Bhatiyar

Arohana: S M ❟ P G ❟ M̄ D Ṡ^[a][1]

Avarohana: ̱̱Ṙ N D P M ❟ P G Ṟ S^[b][1]

Vadi: M^[2]

Samavadi: S^[2]

Thaat: Marva.

Pakad or Chalan: S m P D N r' N D m P G r S^{[citation needed]}

M D S', r' N D P, D m P G r S

Or we have other way for Chalan as

S-D-P-D-m-P-G-M-D-S, r-N-D-P-D-m-P-G-r-s

Time: Early morning, 3–6^[1]

Behaviour refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed. The raag Bhatiyar was the favorite raag of famous hindi film music director, SD Burman.

• Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 38. ISBN 9780954397609.
• Bhaṭiyār Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983. Retrieved 12 October 2018.

• SRA on Samay and Ragas
• SRA on Ragas and Thaats
• Rajan Parrikar on Ragas
• Film Songs in Rag Bhatiyar
• more details about raag Bhatiyar