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G minor





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G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative majorisB-flat major and its parallel majorisG major.

G minor
{ \magnifyStaff #3/2 \omit Score.TimeSignature \key g \minor s16 \clef F \key g \minor s^"" }
Relative keyB-flat major
Parallel keyG major
Dominant keyD minor
SubdominantC minor
Component pitches
G, A, B, C, D, E, F

The G natural minor scale is:

 {
\omit Score.TimeSignature \relative c'' {
  \key g \minor \time 7/4 g^"G natural minor scale" a bes c d es f g f es d c bes a g
  \clef F \key g \minor
} }

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are:

 {
\omit Score.TimeSignature \relative c'' {
  \key g \minor \time 7/4 g^"G harmonic minor scale" a bes c d es fis g fis es d c bes a g
} }
 {
\omit Score.TimeSignature\relative c'' {
  \key g \minor \time 7/4 g^"G melodic minor scale (ascending and descending)" a bes c d e fis g f! es! d c bes a g
} }

Scale degree chords

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Mozart's use of G minor

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G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy,[1] and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B alto.[2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major, the subdominant of the relative major B, for the slow movement, with other examples including Joseph Haydn's No. 39 and Johann Baptist Wanhal's G minor symphony from before 1771.[3]

Notable works in G minor

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  • Henry Purcell
  • Antonio Vivaldi
  • Georg Philipp Telemann
  • Johann Sebastian Bach
  • Joseph Haydn
  • Wolfgang Amadeus Mozart
  • Ludwig van Beethoven
  • Franz Schubert
  • Carl Maria von Weber
  • Felix Mendelssohn
  • Frédéric Chopin
  • Charles-Valentin Alkan
  • Franz Liszt
  • Robert Schumann
  • Clara Schumann
  • Johannes Brahms
  • Camille Saint-Saëns
  • Max Bruch
  • Pyotr Ilyich Tchaikovsky
  • Antonín Dvořák
  • Gabriel Fauré
  • Claude Debussy
  • Isaac Albéniz
  • Gustav Holst
  • Ralph Vaughan Williams
  • Sergei Rachmaninoff
  • Sergei Prokofiev
  • Dmitri Shostakovich
  • See also

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    References

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    1. ^ Hellmut Federhofer, foreword to the Bärenreiter Urtext edition of Mozart's Piano Quartet in G minor. "G-Moll war für Mozart zeitlebens die Schicksaltonart, die ihm für den Ausdruck des Schmerzes und der Tragik am geeignetsten erschien." ("G minor was, for Mozart, the most suitable fate-key throughout his life for the expression of pain and tragedy.")
  • ^ H. C. Robbins Landon, Mozart and Vienna. New York: Schirmer Books (1991): 48. "Writing for four horns was a regular part of the Sturm und Drang G minor equipment." Robbins Landon also notes that Mozart's No. 40 was first intended to have four horns.
  • ^ James Hepokoski and Warren Darcy, Elements of Sonata Theory (Oxford University Press: 2006) p. 328
  • edit

    Retrieved from "https://en.wikipedia.org/w/index.php?title=G_minor&oldid=1228224614"
     



    Last edited on 10 June 2024, at 02:54  





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    This page was last edited on 10 June 2024, at 02:54 (UTC).

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