the beginning, in case any detail should have been overlooked, and that made me uncomfortable for their sakes. How in the world can a white man, a sahib, of our blood, stand up and plaster praise on his own country? He can think as highly as he likes, but this open-mouthed vehemence of adoration struck me almost as indelicate. My hosts talked for rather more than three hours, and at the end seemed ready for three hours more. But when the lieutenant—such a big, brave, gentle giant—rose to his feet, he delivered what seemed to me as the speech of the evening. I remember nearly the whole of it, and it ran something in this way:—“Gentlemen—It's very good of you to give me this dinner and to tell me all these pretty-things, but what I want you to understand—the fact is, what we want and what we ought to get at once, is a navy—more ships—lots of 'em—” Then we howled the top of the roof off, and I for one fell in love with Carlin on the spot. Wallah! He was a man. The prince among merchants bid me take no heed to the warlike sentiments of some of the old generals. “The sky-rockets are thrown in for effect,” quoth he, “and whenever we get on our hind legs we always express a desire to chaw up England. It's a sort of family affair.” And, indeed, when you come to think of it, there is no other country for the American public speaker to trample upon. France has Germany; we have Russia; for Italy Austria is provided; and the humblest Pathan possesses an ancestral enemy. Only America stands out of the racket, and therefore to be in fashion makes a sand-bag of the mother country, and hangs her when occasion requires. “The chain of fortresses” man, a fascinating talker, explained to me after the affair that he was compelled to blow off steam. Everybody expected it. When we had chanted “The Star Spangled Banner” not more than eight times, we adjourned. America is a very great country, but it is not yet heaven, with electric lights and plush fittings, as the speakers professed to believe. My listening mind went back to the politicians in the saloon, who wasted no time in talking about freedom, but quietly made arrangements to impose their will on the citizens. “The judge is a great man, but give thy presents to the clerk,” as the proverb saith. And what more remains to tell? I cannot write connectedly, because I am in love with all those girls aforesaid, and some others who do not appear in the invoice. The typewriter is an institution of which the comic papers make much capital, but she is vastly convenient. She and a companion rent a room in a business quarter, and, aided by a typewriting machine, copy MSS. at the rate of six annas a page. Only a woman can operate a typewriting machine, because she has served apprenticeship to the sewing machine. She can earn as much as one hundred dollars a month, and professes to regard this form of bread-winning as her natural destiny. But, oh! how she hates it in her heart of hearts! When I had got over the surprise of doing business with and trying to give orders to a young woman of coldly, clerkly aspect intrenched behind gold-rimmed spectacles, I made inquiries concerning the pleasures of this independence. They liked it—indeed they did. 'Twas the natural fate of almost all girls—the recognized custom in America—and I was a barbarian not to see it in that light. “Well, and after?” said I. “What happens?” “We work for our bread.” “And then what do you expect?” “Then we shall work for our bread.” “Till you die?” “Ye-es—unless—” “Unless what? This is your business, you know. A man works until he dies.” “So shall we”—this without enthusiasm—“I suppose.” Said the partner in the firm, audaciously:—“Sometimes we marry our employees—at least, that's what the newspapers say.” The hand banged on half a dozen of the keys of the machine at once. “Yet I don't care. I hate it—I hate it—I hate it—and you needn't look so!” The senior partner was regarding the rebel with grave-eyed reproach. “I thought you did,” said I. “I don't suppose American girls are much different from English ones in instinct.” “Isn't it Theophile Gautier who says that the only difference between country and country lie in the slang and the uniform of the police?” Now, in the name of all the gods at once, what is one to say to a young lady (who in England would be a person) who earns her own bread, and very naturally hates the employ, and slings out-of-the-way quotations at your head? That one falls in love with her goes without saying, but that is not enough. A mission should be established.
. . . . . .Then out and away to Livingstone once more. The maiden from New Hampshire disappeared, papa and mamma with her. Disappeared, too, the old lady from Chicago, and the others.
“I know thy cunning and thy greed, Thy hard high lust and wilful deed, And all thy glory loves to tell Of specious gifts material.”I HAVE struck a city—a real city—and they call it Chicago. The other places do not count. San Francisco was a pleasure-resort as well as a city, and Salt Lake was a phenomenon. This place is the first American city I have encountered. It holds rather more than a million of people with bodies, and stands on the same sort of soil as Calcutta. Having seen it, I urgently desire never to see it again. It is inhabited by savages. Its water is the water of the Hooghly, and its air is dirt. Also it says that it is the “boss” town of America. I do not believe that it has anything to do with this country. They told me to go to the Palmer House, which is overmuch gilded and mirrored, and there I found a huge hall of tessellated marble crammed with people talking about money, and spitting about everywhere. Other barbarians charged in and out of this inferno with letters and telegrams in their hands, and yet others shouted at each other. A man who had drunk quite as much as was good for him told me that this was “the finest hotel in the finest city on God Almighty's earth.” By the way, when an American wishes to indicate the next country or state, he says, “God A'mighty's earth.” This prevents discussion and flatters his vanity. Then I went out into the streets, which are long and flat and without end. And verily it is not a good thing to live in the East for any length of time. Your ideas grow to clash with those held by every right-thinking man. I looked down interminable vistas flanked with nine, ten, and fifteen-storied houses, and crowded with men and women, and the show impressed me with a great horror. Except in London—and I have forgotten what London was like—I had never seen so many white people together, and never such a collection of miserables. There was no color in the street and no beauty—only a maze of wire ropes overhead and dirty stone flagging under foot. A cab-driver volunteered to show me the glory of the town for so much an hour, and with him I wandered far. He conceived that all this turmoil and squash was a thing to be reverently admired, that it was good to huddle men together in fifteen layers, one atop of the other, and to dig holes in the ground for offices. He said that Chicago was a live town, and that all the creatures hurrying by me were engaged in business. That is to say they were trying to make some money that they might not die through lack of food to put into their bellies. He took me to canals as black as ink, and filled with un-told abominations, and bid me watch the stream of traffic across the bridges. He then took me into a saloon, and while I drank made me note that the floor was covered with coins sunk in cement. A Hottentot would not have been guilty of this sort of barbarism. The coins made an effect pretty enough, but the man who put them there had no thought of beauty, and, therefore, he was a savage. Then my cab-driver showed me business blocks gay with signs and studded with fantastic and absurd advertisements of goods, and looking down the long street so adorned, it was as though each vender stood at his door howling:—“For the sake of my money, employ or buy of me, and me only!” Have you ever seen a crowd at a famine-relief distribution? You know then how the men leap into the air, stretching out their arms above the crowd in the hope of being seen, while the women dolorously slap the stomachs of their children and whimper. I had sooner watch famine relief than the white man engaged in what he calls legitimate competition. The one I understand. The other makes me ill. And the cabman said that these things were the proof of progress, and by that I knew he had been reading his newspaper, as every intelligent American should. The papers tell their clientele in language fitted to their comprehension that the snarling together of telegraph-wires, the heaving up of houses, and the making of money is progress. I spent ten hours in that huge wilderness, wandering through scores of miles of these terrible streets and jostling some few hundred thousand of these terrible people who talked paisa bat through their noses. The cabman left me; but after awhile I picked up another man, who was full of figures, and into my ears he poured them as occasion required or the big blank factories suggested. Here they turned out so many hundred thousand dollars' worth of such and such an article; there so many million other things; this house was worth so many million dollars; that one so many million, more or less. It was like listening to a child babbling of its hoard of shells. It was like watching a fool playing with buttons. But I was expected to do more than listen or watch. He demanded that I should admire; and the utmost that I could say was:—“Are these things so? Then I am very sorry for you.” That made him angry, and he said that insular envy made me unresponsive. So, you see, I could not make him understand. About four and a half hours after Adam was turned out of the Garden of Eden he felt hungry, and so, bidding Eve take care that her head was not broken by the descending fruit, shinned up a cocoanut-palm. That hurt his legs, cut his breast, and made him breathe heavily, and Eve was tormented with fear lest her lord should miss his footing, and so bring the tragedy of this world to an end ere the curtain had fairly risen. Had I met Adam then, I should have been sorry for him. To-day I find eleven hundred thousand of his sons just as far advanced as their father in the art of getting food, and immeasurably inferior to him in that they think that their palm-trees lead straight to the skies. Consequently, I am sorry in rather more than a million different ways. In the East bread comes naturally, even to the poorest, by a little scratching or the gift of a friend not quite so poor. In less favored countries one is apt to forget. Then I went to bed. And that was on a Saturday night. Sunday brought me the queerest experiences of all—a revelation of barbarism complete. I found a place that was officially described as a church. It was a circus really, but that the worshippers did not know. There were flowers all about the building, which was fitted up with plush and stained oak and much luxury, including twisted brass candlesticks of severest Gothic design. To these things and a congregation of savages entered suddenly a wonderful man, completely in the confidence of their God, whom he treated colloquially and exploited very much as a newspaper reporter would exploit a foreign potentate. But, unlike the newspaper reporter, he never allowed his listeners to forget that he, and not He, was the centre of attraction. With a voice of silver and with imagery borrowed from the auction-room, he built up for his hearers a heaven on the lines of the Palmer House (but with all the gilding real gold, and all the plate-glass diamond), and set in the centre of it a loud-voiced, argumentative, very shrewd creation that he called God. One sentence at this point caught my delighted ear. It was apropos of some question of the Judgment, and ran:—“No! I tell you God doesn't do business that way.” He was giving them a deity whom they could comprehend, and a gold and jewelled heaven in which they could take a natural interest. He interlarded his performance with the slang of the streets, the counter, and the exchange, and he said that religion ought to enter into daily life. Consequently, I presume he introduced it as daily life—his own and the life of his friends. Then I escaped before the blessing, desiring no benediction at such hands. But the persons who listened seemed to enjoy themselves, and I understood that I had met with a popular preacher. Later on, when I had perused the sermons of a gentleman called Talmage and some others, I perceived that I had been listening to a very mild specimen. Yet that man, with his brutal gold and silver idols, his hands-in-pocket, cigar-in-mouth, and hat-on-the-back-of-the-head style of dealing with the sacred vessels, would count himself, spiritually, quite competent to send a mission to convert the Indians. All that Sunday I listened to people who said that the mere fact of spiking down strips of iron to wood, and getting a steam and iron thing to run along them was progress, that the telephone was progress, and the net-work of wires overhead was progress. They repeated their statements again and again. One of them took me to their City Hall and Board of Trade works, and pointed it out with pride. It was very ugly, but very big, and the streets in front of it were narrow and unclean. When I saw the faces of the men who did business in that building, I felt that there had been a mistake in their billeting. By the way, 'tis a consolation to feel that I am not writing to an English audience. Then I should have to fall into feigned ecstasies over the marvellous progress of Chicago since the days of the great fire, to allude casually to the raising of the entire city so many feet above the level of the lake which it faces, and generally to grovel before the golden calf. But you, who are desperately poor, and therefore by these standards of no ac-count, know things, will understand when I write that they have managed to get a million of men together on flat land, and that the bulk of these men together appear to be lower than Mahajans and not so companionable as a Punjabi Jat after harvest. But I don't think it was the blind hurry of the people, their argot, and their grand ignorance of things beyond their immediate interests that displeased me so much as a study of the daily papers of Chicago. Imprimis, there was some sort of a dispute between New York and Chicago as to which town should give an exhibition of products to be hereafter holden, and through the medium of their more dignified journals the two cities were yahooing and hi-yi-ing at each other like opposition newsboys. They called it humor, but it sounded like something quite different. That was only the first trouble. The second lay in the tone of the productions. Leading articles which include gems such as “Back of such and such a place,” or, “We noticed, Tuesday, such an event,” or, “don't” for “does not,” are things to be accepted with thankfulness. All that made me want to cry was that in these papers were faithfully reproduced all the war-cries and “back-talk” of the Palmer House bar, the slang of the barber-shops, the mental elevation and integrity of the Pullman car porter, the dignity of the dime museum, and the accuracy of the excited fish-wife. I am sternly forbidden to believe that the paper educates the public. Then I am compelled to believe that the public educate the paper; yet suicides on the press are rare. Just when the sense of unreality and oppression was strongest upon me, and when I most wanted help, a man sat at my side and began to talk what he called politics. I had chanced to pay about six shillings for a travelling-cap worth eighteen-pence, and he made of the fact a text for a sermon. He said that this was a rich country, and that the people liked to pay two hundred per cent, on the value of a thing. They could afford it. He said that the government imposed a protective duty of from ten to seventy per cent on foreign-made articles, and that the American manufacturer consequently could sell his goods for a healthy sum. Thus an imported hat would, with duty, cost two guineas. The American manufacturer would make a hat for seventeen shillings, and sell it for one pound fifteen. In these things, he said, lay the greatness of America and the effeteness of England. Competition between factory and factory kept the prices down to decent limits, but I was never to forget that this people were a rich people, not like the pauper Continentals, and that they enjoyed paying duties. To my weak intellect this seemed rather like juggling with counters. Everything that I have yet purchased costs about twice as much as it would in England, and when native made is of inferior quality. Moreover, since these lines were first thought of, I have visited a gentleman who owned a factory which used to produce things. He owned the factory still. Not a man was in it, but he was drawing a handsome income from a syndicate of firms for keeping it closed, in order that it might not produce things. This man said that if protection were abandoned, a tide of pauper labor would flood the country, and as I looked at his factory I thought how entirely better it was to have no labor of any kind whatever rather than face so horrible a future. Meantime, do you remember that this peculiar country enjoys paying money for value not received? I am an alien, and for the life of me I cannot see why six shillings should be paid for eighteen-penny caps, or eight shillings for half-crown cigar-cases. When the country fills up to a decently populated level a few million people who are not aliens will be smitten with the same sort of blindness. But my friend's assertion somehow thoroughly suited the grotesque ferocity of Chicago. See now and judge! In the village of Isser Jang, on the road to Montgomery, there be four Changar women who winnow corn—some seventy bushels a year. Beyond their hut lives Purun Dass, the money-lender, who on good security lends as much as five thousand rupees in a year. Jowala Singh, the smith, mends the village plows—some thirty, broken at the share, in three hundred and sixty-five days; and Hukm Chund, who is letter-writer and head of the little club under the travellers' tree, generally keeps the village posted in such gossip as the barber and the mid-wife have not yet made public property. Chicago husks and winnows her wheat by the million bushels, a hundred banks lend hundreds of millions of dollars in the year, and scores of factories turn out plow-gear and machinery by steam. Scores of daily papers do work which Hukm Chund and the barber and the midwife perform, with due regard for public opinion, in the village of Isser Jang. So far as manufactories go, the difference between Chicago on the lake, and Isser Jang on the Montgomery road, is one of degree only, and not of kind. As far as the understanding of the uses of life goes, Isser Jang, for all its seasonal cholers, has the advantage over Chicago. Jowala Singh knows and takes care to avoid the three or four ghoul-haunted fields on the outskirts of the village; but he is not urged by millions of devils to run about all day in the sun and swear that his plowshares are the best in the Punjab; nor does Purun Dass fly forth in an ekka more than once or twice a year, and he knows, on a pinch, how to use the railway and the telegraph as well as any son of Israel in Chicago. But this is absurd. The East is not the West, and these men must continue to deal with the machinery of life, and to call it progress. Their very preachers dare not rebuke them. They gloss over the hunting for money and the thrice-sharpened bitterness of Adam's curse, by saying that such things dower a man with a larger range of thoughts and higher aspirations. They do not say, “Free yourselves from your own slavery,” but rather, “If you can possibly manage it, do not set quite so much store on the things of this world.” And they do not know what the things of this world are! I went off to see cattle killed, by way of clearing my head, which, as you will perceive, was getting muddled. They say every Englishman goes to the Chicago stock-yards. You shall find them about six miles from the city; and once having seen them, you will never forget the sight. As far as the eye can reach stretches a town-ship of cattle-pens, cunningly divided into blocks, so that the animals of any pen can be speedily driven out close to an inclined timber path which leads to an elevated covered way straddling high above the pens. These viaducts are two-storied. On the upper story tramp the doomed cattle, stolidly for the most part. On the lower, with a scuffling of sharp hoofs and multitudinous yells, run the pigs, the same end being appointed for each. Thus you will see the gangs of cattle waiting their turn—as they wait sometimes for days; and they need not be distressed by the sight of their fellows running about in the fear of death. All they know is that a man on horseback causes their next-door neighbors to move by means of a whip. Certain bars and fences are unshipped, and behold! that crowd have gone up the mouth of a sloping tunnel and return no more. It is different with the pigs. They shriek back the news of the exodus to their friends, and a hundred pens skirl responsive. It was to the pigs I first addressed myself. Selecting a viaduct which was full of them, as I could hear, though I could not see, I marked a sombre building whereto it ran, and went there, not unalarmed by stray cattle who had managed to escape from their proper quarters. A pleasant smell of brine warned me of what was coming. I entered the factory and found it full of pork in barrels, and on another story more pork un-barrelled, and in a huge room the halves of swine, for whose behoof great lumps of ice were being pitched in at the window. That room was the mortuary chamber where the pigs lay for a little while in state ere they began their progress through such passages as kings may sometimes travel. Turning a corner, and not noting an overhead arrangement of greased rail, wheel, and pulley, I ran into the arms of four eviscerated carcasses, all pure white and of a human aspect, pushed by a man clad in vehement red. When I leaped aside, the floor was slippery under me. Also there was a flavor of farm-yard in my nostrils and the shouting of a multitude in my ears. But there was no joy in that shouting. Twelve men stood in two lines six a side. Between them and overhead ran the railway of death that had nearly shunted me through the window. Each man carried a knife, the sleeves of his shirt were cut off at the elbows, and from bosom to heel he was blood-red. Beyond this perspective was a column of steam, and beyond that was where I worked my awe-struck way, unwilling to touch beam or wall. The atmosphere was stifling as a night in the rains by reason of the steam and the crowd. I climbed to the beginning of things and, perched upon a narrow beam, overlooked very nearly all the pigs ever bred in Wisconsin. They had just been shot out of the mouth of the viaduct and huddled together in a large pen. Thence they were flicked persuasively, a few at a time, into a smaller chamber, and there a man fixed tackle on their hinder legs, so that they rose in the air, suspended from the railway of death. Oh! it was then they shrieked and called on their mothers, and made promises of amendment, till the tackle-man punted them in their backs and they slid head down into a brick-floored passage, very like a big kitchen sink, that was blood-red. There awaited them a red man with a knife, which he passed jauntily through their throats, and the full-voiced shriek became a splutter, and then a fall as of heavy tropical rain, and the red man, who was backed against the passage-wall, you will understand, stood clear of the wildly kicking hoofs and passed his hand over his eyes, not from any feeling of compassion, but because the spurted blood was in his eyes, and he had barely time to stick the next arrival. Then that first stuck swine dropped, still kicking, into a great vat of boiling water, and spoke no more words, but wallowed in obedience to some unseen machinery, and presently came forth at the lower end of the vat, and was heaved on the blades of a blunt paddle-wheel, things which said “Hough, hough, hough!” and skelped all the hair off him, except what little a couple of men with knives could remove. Then he was again hitched by the heels to that said railway, and passed down the line of the twelve men, each man with a knife—losing with each man a certain amount of his individuality, which was taken away in a wheel-barrow, and when he reached the last man he was very beautiful to behold, but excessively unstuffed and limp. Preponderance of individuality was ever a bar to foreign travel. That pig could have been in case to visit you in India had he not parted with some of his most cherished notions. The dissecting part impressed me not so much as the slaying. They were so excessively alive, these pigs. And then, they were so excessively dead, and the man in the dripping, clammy, not passage did not seem to care, and ere the blood of such a one had ceased to foam on the floor, such another and four friends with him had shrieked and died. But a pig is only the unclean animal—the forbidden of the prophet.
End of the Project Gutenberg EBook of American Notes, by Rudyard Kipling *** END OF THIS PROJECT GUTENBERG EBOOK AMERICAN NOTES *** ***** This file should be named 977-h.htm or 977-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/9/7/977/ Produced by Judith Boss, and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.