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Hyderabadi (Urdu: حیدرآبادی اردو) is a variety of Dakhini Urdu, spoken in areas of the former Hyderabad State, corresponding to the Indian stateofTelangana, the Marathwada region of Maharashtra and the Kalyana-Karnataka region of Karnataka.
| Hyderabadi Urdu | |
|---|---|
| حیدرآبادی اردو | |
| Native to | Telangana, Marathwada region of Maharashtra and Kalyana-Karnataka region of Karnataka |
| Region | Deccan |
| Ethnicity | Hyderabadi Muslims |
| Perso-Arabic (Urdu alphabet) | |
| Language codes | |
| ISO 639-3 | – |
| Glottolog | dakh1244 |
 | |
It is natively spoken by the Hyderabadi Muslims and their diaspora.[1][2] It contains loan words from Indian languages like Marathi, Telugu, Kannada and foreign languages like Arabic, Turkic and Persian.[3] Hyderabadi is considered to be a northern variety of Dakhini.[4]
Hyderabadi is mutually intelligible with most Hindi/Urdu speakers but has distinctive features from interaction with local Indian Languages such as Marathi, Telugu, Kannada.[5]
The letter ق (qāf) is pronounced as an unvoiced velar fricative /x/ with the same pronunciation as خ (khe) whereas in Standard Hindustani dialects the ق is pronounced as a velar plosive /k/ with the same pronunciation as ک (kāf). For example, the word 'qabar' (grave) is pronounced as 'khabar' (news).
Distinct vocabulary unique to Hyderabadis:[6][7]
The suffix "ān" is often used to mark plurality. The letter 'n' is an almost silent nasal stop. For example, Log لوگ (people) would become Logān لوگاں, Bāt بات (talk) would become Bātān باتاں, Ādmi آدمی (men) pronounced as Admi ادمی would become Admiyān ادمیاں, etc. in the Hyderabadi dialect.
While talking, many long a's (as in "father") are pronounced "uh" as in "hut." For example, instead of "ādmi" آدمی (man) or "rāsta" راستہ (path) in Orthodox Urdu, Hyderabadi would use "admi" ادمی and "rasta" رستہ. Similarly "bhūl" بھول (to forget), "ṭūṭ" ٹوٹ (to break) and "čūṛi'ān" چوڑیاں (bangles) is "bhul" بُھل, "ṭuṭ" ٹُٹ and "čuṛiyān" چُڑیاں in Hyderabadi.
In the early sixties, film star Mehmood popularized another dialect in Indian films, Dakhni slang, which originates from former Mysore State.
A very famous Guinness record holder drama /stage comedy written in Dakhani is Adrak Ke Punjey. Many Urdu poets also write in the Hyderabadi dialect of Dakhani, including Pagal Adilabadi, Khamakha Hyderabadi and Nukko Hyderabadi (ofChicago, Illinois).
Hyderabadi gained sudden prominence and recognition in 2006 after the success of the comedy film The Angrez that adopted the dialect. The film's success sparked several other Hyderabadi dialect films including: Kal Ka Nawaab, Hyderabad Nawaabs, Aadab Hyderabad, Gullu Dada, Gullu Dada Returns, Berozgaar, Hungama In Dubai, Daawat-e-Ishq.