Lianhua Symphony

Lianhua Film Company was the biggest film company of China in the 1930s. Eight young directors chosen to participate in the project were already praised for their previous works. Most of them became even more important several years later and today their films are considered classics. Some, like Sun Yu's The Big Road (1934), Cai Chusheng's The Spring River Flows East (1947), Fei Mu's Spring in a Small Town (1948), or Shen Fu's Myriad of Lights (1949) often reappear on many "best Chinese films of all time" lists.^[2][3][4] Zhu Shilin became a prominent figure in Hong Kong cinema of the 1950s. In this respect, today Lianhua Symphony can be considered an overview of short films created by the most important directors of the so-called "first generation" of Chinese filmmakers.

Lianhua Symphony episodes differ in content and style. The main themes are poverty, social patriotism, friendship. Many segments refer, either directly or indirectly, to Japanese threat of the time. Some may be classified as melodramas and some as comedies, including elements of slapstick. Fei Mu's segment about women having bad dreams, Nightmares in Spring Chamber, is clearly and heavily influenced by German Expressionist cinema.

The film begins with a short introduction sequence, in which Lianhua Film Company personnel sings Song of Big Road, a hit from one of the studio's previous films, The Big Road (1934). Camera zooms out to reveal a microphone, film equipment and a conductor. The film finishes with a similar scene, presenting a different song, The Pioneers. This reminds us, that Lianhua was not only a prolific manufacturer of movies, but also - music.^[5]

• Symphony of LianhuaatIMDb
• Nightmares in Spring Chamber segment at the Chinese Movie Database