David Williamson

David Williamson was born in Melbourne, Victoria, on 24 February 1942, and was brought up in Bairnsdale. He initially studied mechanical engineering at the University of Melbourne from 1960, but left and graduated from Monash University with a Bachelor of Engineering degree in 1965. His early forays into the theatre were as an actor and writer of skits for the Engineers' Revue at Melbourne University's Union Theatre at lunchtime during the early 1960s, and as a satirical sketch writer for Monash University student reviews and the Emerald Hill Theatre Company.

After a brief stint as design engineer for GM Holden, Williamson became a lecturer in mechanical engineering and thermodynamicsatSwinburne University of Technology (then Swinburne Technical College) in 1966 while studying social psychology as a postgraduate part-time at the University of Melbourne. He completed a Master of Arts in Psychology in 1970, and then completed further postgraduate research in social psychology. Williamson later lectured in social psychology at Swinburne, where he remained until 1972.

Williamson first turned to writing and performing in plays in 1967 with La Mama Theatre Company and the Pram Factory, and rose to prominence in the early 1970s, with works such as Don's Party (later turned into a 1976 film), a comic drama set during the 1969 federal election; and The Removalists (1971). He also collaborated on the screenplays for Gallipoli (1981) and The Year of Living Dangerously (1982). Williamson's work as a playwright focuses on themes of politics, loyalty and family in contemporary urban Australia, particularly in two of its major cities, Melbourne and Sydney.

Major stage works include The Club, The Department, Travelling North, The Perfectionist, Emerald City, Money and Friends and Brilliant Lies.

Recent work has included Dead White Males, a satirical approach to postmodernism and university ethics; Up for Grabs, which starred Madonna in its London premiere; and the Jack Manning Trilogy (Face To Face, Conversation, Charitable Intent) which take as their format community conferencing, a new form of restorative justice, in which Williamson became interested in the late 1990s and early 2000s.

In recent years he has alternated work between larger stages (including Soul Mates, Amigos and Influence – all premiered with the Sydney Theatre Company) and smaller ones (including the Manning trilogy, Flatfoot and Operator, which premiered at the Ensemble Theatre).

In 2005, he announced his retirement from main-stage productions, although he has continued to write new plays for the mainstage, many produced with the Ensemble Theatre. He had a serious health problem, cardiac arrhythmia, which had required frequent hospitalisation. An operation resolved this issue, but then in 2009 he had a mild stroke, from which he recovered fully.^[1]

Williamson was instrumental in the founding of the Noosa Long Weekend Festival, a cultural festival in Noosa, Queensland, where he lives.

In August 2006 Cate Molloy, former Australian Labor Party member of the Queensland Parliament for Noosa, announced that Williamson would be her campaign manager as she sought to recontest her seat as an Independent.

In 2007, Lotte's Gift, a one-woman show starring Karin Schaupp, which traced a journey through Schaupp's own life as well as those of her mother and grandmother (the Lotte of the title), was produced.

In 2021, his memoir, Home Truths, was published by HarperCollins. Reviewing the book for The Sydney Morning Herald, Peter Craven wrote "He comes across as a likeable, flawed fellow with no more blindness than people of lesser talent".^[2]

Williamson is married to Kristin Williamson (sister of independent filmmaker Chris Löfvén) who have homes in Sydney and on Queensland's Sunshine Coast. They have five adult children and 11 grandchildren.^[1]

His son, Rory Williamson, and his stepson, Felix Williamson, are both actors. Rory starred as Stork in the 2001 revival of The Coming of Stork at the Stables Theatre in Sydney, produced by Felix's company, the Bare Naked Theatre Company.^{[citation needed]}

• 1971 – British George Devine Award
• 1972 – Australian Writers Guild Awgie Award for best stage play and best script with The Removalists
• 1983 – appointed an Officer of the Order of Australia^[3]
• 1988 – Honorary Doctor of Letters, University of Sydney
• 1990 – Honorary Doctor of Letters, Monash University
• 1995 – Human Rights and Equal Opportunity Commission Drama Award for Sanctuary ^[4]
• 1996 – chosen to deliver the inaugural Andrew Olle Media Lecture
• 1996 – Honorary Doctor of Letters, Swinburne University of Technology
• 2004 – Honorary Doctor of Letters, University of Queensland
• 2012 – Nominated Senior Australian of the Year

• 1977 – AFI Award, Best Screenplay, Original or Adapted, Don's Party
• 1981 – AFI Award, Best Screenplay, Original or Adapted, Gallipoli
• 1987 – AFI Award, Best Screenplay, Adapted, Travelling North
• 2009 – AFI Award, Best Screenplay, Adapted, Balibo (shared with director Robert Connolly)

The Helpmann Awards is an awards show, celebrating live entertainment and performing arts in Australia, presented by industry group Live Performance Australia (LPA) since 2001.^[5] In 2005, Williamson received the JC Williamson Award, the LPA's highest honour, for their life's work in live performance.^[6]

• Official website
• "David Williamson interviews by Martin Portus, 22 and 23 January 2018" (library record). State Library of New South Wales. Retrieved 4 June 2018.
• David WilliamsonatIMDb
• David Williamson playscripts, Australian Script Centre
• David Williamson Australian theatre creditsatAusStage