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Content in this edit is translated from the existing Tatar Wikipedia article at [[:tt:Һади Такташ]]; see its history for attribution.{{Translated|tt|Һади Такташ}} to the talk page. |
Möxämmäthadi Xäyrulla ulı Taqtaşev better known as Hadi Taqtaş[a] (Tatar: Һади Такташ, Tatar pronunciation: [hʌˈdɯɪ tʌqˈtaʃ]; Russian: Хади Такташ; 1901–1931) was a Soviet–Tatar poet, writer and publicist.
Hadi Taqtaş
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| Born | Mɵxəmməthadi Xəyrulla ulı Taqtaşev 1 January [O.S. 19 December] 1901 |
| Died | December 8, 1931(1931-12-08) (aged 30) |
| Burial place | Gorky Park [ru], Kazan, Tatarstan, Russia |
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(m. 1930) |
His early verses have a tendency to symbolism: romantic ballades Газраилләр (The Azraels, 1916), Үтерелгән пәйгамбәр (The Killed Prophet, 1918), tragedy verse Җир уллары (The Sons of the Earth, 1923), poems Гасырлар һәм минутлар (The Centuries and The Minutes, 1924), Мәхәббәт тәүбәсе (The Oath of Love, 1927), Алсу (1929), Киләчәккә хатлар (The Letters to the Future, 1931). His innovative poem Мокамай (1929) and verse Урман кызы (The Forest Girl, 1922) had unusual rhythmic system for the Tatar verse before Taqtaş. He also wrote several dramas, Күмелгән кораллар (The Buried Weapons, 1927), Югалган матурлык (The Lost Beauty, 1929.), Камил (1930). He also wrote several publicist articles. The complete publishing of his writings issued after his death include Әсәрләр (1-3 t. 1980-1983), Истәлекләр, шигерләр (2001).[1]