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Michael Camille





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Michael William Camille (6 March 1958 – 29 April 2002) was a British art historian and academic, who was an influential, provocative scholar and historian of medieval art and specialist of the European Middle Ages. He was Mary L. Block Professor at the University of Chicago.

Michael Camille
Born

Michael William Camille


(1958-03-06)6 March 1958
Keighley, Yorkshire, England
Died29 April 2002(2002-04-29) (aged 44)
Occupations
  • Art historian
  • academic
  • Academic background
    EducationPeterhouse, Cambridge (PhD)

    InThe New York Times obituary of Michael Camille, The New York Times writes, "Mr. Camille was noted for bringing contemporary critical theory and social perspectives to the study of medieval art. Using anthropological, psychoanalytic, semiotic and other approaches, as well as traditional art historical methods, he described the Middle Ages as a time of complex social and political ferment with similarities to modern experience." Camille's new approach marked "a departure from the more popular conception of the period as a remote and static 'age of faith.'''[1]

    The New York Times obituary of Michael Camille is titled "Michael Camille, an influential and provocative scholar of medieval art at the University of Chicago, died on April 29. He was 44."[1]

    "Camille's first article in the English journal Art History (1985) brought him immediate attention."[2] Camille applied himself to "the traditional field of medieval manuscript illumination," but with new perspectives.

    His work is translated into "Spanish, French, Japanese, and Korean," and his book Image on the Edge "was reviewed by publications ranging from the Burlington Magazine to the Wall Street Journal." [3]

    Life

    edit

    Michael Camille was born in Keighley, Yorkshire, on 6 March 1958.[4] He studied English and Art HistoryatPeterhouse, Cambridge, graduating with a first class honours degree in 1980 and with a Doctor of Philosophy (PhD) degree in 1985.[5] His doctoral thesis was titled "The illustrated manuscripts of Guillaume de Deguileville's 'Pelerinages', 1330-1426".[6]

    Immediately after obtaining his doctorate he began work at the University of Chicago, where he remained for the rest of his short career. He was best known for applying post-structuralist ideas to questions of medieval art history. In 1996 he visited Medieval Times with Ira Glass for a segment of This American Life.[7] In 2001 he was awarded a Guggenheim Fellowship.[8]

    He died of a brain tumor on 29 April 2002.[4]

    Works

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    References

    edit
    1. ^ a b Johnson, Ken (27 May 2002). "Michael Camille, Historian Of Medieval Art, Dies at 44". The New York Times. ISSN 0362-4331. Retrieved 27 August 2019.
  • ^ Nelson, Robert S.; Seidel, Linda (2002). "Michael Camille: A Memorial". Gesta. 41 (2): 137–139. doi:10.1086/ges.41.2.4126579. ISSN 0016-920X. JSTOR 4126579. S2CID 191889591.
  • ^ Nelson, Robert (16 May 2002). "Obituary: Michael Camille". The Guardian. ISSN 0261-3077. Retrieved 27 August 2019.
  • ^ a b Michael Camille Obituary by Robert Nelson in The Guardian, Thursday, 16 May 2002. Accessed on 19 March 2019.
  • ^ Robert S. Nelson and Linda Seidel, "Michael Camille: A Memorial", Gesta 41/2 (2002), 137-139.
  • ^ Camille, Michael William (1985). "The illustrated manuscripts of Guillaume de Deguileville's 'Pelerinages', 1330-1426". E-Thesis Online Service. The British Library Board. Retrieved 24 July 2023.
  • ^ Episode 38 – "Simulated Worlds"
  • ^ Art Historian Michael Camille, 1958-2002, University of Chicago News Office, May 1, 2002. Accessed 18 January 2016.

  • Retrieved from "https://en.wikipedia.org/w/index.php?title=Michael_Camille&oldid=1213445065"
     



    Last edited on 13 March 2024, at 03:04  





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    This page was last edited on 13 March 2024, at 03:04 (UTC).

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